Miley Cyrus is on the cover of the June issue of Elle and she’s showing off her perky little Disney Hormonal Therapy tits, that have given her 21 year old ass a more youthful look and feel….Disney has it all figured out. I mean keep the talent young enough looking so that when they start chain smoking to deal with never having a childhood, you know coupled with drinking, drugs and anything repress the pain, they can still be cast to play a 15 year old, if corporate decides it’s time for a Hannah Montana movie. I guess all that Lohan shit taught them to look into science. I mean if the technology exists, use it….like I would like to use Miley in pretty wholesome ways, if you consider anal wholesome, which I do…I mean all the christians holding onto their V card are doing it.
Miley Cyrus is on the cover of the June issue of Elle and she’s showing off her perky little Disney Hormonal Therapy tits, that have given her 21 year old ass a more youthful look and feel….Disney has it all figured out. I mean keep the talent young enough looking so that when they start chain smoking to deal with never having a childhood, you know coupled with drinking, drugs and anything repress the pain, they can still be cast to play a 15 year old, if corporate decides it’s time for a Hannah Montana movie. I guess all that Lohan shit taught them to look into science. I mean if the technology exists, use it….like I would like to use Miley in pretty wholesome ways, if you consider anal wholesome, which I do…I mean all the christians holding onto their V card are doing it.
In what has become the largest petition in White House history, 259,000 people have joined the online effort to label the Westboro Baptist Church a hate group. The petition was created on the White House website after WBC members announced plans to picket a vigil for children killed in the Newtown, Conn., shooting. Backlash came fast and furious. Anonymous hacked Westboro Baptist Church and has been trolling spokeswoman Shirley Phelps-Roper hard. Now the petition seeks to have it designated what it is. Created on December 14, the hate group-labeling effort has 259,000 signatures, trouncing Texas’ secession petition to become the largest in White House history. Online petitions need 25,000 signatures before they are reviewed by the administration. The petition to gain hate group status for WBC states: “This group has been recognized as a hate group by organizations, such as The Southern Poverty Law Center, and has repeatedly displayed the actions typical of hate groups.” “Their actions have been directed at many different groups, including homosexuals, military, Jewish people and even other Christians.” “They pose a continued threat to the welfare and treatment of others and will not improve without some form of imposed regulation.” While their nauseating actions have typically been protected by the 1st Amendment, hate group status would allow closer monitoring and potentially stiffer penalties. No word back from the White House yet … they seem to be besieged with online petitions, serious and otherwise, since establishing this online system.
SNL alum and Tea Party member Victoria Jackson will see Donald Trump’s rant and raise you an extra dose of post-President Obama reelection bitterness. “America died,” she tweeted last night. “I can’t stop crying. America died.” Apparently displeased with the 2012 election results , she went on: “The Democrat party who voted God out of their platform and adopted Romans 1 as their platform won. In the Good vs. Evil Battle, today… evil won.” Jackson, a devout Christian, then did the Christian thing and ripped Christians. “Thanks a lot Christians, for not showing up. You disgust me,” she wrote. Amen?
Rejoice, Shaun of the Dead / Hot Fuzz faithful! At long last, the eagerly anticipated threequel in Edgar Wright ‘s “Three Flavours Cornetto Trilogy” (AKA “The Blood and Ice Cream Trilogy” — Wright’s version of Kieślowski’s Colors series) is on its way. Deadline reports that The World’s End , to be directed by Wright with collaborators Simon Pegg and Nick Frost starring, is set to begin filming this September with fingers crossed for a spring 2013 release. But wait, there’s more! Get a taste of the trio’s upcoming shenanigans from the film’s synopsis, which promises adventure, friendship, and — what else? — pubs. The only catch: According to the report, Universal “hasn’t yet green lit the film.” But Wright and Co. are charging ahead anyway with the fall start anyway! Good luck to ’em. (And good luck holding your breath, Ant-Man -watchers…) The set-up: 20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. Reaching The World’s End is the least of their worries. [ Deadline ]
It’s dangerous business to begin a movie with a voice-over monologue introducing “a long tale of women dressed in black.” Run, while there’s still time! Yet it’s a testament to director and actress Nadine Labaki’s gracefulness she pulls off this story as well as she does in Where Do We Go Now? , a fable set in a fictional town, presumably in Lebanon, where Christians and Muslims live together in bumptious accord, if not in complete harmony. Actually, the women – those aforementioned creatures dressed in black – get along famously, gathering regularly at the same café for all manner of gossip and chitchat. It’s the men who can’t hold it together: They’re always on the brink of fisticuffs and worse, each group expecting only the worst from the other. Don’t look now, but somebody filled the church holy water fonts with blood – must be the Muslims! Goats and chickens running amok in the mosque? Got to be those pesky Christians! The women are always suffering because of the men: As the movie opens, they stride toward the local cemetery en masse, their procession orchestrated as if it were a Pina Bausch routine, with somber, stiff leg movements and rhythmic breast-beating. The graves – Christians on one side of the burial ground, Muslims on the other – all bear pictures of the women’s lost men, people who have caused them a great deal of sorrow. The problem, as Labaki and her co-writers Jhad Hojeily and Rodney Al Haddad make clear, is that the men just can’t stop fighting. The village also happens to be located in an area riven by violence – it’s surrounded by land mines, which, in an early scene, kill a hapless goat. (The event is played for laughs, not pathos.) Meanwhile, a tentative romance brews between doe-eyed café proprietress Amale (Labaki, a sultry and winning presence) and local handyman Rabih (Julien Farhat), who’s doing some renovation work in her establishment. She’s Christian, he’s Muslim, and their union will be symbolic if it ever gets off the ground. But again, those men! They just won’t listen. The women eventually hatch a plan to keep peace in the village, but tragedy strikes regardless, making their lot even more challenging and wearying. You can see where Labaki is going with all this: If women ruled the world, there’d be no more war. It’s a darling idea, and Labaki does all she can to keep the proceedings entertaining – the picture is dotted with whimsical comedic touches and even includes a smattering of spontaneous Umbrellas of Cherbourg -style musical numbers. It also features an ensemble cast made up largely of nonprofessional actors, and they can be quite charming to watch. For a picture about centuries-old infighting and suffering, Where Do We Go Now? really is pretty cheerful. But its occasional entertainment value aside, the picture is also blithe to the point of being flimsy. This is Labaki’s second feature: The first was the 2007 Caramel , an engaging and visually lush picture set in a Beirut beauty shop, the perfect setting for a very different sort of story about the complications of women’s lives. Caramel is a delightfully fizzy picture, but oddly enough – or perhaps not – it cuts much deeper than Where Do We Go Now? It’s far less sanctimonious, and it defines some of the very real challenges modern women face in the Middle East: Even though its characters feel they’re free to shape their own futures, there are certain restrictions – put in place by men, of course – that threaten to hold them back. One character in Caramel is engaged to be married and has to find a solution to prevent her fiancé from learning that he isn’t her first. You could argue that her plight is nothing compared with massive wars fought on religious grounds. Then again, it’s a man’s pride she’s trying to protect, and she’ll do what it takes to preserve his illusions. Labaki clearly understands the connection between the larger battles and the small ones – it’s just that her ideas come through more subtly and effectively in the beauty-shop movie than in the war-zone movie. She doesn’t need exploding land mines to get her point across. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
It’s dangerous business to begin a movie with a voice-over monologue introducing “a long tale of women dressed in black.” Run, while there’s still time! Yet it’s a testament to director and actress Nadine Labaki’s gracefulness she pulls off this story as well as she does in Where Do We Go Now? , a fable set in a fictional town, presumably in Lebanon, where Christians and Muslims live together in bumptious accord, if not in complete harmony. Actually, the women – those aforementioned creatures dressed in black – get along famously, gathering regularly at the same café for all manner of gossip and chitchat. It’s the men who can’t hold it together: They’re always on the brink of fisticuffs and worse, each group expecting only the worst from the other. Don’t look now, but somebody filled the church holy water fonts with blood – must be the Muslims! Goats and chickens running amok in the mosque? Got to be those pesky Christians! The women are always suffering because of the men: As the movie opens, they stride toward the local cemetery en masse, their procession orchestrated as if it were a Pina Bausch routine, with somber, stiff leg movements and rhythmic breast-beating. The graves – Christians on one side of the burial ground, Muslims on the other – all bear pictures of the women’s lost men, people who have caused them a great deal of sorrow. The problem, as Labaki and her co-writers Jhad Hojeily and Rodney Al Haddad make clear, is that the men just can’t stop fighting. The village also happens to be located in an area riven by violence – it’s surrounded by land mines, which, in an early scene, kill a hapless goat. (The event is played for laughs, not pathos.) Meanwhile, a tentative romance brews between doe-eyed café proprietress Amale (Labaki, a sultry and winning presence) and local handyman Rabih (Julien Farhat), who’s doing some renovation work in her establishment. She’s Christian, he’s Muslim, and their union will be symbolic if it ever gets off the ground. But again, those men! They just won’t listen. The women eventually hatch a plan to keep peace in the village, but tragedy strikes regardless, making their lot even more challenging and wearying. You can see where Labaki is going with all this: If women ruled the world, there’d be no more war. It’s a darling idea, and Labaki does all she can to keep the proceedings entertaining – the picture is dotted with whimsical comedic touches and even includes a smattering of spontaneous Umbrellas of Cherbourg -style musical numbers. It also features an ensemble cast made up largely of nonprofessional actors, and they can be quite charming to watch. For a picture about centuries-old infighting and suffering, Where Do We Go Now? really is pretty cheerful. But its occasional entertainment value aside, the picture is also blithe to the point of being flimsy. This is Labaki’s second feature: The first was the 2007 Caramel , an engaging and visually lush picture set in a Beirut beauty shop, the perfect setting for a very different sort of story about the complications of women’s lives. Caramel is a delightfully fizzy picture, but oddly enough – or perhaps not – it cuts much deeper than Where Do We Go Now? It’s far less sanctimonious, and it defines some of the very real challenges modern women face in the Middle East: Even though its characters feel they’re free to shape their own futures, there are certain restrictions – put in place by men, of course – that threaten to hold them back. One character in Caramel is engaged to be married and has to find a solution to prevent her fiancé from learning that he isn’t her first. You could argue that her plight is nothing compared with massive wars fought on religious grounds. Then again, it’s a man’s pride she’s trying to protect, and she’ll do what it takes to preserve his illusions. Labaki clearly understands the connection between the larger battles and the small ones – it’s just that her ideas come through more subtly and effectively in the beauty-shop movie than in the war-zone movie. She doesn’t need exploding land mines to get her point across. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
Radical gay activist, GOP-basher and “anti-bullying” crusader Dan Savage was asked to speak at a high school journalism convention. The result was predictable. Savage insulted and cursed at the Christian students, attacked Republicans and bashed Callista Gingrich. So much for … Continue reading → Broadcasting platform : YouTube Source : Gateway Pundit Discovery Date : 28/04/2012 06:22 Number of articles : 2
The most exciting news I’ve heard is about this BIKINI CLAD MODEL NAMED KYLE BISUTTI who was cast to be a Victoria’s Secret Angel….every slut’s dream…only to decide it isn’t in line with her Christian ideals and her recent marriage …because let’s face it Christians are crazy and don’t grasp that whole “the damage is done” theory that bitch is living the good life cuz of her sinning by being a temptress to other Christians by getting half naked…but since Jesus forgives it’s ok…bullshit… The fact that they are out promoting for Valentine’s Day, their second biggest event behind Christmas, cuz husbands everywhere are trying or hoping to make their wives look and feel sexy in order to get laid for once…it’s way better than listening to them cry about period pains or how tired they are from cleaning up after the kids….bullshit… The sad truth is that Victoria’s Secret made 9 Billion dollars in Sales last year…and we’re all the suckers who paid them…all cuz they manipulate us with hot pussy. Insane. TO SEE THE REST OF THE PICS EVEN THOUGH THEY AREN’T NAKED AND JUST MANIPULATIVE MARKETING EFFORTS TO MAKE A BILLION DOLLAR COMPANY MORE BILLIONS OF DOLLARS…. FOLLOW THIS LINK Here are some videos of Kyle Bisutti – Who has said after asked how she can be all religious after pretty much telling the world she was a whore….”I was growing in my relationship with my lord and the faith and became convicted to honor my husband with my body”….what a cunt…. Here she is in FHM for Christ her Lord and Savior….
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