Tag Archives: cinema

Jacki Weaver Adds ‘Adorable’ to Awards-Campaign Arsenal

We all knew Jacki Weaver was talented and competitive and swag-friendly and mega-qualified for this year’s Oscar race but this … This is just unfair: “[W]hen I was seven, I wanted to be Esther Williams. I was drummed out of Brownies because I snuck off to the cinema to watch an Esther Williams festival — my greatest wish if I get to Hollywood is to meet her. I can’t believe I’m talking to Vanity Fair . I’ve got the Cher issue in front of me. Who knows, maybe one day I’ll get to meet Graydon Carter!” Your move, Hailee Steinfeld . [ VF ]

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Jacki Weaver Adds ‘Adorable’ to Awards-Campaign Arsenal

Only 21 Lost Fans Survive Four-Day Marathon

Congratulations to the 21 hardcore Lost fans who risked blood clots and other serious health and boredom-related complications to sit through all 121 episodes at the Prince Charles Cinema in Leicester Square this week. And to the 80 or so fans who dropped out over the four-day marathon event — in spite of paramedics on hand — better luck next time. The Sun reported last month that the first 280 fans would be allowed to participate in the London event. BBC News notes that only a hundred or so Londoners actually showed up to attempt setting the world record — for longest continuous cinema sitting. [ BBC ]

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Only 21 Lost Fans Survive Four-Day Marathon

‘Going The Distance’: The Reviews Are In!

‘E.T.’s girlfriend and the Mac Guy ooze a laid-back, goofy charm through their pore-less skin,’ The Washington Post ‘s Michael O’Sullivan writes. By Eric Ditzian Drew Barrymore in “Going the Distance” Photo: Warner Bros. I’ll go ahead and say it: I really liked “Going the Distance.” Frankly, I’m surprised more early viewers didn’t, as the Drew Barrymore comedy is currently at a meager 49 percent freshness at the Rotten Tomatoes review aggregator. What else do we want in our romantic comedies, people? I’ll surely sound like a PR flack for saying this, but “Going the Distance” has something for everyone. It’s got the aw-shucks love story, realistically drawn central characters, some fabulously raunchy supporting players in Charlie Day (“It’s Always Sunny in Philadelphia”) and Jason Sudeikis (“Saturday Night Live”), a plot that really does manage to avoid rom-com clich

London Lost Fans to Risk Blood Clot For World Record

The cast and crew of Lost may have left last night’s 62nd Emmy Awards empty-handed but overseas fans of the show are hellbent on winning a different kind of honor for J.J. Abrams’s series by watching all 121 episodes in one sitting at London’s Prince Charles Cinema in Leicester Square. If they succeed, the dedicated fans will set the world record for longest continuous cinema sitting… at three days . Deep vein thrombosis be damned!

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London Lost Fans to Risk Blood Clot For World Record

‘The Other Guys’: The Reviews Are In!

Check out what critics have to say before you head out to the theater this weekend. By Eric Ditzian and Jeremy Kaplan Will Ferrell, Steve Coogan and Mark Wahlberg in “The Other Guys” Photo: Sony Pictures Leonardo DiCaprio’s fevered dreams have dominated the multiplex for three straight weeks. Now it looks like the “Inception” supremacy is coming to an end, with Leo’s reveries soon to be overtaken by Will Ferrell’s wackiness. The curly-haired comedian stars in “The Other Guys,” an action-comedy that marks his fourth big screen collaboration with writer/director Adam McKay, following “Anchorman,” “Talladega Nights” and “Step Brothers.” Co-starring Mark Wahlberg as Ferrell’s reluctant NYPD partner and fellow desk-jockey, “Other Guys” could easily outdo the $30 million “Step Brothers” took in back in 2008. Helping in that quest are the flick’s strong critical reviews. Before you head to the cinema this weekend, check out what the critics have to say. The Story “This latest gambit stars Ferrell as Det. Allen Gamble, a NYPD forensic accountant, and Mark Wahlberg as his rogue cop partner, a reluctant and raging Terry Hoitz. These flat-footed flatfoots get lots of razzing from the other boys in blue, but in typical don’t-count-Ferrell’s-underachievers-out fashion, they just might derail a $32-billion stock market rip-off if they can follow the paper trail and stop bickering long enough to figure it out.” — Betsy Sharkey, Los Angeles Times The Cast “Mr. Ferrell’s Allen is a genuinely sweet guy as well as a crazed one: As evidence, his time-out for a surreal folk ballad, along with his mad reminiscence about being a pimp in college. (Jon Brion did the music, which includes the lullaby ‘Pimps Don’t Cry.’) Mr. Wahlberg provides counterpoint to his co-star’s nuances by declaiming his lines at the top of his voice: here again, the results can be hilarious when they aren’t silly. Michael Keaton is a police captain who moonlights at Bed Bath & Beyond. Steve Coogan, a reliably funny actor, isn’t funny as a bad guy scheming to defraud the city. He seems to think he’s in a drama.” — Joe Morgenstern, The Wall Street Journal The Jokes ” ‘The Other Guys’ gets you chuckling at the little details of Allen’s stick-up-the-butt patheticness, like the way he hums while typing, or argues with Terry about how a school of tuna could whip a lion, or blasts Little River Band CDs in his sad, dinky red Prius. (Terry: ‘I feel like we’re literally driving around in a vagina.’) A few of the jokes are sly, many are quite obvious, but what knits the laughs together is the nearly confessional conviction with which Ferrell delivers them. He’s not playing just another geek idiot — as, say, Rob Schneider does. He digs into some elemental side of himself, a side that craves order and niceness and civility, that shrinks from danger and violence.” — Owen Gleiberman, Entertainment Weekly The Buddy Cop Genre “Adam McKay and co-writer Chris Henchy (‘Land of the Lost’) have overloaded the narrative, stretching it 20 minutes beyond its practical use and mistaking bigger and more explosive with funnier. From ‘Freebie and the Bean’ to ‘Running Scared’ to the ‘Lethal Weapon’ franchise, the challenge with cop-centric action comedies has remained essentially the same: How to balance straightforward adrenaline-rush material with bits you’d never find in a real cop film? This one begins buckling under its own weight around the midpoint; on the other hand, I’m already looking forward to catching certain asides and riffs again on cable.” — Michael Phillips, Chicago Tribune The Final Word ” ‘The Other Guys’ is that rare thing, a goofball summer buddy comedy that actually delivers. The movie is a return to form for Will Ferrell, who finally reins in the idiot frenzy he’s so often deployed in the past (most recently in last year’s dismal ‘Land of the Lost’) and — an added blessing — shows no skin, either. It’s also a breakthrough for Mark Wahlberg, who dipped a toe into the comedy waters of ‘Date Night,’ but here makes a sizeable splash. Wahlberg isn’t an all-out clown in the Ferrell style, but his careful restraint in this picture — his comic simmering and his lag-timed reactions — is just as funny in a different way.’ — Kurt Loder, MTV News Check out everything we’ve got on “The Other Guys.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘The Other Guys’ Clips MTV Rough Cut: ‘The Other Guys’

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‘The Other Guys’: The Reviews Are In!

Is 3-D filmmaking really the next evolution for cinema, or is it just another passing fad?

photo by Dominic's Pics

Is 3D filmmaking really the next evolution for cinema, or is it just another passing fad?

photo by Dominic's Pics

‘The Last Airbender’: The Reviews Are In!

Critics say the 3-D epic will be a hit with the kids, but grownups may tire of its flashy effects. By Eric Ditzian Nicola Peltz as Katara in “The Last Airbender Photo: Paramount Pictures M. Night Shyamalan’s “The Last Airbender,” adapted from the popular Nickelodeon animated series into a live-action, CGI-heavy, 3-D epic, arrives in a crowded summer movie season of “Eclipse” vampires and “Toy Story 3” playthings. Is there room for “Airbender” and its fire-throwing, water-controlling warriors at the cinema? It certainly seems that way, as the film is tracking to gross over $45 million across the long holiday weekend. And while the reviews are decidedly mixed, MTV News’ Kurt Loder reports that the movie’s target audience at one advance screening was nothing short of ecstatic. “Early reviews in the theater-full of little kids I saw ‘The Last Airbender’ with were enthusiastic: whoops and wows scattered throughout and a chorus of cheers at the end,” he wrote. “The movie is filled with heroic feats, high-kicking martial arts and elaborate digital imagery, and this is the audience it’s aimed at.” Indeed, the reviewers who pay deference to the film’s core viewers do offer the most positive reviews. “This is strictly for the preteens who like their heroes young, their morals simple and their villains clear,” writes Scott Bowles of USA Today. “And Shyamalan delivers. Credit the director for emphasizing the film’s multiple fight scenes, which crackle, particularly for a kids’ movie. This could have played like ‘Spy Kids Know Kung Fu,’ but [star Noah] Ringer is a real martial arts prodigy, and co-star Dev Patel (‘Slumdog Millionaire’) trained for months. It shows.” What of the film’s visual effects? Each of the nations in the fantastical world of “Airbender” has the ability to manipulate one element: air, fire, water or earth. With the help of the animators from Industrial Light & Magic, those powers come to fairly badass life. But not everyone remained impressed for the film’s entire running time. “[T]he bending of the elements is, I’ll admit, kind of, sort of cool,” writes Michael O’Sullivan of the Washington Post. “Walls of dirt rise up to repel fireballs. Oceans surge and turn to ice. And [Ringer’s] Aang rides around on a hang glider that unfolds from a staff he carries. After a while, though, all the fighting between people hurling rocks, flames, water balloons and blasts of air at each other starts to resemble, as a waggish friend noted, one long game of rock, paper, scissors. It gets real old real fast.” Owen Gleiberman of Entertainment Weekly sees parallels to previous epic films, but the comparison is not always a flattering one for “Airbender.” “The movie is ‘Star Wars’ with martial arts, plus a touch of ‘The Last Emperor.’ Technically, it’s not badly done; I enjoyed the physical clash of elements, the water balls rising like sculpture in the air. The trouble with ‘The Last Airbender’ is that Aang, as a character, is a saintly abstraction (Noah Ringer plays him with a sensitive pout that grows cloying), and he’s surrounded by generic young actors who are like place holders for real stars. Your eyes are sometimes dazzled, but you’re shut out of the spectacle because there’s no one of any force or charm or stature to identify with.” We’ll give Josh Tyler of CinemaBlend the final word: “[T]his is an achingly beautiful film full of stunning special effects, driven by a powerful score, and based on material so good that even the worst script of the year couldn’t entirely ruin it. It’s worth putting up with M. Night the writer to enjoy the work of M. Night the director.” Check out everything we’ve got on “The Last Airbender.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos ‘The Last Airbender’ Clips MTV Rough Cut: ‘The Last Airbender’ Related Photos ‘The Last Airbender’ Premieres In New York The Powers & Creatures Of ‘The Last Airbender’

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‘The Last Airbender’: The Reviews Are In!

‘Toy Story 3’ On Track To Become Pixar’s Biggest Film Ever

‘Finding Nemo’ is company’s current record holder. By Eric Ditzian Buzz Lightyear and Woody in “Toy Story 3” Photo: Disney/Pixar “Toy Story 3” is already a record-breaker for Pixar. The third installment of the adventures of Woody and his playtime buddies opened with the animation house’s biggest opening weekend, its $110.3 million besting “The Incredibles” by almost $40 million. Inflation and 3-D ticket prices notwithstanding, “Toy Story 3” has blown past its original incarnation in just two full weekends and figures to ascend to the upper tier of Pixar releases by next weekend So where will “Toy Story 3” end up in the Pixar ranks when its theatrical run comes to a close? The company’s current record holder is “Finding Nemo,” which netted $339.7 million in 2003 without the benefit of premium ticket prices. As things at the cinema stand now, though, those CGI fishies are about to lose their top Pixar spot to some 3-D toys. ” ‘Toy Story 3’ will have no problems at all surpassing ‘Finding Nemo’ to become Pixar’s top-grossing film ever,” said Gitesh Pandya, editor of BoxOfficeGuru.com. “[It] might even join the list of top 10 global blockbusters of all time.” For that to happen, “Toy Story 3” would need to cross the $400 million threshold, and to reach such a lofty goal, the movie will have to continue to attract repeat viewers. This week, two films that could eat into the “Toy Story” audience — “Eclipse” and “The Last Airbender” — arrive on the scene. “Eclipse” drops on Wednesday and should easily dominate the box office. The next day, “The Last Airbender,” which is based on the popular Nickelodeon cartoon series, opens across North America. With kids and their parents headed off to take in these fresh films, will repeat viewership for “Toy Story” plunge? “The only thing standing in the way of ‘Toy Story’ becoming the biggest film of the summer is ‘Eclipse,’ ” said Jeff Bock, box-office analyst for Exhibitor Relations. “These bloodsuckers have serious box-office bite. To say the sequel expanded the brand after the original is an understatement. The real question is: has this series hit a tipping point? Usually, by the third film in a franchise, grosses diminish exponentially. Not so with fanatical franchises like ‘Harry Potter,’ ‘Star Wars,’ and ‘Lord of the Rings’ and ‘Twilight.’ They don’t follow traditional box-office patterns. But that said, I do believe the fanbase has hit its glass ceiling, and that the threequel will perform very similarly to the sequel.” That would put “Eclipse” at slightly under the $300 million mark, whereas “Toy Story” could top that by as much as $100 million. Now lest you think “Toy Story 3” is simply benefiting from pricey 3-D tickets, note the case of 2009’s “Up.” That critically lauded Oscar nominee, presented in three dimensions (albeit before the current “Avatar”-induced 3-D craze), still could not unseat “Nemo.” For “Toy Story 3″ to have such a good chance of becoming Pixar’s #1 speaks not only to ticket prices but to the appeal of the film itself, which many have suggested is the best in the three-picture series. ” ‘Toy Story 3’ has captured the magic of Pixar in a blockbuster sequel — a potent combination,” Bock said. “And let’s not forget the ancillary merchandizing markets that have toy aisles abuzz and practically barren. No one can touch that type of overall domination.” Yet despite its popularity, the movie might not sell as many tickets as “Nemo.” Still, we count dollars, not tickets, and when it comes to the former, “Toy Story” is going to pull in record-breaking numbers. “With James Cameron not having a film this year, Woody and pals may even be the box-office champs of 2010,” said Pandya. Check out everything we’ve got on “Toy Story 3.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Photos “Toy Story 3”

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‘Toy Story 3’ On Track To Become Pixar’s Biggest Film Ever

Algeria prepare for World Cup battle by watching The Battle of Algiers

Footballers aim to draw on spirit of Gillo Pontecorvo’s revolutionary classic ahead of tonight’s match with England When football players seek inspiration they normally opt for a round of golf. Not the Algerians, though. Ahead of their big match with England tonight, the north Africans have made a trip to the cinema to watch a screening of The Battle of Algiers. Gillo Pontecorvo’s 1966 classic is set during the Algerian war of the 1950s and details the emergence of the native resistance against the imperial French. It’s a gritty, troubling film that shows the moral compromises that war forces on all sides. It’s also over two hours long, but that doesn’t appear to have stopped the Algerians from being inspired. “I had never seen it before. It was very moving, and it was very moving to spend the time together. This is the kind of thing we need to do to feel together,” said Hassan Yebda, the 26-year-old midfielder who played in England last season with Portsmouth. The screening was arranged by Algeria’s coach, Rabah Saâdane, and Yebda believes it will help the side forge a new mentality after losing to Slovenia in their opening World Cup match last Sunday. Yebda compared their new attitude to that which helped Algeria qualify for the World Cup in a playoff with Egypt. “When we were in Sudan we had an obsession to win and that is what enabled us to beat Egypt. Had we lost that match, we would have been eliminated. The same goes for tomorrow. We must go on to the pitch with the same obsession to win.” Quite whether “an obsession to win” would be the message most viewers would take from The Battle of Algiers remains to be seen. Indeed, the movie’s history as an educational tool is a chequered one. It was also the subject of an infamous screening for Pentagon staff shortly after the invasion of Iraq in 2003. Algeria World Cup 2010 Algeria World Cup 2010 Group C Paul MacInnes guardian.co.uk

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Algeria prepare for World Cup battle by watching The Battle of Algiers