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REVIEW: Gulliver’s Travels Is Silly, Sweet and Not Too Oversized

Lilliputian light and unconcerned about it, Gulliver’s Travels clears enough antic elbow room for its liberal adaptation of Jonathan Swift’s classic novel to do its thing without too much offense and then pretty much disappears. Directed by Rob Letterman ( Shark Tale and Monsters vs. Aliens ), the film turns Swift’s hero into the male comedic mainstay of the day — a schlubby, pop culture-obsessed man-child with no prospects and tics and references where a personality should be. Which is to say: Jack Black. The joke is obvious, and Black has used his maniacal, delusional grin to make it for years: I think I’m way bigger than I am. And yet Gulliver’s journey yields a little more than the basic, bland yuk of a mail-room jockey who can barely look his comely co-worker (Amanda Peet) in the eye becoming a terrifying and potent giant in cargo shorts and Chucks.

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REVIEW: Gulliver’s Travels Is Silly, Sweet and Not Too Oversized

Nas Serves Christmas Dinner To Families Affected By HIV/AIDS

‘The community is in me so giving back is important,’ MC says of helping out during the holidays. By Mawuse Ziegbe, with reporting by Rahman Dukes Nas Photo: MTV News Nas is in the giving spirit for the holidays. The renowned Queens lyricist headed to Harlem on Wednesday (December 22) to serve Christmas dinner to families affected by HIV/AIDS as part of an event run by music industry professional turned activist Maria Davis. And the Illmatic MC was more than willing to lend a hand, and his celebrity, to help the cause. “This event is Maria Davis’ thing. She’s HIV-positive, a part of the community of Harlem, so she does her thing for [the] holiday season for the people who are infected by AIDS or affected by AIDS,” he explained to MTV News. “I came through [on the] strength of her friend Melba, who owns Melba’s Restaurant — great soul food on 114th street here in Harlem. She called me [and] I came through just for the support.” Esco maintained that despite his status as an influential hip-hop lyricist and hitmaker, showing support to those who are less fortunate continues to remain a top priority. “For me, it’s like I can’t get away from the community. The community is in me so giving back is important,” he said. Nas also added that helping others doesn’t have to include logging hours at charity events, but said people can inspire by being successful game-changers in their own right. “I think when you give back, you just do your thing. You come from a neighborhood like I came from and you just do your thing, that’s all you gotta do [to inspire],” he said. ” ‘Cause every kid that sees you doing your thing, you can’t even imagine what you’re doing for that kid or that grown up. They see you doing your thing, that’s inspiration. There’s kids that went to school with me who are grown men now. There’s dudes that’s been listening to my music for a long time and the more they see me continue, that’s enough. That’s all they need to say ‘Yo, I could do it.’ ” The Distant Relatives MC admitted that he has plenty to learn when it comes to the HIV/AIDS epidemic, and noted that social stigma surrounding the disease has often stymied the public’s informed awareness of the issue. “The thing about AIDS is you start to raise your eyebrow at how it affects certain communities. [The] homosexual community [and] African-American community was really the first [to report cases of HIV infection], right, so, kinda, those two communities got blamed for it — even almost like they invented it. That’s not the truth. So it’s affected everybody now, every community. It makes you want to learn about it,” he said. “When Eazy-E caught it … and my man Magic Johnson, it touched us. But then we waiting, like, to see what’s next [and] that’s not cool. So my whole thing is to learn more about it.” What do you think about Nas’ comments about HIV/AIDS? Let us know in the comments! Related Artists Nas

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Nas Serves Christmas Dinner To Families Affected By HIV/AIDS

‘Little Fockers’ Cast On What They Missed Most Since Last Movie

‘For me, it’s always exciting to come to work with Mr. DeNiro,’ Ben Stiller says of his co-star. By Kara Warner, with reporting by Eric Ditzian Ben Stiller and Robert DeNiro Photo: MTV News It’s hard to believe that it’s been six years since audiences were treated to a Fockers film. “Meet the Fockers,” the sequel to “Meet the Parents,” was released in 2004. Even more difficult to believe is that it’s been a full decade since the original opened in 2000. With the arrival of the third installment in the franchise, “Little Fockers,” opening Wednesday (December 22), we wanted to know what the castmembers missed most about each other during their long six years away from the Focker and Byrnes families. “Cuddling,” Dustin Hoffman, who plays Ben Stiller’s father Bernie Focker, joked. “We hadn’t cuddled for six years.” “Cuddling, that was a good one,” Owen Wilson agreed. “There’s something about this guy, I can’t keep my eyes off him … my hands off him. You just want to hug him.” “Owen and I work very similarly together,” Hoffman explained of their affection for one another. “And we yearn for the time when we can have an entire film together.” “That would be nice,” Wilson said. But when asked about the long hiatus between films, Hoffman seemed to enjoy the break. “I kind of like the blessed relief of not having to do another ‘Fockers’ for six years,” he said with a chuckle. “Yeah, I think it is nice to let it percolate,” Wilson added. The actresses who play onscreen mother and daughter noted that the passage of time has been met with many milestones, both in the film and in real life. “Now we have children,” Blythe Danner said. Gesturing to co-star Teri Polo, Danner continued, “She didn’t have children in real life when we started 10 years ago. I didn’t have grandchildren 10 years ago in real life. So we’re mature women now. We’ve all matured, in positive and negative ways.” “Speak for yourself!” Polo joked about the “mature women” comment. “There’s a dance, a familiarity, a dance, a rhythm, a song that you just fall back into,” she said of coming back to work with her “Focker” castmates. “When you walk onto the set for the first time after five years and see Robert DeNiro, it’s just awesome. Believe it or not, he’s a warm man,” Polo added. “He’s a man of few words but very warm.” Speaking of DeNiro, Stiller insisted his legendary co-star was happy for time away from him. “He didn’t miss me,” Stiller said. “For me, it’s always exciting to come to work with Mr. DeNiro. I feel like after 10 years I finally feel OK calling you ‘Bob.’ I finally feel like I’m not forcing that,” he said. “It’s always great to have a chance to work together, the whole cast, it’s always fun to see everybody.” Check out everything we’ve got on “Little Fockers.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Little Fockers’ Clips

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‘Little Fockers’ Cast On What They Missed Most Since Last Movie

Daft Punk’s ‘Tron Legacy’ Score: Five Secrets Revealed

‘They weren’t shooting for a Daft Punk record. They wanted to create a full-bodied, timeless score,’ film’s music supervisor Jason Bentley says. By Eric Ditzian Daft Punk Photo: Disney Guy-Manuel de Homem-Christo and Thomas Bangalter rock sleek robot helmets in public, rarely submit to interviews and have left electronic-music fans wondering for more than two decades, “Just who are the dudes from Daft Punk?” Now, thanks to their collaborative work on the “Tron Legacy” score, the curtain shielding the French duo from the public eye has been pulled back perhaps farther than ever before. Music supervisor Jason Bentley (“The Matrix” trilogy) worked with de Homem-Christo and Thomas Bangalter for two years on the project, and in a wide-ranging interview, Bentley gave MTV News all sorts of insight into Daft Punk’s creative process and what they’re like to hang out with on a day-to-day basis. Here are five secrets revealed about Daft Punk and their “Tron” score . Daft Punk Might Make a Film in the Future It took a year for Bentley and director Joseph Kosinski to convince the group to take part in “Tron Legacy,” Disney’s follow-up to the 1982 original about a man sucked into a computer world and forced to engage in trippy gladiatorial games. The commitment would mean no touring and no other work for a full two years. So what finally convinced them to do it? Daft Punk might have their eyes on making their own movies. “They were looking at this as much more than a composer gig,” Bentley told us. “It was going to be an education in filmmaking. I wouldn’t be surprised if they made movies from here. There were too many questions about lighting and cameras and lenses or effects. The Daft Punk guys are very, very interested in filmmaking.” Daft Punk Look Like Gorillaz Characters What do Daft Punk look like beneath those helmets? According to Bentley, just picture two animated creatures. “You know the animation style of Gorillaz? They totally look like characters out of Gorillaz videos. It’s pretty funny. I’d turn around, and whether they were working or walking across a lot to meet me, I’d chuckle to myself because they’re just the oddest couple.” Bentley went on to joke that they hardly need to wear the robot outfits “because they’re such colorful characters.” De Homem-Christo, he explained, “is the quiet one. You’ll think he’s not listening or there’s a language issue, but it’ll turn out he’s been listening to everything.” Bangalter, meanwhile, “is much more expressive and almost overcompensates for Guy-Man.” Daft Punk Are Huge Pop Culture Nerds When Daft Punk set out to score “Tron Legacy,” they had one goal in mind: to make an iconic film score. “They’re such huge fans of popular culture,” said Bentley. “The score that they set out to make was one that could stand with ‘Star Wars’ or ‘Superman.’ They weren’t shooting for a Daft Punk record. They wanted to create a full-bodied, timeless score.” The guys could often be spotted wearing “Back to the Future” T-shirts on the Disney lot. And Bentley recalled a time when they were all in a van together and Guns N’ Roses’ “November Rain” came on the radio. Daft Punk then launched into a highly detailed deconstruction of the song’s 1992 music video starring Axl Rose and Stephanie Seymour. “It was so crazy how vivid it was in their minds,” Bentley laughed. The “Tron” Score Is Better Than The “Matrix” Scores We’ll let Bentley explain this one. “What’s amazing is how for the score, they fused the acoustic orchestral layer, the electronic layer — big kick drums or synth lines — and the granular, atmospheric level. I was the music supervisor for ‘The Matrix’ trilogy and we tried to merge those three layers and I think we did pretty good, but I don’t think we nailed it. The problem was we were putting two different mind-sets in the room. It was our composer, Don Davis, who was fully on the orchestral side, and then we were introducing electronic people to him like Fluke or Rob D or Juno Reactor. We just didn’t get a unified concept. With Daft Punk on ‘Tron,’ you feel that unified vision. ” ‘Solar Sailor’ is a really good example of that,” he added of one track. “It’s not an easy task to bring those two worlds together, orchestral and electronic. It can sound really clunky. But for ‘Solar Sailor,’ you can hear the strings coming in, and they fused that with the other layers. It’s amazing.” Daft Punk’s Cameo Started Out as a Joke The group’s presence is, of course, felt throughout the film, but Daft Punk actually show up for a cameo toward the end of the film. They play DJs in the computer world’s after-hours hot spot called the End of the Line club. The cameo is a satisfying bit of insider hat-tipping on the part of the filmmakers … and it started out as a joke. “It was Joe Kosinski’s idea,” said Bentley. “At first it was just a jokey, amusing fantasy and it stuck. They liked the idea and just went with it.” Almost all of the material the DJs play in the club made it onto the “Tron” soundtrack, except for one track. “The second of three cues — that cue did not make the soundtrack,” Bentley explained. “No one has noticed that. It’s somewhat in limbo. I don’t know if it will come out as a Daft Punk track or bonus material. It’s damn good, and who knows where it will end up?” Check out everything we’ve got on “Tron Legacy.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Tron Legacy’ Clips Related Photos ‘Tron: Legacy’ Premiere In Los Angeles Related Artists Daft Punk

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Daft Punk’s ‘Tron Legacy’ Score: Five Secrets Revealed

Leighton Meester Allure magazine 2011

“It#39;s wonderful to be in love,” the actress, 24, tells the January issue of Allure. “And it#39;s definitely wonderful to cuddle and have s-ex and get to experience life with somebody. But it#39;s okay if you don#39;t find him and you#39;re 24. You can find it someday.” Leighton Meester may not have the relationship her Gossip Girl alter ego enjoys with her onscreen love, Chuck, but she#39;s okay with that. Meester says she understands the kind of love her character, Blair Waldorf, shares wi

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Leighton Meester Allure magazine 2011

Gwyneth Paltrow InStyle cover 2011

“Moses … we might really become family when he marries Audrey!” Gwyneth Paltrow tells Hill, who interviewed her for January#39;s InStyle, on newsstands Friday. “My son is in love with your daughter!” Is a merger in the cards for two celebrity superstar families? Gwyneth Paltrow thinks so. She and her new BFF Faith Hill have spent so much time together lately that their children have bonded – in a major way. Paltrow is referring to her son Moses, 4, with husband and Coldplay frontman Chris Mar

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Gwyneth Paltrow InStyle cover 2011

Glee’s Chris Colfer Talks Golden Globes, Tonsillitis Outbreaks, and Romance with Blaine

To say Glee ‘s Chris Colfer is basking in the glow of his second consecutive Golden Globe nomination for his role as McKinley High’s estranged gay pioneer Kurt is a bit of an understatement. “I’m so excited I’ve been tackling everyone I’ve seen on set today,” he enthuses, before adding with a chuckle, “Whether I know them or not!” Not everyone in the Glee cast shares Colfer’s enthusiasm, however. “Ashley Fink [Lauren] sent me a hysterical text message,” he recalls. “She said she was excited that I was nominated but she was more excited for Burlesque .”

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Glee’s Chris Colfer Talks Golden Globes, Tonsillitis Outbreaks, and Romance with Blaine

Big Bang Boss Chuck Lorre Talks About Globes Nod, Backstage Drama, a Fox-y Guest and More

Be gone with your bazingas, because this is the real deal, folks: CBS’ The Big Bang Theory has collected its first-ever Golden Globe nomination in the Best Comedy category. (Cast member Jim Parsons also earned a nod, for Best Comedy Actor.) To mark this occasion, Movieline spoke with Big Bang co-creator Chuck Lorre about how the fourth-year comedy endured a very scary real-life drama to serve up one of its best seasons to date.

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Big Bang Boss Chuck Lorre Talks About Globes Nod, Backstage Drama, a Fox-y Guest and More

Crystal Bowersox Hopes Fans Can Handle The Truth Of ‘Famer’s Daughter’

‘American Idol’ runner-up releases her hard-fought debut album Tuesday. By James Montgomery, with reporting by Jim Cantiello Crystal Bowersox Photo: MTV News Following the “American Idol” finale, runner-up Crystal Bowersox made it abundantly clear that she had no plans to carry on the tradition of releasing a shiny, happy debut album. And it turns out she was a woman of her word. Because her post-“Idol” bow, Farmer’s Daughter, which dropped Tuesday (December 14), is anything but traditional, at least not in the Seacrest-ian sense of the word. Of the 12 songs on the disc, she wrote eight (and co-wrote two more) and worked exclusively with not only producer David Bendeth — who’s twiddled knobs for the likes of Paramore and As I Lay Dying — but a team of crack studio musicians, including Jeff Kazee, Tommy Byrnes and Chuck Burgi, who have logged time with Bon Jovi, Bruce Springsteen and the Blue Oyster Cult, to name just a few. It’s a soulful, crackling album, full of the kind of big vocals (and even bigger ideals ) that won her a legion of fans during her run on “Idol.” In short, it is very much the kind of album only she could have made — so long as she stuck to her guns. And for additional proof of all this, fans need look no further than the first single, the solemn and scathing title track. In it, Bowersox details her tumultuous — and abusive — relationship with her mother (sample line: “Honor thy mother/ And father too/ But I know there ain’t no way in hell that God mentioned you”) over little more than a spare guitar line. Not surprisingly, the folks at Jive didn’t want it to be the first song out of the chute — they were angling for “Hold On,” a song co-written by Kara DioGuardi and Nickelback’s Chad Kroeger — but Bowersox was adamant. And, in the end, she won. “It wasn’t necessarily a battle, win or lose, it was more of just convincing the label that putting ‘Farmer’s Daughter’ out as the first single was the best choice, as far as representing me as an artist and a songwriter,” she told MTV News. ” ‘Hold On’ is a great song — it’s the safe choice — and I didn’t want to just do the cookie-cutter, safe choice. Nothing to discredit the song, I gave it my best shot, I hope I did Kara and Chad proud, but as far as a first single goes, ‘Farmer’s Daughter’ was the right choice, and I had to slowly get the label to agree with that, and they did.” And after getting them to agree, Bowersox had to prepare herself for the fact that, for the foreseeable future, at least, she’d be performing “Farmer’s Daughter” — and airing her family’s dirty laundry — in front of millions while doing the promo rounds. But, once again, she didn’t flinch. “Well, it is a darker song, it’s just … bluntly and brutally honest, though. Sometimes you can’t handle the truth; I’m OK with it,” she smiled. “When I wrote the song is when all of those emotions left me. I don’t carry them around in my heart. It’s not part of me as a person … so every time I sing the song, it floods back in, which gives passion for the performance, but when the song’s over, I’m back to smiling, happy, bubbly me.” So while she didn’t win “American Idol,” Bowersox can look back on everything that’s happened since as one gigantic victory. She made her album her way. She fought the label to get her single heard first, and now, she can sing her demons right out of her life. The past is the past, after all. With Farmer’s Daughter, Bowersox is pushing hard and heavy into the future. “It was a dark time for all of us growing up … but I think in the long run, it’s being honest and telling our story,” she said. “The song’s a healing song … and once you start to talk about any issues you’re having, these childhood issues, you can begin to heal.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Crystal Bowersox Hopes Fans Can Handle The Truth Of ‘Famer’s Daughter’

Lauryn Hill Set To Perform String Of East Coast Concerts

The reclusive singer will hit the stage for stops in Boston, New York and Miami beginning December 20. By Rebecca Thomas Lauryn Hill Photo: Taylor Hill/Getty Images Lauryn Hill is inching closer to a comeback. At this summer’s Rock the Bells, the reclusive raptress emerged for four tour stops, giving front-to-back performances of her classic debut, The Miseducation of Lauryn Hill, almost a dozen years to the day after its release. Now, L-Boogie is set to meet her hungry public again with a grip of shows along the East Coast. According to Brooklyn Vegan , Hill will hit Boston, New York, and Miami for a string of shows beginning December 20. She’ll make stops at Brooklyn’s Music Hall of Williamsburg at the end of the month, and the Bowery Ballroom in New York City on New Year’s Day. The “Ex-Factor” singer will then resume the jaunt in the spring with a pair of performances in the Magic City as part of Miami’s Jazz in the Gardens Festival. Tickets for the first trio of shows went on sale on Friday (December 10); no additional dates have been announced. At this summer’s Rock the Bells, Hill chuckled when we asked her about a due date for fresh material, but told MTV News, “We’re getting closer. That’s all I can say.” The ex-Fugees frontwoman, who became something of a voice for a generation of pre-millennium girls drawn to her cerebral brand of rap&B, shunned the limelight not long after the jaw-dropping success of her debut. But in August, she remarked that the industry had changed in recent years, adding that she was feeling sparked by how eclectic music in the age of MP3s was sounding. “You got a lot of young talent out there,” Hill observed. “Because we don’t necessarily have the same sort of industry complex that used to exist, people don’t always give, I want to say, proper respect to. But they’re doing it in a really kind of unusual, unique and hard-core way.” Lauryn Hill tour dates, according to Brooklyn Vegan: