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‘The Muppets’: The Reviews Are In!

Critics are overwhelmingly happy with the big-screen reboot featuring Kermit and the gang. By Kevin P. Sullivan Miss Piggy in “The Muppets” Photo: Muppets Studio It’s time to play the music. It’s time to light the lights. It’s time to meet “The Muppets” for the first time in over 10 years. Everyone’s favorite felt friends are back in a big-screen reboot brought to life mostly on behalf of the hard work of lifelong Muppet fan Jason Segel . The reviews have been overwhelmingly positive. (You can see our own rave here .) Critics have praised the return of the Muppets as fun, warm, family-friendly fare, true to the characters and the fans who have loved them for decades. Check out our roundup of the reviews. The Story “A clever idea holds this reboot together, as simple as making one brother (Gary, played by Segel) human and the other (Walter, voiced by Peter Linz) a Muppet in love with the Muppets legacy. (He sports a Kermit wristwatch.) The locale is Smalltown, USA, which Gary and Walter introduce to us in the opening number, ‘Life’s a Happy Song.’ Gary, his schoolteacher sweetheart Mary ( Amy Adams ) and Walter journey to Los Angeles for a vacation. Touring the old Muppet Studios facility, the trio learn of the plan to raze the historically significant and sentimentally priceless structure. There’s oil under the ground, see, and the weaselly millionaire ( Chris Cooper ) after it doesn’t give a Gonzo’s patoot about nostalgia. To preserve the old homestead the visitors must gather together the Muppets from various locales and raise $10 million in a save-the-Muppets telethon.” — Michael Phillips, The Chicago Tribune The Songs “The setup works like a charm. So do the songs, with several new ones by [“Flight of the Conchords”] star Bret McKenzie . Adams rocks out on ‘Me Party.’ And Segel’s heartfelt ballad ‘Man or Muppet?’ deserves Academy attention as the movie song of the year.” — Peter Travers, Rolling Stone The Comeback “As a theatrical troupe, the Muppets haven’t exactly been AWOL these past dozen years; the gang rocked YouTube in 2009 with their kick-ass rendition of Queen’s ‘Bohemian Rhapsody.’ But they’ve certainly been lying low while our twitchy, tweet-y times have favored snarkier, more air-quote-driven entertainment, even from puppets. And in a way, that showbiz hiatus has worked in favor of The Muppets. For adults, the movie’s gentle, clever, unironic humor feels freshly, trendily retro now, enhanced by laughs provided in cameos from a very up-to-date roster of stars.” — Lisa Schwarzbaum, Entertainment Weekly The Muppets “These are the same old, adorable Muppets, as sweetly innocent and likable as ever. Winking at itself, the movie is casually, amusingly self-reflexive. In one joke Kermit the Frog considers telephoning President Carter. ‘The Muppets’ makes no attempt to match the wisecracking hipness of the ‘Shrek’ movies. If it doesn’t provoke belly laughs, it elicits many affectionate chuckles.” — Stephen Holden, The New York Times The Final Word “The remarkable thing about the Muppets, then and now, is what distinctive personalities and presences they have. When ‘The Muppet Movie,’ the first in the series, came out in 1979, there was astonishment that — ohmigod! — Kermit was riding a bicycle! How could a Muppet do that? Today, characters can do anything in the movies, but these Muppets are still played by Muppeteers, and they’re still endearing.” — Roger Ebert, Chicago Sun-Times Check out everything we’ve got on “The Muppets.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Muppets’: The Reviews Are In!

Mikey Welsh, Former Weezer Bassist, Dead At 40

Welsh was found unresponsive in a Chicago hotel room on Saturday. By Gil Kaufman Mikey Welsh in 2001 Photo: John Shearer/WireImage One-time bassist for Weezer Mikey Welsh was found dead in a Chicago hotel room on Saturday. Forty-year-old Welsh played in the group between 1998 and 2001, leaving more than a decade ago after suffering a nervous breakdown. According to the Chicago Tribune, Welsh was found unresponsive on the floor of his room at the Raffaello Hotel on Saturday after failing to check out on time. A cleaning crew tried to open the door to his room and was unable to get in, at which point they found his body lying unresponsive near the door. He was pronounced dead a short time later, and while the cause of death was not announced pending further toxicology results, authorities suspect a drug overdose. Police said prescription drugs were found in the room, along with a plastic baggie containing white powder believed to be heroin. Welsh was the band’s second bassist, replacing original member Matt Sharp, playing on the band’s “Green” album, which featured the hits “Hash Pipe” and “Island in the Sun.” After leaving the group, he focused on a second career as a visual artist, and recently wrote on his Twitter page that he was looking forward to seeing Weezer in Chicago at the Riotfest on Sunday night. “Today is a hard day for Weezer and all Weezer friends, fans, and family,” the band’s webmaster, Karl Koch, wrote on Sunday. “While everyone is still in shock over yesterday’s tragic loss of Mikey Welsh, we know damn well he would never have wanted to stop the rock at today’s RIOTfest, the show he was planning on attending. On the contrary, the rock was what he loved, both in music and art. To play the show and play it well tonight is to honor him and his memory. We have a feeling he will be watching.” The band also posted a tribute to Welsh on the site , describing the bass player as “our beautiful, creative, hilarious and sweet friend,” who was “never one to shy away from the absurd, dangerous or strange.” On October 1, Welsh wrote excitedly about taking his first vacation in “quite a long time,” saying he was headed to Nashville to be photographed working on a large-scale painting with a friend and then to Chicago to see Weezer. “I’m excited to see the boys, hang out and have some fun,” he wrote. The man who replaced Welsh, Scott Shriner, tweeted his condolences, writing, “Really bummed about Mikey. Heart goes out to his family and friends. Such a talent … he made a special mark on the world with his art.” Share your wishes and condolences by leaving them on our Facebook page. Related Artists Weezer

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Mikey Welsh, Former Weezer Bassist, Dead At 40

Real Steel Delivers Box Office Knockout Blow

Hugh Jackman and a robot named Atom knocked the competition down to the canvas this weekend, as Real Steel opened huge at the box office. The action film, which garnered great reviews across the board, brought in $27.3 million domestically on Friday and Saturday. Real Steel Trailer George Clooney and Ryan Gosling finished a distant second in their first weekend together, as The Ides of March tallied just over $10 million. Here’s a look at the latest Hollywood box office results : Real Steel : $27.3 million The Ides of March : $10.4 million Dolphin Tale : $9.2 million Moneyball : $7.5 million 50/50 : $5.5 million Courageous : $4.6 million The Lion King : $4.6 million Dream House : $4.5 million What’s Your Number? : $3.1 million Abduction : $2.9 million

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Real Steel Delivers Box Office Knockout Blow

Mikey Welsh, Former Member of Weezer, Dead at 40

Mikey Welsh, a former member of the band Weezer, was found dead in a Chicago hotel room yesterday. He was 40 years old. The cause of death is unknown at this time, but The Chicago Tribune quotes authorities who believe narcotics were involved . Welsh, a native of Burlington, Vermont performed with Weezer from 1998 to 2001. The group reported that he left after suffering a nervous breakdown and Welsh later made a successful living as a painter. He was in Chicago to attend a performance by his former band.

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Mikey Welsh, Former Member of Weezer, Dead at 40

‘Transformers: Dark Of The Moon’: The Reviews Are In

Michael Bay’s summer blockbuster has critics praising his deft handling of eye-popping 3-D. By Eric Ditzian Sentinel Prime in “Transformers: Dark of the Moon” Photo: Paramount Pictures As even Michael Bay has admitted, “Transformers: Dark of the Moon” had almost nowhere to go but up after the writers’ strike-affected, audience-alienating previous installment . And insofar as Bay and company had something to prove — and to improve — this time around, they’ve succeeded. While “Dark of the Moon” isn’t currently the highest rated film in the franchise, according to the Rotten Tomatoes review aggregator, the general consensus among critics is that the new 3-D flick is best of the “Transformers” bunch. That’s not to suggest reviews have been universally positive; many have been as brutal to the film as the film’s robots have been to certain American cities. Reviewers have taken issue with poor plotting, weak characters and brain-scrambling action set pieces. But then there are a slew of reviewers utterly onboard with what Bay has created, celebrating some of the finest 3-D visuals since “Avatar” and a story that is the most fully fleshed out of the series. For those opinions and others, take a deep dive into the “Transformers: Dark of the Moon” reviews. The Story “A sweet prologue (marred only by a phony-looking digital JFK) recounts the war for Cybertron and the real reason behind the U.S.-Soviet space race of the 1960s. Cut to the present where Sam Witwicky (LaBeouf) struggles to find his first post-college job, while the Autobots led by Optimus Prime and the U.S. military’s NEST team led by Lt. Col. Lennox (Josh Duhamel) work in tandem to take out the remaining Decepticons around the world. However, the evil ‘bots eventually get the upper hand and begin an invasion to conquer the Earth with Chicago as Ground Zero in this final war between the Autobots/humans and Decepticons. There’s more going on, but for the sake of spoilers we’ll keep it at that. Transformers: Dark of the Moon definitely has more of a plot than either of its predecessors. There are genuine stakes this time.” — Jim Vejvoda, IGN The 3-D “[For] the first time since ‘Avatar,’ I am going to recommend that you find the biggest and best 3-D theater you can find and buy yourself a ticket, because ‘Transformers: Dark Of the Moon,’ especially seen in IMAX 3-D, is an overwhelming sensory experience. The sound mix alone is more exciting than anything in the billion-dollar-bore of ‘Pirates 4.’ This is gigantic action we’ve never seen before, and Bay’s reaction to shooting and cutting his film for 3-D is to get better at what he does. It raised his game, and as a result, I feel like we just saw a dare thrown down by one of Hollywood’s biggest action specialists: ‘Top this.’ — Drew McWeeny, HitFix The Comparisons “Bay’s hammering technique works, in a commercial sense. Executive producer Steven Spielberg is the richer for it. But it’s telling to compare any good minute in Spielberg’s ‘War of the Worlds,’ for example, with any of the 153 minutes in ‘Dark of the Moon.’ The former, which isn’t even Spielberg at his best, offers the thrill and the uneasy, complicated spectacle of destruction you get from a first-rate entertainer. Bay’s endless love of nastiness and chrome and aggression offers less. And that’s the only ‘less’ about it.” — Michael Phillips, Chicago Tribune The Characters “All that matters is the long, slow slog to the Chicago-set, theater-rattling finale, which seems to last about four hours. That’s not a compliment, by the way. There’s so much potential in a Transformer, which can, after all, transform into anything. But Bay misses every opportunity to make something interesting out of his characters; instead, he’s content to spend his enormous budget on grinding destruction so generic and visually convoluted, it’s often hard to tell who we’re supposed to be rooting for.” — Elizabeth Weitzman, New York Daily News The Final Word “More than either of the previous films, this ‘Transformers 3’ feels like an ultra-violent version of the two-dimensional cartoon it’s based on. I think I’m almost alright with that, when it’s done this well, in this kind of summer blockbuster. We’d probably all be happier watching another movie like ‘Inception,’ but as long as those movies still get made, I guess there’s nothing wrong in sitting down with a ‘Transformers: Dark of the Moon,’ once in awhile.” — Josh Tyler, Cinema Blend Check out everything we’ve got on “Transformers: Dark of the Moon.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Transformers: Dark Of The Moon’ Related Photos ‘Transformers: Dark Of The Moon’

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‘Transformers: Dark Of The Moon’: The Reviews Are In

‘Rio’: The Reviews Are In!

Critics swoon over CG animation so colorful it ‘glows’ in this Brazilian bird tale voiced by Jesse Eisenberg, Jamie Foxx, more. By Eric Ditzian “Rio” Photo: 20th Century Fox If “Hop” has proved anything with its two straight weekends at the top of the box office (including a $37.5 million debut), it’s that animated fare is so often review-proof. The Russell Brand-starring tale about the Easter Bunny has owned the multiplex all this month despite being a critical dud. Now comes “Rio,” a film that not only has been garnering stellar reviews but is dropping into theaters as spring vacations unleash students from schools around the country. Is it any surprise, then, that some box-office prognosticators are suggesting the 3-D flick could gross as much as $50 million in its opening weekend? Critics have been lauding the film’s eye-popping visuals, winning musical numbers and memorable cast of supporting characters. The only criticisms, it seems, are that “Rio” perhaps jams too much wackiness into its 96-minute running time. For those assessments and more, read on for what the critics are saying about the movie. The Story “The opening musical number, featuring the exotic birds of Brazil in choreographed flight, is splashy enough to be promising. The CG animation is so colorful it just about glows. And it certainly seems a great idea to have Jesse Eisenberg, with his nerdy-hiccupy eagerness, voice the animated hero, a macaw named Blu who got poached from his native South American rain forest and has grown up as the companion of Linda (Leslie Mann), a Minnesota bookstore owner. The perfectly sturdy bird-out-of-water setup has Blu being taken back down to Rio by ornithologists so that he can mate with Jewel (Anne Hathaway), a gorgeous female macaw. They’re the last two adults of the species. Once there, of course, he must learn how to be a wild bird: how to fly and fall in love.” — Owen Gleiberman, Entertainment Weekly The Performances “Eisenberg’s tremulous voice is just right for Blu, giving him a neurotic, urban, understated wit. ‘You know how people say, “It’s a jungle out there?” ‘ he complains to Jewel when they find themselves in the middle of a rain forest. ‘Not a good thing.’ He gets strong support from Tracy Morgan as a bulldog, George Lopez as a toucan, and will.i.am and Jamie Foxx as friendly birds. But the star of the show in every respect is a cockatoo named Nigel (Jemaine Clement of HBO’s ‘Flight of the Conchords’), one of the most masterfully animated characters in movie history.” — Nell Minow, Chicago Sun-Times The Looks and the Sounds “Produced by the team responsible for ‘Ice Age,’ the far more colorful ‘Rio’ bursts with the native beauty of Brazil, from the taut tushies on Ipanema to the familiar sights of Corcovado and Rio’s cramped favelas. Composers John Powell and the great Sergio Mendes take their cues from samba and Antonio Carlos Jobim to create a musical backdrop every bit as evocative as the dazzling visuals, which exploit the flora, fauna and distinctively built environment for all their jewel-toned riches.” — Ann Hornaday, The Washington Post The Dissenters “Too many supporting characters of too little comic distinction compete for our attention in ‘Rio,’ including a pack of martial-arts-trained marmosets designed to give the penguins of ‘Madagascar’ some spinoff competition. The movie isn’t dull, exactly; the problem lies in the other, antsy direction. Culminating in a melee taking place during the annual celebration of Carnaval, the movie makes it difficult to enjoy its party vibe. Serial kidnappings have a way of harshing the tropical mellow.” — Michael Phillips, Chicago Tribune The Final Word ” ‘Rio’ is such a delight, so much better than anything we’ve seen in animated form this year, that you won’t mind the 3-D premium prices, you won’t hate that your children want to watch the Blu-ray over and over again when it comes out on video, and won’t dread the compulsion they’ll feel to do sequels — lots and lots of sequels — and probably spoil it as they do.” — Roger Moore, Orlando Sentinel Check out everything we’ve got on “Rio.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Rio’: The Reviews Are In!

‘Sucker Punch’: The Reviews Are In!

‘… the ride Snyder takes you on is so vividly conceived, so deliriously bizarre and wonderful,’ writes Rene Rodriguez of the Miami Herald. By Eric Ditzian Abbie Cornish in “Sucker Punch” Photo: Warner Bros. We’ll say this about Zack Snyder: The guy knows how to stir up passion in moviegoers, whether those intense feelings skew toward the aggressively negative or the bow-down-before-a-cinematic-god positive. Just take a peek at reviews for the director’s adaptation of “Watchmen” in 2009. A similar disparity in critical assessments surrounds Snyder’s latest offering, the fantastical battle royale called “Sucker Punch.” Some reviewers are passionately defending the film and calling out the haters for simply failing to understand what the director was trying to accomplish. Many more, however, are accusing Snyder of being the one who failed to deliver. Will you love it? Hate it? Have you somehow never even heard of it? Check out what the critics are saying and decide for yourself. The Story “The story centers on Babydoll (Emily Browning), an orphan falsely accused of murdering her little sister and imprisoned inside an asylum where she is scheduled for a lobotomy. Before the procedure can be completed, Babydoll disappears into an alternate reality that exists entirely in her mind. There, she and four fellow inmates (Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung) are performers in a bordello managed by the theatrical Madam Gorski (Carla Gugino) and run by the cruel pimp Blue (Miami’s Oscar Isaac). In order to escape — the cathouse and the mental institution — the girls must first fight off winged dragons, zombies, giant ninja robots and android aliens and collect five talismans. No, Sucker Punch doesn’t make any sense. But none of that matters, because the ride Snyder takes you on is so vividly conceived, so deliriously bizarre and wonderful.” — Rene Rodriguez, Miami Herald Storytelling Shortcomings “The film abdicates so many basic responsibilities of coherent storytelling, even coherent stupid-action-movie storytelling, director/ co-writer/ co-producer Zack Snyder must have known in preproduction that his greasy collection of near-rape fantasies and violent revenge scenarios disguised as a female-empowerment fairy tale wasn’t going to satisfy anyone but himself. Well, himself, plus ardent fans of Japanese-schoolgirl manga comics. … You will be unprepared for a film packing this much confusing crud into a little less than two hours of solitary confinement, which feels more like dog hours, i.e., 14.” — Michael Phillips, Chicago Tribune The Visuals “Loaded with all kinds of visions of the fantastic and high-octane excitement, it’s a visceral feast that utilizes Snyder’s signature techniques with all the velocity of a fire-breathing dragon … But ‘Sucker Punch’ is not just style over substance. That’s an argument the film is sure to be met with, as well, but there is just as much bubbling up under ‘Sucker Punch’s’ CG surface than there is in its sepia-toned skies. Filled with themes of empowerment, escapism, and changing the course of the typical narrative, the film rides high in its jet-propelled mech warrior, and it has much to tell us when it’s done doing loopty loops around our brain.” — Jeremy Kirk, FirstShowing.net The Influences “You could go to see ‘Sucker Punch’ this weekend — a lot of people probably will, and a few may even admit as much back at the office on Monday — or you could try to make it yourself, which might be more fun, though not necessarily cheaper. Here’s what you will need: a bunch of video-game platforms; DVDs of ‘Shutter Island,’ ‘Kill Bill,’ ‘Burlesque’ and ‘Shrek’; some back issues of Maxim; a large bag of crystal meth; and around $100 million. Your imagination will take care of the rest.” — A.O. Scott, The New York Times The Final Word “Some will see the worst sort of objectification in its Victoria’s Secret-esque femme front line that also includes the scantily clad corps of Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung. Others will argue that ‘Sucker Punch’s’ sexy guerrillas represent female empowerment, to say nothing of the benefits of diet and exercise. I’d suggest the film is a wonderfully wild provocation — an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn’t have missed for the world.” — Betsy Sharkey, Los Angeles Times Check out everything we’ve got on “Sucker Punch.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Sucker Punch’ Clips Related Photos “Sucker Punch” ‘Sucker Punch’ Premiere In Los Angeles

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‘Sucker Punch’: The Reviews Are In!

‘Sucker Punch’: The Reviews Are In!

‘… the ride Snyder takes you on is so vividly conceived, so deliriously bizarre and wonderful,’ writes Rene Rodriguez of the Miami Herald. By Eric Ditzian Abbie Cornish in “Sucker Punch” Photo: Warner Bros. We’ll say this about Zack Snyder: The guy knows how to stir up passion in moviegoers, whether those intense feelings skew toward the aggressively negative or the bow-down-before-a-cinematic-god positive. Just take a peek at reviews for the director’s adaptation of “Watchmen” in 2009. A similar disparity in critical assessments surrounds Snyder’s latest offering, the fantastical battle royale called “Sucker Punch.” Some reviewers are passionately defending the film and calling out the haters for simply failing to understand what the director was trying to accomplish. Many more, however, are accusing Snyder of being the one who failed to deliver. Will you love it? Hate it? Have you somehow never even heard of it? Check out what the critics are saying and decide for yourself. The Story “The story centers on Babydoll (Emily Browning), an orphan falsely accused of murdering her little sister and imprisoned inside an asylum where she is scheduled for a lobotomy. Before the procedure can be completed, Babydoll disappears into an alternate reality that exists entirely in her mind. There, she and four fellow inmates (Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung) are performers in a bordello managed by the theatrical Madam Gorski (Carla Gugino) and run by the cruel pimp Blue (Miami’s Oscar Isaac). In order to escape — the cathouse and the mental institution — the girls must first fight off winged dragons, zombies, giant ninja robots and android aliens and collect five talismans. No, Sucker Punch doesn’t make any sense. But none of that matters, because the ride Snyder takes you on is so vividly conceived, so deliriously bizarre and wonderful.” — Rene Rodriguez, Miami Herald Storytelling Shortcomings “The film abdicates so many basic responsibilities of coherent storytelling, even coherent stupid-action-movie storytelling, director/ co-writer/ co-producer Zack Snyder must have known in preproduction that his greasy collection of near-rape fantasies and violent revenge scenarios disguised as a female-empowerment fairy tale wasn’t going to satisfy anyone but himself. Well, himself, plus ardent fans of Japanese-schoolgirl manga comics. … You will be unprepared for a film packing this much confusing crud into a little less than two hours of solitary confinement, which feels more like dog hours, i.e., 14.” — Michael Phillips, Chicago Tribune The Visuals “Loaded with all kinds of visions of the fantastic and high-octane excitement, it’s a visceral feast that utilizes Snyder’s signature techniques with all the velocity of a fire-breathing dragon … But ‘Sucker Punch’ is not just style over substance. That’s an argument the film is sure to be met with, as well, but there is just as much bubbling up under ‘Sucker Punch’s’ CG surface than there is in its sepia-toned skies. Filled with themes of empowerment, escapism, and changing the course of the typical narrative, the film rides high in its jet-propelled mech warrior, and it has much to tell us when it’s done doing loopty loops around our brain.” — Jeremy Kirk, FirstShowing.net The Influences “You could go to see ‘Sucker Punch’ this weekend — a lot of people probably will, and a few may even admit as much back at the office on Monday — or you could try to make it yourself, which might be more fun, though not necessarily cheaper. Here’s what you will need: a bunch of video-game platforms; DVDs of ‘Shutter Island,’ ‘Kill Bill,’ ‘Burlesque’ and ‘Shrek’; some back issues of Maxim; a large bag of crystal meth; and around $100 million. Your imagination will take care of the rest.” — A.O. Scott, The New York Times The Final Word “Some will see the worst sort of objectification in its Victoria’s Secret-esque femme front line that also includes the scantily clad corps of Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung. Others will argue that ‘Sucker Punch’s’ sexy guerrillas represent female empowerment, to say nothing of the benefits of diet and exercise. I’d suggest the film is a wonderfully wild provocation — an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn’t have missed for the world.” — Betsy Sharkey, Los Angeles Times Check out everything we’ve got on “Sucker Punch.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Sucker Punch’ Clips Related Photos “Sucker Punch” ‘Sucker Punch’ Premiere In Los Angeles

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‘Sucker Punch’: The Reviews Are In!

Chuck Berry Falls Ill During Concert

Filed under: Chuck Berry , Nurse! Chuck Berry had to be escorted off stage during a concert in Chicago last night — but rather than jumping in an ambulance, he jumped back on stage. Berry was playing a gig at the Concert Theater and, according to the Chicago Tribune , began showing… Read more

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Chuck Berry Falls Ill During Concert

‘Tron: Legacy’: The Reviews Are In!

Critics call Disney’s reboot/sequel a ‘catchy popcorn pleasure’ that is ‘destined to split audiences.’ By Eric Ditzian “Tron Legacy” Photo: Disney It’s been a good year for studios that waited three decades to update old-school flicks. In April, Warner Bros. gave 1981’s “Clash of the Titans” a coat of CGI splendor and ended up with a film that grossed almost $500 million worldwide. Can Disney, which has resurrected 1982’s computer-world-based adventure film “Tron” for a new generation, mirror the success of “Clash”? At this point, at least, “Tron: Legacy” is receiving far kinder reviews than “Clash.” That doesn’t mean, of course, that “Tron” can top the $61 million domestic opening of the latter. Disney’s 3-D film is predicted to land somewhere in the $40-45 million range. Will it defy expectations? Will positive word of mouth spread? Is the movie worth a trip to the theater on opening weekend? Check out what the critics are saying about “Tron: Legacy” and decide for yourself. The Story “Sam Flynn (Garrett Hedlund), the son of video game developer Kevin Flynn (Jeff Bridges), is left as the uninterested heir to his father’s corporation after the elder Flynn’s disappearance 20 years earlier. Following a mysterious signal, Sam finds himself pulled into the same computer world that has trapped his father. Reunited, the Flynns team with a Quorra (Olivia Wilde), a cyber warrior, to defeat Clu, a program left in charge of the Grid whose rise to power puts both the computer world — and our world — in danger.” — Silas Lesnick, ComingSoon.net The Comparison to the Original “[T]his is one of the smartest ideas for a reboot in yonks. Where its fellow 1982 sci-fi releases, ‘E.T.’ and ‘Blade Runner,’ are still universally celebrated, ‘Tron’ ‘s visuals and ponderous tone have aged as badly as Manic Miner. The concept at the Disney film’s core, however, remains beautifully simple: What if a man got sucked into a computer? That notion, revisited with today’s turbo-boosted VFX technology, has now given Mickey Mouse a stonking tentpole. And make no mistake, ‘Tron Legacy’ — part sequel, part remake — is a proper event movie, complete with nattily digitized Cinderella’s Castle at the start, a journey to a fully realized alien world and the best 3D since ‘Avatar.’ ” — Nick de Semlyen, Empire The Effects “The FX in ‘Tron: Legacy’ have an almost Einsteinian elegance: They infuse light with gravity. If one of the discs hits a combatant, he’ll shatter into glassy fragments, and Sam, absorbing the physics of the game, must learn to treat his body almost as part of the surrounding architecture. He becomes a ruthless digital specter. As long as it’s engaged in light-hurling bouts of force, or motorcycle chases through a landscape so ominously enveloping it looks like ‘Blade Runner’ after gentrification, ‘Tron: Legacy’ is a catchy popcorn pleasure.” — Owen Gleiberman, Entertainment Weekly The Dissenters “This is one of those big-budget projects destined to split audiences (a good thing, always). Directed by Joseph Kosinski, who did the ‘Halo’ and ‘Gears of War’ commercials, ‘Tron: Legacy’ comes to life when Sam, played by a too-cool-for-school Garrett Hedlund, learns the ways of the Lightcycles and the perilous joys of racing on ‘ribbons of light.’ Here, we get the sweep and simple excitement we need. Elsewhere, we get exposition more sluggish than the stuff we had to wade through in the second and third ‘Matrix’ movies, and a strained, opaque brand of intellectual-property mythology that might mean tons to ardent fans of the first ‘Tron,’ but less to others.” — Michael Phillips, Chicago Tribune The Final Word ” ‘Tron: Legacy’ is a surprising film for many reasons, not the least of which being that it contains more substance than is easily explored — if also to some extent, articulated — in just one viewing. And perhaps it might seem like a pre-emptive defense against logical or narrative shortcomings to make one of its central themes the idea that perfection, as we can imagine it, is ultimately unknowable. But it’s a point that’s well-taken, and if I have to endure the kind of imperfection that produces a film like ‘Tron: Legacy,’ which is interesting, inspiring and for better or worse, simply incomparable, then it’s worth it.” – Todd Gilchrist, Cinematical Check out everything we’ve got on “Tron: Legacy.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos The Vehicles Of ‘Tron Legacy’ ‘Tron Legacy’ Clips Related Photos The Vehicles Of ‘Tron Legacy’ ‘Tron: Legacy’ Premiere In Los Angeles ‘Tron Legacy’ Official Images

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‘Tron: Legacy’: The Reviews Are In!