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Lupe Fiasco Told By Label “Don’t Rap Too Deep”

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Lupe describes being held hostage by Atlantic, says next album is done Lupe Fiasco struggled to release his third album on Atlantic Records. It took over three years and picketing from fans before Lupe followed up his gold-selling The Cool . Despite platinum singles, gold plaques and Grammy Awards, the Chicago native said his budget was cut and he was stiffled creatively. “I was specifically told” — Fiasco chuckled — “‘Don’t rap too deep on this record.’” He laughed some more, telling the Chicago Sun-Times . “That was a specific order from the top. ‘You’re rapping too fast or too slow, or it’s too complex.’ … There are consequences and combat that comes from that process and the eventual compromise. With me, though, I’m not writing about someone else. I’m writing about me. This is my life. It’s very personal for me. So for somebody to kind of put their fingers in that and play with that, it becomes more damaging.” “I am a hostage,” Fiasco continued. “I gave them what they wanted. If I didn’t, at the end of the day the album wasn’t coming out.” The potentially good news for fans is that Lupe was busy recording his next album The Great American Rap Album while he was working on Lasers . He hopes to have that out before the end of 2011.

Lupe Fiasco Told By Label “Don’t Rap Too Deep”

Lil Wayne Recalls First Taste Of Freedom: Our Exclusive Interview Here!

‘To walk out of there that day with no handcuffs on,’ Wayne tells MTV News. ‘I was like wow, yeah, I’m gone.’ By Rebecca Thomas, with reporting by Sway Calloway Photo: MTV News On a frigid November morning, Lil Wayne walked out of New York’s Rikers Island last year a free man. And though there would be lavish homecoming parties to attend, a tour-finale concert in Las Vegas, reunions with family and even a marathon recording session in the offing, the New Orleans MC can still remember what struck him most in those first few moments. “Honestly, the first thing that I appreciated when I got out was not having to wear handcuffs,” Wayne told MTV News when we visited the Miami set of his “6 Foot 7 Foot” video . On the expansive jail facility where Wayne served out an eight-month sentence on an attempted gun possession charge, the Young Money boss discovered that while getting “special” treatment may seem to imply privileges, in fact, his celebrity status created some downsides. Having his wrists shackled as he moved through the prison’s various buildings became a weight, both physical and mental. “That was my first time walking out of there [without handcuffs], ’cause you know I always had to be transferred to one building from another to another just to do certain things, and they had so many special procedures with me,” explained Weezy, who was clad in a gray YMCMB sweatshirt and Chicago Bulls cap when MTV News’ Sway sat with him. “Things they had to do for protocol, so I always had to move here and move there, but everywhere I went I had to be handcuffed because it was this special protocol. “Other inmates didn’t have to be handcuffed when they [were guilty of] the same things,” he added, a look of melancholy flashing across his tattooed eyelids. “But it was this special protocol for me that they had to handcuff me.” Months into his sentence, Wayne called Hot 97’s Funkmaster Flex and said apart from busying himself with the daily routine of incarceration — pawing through piles of mail, listening to sports radio — he was doing serious soul-searching. “Everybody says that you’re here for a reason, and I promise you, Flex, I try to find out that reason every day. I search for it. But I think when I get out, that’ll be the only time I’ll really know the answer.” On the dizzying “6 Foot,” the lead single from his eagerly awaited Tha Carter IV, Wayne cleverly boasts, “I got through that sentence like a subject and a predicate.” But he took a measured tone as he relived the pre-dawn hours of November 4. “To walk out of there that day with no handcuffs on, that was the first thing that caught my attention,” he said. “I was like wow, yeah, I’m gone.” Related Videos MTV First: Lil Wayne’s ‘6 Foot 7 Foot’ Related Artists Lil Wayne

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Lil Wayne Recalls First Taste Of Freedom: Our Exclusive Interview Here!

‘Drive Angry’: The Reviews Are In!

Should you hit the road with Nicolas Cage? See what the critics have to say. By Eric Ditzian David Morse and Nicolas Cage in “Drive Angry” Photo: Summit Publicity “Drive Angry” marks three-straight supernatural films for Nicolas Cage, though each could not be more different. “The Sorcerer’s Apprentice” was a Disney-driven tale of magical realism. “Season of the Witch” dove into the intersection of medieval black magic and campy B-movie wackiness. And “Drive Angry” literally begins with Cage driving a muscle car straight outta hell with the devil’s henchman fast on his heels and doesn’t slow down as it splashes blood and fire across the screen. All three flicks share something else in common: below-average reviews. “Sorcerer’s” and “Season” each went on to conjure up lukewarm box-office receipts. Can “Drive Angry” break the spell? Check out what the critics are saying and decide if the new 3-D film is the right choice for you this weekend. The Story “[It] may be a bit too slickly self-aware for its own good, but it’s also rivetingly paced, outrageously funny and makes retina-scorching use of the new 3D technology. Nicolas Cage is on teeth-baring, eye-rolling form as John Milton (nice), the deceased felon who busts out of hell to track down the Southern death cult who kidnapped his baby granddaughter. Hooking up with mouthy muscle-car-driving white-trash waitress Piper (Amber Heard), Milton sets off in pursuit, all the while attempting to avoid the attentions of Satan’s right-hand man, The Accountant (a majestically arch William Fichtner).” — Tom Huddleston, Time Out Crazy Nic Cage “A little respect, if you please, for His Satanic Majesty Nicolas Cage. Nobody goes off the deep end like Nic. Nobody gives better value in bad movies than the sleepy-eyed Oscar winner with a gift for picking bad movies. ‘Drive Angry’ is a very entertaining B, C or D-movie, an over-the-top and in-your-face grindhouse gore, guns and ‘Gun it’ picture that’s about epic shootouts, bone-snapping brawls, bare breasts and muscle cars. The gunplay is funny and the sex hilarious in this ‘Ghost Rider is Gone in 60 Seconds’ mashup.” — Roger Moore, Orlando Sentinel The 3-D ” ‘Drive Angry’ is intensely bloody, violent and carries quite a few payoffs that are well delivered. It’s also a movie you’d actually want to see in 3-D, unlike so many frauds in the marketplace these days. In fact, Lussier, who directed ‘My Bloody Valentine 3D,’ shows his growth as a 3-dimensional director by taking ‘Drive Angry’ to new heights. Seeing it in Real D, the depth was astounding, and Lussier throws a few CGI tricks right in the viewer’s face. Even more impressive was his flashback sequence that could easily become one of the most influential in the 3-D age (the way he layers three ‘thoughts’ at once is mind-blowing visually). In short, it’s worth the extra few bucks.” — Brad Miska, Bloody Disgusting Going Grindhouse ” ‘Drive Angry’ is loud and busy, and it’s rarely boring. But it’s also never really good. ‘Drive Angry’ comes at the tail end of the grindhouse revival trend, and while it’s better made than films like ‘Machete’ or the scores of indie films that followed in Quentin Tarantino’s wake, it succumbs to the same problem so many of those movies do: it’s a movie about the things that the filmmakers think are cool, and that’s never cool. ‘Drive Angry’ isn’t about anything, it’s just a series of ideas that struck Lussier and Farmer as awesome, strung together at feature length. There’s a lot of balls in Drive Angry, and even some brains, but no heart.” — Devin Faraci, Badass Digest The Final Word ” ‘Drive Angry’ is, in the end, a genre romp. It’s not aiming any higher than that. But it is made with real skill and style, and there’s such knowledge of genre in the way they have built the script and both embraced and avoided certain conventions that it makes me feel like we’re just seeing Farmer and Lussier warm up. Hopefully they’ll keep working with collaborators as game as their partners in this particular crime, because ‘Drive Angry’ is a white-knuckle ride worth taking.” — Drew McWeeny, HitFix Check out everything we’ve got on “Drive Angry.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Drive Angry’: The Reviews Are In!

Rhymefest Explains How Hip-Hop Career Helps Him In Politics

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Simon Cowell Breaks Down ‘X Factor’ Rules, Reveals Audition Dates

‘You will have never seen a show like this before in America,’ former ‘American Idol’ judge says in new promo. By James Dinh Simon Cowell Photo: Ian Derry / FOX While “American Idol” draws closer to the televised stage of the singing competition, the U.S. version of “X Factor” will soon begin its countrywide search for the next global superstar. In a new promo for the highly anticipated competition, Simon Cowell talks about the rules for the forthcoming series, promising that America has yet to see a show like this. “The show is basically a singing competition with a twist,” the music executive says in the promo. “The auditions are open to anyone who can sing. You can be 12; you can be 112. You can be in a group; you can have 100 people in the group. It doesn’t matter.” Cowell goes on to explain that the contestants are later separated into four categories: young guys, young girls, older singers and vocal groups. However, “X Factor,” which premieres in September, isn’t just a challenge between talented singers, but also between judges, who will mentor contestants once they make the final rounds. “I’ll assure you one thing. You will have never seen a show like this before in America and a lot is going to happen that will surprise you,” Cowell continued. “But as a platform, if you’re a performer, this is going to be a great opportunity for you.” In addition to the contest’s age freedom, Cowell explained that contestants will have to audition in front of a live audience, saying, “If you can come out and nail it in front of 3,000 or 4,000 people, then you’ve got the makings of a star.” Ultimately, the former “Idol” judge said he’s serious about his search for talent in America. “I’m going to come back to America and say, ‘I’m serious about this’ and ‘I’m serious about finding talent,’ ” he said. “I’m going to guarantee the winner of this competition 5 million cash. It’s a $5 million audition, and you’re going to get the cash if you win; you just better be good.” “X Factor” audition dates, according to a press release:

Simon Cowell Breaks Down ‘X Factor’ Rules, Reveals Audition Dates

‘You will have never seen a show like this before in America,’ former ‘American Idol’ judge says in new promo. By James Dinh Simon Cowell Photo: Ian Derry / FOX While “American Idol” draws closer to the televised stage of the singing competition, the U.S. version of “X Factor” will soon begin its countrywide search for the next global superstar. In a new promo for the highly anticipated competition, Simon Cowell talks about the rules for the forthcoming series, promising that America has yet to see a show like this. “The show is basically a singing competition with a twist,” the music executive says in the promo. “The auditions are open to anyone who can sing. You can be 12; you can be 112. You can be in a group; you can have 100 people in the group. It doesn’t matter.” Cowell goes on to explain that the contestants are later separated into four categories: young guys, young girls, older singers and vocal groups. However, “X Factor,” which premieres in September, isn’t just a challenge between talented singers, but also between judges, who will mentor contestants once they make the final rounds. “I’ll assure you one thing. You will have never seen a show like this before in America and a lot is going to happen that will surprise you,” Cowell continued. “But as a platform, if you’re a performer, this is going to be a great opportunity for you.” In addition to the contest’s age freedom, Cowell explained that contestants will have to audition in front of a live audience, saying, “If you can come out and nail it in front of 3,000 or 4,000 people, then you’ve got the makings of a star.” Ultimately, the former “Idol” judge said he’s serious about his search for talent in America. “I’m going to come back to America and say, ‘I’m serious about this’ and ‘I’m serious about finding talent,’ ” he said. “I’m going to guarantee the winner of this competition 5 million cash. It’s a $5 million audition, and you’re going to get the cash if you win; you just better be good.” “X Factor” audition dates, according to a press release:

Kanye West’s ‘All Of The Lights’ Video Premieres

Rihanna and Kid Cudi are featured in Hype Williams-directed clip. By Alvin Blanco Kanye West Photo: Noel Vasquez/ Getty Images Kanye West surprised fans by releasing his video for “All of the Lights” from his platinum-selling album My Beautiful Dark Twisted Fantasy. Instead of extensive pre-promotion and hype, the video was announced only about an hour or so before it was set to debut Saturday (February 19). The clip is directed by Hype Williams and features appearances from Rihanna and Kid Cudi. Williams is a favorite of West’s; the filmmaker has directed a number of the Chicago rapper’s videos, including “Stronger,” “Can’t Tell Me Nothing,” “Amazing” and their first collabo “Diamonds From Sierra Leone.” The video begins in black-and-white with the camera following a young girl who is presumably heading out to school. After about a minute, a brightly lit graphic montage of the song’s lyrics and names of the video’s participants begin flashing across the screen. This portion of the video is an homage to the opening credits of Gaspar No

Soundgarden Set To Begin Recording New Album ‘Very Soon’

Recently reunited Seattle stars announce plans for first studio album in 15 years. By James Montgomery Soundgarden’s Chris Cornell Photo: Rich Sancho/ MTV News It’s been 15 years since we’ve been able to say this, but it looks like there’s a new album from Soundgarden in the works. That’s according to the Seattle screamers themselves, who took to their official site to announce plans for a new studio record, their first since 1996’s Down on the Upside. “Over the past few months, we’ve been busy jamming, writing and hanging out together — exploring the creative aspect of being Soundgarden. It feels great,” the band wrote, under the headline “Our Goal for 2011: Let’s Make a Record.” “We have some cool new songs that we are going to record very soon. Thank you for all the support!” Soundgarden announced that they were ending a 12-year hiatus on January 1, 2010, and then played a handful of shows: one in Seattle under the handle “Nudedragons,” then a sludgy Chicago gig ahead of their headlining slot at Lollapalooza . Buoyed by the success of those gigs, Soundgarden released Telephantasm, a career-spanning collection of hits and sundry, in September, and hinted to MTV News that the album might just be a preview of things to come. “We’re taking baby steps … Baby Godzilla steps,” guitarist Kim Thayil joked. “Maybe we’ll do, like, ‘Soundgarden on Ice,’ [next]” frontman Chris Cornell laughed. “‘Sound-Capades.’ I’d watch that.” In January 2011, the band announced plans to release Soundgarden: Live on I-5, recorded on the West Coast leg of their 1996 tour. The album will hit stores on March 22. Related Artists Soundgarden

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Soundgarden Set To Begin Recording New Album ‘Very Soon’

Justin Bieber’s ‘Baby’: Story Behind The ‘Glee’ Cover

Hit show covered two Bieber songs on Tuesday night’s episode. By Aly Semigran “Glee” cast on Tuesday’s episode Photo: FOX Just in time to mend the wounded hearts of Justin Bieber fans still reeling from his Grammy loss on Sunday, “Glee” paid tribute to the pop powerhouse the best way they know how: by covering two of his hit songs, “Baby” and “Somebody to Love.” During Tuesday night’s new episode, “Comeback,” Chord Overstreet’s worrisome Sam attempts to woo back his possibly straying lady (Dianna Agron) by serenading her in glee club’s practice room with a rendition of Bieber’s “Baby.” But before a Bieber-ized Chord (The purple hoodie! The hair!) belted out the simple yet addictive chorus — “I was like, baby, baby, baby, ooh,” — on the show, the song, and its subsequent video, helped propel Bieber to staggering fame. Released as the lead single off of Bieber’s gold-certified debut studio album My World 2.0, “Baby” first hit the airwaves in late January 2010. The song begins quietly, with Bieber harmonizing accompanied by a guitar, and unfolds into a three-and-a-half-minute unapologetic pop/R&B smash. Bieber co-wrote the track with rapper Ludacris (who appears on the song), Christina Milian, and Christopher “Tricky” Stewart and Terius “The-Dream” Nash (both of whom also worked with the 16-year-old on his single “One Time”), and it has been his biggest single to date. Though it never reached #1 on the Billboard charts (it debuted at #5 on the Hot 100 ) in the United States, nor in Bieber’s native Canada, “Baby” became certified platinum the world over. The song fared even better as a digital download , going to #1 in the U.S. after it was released on March 23, 2010. Bieber continued to bring “Baby” to the masses, performing the song on various TV programs like “Saturday Night Live” (he was the musical guest on April 10, 2010), “The Oprah Winfrey Show,” “The Kids Choice Awards” and the “Today” show, in which throngs of Beliebers showed up on the plaza at Rockefeller Center to sing along. But it’s the music video for “Baby” that’s made the biggest impact. The clip features cameos by Bieber’s friend and fellow Canadian performer Drake, as well as “Baby” collaborator Lucadris. ‘Cris, who first met Bieber in Atlanta in 2009, told MTV News last year that the video reminded him of “a 2010 version of Michael Jackson’s ‘The Way You Make Me Feel.’ ” While Ludacris predicted, “Mark my word, [‘Baby’ is] going to be one of the biggest songs of the year 2010,” there was no indication of things to come for the video. Last week, ReadWriteWeb.com reported that Bieber’s “Baby” clip is the most-watched YouTube video of all time. It currently has a staggering 463,506,023 hits, besting other viral vids like Lady Gaga’s “Bad Romance” and “Charlie Bit Me.” Since then, the song has been included on the compilation album Now 34: That’s What I Call Music! and is currently featured in Bieber’s 3-D documentary/concert film “Never Say Never” and has been used in the movie’s trailers. The G-rated movie earned an impressive $30.3 million in its opening weekend. What did you think of the “Glee” renditions of Bieber’s songs? Tell us in the comments. Related Videos Musical ‘Glee-Caps’ Of Season Two Related Artists Justin Bieber

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Justin Bieber’s ‘Baby’: Story Behind The ‘Glee’ Cover

Bruno Mars, Janelle Monae Announce Hooligans In Wondaland Tour

Plan B and Mayer Hawthorne also on the bill for two-month North American outing. By Gil Kaufman Bruno Mars and Janelle Monae’s “Hooligans in Wondaland” poster Photo: Atlantic Records Bruno Mars and Janelle Mon