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‘Jonah Hex’ Cheat Sheet: Everything You Need To Know

Before heading off to the Wild West with Josh Brolin and Megan Fox, check in with our cheat sheet. By Eric Ditzian Megan Fox and Josh Brolin in “Jonah Hex” Photo: Warner Bros. Pictures The 2010 summer-movie season has given us swords-and-sandals epics, superhero melees and a cavalcade of 3-D animated blockbusters. What we haven’t yet seen is a straight-up western, partly because that gun-toting, tobacco-chewing genre has largely fallen out of favor in Hollywood. All that changes Friday (June 18), as “Jonah Hex” rides into theaters in a storm of CGI dust and supernatural-inspired storytelling. Josh Brolin stars as Hex himself, a facially scarred bounty hunter with a taste for bullets, broads and revenge. His adversary is John Malkovich’s Quentin Turnbull, who thinks it would be a good idea to unleash the fires of hell on the entire planet. Hex doesn’t think that’s such a swell idea, plus Turnbull’s the dude who killed his family and hot-branded his face, so a quest for vengeance sounds like a pretty good idea. Before you take your own quest to the cinema this weekend, be sure to check out MTV News’ cheat sheet: everything you need to know about “Jonah Hex.” Wrangling the Horses In the early 1970s, writer John Albano and artist Tony DeZuniga created “Jonah” for DC Comics, and the surly antihero continues to appear within DC pages to this day. It wasn’t until summer 2007, though, that Warner Bros. began to ramp up plans to bring the character to the big screen. Brolin began circling the role of Jonah in late 2008 and stayed interested even as directors Mark Neveldine and Brian Taylor (“Crank”) parted ways with the production over creative differences. Why did Brolin stay on? “When I first read it, I thought, ‘Oh my God, it’s awful!’ ” Brolin told MTV News . “And then I had a moment a week later, and I thought, ‘Why is it awful? Maybe the thing to do is to do the most awful movie I can find.’ ” Malkovich found the movie in early ’09, followed shortly by Megan Fox as a Wild West prostitute named Lilah. In April, we got our first look at the Louisiana-based production, thanks to some rather revealing on-set pics of Fox . Not to be outdone by his sultry co-star, Brolin made his presence as Jonah known in June, when the first photos surfaced of the actor in full, facial prosthetics. Enter the Hex As the year pushed forward, we began to hear from almost everyone with a key role in the production. Brolin spoke glowingly of new director Jimmy Hayward (“Horton Hears a Who!”), Malkovich told us why he signed on for the role, and Fox said of the production , “I think it’s a really good interpretation of the comic. It somehow manages to be super-violent while still having a PG-13 rating. I don’t know how they did that.” Neither do we, but the whole thing seemed to be shaping up quite nicely. Comic-Con brought us the film’s first poster and fresh promo pics followed in the fall. Then trouble set in. Re-shoots kicked off in January of this year, intended to fix unspecified problems with the footage and to be overseen by “I Am Legend” director Francis Lawrence, who was hired as a consultant. And as the June release date approached, fans started to wonder when the first trailer would arrive. It finally appeared at the very end of April — and it looked fairly rad — but questions remained. Days before the trailer dropped, Brolin himself told us the film was very much in flux. “We’re still in the process of solidifying that tone,” he said. “There’s a lot of humor to use in this cut. We’ve been going, ‘How much humor do we use? Do we stay with the emotional line of the story? How can we release some of the exposition so we can just rely on the action?’ All this kind of sh–. We’re in the midst of it, man!” We’re Going Straight to the Wild Wild West From Will Smith and Escape Club songs to the decades’ worth of face-off-at-high-noon flicks, the Wild West has proved fertile creative ground across the pop-culture spectrum. It remains to be seen, however, if “Jonah” can overcome its troubled production history and win big at the box office. The sneak peeks certainly look good: there’s Jonah facing off against Turnbull ; Jonah and Lilah trying to get out of a jam and then showing off their shooting skills ; Jonah getting a little sensitive about his disfigured face; and Jonah riding a horse with a Gatling gun strapped to its side . So will fans come out in support of this latest comic book adaptation? Is there a chance there will be more cinematic “Jonah” coming down the line? Producers have certainly planned for that possibility. “They leave it open for a sequel,” Fox told us . “They tweaked the script so there might be a sequel if necessary.” Check out everything we’ve got on “Jonah Hex.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: Megan Fox In ‘Jonah Hex’ Exclusive ‘Jonah Hex’ Clip Related Photos ‘Jonah Hex’

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‘Jonah Hex’ Cheat Sheet: Everything You Need To Know

Kristen Stewart ‘Genuinely Nervous’ To Film ‘On The Road’

‘There’s going to be a four-week beatnik boot camp,’ she says of prep for the film adaptation of Jack Kerouac’s novel. By Jocelyn Vena, with reporting by Josh Horowitz Kristen Stewart Photo: MTV News While Kristen Stewart is currently busy promoting “Eclipse,” out June 30, another project has her excited for the future: the film adaptation of Jack Kerouac’s classic 1957 Beat novel “On the Road.” With the film set to shoot in August, Stewart is welcoming the chance to learn a bit more about the pivotal literary and cultural movement. “I’m really nervous, like, honestly and genuinely really nervous about it,” she told MTV News. “But not in a bad way. People think nerves are a bad thing. I love them. They get you ready to do something big. I’m stoked” Filming will take place in Canada, but first, she and the rest of the cast will get schooled in all things beat. “There’s going to be a four-week beatnik boot camp in Montreal,” she revealed. “That’s going to be amazing, because I haven’t read everything those guys read. There’s a huge education process that’s going to take place with the whole cast. It’s a small movie, so to have that much time is just awesome.’ “On the Road” also stars Garrett Hedlund (“Tron Legacy”) as Dean Moriarty, the disaffected drifter at the center of the story. Stewart will play Marylou, Dean’s wife. Filling out the rest of the cast are Kirsten Dunst and British actor Sam Riley (“Control”). Francis Ford Coppola is producing, and Walter Salles (“The Motorcycle Diaries”) will direct. The film will begin shooting August 2 in Montreal. Producers have already set up an office at Cite du Cinema, the city’s largest film production facility. After filming there for most of August, the shoot will shift to New Orleans for a month, then head to Mexico for a few weeks and finally return to Montreal before wrapping just in time for Stewart to shoot the final two “Twilight” flicks, adapted from “Breaking Dawn.” We’ll be live at the L.A. premiere of “The Twilight Saga: Eclipse” on Thursday, June 24. Tune in to Movies.MTV.com at 9:30 ET (8:30 Central) for our red-carpet webcast, and watch us chat with Robert, Kristen, Taylor and all your favorite stars. And don’t forget to submit your burning ‘Eclipse’ questions ! Check out everything we’ve got on “On the Road.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: Kristen Stewart

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Kristen Stewart ‘Genuinely Nervous’ To Film ‘On The Road’

‘Prince Of Persia’ Cheat Sheet: Everything You Need To Know

Before getting in the sand with Jake Gyllenhaal, study up on the video game-turned-movie. By Eric Ditzian Jake Gyllenhaal in ‘Prince of Persia’ Photo: Walt Disney Back in October 1989, the first “Prince of Persia” game swept onto Apple computers. Two decades and more than a dozen video game titles across countless platforms later, the first big-screen adaptation of the series is hitting theaters. Your hero is Jake Gyllenhaal, with his windswept hair, his prominently displayed abs and his penchant for all manner of crazy stunts. Gyllenhaal plays Dastan, a pauper-turned-heir to an ancient throne, who finds himself in possession of one wicked cool gadget: a dagger that is like a really, really old version of Marty McFly’s DeLorean, in that it can thrust its user back in time (albeit not very far). Thus, your film is called “Prince of Persia: The Sands of Time,” and it arrived Friday (May 28). You don’t need your own time-traveling weapon to catch up on everything there is to know about the action/adventure flick. That’s because MTV News is here with another cheat sheet, pulling together everything — videos, interviews, photos and more — you’ll need to be up to speed before heading to the cinema. Reconstructing the Ancient World Producer extraordinaire Jerry Bruckheimer was pushing forward with development of the project in 2007 — with an eye toward a summer 2009 release — when the writers’ strike hit . But shooting didn’t actually begin until the summer of ’08, and eventually the movie was pushed back to its current date on the calendar. Before then, of course, Gyllenhaal came aboard in his starring role (the actor’s first action-hero turn) and was shortly joined by Alfred Molina, Ben Kingsley and Gemma Arterton. In August of ’08, we got our first (shirtless) look at Gyllenhaal as Dastan . Nine months would pass before the first official glimpse of “Persia” arrived, as Bruckheimer debuted the film’s first footage . A few months later, a poster popped up online . This time, Gyllenhaal had put on a shirt but gained two swords and a whole lot of funky, gold-bedecked armor. More production photos appeared shortly thereafter. “I can say right now, this will reinvent the video game adaptation,” Gyllenhaal told us . “This will finally pull off and does finally pull off what everybody hopes that video game adaptations would.” The Desert Comes to Life October brought us the movie’s first trailer , showing us the production’s epic scope, some CGI-assisted time travel and loads of sword-clanging battle scenes. And, of course, there was a whole lot of flirty banter between Gyllenhaal and his onscreen love interest, Arterton . We started to understand why director Mike Newell told MTV News that Gyllenhaal was a “thinking woman’s action hero.” Super Bowl Sunday delivered the flick’s TV spot (more swords, more CGI sand), and a month later, the second trailer dropped (yet more sand, yet more swords). And then MTV News debuted our own take on “Persia,” a Lego-inspired remix of the trailer . We Are ‘Persia’ As the release of “Persia” approached, the cast and crew started doing the publicity rounds. In mid-May at the Los Angeles red-carpet premiere , Gyllenhaal revealed the reasons behind taking the role, his first as an action hero after years populating fare more directed at the art-house set. “I’ve seen a lot of my peers starting to not take themselves so seriously and make really fun, big films, and I was itching to try my hand at it,” he told us. “I think maybe as I’ve gotten a little bit older, I feel like I don’t want to take myself so seriously anymore. I think before, as much as those movies mean to me, and they continue to mean to me, it’s time to have a little fun too.” Arterton, meanwhile, has become a blockbuster vet , what with “Persia” and “Clash of the Titans.” “I mean, guys are always playing soldiers and warriors, [but] there’s not many roles for women like it,” she told us. “I really threw myself into it and did a lot of my own stunts, which I’m really, really proud of. I always sort of saw myself as a bit of a stunt girl anyway. I’m quite reckless.” Might she have a chance to be reckless again in ancient Persia? The film is undoubtedly set up as a franchise. Now the box-office receipts just have to make one financially feasible. “If there was an opportunity and people did respond to it, then of course,” Gyllenhaal said about a sequel . “I love this world. Whenever you finish a movie, you’re always like, ‘Aw, we could have done this or could’ve done that.’ And given the opportunity to do it even better than we’ve done it would be awesome.” Check out everything we’ve got on “Prince of Persia: The Sands of Time.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Prince Of Persia: Sands Of Time’ Clips MTV Rough Cut: ‘Prince Of Persia: The Sands Of Time’ Related Photos ‘Prince of Persia: The Sands of Time’ Official Stills ‘Prince of Persia: The Sands of Time’ Red Carpet

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‘Prince Of Persia’ Cheat Sheet: Everything You Need To Know

‘American Idol’ Finale Preview: What Should The Top Two Sing?

Crystal Bowersox and Lee DeWyze have one more shot to wow America — and we have just the songs. By Eric Ditzian Crystal Bowersox and Lee DeWyze Photo: FOX “American Idol” page staged find-the-next-superstar auditions in seven cities for the show’s ninth season, but producers could have saved a lot of time by heading straight to Chicago. It was in the Windy City that they discovered both Crystal Bowersox and Lee DeWyze . Now the competition is down to just the two of these Midwestern natives — and they have only one more shot to win the hearts (and text messages) of America. On Tuesday night’s (May 25) performance finale, each singer will have the chance to sing three songs: two tunes are up to them — either new ones or faves from any point in the season — and one brand-new single penned especially for the occasion. Bowersox and DeWyze better make their choices good ones, because they probably won’t get a lot of help from the “Idol” original single, a song that each year strives for an over-the-top inspirational theme and almost always falls ear-gratingly shot. Remember 2007’s “This Is My Now”? Neither do we. Last year’s Kara DioGuardi-co-written tune, “No Boundaries,” for instance, contained lyrics hampered by mixed metaphor-itis (Mountains! Dreams! Bridges! Hurricanes!) and built toward an unwieldy chorus that not even talents like Kris Allen and Adam Lambert could pleasingly deliver. So it’s up to Bowersox and DeWyze to pick the right songs. Here’s what we’d like to hear them sing — one recycled tune, one fresh one — the songs that give them each the best chance to be crowned season-nine “Idol” champ Wednesday night. Crystal Bowersox MamaSox could return to either “Me and Bobby McGee” or “Long As I Can See the Light” and blow viewers away, but here’s why we favor the latter choice. The Creedence Clearwater Revival tune seems more calibrated for a “moment,” and we know how obsessed the judges are when it comes to such things. Randy Jackson called Bowersox “the truth” after her performance of the song back in March. Her vocals were sultry and soulful, and the presence of the backup singers allowed her to riff freely in the second half. Plus, we love the song’s message: “I won’t be losing my way, long as I can see the light.” When it comes to selecting a new song, we’ll return to our pick from last week, because the reasoning behind it is even more apt now. Bowersox needs to make clear that she can sing contemporary music. Her rendition last week of Melissa Etheridge’s “Come to My Window” was predictable and borderline uninteresting (as lovely as it sounded). Crystal needs to go in an unexpected direction and rework a hit single in a way that works for her style. The perfect “Idol”-winning song? Lady Gaga’s “Bad Romance”! Seriously. Lee DeWyze Last week’s stellar double bill of Lynyrd Skynyrd’s “Simple Man” and Leonard Cohen’s “Hallelujah” made one thing clear: This is anyone’s competition to win. And we’d urge DeWyze to bust out Skynyrd’s tune again if he hadn’t just done it. Instead, we suggest another go at “The Boxer.” Never mind that it was featured so prominently during his hometown-visit video package. It was his second-best performance of the season, and he can knock it out of the Nokia Theatre. For his other performance, we turn our attention back to Songs of the Cinema night earlier this month. In a surprising development, Prince’s “Purple Rain” landed on the approved song list, and then, even more surprisingly, no one performed it. And man, would it be killer in DeWyze’s hands! The 24-year-old has had his biggest successes with slow, expressive rock tunes. “Purple Rain” is just funky enough to mesh well with the DeWyze we’ve come to know while also showing us some welcome range. If the singer wants another “moment,” Prince’s hit is the way to go. Which songs do you want to hear from Crystal and Lee during the final performance night? Sound off in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Top 3 Visit Their Hometowns Crystal Bowersox’s ‘American Idol’ Experience ‘American Idol’ Season Nine Performances Lee DeWyze: From Illinois Boy To ‘American Idol’ Star

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‘American Idol’ Finale Preview: What Should The Top Two Sing?

Crystal Bowersox And Lee Dewyze Earn High Praise From ‘American Idol’ Judges With ‘Falling Slowly’

The pair’s duet on song from ‘Once’ has judges raving on movie night. By Kara Warner Crystal Bowersox and Lee Dewyze Photo: FOX Tuesday”s “American Idol”” was to be, in the words of Ryan Seacrest, “a theme fit for a star,” and all about paying tribute to the movies . And with cool-as-a-cucumber mentor Jamie Foxx and several interesting song selections in tow, the Top 4 gave it their all. Sort of. The judges agreed that the evening’s two duets, “Falling Slowly” by Crystal Bowersox and Lee Dewyze; and “Have You Ever Really Loved a Woman” by Michael Lynche and Casey James, were better than the contestants’ solo performances. And there’s not much question that Crystal and Lee’s dueling-guitar version of the Oscar-winning “Once” tune sung by Glen Hansard and Mark

Crystal Bowersox Shines On ‘American Idol’ Movie Night

‘After that performance, you, Crystal, are back in the game,’ critiqued judge Simon Cowell. By Eric Ditzian Crystal Bowersox on “American Idol” Tuesday Photo: FOX Would it be a blockbuster or a bomb? That was the key question heading into Songs of the Cinema Night on Tuesday’s (May 11) “American Idol,” a theme whose approved song list heavily favored a perplexing mix of tunes from golden oldies, ’80s action flicks and Disney cartoons. And while this Hollywood-centric episode might not be the stuff of awards-season glory, the “Idol” crew handled themselves well in front of the camera. Crystal Bowersox shined like a seasoned A-lister and made Lee Dewyze look like a breakout star during their duet. Meanwhile, Casey James and Michael Lynche proved they just might not be bankable solo stars at this point in the competition. Dewyze got the night started with “Kiss From a Rose,” a nod back to season eight contestant Danny Gokey, thanks to mentor Jamie Foxx. During the pre-performance video, the Oscar-winning actor got up in Dewyze’s face as he did with Gokey last year, giving the singer what Foxx called the Michael Mann treatment (a reference to the famously intense director of “Miami Vice” and “Collateral”). “Yeah, it’s different,” said a visibly uncomfortable Dewyze of his mentor’s approach. Dewyze brought that unease to the stage during his straightforward take on Seal’s hit from “Batman Forever.” His higher register was simply not up to the song’s requirements. Ellen DeGeneres alone was impressed with the rendition. Randy Jackson wanted to see more of a rocker attitude and more of an effort to switch up the song’s arrangement, while Simon Cowell laid down one his most dreaded analogies: “That was verging on — I’m afraid to say — karaoke,” the Brit judge said. And so the night proceeded on from karaoke to what DeGeneres mockingly dubbed “one of the classic, great movies of all time.” Yes, Michael Lynche selected a tune from “Free Willy,” one sung by Michael Jackson but nonetheless made famous in a movie about a boy’s enduring friendship with an Orca whale. Foxx was not impressed during rehearsals, nor were the judges when they heard his live version. Backed by a choir and with a lovely gospel vibe to the song, Big Mike sounded perfectly lovely. But Kara DioGuardi nailed it when she said, “You played it safe. What you did tonight, you can do in your sleep.” Just as Kara wished Lynche had done something in the vein of past R&B performances like “This Woman’s Work,” Jackson wondered why Big Mike abandoned what is so clearly his strongest genre. “You’re an R&B dude,” said the disappointed judge. “I wish you’d chosen something R&B.” Next came the first duet of the season, as Dewyze and Crystal Bowersox teamed up onstage. Facing each other with guitars sandwiched between them, they traded and shared lyrics from “Falling Slowly,” a beautiful number from “Once.” It marked a welcome return to form for Dewyze and a stunning debut for MamaSox. His growly tone contrasted nicely with her innate bluesiness. The judges then took turns trading superlatives to describe the performance. “One of my favorite moments from the entire season,” said DioGuardi, seconds before Cowell declared, “I don’t know if I’d call that a good song. I’d call that a fantastic song.” It was a tough act to follow, but as they say in showbiz, the show must go on! And on came Casey James with a ukulele and a bluegrass-tinged take on “Mrs. Robinson,” the Simon & Garfunkel classic from “The Graduate.” Foxx seemed to be channeling DioGuardi when he asked the singer to seduce him during rehearsals. The seduction didn’t necessarily pay off. “For me, this is you fighting to stay in the competition,” DioGuardi said as she pointed out how Casey’s more comfortable standing back and rocking out. “For me this was actually a good choice.” That was less of a compliment than it might sound in print. Cowell was more direct when he said, “I didn’t think the song or the performance had the substance required on this important night for you. … I thought it was a little bit lazy and I think you could have made more of an impact.” After the break, Bowersox headed back onstage for a country-rock version of Kenny Loggins’ “I’m Alright” from the comedy “Caddyshack.” Like the movie, her rehearsal was marked by some foul language. But by the time of her live performance, MamaSox had found her form. The judges feted the 24-year-old for switching the song up far more than any of the other contestants dared during their performances. Both DioGuardi and DeGeneres announced that she “made it better.” Cowell, who had criticized Bowersox in recent weeks, welcomed her back by saying, “After that performance, you, Crystal, are back in the game.” To finish up the night, Big Mike and James sauntered back onstage for another guitar duet. Though it lacked the energy on display during Bowersox and Dewyze’s performance, their take on Bryan Adams’ “Have You Ever Really Loved a Woman” was still far better than either man’s individual effort. “The duets tonight were incredible,” said DioGuardi, summing up the judges consensus. “They were better than all of the solo performances.”

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Crystal Bowersox Shines On ‘American Idol’ Movie Night

‘American Idol’ Movie Night: What Should The Top 4 Sing?

Here are our top song suggestions for the remaining contestants. By Eric Ditzian “American Idol” Top 4 Photo: FOX Welcome, y’all, step right this way! Take your seats for Songs of the Cinema Night on “American Idol,” where every track on the approved list seems to have been selected by a 13-year-old boy circa 1987 or a middle school girl with a huge Disney crush. How else can we explain the presence of tunes from “Ghostbusters,” “Caddyshack,” “Top Gun,” “Rocky” and “Rocky III”? And cuts off “Aladdin,” “Beauty and the Beast,” “The Lion King” and “Tarzan”? It certainly can’t be because those songs are good fits for the talents of Crystal Bowersox, Lee Dewyze and the rest of the “Idol” top four. Suitable tunes are few and far between for the contestants this Tuesday night (May 11), and mentor Jamie Foxx will have a tall task in front of him. Luckily he’s had some practice shaping these reality-show hopefuls, having guided the singers last year during Rat Pack Week. With just one show to go until we hit the top three and begin the ever important home visits, the stakes are high going into the show. Here are our picks for the songs that best fit each singer — the songs that might have them hanging on for another week. Crystal Bowersox – Last week, MamaSox made the very convincing argument that she needn’t always chose a big, high-impact song simply because she’s on “American Idol.” Alas, that’s wishful thinking on the part of this season’s most talented contestant, one who’s never seemed entirely comfortable in front of the spotlight. After two lovely, if ordinary performances, it’s time for Crystal to go big again. That’s why we have our eye on “I Will Always Love You,” the song Whitney Houston reintroduced to the public in “The Bodyguard.” But before Houston came Dolly Parton, whose country version became a hit in the ’70s and which she recorded for the 1982 film, “The Best Little Whorehouse in Texas.” MamaSox should take her inspiration from Parton’s version, infusing it with some Joplin-style blues. If she goes in this direction, it could be a big night for the dreadlocked 24-year-old. Lee Dewyze – Well after the original song list was released, an updated version hit the Web. The biggest surprise? Prince’s “Purple Rain.” There’s simply no way “Idol” producers went to the trouble of clearing this song if someone’s not going to sing it. And we’d like that lucky crooner to be Dewyze. The 24-year-old has had his biggest successes with slow, expressive rock tunes. “Purple Rain” is just funky enough that it would still mesh well with the contestant we’ve come to know while at the same time showing us some welcome range. Michael Lynche – Here comes our most predictable song choice: Seal’s “Kiss From a Rose.” The simple fact of that matter is that we think Big Mike should play it safe this week and stay well within his comfort zone. He’s coming off an admirable take on Sinatra’s “The Way You Look Tonight.” In the past, we’ve seen him veer away from a jazzy, R&B vibe after a successful performance and indulge light indie-rock tuneage. That’s not what works best for the contestant who most clearly wants to — needs to — win this show. He can knock “Kiss From a Rose” out of the park, and that’s exactly what he should do. It’s his best bet to make it into the top 3. Casey James – We had our eye on Glen Hansard and Mark

Kevin Smith Reveals Why He’s Laying Low After Airplane Drama

‘When you could have come to my aid, all you did was let me dangle,’ writer/director says of the press. By Larry Carroll, with additional reporting by Anya Zadrozny Kevin Smith Photo: Soren McCarty/ Getty Images In the entire history of the cinema, you’d have a hard time finding a filmmaker who has made himself more accessible than Kevin Smith. From his low-budget convenience-store beginnings to his current incarnation as director of the Bruce Willis comedy “Cop Out,” every move the guy has made over the last decade-and-a-half seems to have been chronicled in some sort of media report, blog, tweet, book or podcast. Which makes it all the more odd that the “Clerks” filmmaker has done very little press to promote his new movie, which opens Friday (February 26). Over the last few days, MTV News covered a “Cop Out” press junket and red-carpet premiere in New York City and both times Smith avoided on-camera interviews. What gives? To say it simply: Kevin is upset at the media. To say it more accurately: There are three factors in play. “If I’m not the guy who’s making Kevin Smith movies then who am I?” – First off is the fact that “Cop Out” represents Kevin’s first non-writing directorial effort. Much like recent Woody Allen films, the studio seems intent on marketing it without his famous name — and trailers like this one need to be freeze-framed to even catch his credit block. As Smith recently told MTV Radio in one of the few interviews he has done to promote the film, he agrees with the technique and is trying to step back from his usual media presence. “[‘Cop Out’] has nothing to say itself; it’s a popcorn movie,” he explained. “Let me see if we can work on this other part of the craft, just me as the director, and leave the personality stuff out of it. Because I’ve got SModcast now, I’ve got this Twitter account I’m on every day, I do Q&A’s onstage all the time. So I can be myself, express myself in any number of forums.” “Before, it used to just be the films, so I’d do it in my films — now I can do it everywhere on a regular basis for free; I don’t feel the need to put it in films,” he added — then admitted that the “Cop Out” experience has him reevaluating his own place in Hollywood. “Without [making references to my life in films] I’m like, ‘Who am I? If I’m not the guy who’s making Kevin Smith movies then who am I?’ I’m trying to figure out if I have any skills after 15 years as a professional director.” “I’m trying to take the high road” – As everyone and their mother knows by now, Smith was booted from a Southwest Airlines flight last week. After tweeting extensively about it, Smith is trying his best to not talk about the situation anymore — in an excellent Huffington Post article , the writer explains that “he seems reticent to even make normal media appearances to promote the film” because he doesn’t want people to ask him about Southwest. On Tuesday (February 23) a follower even went so far as to ask whether Kevin was doing the usual media blitz we would expect to see a few days before one of his films opens. “I did only the print & radio. Skipped TV,” he tweeted to his 1.6 million followers . “As all anyone was gonna ask about was SWA, which I’d already said enough about. Despite righteous indignation, [I’m] trying to take the high road.” When MTV News approached Kevin’s publicity folks for further comment, Warner Brothers declined to make a statement and his personal publicist said, “He very clearly explains himself and the situation [in the tweets]. There is nothing else to add.” “I was so mad at the press” – The final — and most significant — reason why you’re not seeing Kevin Smith on TV this week is the same one that has made his audience love him for all these years: The man is brutally honest and talkative to a fault. As he explained in Tuesday’s tweet, however, he did speak to a handful of radio outlets — and the aforementioned MTV radio interview offers unique insight into his mindset these days. “It’s on my blog. I would waste time talking about it now, but you could pull it off my SModcast where I do the whole story,” Kevin responded when asked the inevitable Southwest question. “I did about 24 video clips called ‘Final Words’ that also contains the whole story. And the blog has it all outlined; it would be a waste of time to go all over it again now.” A good, short, concise, polite answer. The only problem is, fans of Kevin Smith know that such a thing is an impossibility. Sure enough, he spent the rest of the radio interview — approximately one-third of the entire thing — doing exactly what he had just called “a waste of time.” The point seemed to be that Smith wants to get his own message out there and then get back to talking about his movie. So, although we rarely run an article this long, we now present Kevin’s unedited thoughts on Southwest, the media and how he was wronged: “The long story short? My parents taught me if you get f—ed and you don’t want to get f—ed, then you start screaming. And that’s what happened. I got lied to, I got f—ed over and I started complaining. And the airline was like, ‘Well, something did happen — but he is fat and fat people should buy two seats.’ And they put the information out there side by side and made it about weight. But it wasn’t about weight — it was about a dude who bounced me for no reason, except maybe he didn’t like a joke I told him on my way down the jet way.” “First they were like, ‘The pilot told us you have to get off because you’re a safety concern.’ I was like, ‘Are you kidding me? Tell me the pilot’s name.’ And they lied — they lied again and again … two days later, they told me, ‘The pilot didn’t say it, some employee made the call.’ And I was like, ‘OK, so it had nothing to do [with my weight],’ because I could put my armrests down. I literally sat in the seat for five seconds before this chick — who had been all the way up at the desk in the airport — came over. If I just hit my seat and she’s saying the pilot wants me off, I was like, ‘Where’d you get that message, ma’am?’ She’s like, ‘Well, the pilot told me.’ And I can’t even see the pilot! I’m sitting in the front row of the bulkhead — if I can’t see the pilot, how can he see me? “She’s like, ‘Well, we have phones.’ And I’m like, ‘Well, I know you have phones, ma’am. But I’m telling you — I literally sat and here you are.’ She said, ‘Can you please just come with me?’ The lie compounds; the lie compounds. “I go outside, I’m like, ‘Give me more information,’ and she’s like, ‘The pilot, the pilot.’ Two days later, Southwest is going, ‘It wasn’t the pilot.’ But they don’t change that on their blog — they don’t point out that they’ve changed the information. “Everyone’s going, ‘He’s fat’ for the next f—ing three days; the top of Google News is everyone in the world telling me I’m fat. Everyone on network [TV] telling me I’m fat; ‘Entertainment Tonight’ put a f—ing chick in a fat suit and put her on a plane. I’m like, ‘What does this have to do [with anything]?’ “Ladies and gentlemen, I don’t know how many ways to say this: For 15 years, I’ve been completely honest with everybody. I believe in honesty. And I’ve been saying I’m fat for 15 years. This ain’t about being fat — they obfuscated the f—ing truth with my fat, which really bums me out. They used my own fat against me. They hid behind my fat. And that’s my job — to hide behind my fat. “The [fat story] is the sexy story that everybody wants to write … I was so mad at the press because for 15 years I’ve done nothing but tell you the truth and give you interesting sh– to write about. And this one time, when you could have come to my aid, all you did was let me dangle and let these f—ers call me fat. Heartbreaking, heartbreaking.” Check out everything we’ve got on “Cop Out.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Kevin Smith Reveals Why He’s Laying Low After Airplane Drama

Robin Wright Penn – Better Blonde or Brunette?

Getty Images. Robin at a screening of The Private Lives of Pippa Lee. Actress Robin Wright Penn recently made the transition from blonde to brunette, shedding her golden locks in favor of a much darker 'do. Penn filed for divorce from actor Sean Penn in August, so this may be what they call a “breakover” – a post-breakup makeover – or it could be for a role. When most fair-skinned, light-eyed women dye their hair dark, it usually looks ultra-dramatic. On Robin, however, the near-black shade looks nearly natural. Robin's an iconic blonde; it's hard to prefer anything over the long blonde hair she sported when filming The Princess Bride . Are we biased, or is Robin better as a blonde? More pictures of Robin Wright Penn:

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Robin Wright Penn – Better Blonde or Brunette?

The Most Believable Jessica Simpson Story Ever

Jessica Simpson allegedly asked for popcorn when she went to see her sister Ashlee’s Broadway debut – mistakenly thinking she was at the cinema. The singer and actress fancied a snack when she went to the first performance of Chicago last month but the 29-year-old reportedly drew laughter from theatergoers when she tried to get popcorn. Um, do we expect anything less from the woman that thought didnt know that buffalo wings were made from chicken and that the Chicken of the Sea was tuna fish?

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The Most Believable Jessica Simpson Story Ever