Tag Archives: city

Rej3ctz Dance To Their Own Drum In The New West

Cali trio who created the ‘cat daddy’ tell MTV News they’re more than just dancing MCs — they’re ‘renaissance artists.’ By Alvin Blanco, with reporting by Steven Roberts Rej3ctz Photo: Getty Images MTV News’ New West Week coverage obviously entails focusing on the music coming out of the surging L.A. hip-hop scene, but the movement’s fashion and dance culture also deserves special attention too. That’s where Cali trio the Rej3ctz — Mowii (South Central), Pee Wee (Inglewood) and Bounce (Compton) — glide into the picture. The trio already have a fan in Chris Brown, who appeared in their video for “Cat Daddy,” also the name of their latest dance, which has been spreading like wildfire thanks to a viral video that has banked more than 21 million YouTube views. The Rej3ctz aren’t just dancers moonlighting as rappers though. They insist they have too many talents to limit themselves to just those titles. They’re also prominent members of Cali’s party scene. “We created something called ‘renaissance artist,’ ” Mowii told MTV News. “So for all those who like to tell people [no] and destroy their dreams. Nah, we are the renaissance artists. It means you have the art, the life, the style of fashion, to do what you want, no matter what anybody says. That’s why we’re renaissance artists. That’s why we’re directing, that’s why we’re choreographing, that’s why we’re making up our own dances, our own lane, our own style.” Dances have always been a part of hip-hop culture — from the running man to the Soulja Boy dance — and the Rej3ctz are embracing their dance-floor talents. In recent years, dances with accompanying songs have become hugely popular, including Cali Swag District’s “Teach Me How to Dougie” and the New Boyz ‘s “You’re a Jerk.” (Cali natives Audio Push also dropped “Teach Me How to Jerk.”) Besides the cat daddy dance and its accompanying song, off their TheFUNKtion vs theKICKback mixtape, the Rej3ctz also claim to have created all the fancy moves coming out of the West Coast like jerkin’ or whatever spastic motion kids in colorful gear are performing. “Currently, all the dances that came from the West, the Rej3ctz have made them up. Period,” Mowii said. “We were doing music and dancing at the time. And the New Boyz called us over and were like, ‘Yo, bro, we realized we was using your dance and we respect y’all enough to invite you all out, so please show some support,’ so I was like, ‘Ben J and Legacy, man, you got it.’ So, we hopped up that morning and went out to support their video.” For now, the Rej3ctz are continuing to spin their popularity into bigger opportunities. They’re set to be featured in the forthcoming Mario Van Peebles-directed film “We the Party.” The acclaimed director also helmed their video for “Cat Daddy 2.0,” which is based on the group’s audition for “We the Party.” No matter how busy their schedules get, the always dazzlingly dressed Rej3ctz plan on having a good time. “I think people are at a point where they’re like, ‘Let’s have fun,’ ” Mowii said. “Let’s have fun, let’s stop doing too much, man. There’s too many killings going on right now, too much violence around the world,” he added. “It’s too serious right now. People aren’t talking about something real. Let’s have fun … thank you.” Stick with us all week as MTV News turns the spotlight on the New West, including a special edition of “RapFix Live” with Cali’s own Tyga on Wednesday at 4 p.m. ET on MTV.com. We’re bringing you the next wave of hip-hop acts helping restore faith in the L.A. rap scene. From groups like Odd Future to rising MCs like Dom Kennedy, we’ll bring you up close and personal to these artists as they carve their own lanes in the post-gangsta rap era. Keep it locked here for the next week for more on the West Coast up-and-comers! Related Videos The New West: An In-Depth Look At L.A. Hip-Hop

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Rej3ctz Dance To Their Own Drum In The New West

Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

With their new film set to premiere at midnight, Bigger Than the Sound looks back at the Beasties’ authentic but odd history. By James Montgomery Danny McBride, Seth Rogen and Elijah Wood in the Beastie Boys’ “Fight For Your Right Revisted” video Photo: Capitol Back in the summer of 1992, I wasn’t really concerned with the Beastie Boys’ legacy. I wasn’t aware of the seismic shift they had undergone with Check Your Head or the to-the-brink-and-back journey they’d taken just to make the album. Instead, I was focused on getting my Dickies to sag just so and tracking down a pom-pom beanie like MCA wore on the album’s cover. So deep was my Beastie-mania that I was willing to wear a knit cap and khakis in July. In Florida. And I wasn’t alone (at least not in my high school). Because in 1992, everyone I knew lived and breathed the Beastie Boys, and their fantastically rattling comeback album Check Your Head. Of course, at the time, none of us really knew it was a comeback album; we just thought it was the coolest thing we’d ever heard &#8212 a fuzzy, funky think that sounded like nothing else on the radio &#8212 and, by proxy, the Beasties were the coolest guys on the planet (or, at least, the coolest guys in suburban Orlando). They dressed like skaters, they were obsessed with the ABA and creaky badasses like Richard Holmes and the Ohio Players, and they channeled the swagger of everyone from Columbo to Dolemite. They were, whether they knew it or not, the underground railroad of hip. If you wanted to know what was cool, and you wanted to know before anyone else, you went to the Beastie Boys. It’s only years later that I realize that prescient coolness is what has made the Beastie Boys what they are today: a band whose career rivals any other. They have been together in their current incarnation for nearly 30 years and have released a slew of albums, the overwhelming majority of which are very good (their latest, The Hot Sauce Committee Part Two, is due May 3), but it’s not their longevity or their back catalog that have earned them respect; it’s their unerring ability to continuously reinvent themselves, seemingly at will, and without ever getting snagged the way so many of their contemporaries have. In 1986, with License to Ill, they were party-hearty terrors. On 1989’s epochal Paul’s Boutique, they were stony sample-meisters. Check Your Head saw them zigging at a time when others were zagging; rather than join the debate over just how the ’90s would sound, they decided to head back to the ’70s ( Head remains a decidedly lo-fi thing to this day). Sure, 1994’s Ill Communication was in the same vein, but there also emerged a newfound consciousness, one they’d explore more fully with their series of Tibetan Freedom Concerts. In ’98, with Hello Nasty (and the accompanying “Intergalactic” video), they got a jump on the Kid Robot “designer toy” fetish that broke through to the mainstream late in the 2000s. And on 2004’s To the 5 Boroughs, they returned to their hip-hop roots and celebrated the city in which they live (though, to be honest, the less said about this album the better). In between all that, they released EPs that saw them dabble in hardcore punk and jazzy instrumentals (to name just a few), but never once did anyone bring up the question of authenticity. And there’s a reason for that — the same reason they’ve become the revered act they are today. No matter how they reimagined themselves, it always came from the same place: the heart. There is an unquestionable authenticity to everything the Beastie Boys do, because they’re not doing it to be contrary or successful; they’re doing it because it’s what they want to do. And it’s only now that people seem to realize just how influential that authenticity really is. At midnight Wednesday &#8212 on MTV2, mtvU, VH1 Classic and Palladia &#8212 they’ll premiere “Fight for Your Right Revisited,” a short film/ career retrospective that includes plenty of nods to their past — it tells the wholly imagined story of what happened after 1987’s legendary “(You Gotta) Fight for Your Right (To Party)” video — but also features cameos by a whole lot of “f— it, let’s do something funny” actors like Will Ferrell and Danny McBride, who were 19 and 11, respectively, when the original video premiered and probably couldn’t help but have been influenced by its sublimely stoopid sentiments, not to mention everything that came after. So, in a lot of ways, Ferrell and McBride are a lot like you or I. They were drawn to the Beastie Boys because they sensed in them something revelatory and real, and they stuck around because neither of those things ever changed. Of course, leave it to the Beasties to turn the convention of career retrospection on its ear. Rather than release some deluxe edition of License, they’ve instead made an incredibly insular short film that rewrites history with each frame. It’s deceptively brilliant, really. And the same can be said for the B-Boys themselves. Without really trying, they’ve fashioned the kind of anti-career that many aspire to, yet few ever attain. And no matter where they go from here, you’ll know it’ll be someplace else entirely. Even if they’re just doing it for themselves. Don’t miss “Fight for Your Right Revisisted” on Wednesday at midnight on MTV2, mtvU, VH1 Classic and Palladia.

Continued here:
Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

With their new film set to premiere at midnight, Bigger Than the Sound looks back at the Beasties’ authentic but odd history. By James Montgomery Danny McBride, Seth Rogen and Elijah Wood in the Beastie Boys’ “Fight For Your Right Revisted” video Photo: Capitol Back in the summer of 1992, I wasn’t really concerned with the Beastie Boys’ legacy. I wasn’t aware of the seismic shift they had undergone with Check Your Head or the to-the-brink-and-back journey they’d taken just to make the album. Instead, I was focused on getting my Dickies to sag just so and tracking down a pom-pom beanie like MCA wore on the album’s cover. So deep was my Beastie-mania that I was willing to wear a knit cap and khakis in July. In Florida. And I wasn’t alone (at least not in my high school). Because in 1992, everyone I knew lived and breathed the Beastie Boys, and their fantastically rattling comeback album Check Your Head. Of course, at the time, none of us really knew it was a comeback album; we just thought it was the coolest thing we’d ever heard &#8212 a fuzzy, funky think that sounded like nothing else on the radio &#8212 and, by proxy, the Beasties were the coolest guys on the planet (or, at least, the coolest guys in suburban Orlando). They dressed like skaters, they were obsessed with the ABA and creaky badasses like Richard Holmes and the Ohio Players, and they channeled the swagger of everyone from Columbo to Dolemite. They were, whether they knew it or not, the underground railroad of hip. If you wanted to know what was cool, and you wanted to know before anyone else, you went to the Beastie Boys. It’s only years later that I realize that prescient coolness is what has made the Beastie Boys what they are today: a band whose career rivals any other. They have been together in their current incarnation for nearly 30 years and have released a slew of albums, the overwhelming majority of which are very good (their latest, The Hot Sauce Committee Part Two, is due May 3), but it’s not their longevity or their back catalog that have earned them respect; it’s their unerring ability to continuously reinvent themselves, seemingly at will, and without ever getting snagged the way so many of their contemporaries have. In 1986, with License to Ill, they were party-hearty terrors. On 1989’s epochal Paul’s Boutique, they were stony sample-meisters. Check Your Head saw them zigging at a time when others were zagging; rather than join the debate over just how the ’90s would sound, they decided to head back to the ’70s ( Head remains a decidedly lo-fi thing to this day). Sure, 1994’s Ill Communication was in the same vein, but there also emerged a newfound consciousness, one they’d explore more fully with their series of Tibetan Freedom Concerts. In ’98, with Hello Nasty (and the accompanying “Intergalactic” video), they got a jump on the Kid Robot “designer toy” fetish that broke through to the mainstream late in the 2000s. And on 2004’s To the 5 Boroughs, they returned to their hip-hop roots and celebrated the city in which they live (though, to be honest, the less said about this album the better). In between all that, they released EPs that saw them dabble in hardcore punk and jazzy instrumentals (to name just a few), but never once did anyone bring up the question of authenticity. And there’s a reason for that — the same reason they’ve become the revered act they are today. No matter how they reimagined themselves, it always came from the same place: the heart. There is an unquestionable authenticity to everything the Beastie Boys do, because they’re not doing it to be contrary or successful; they’re doing it because it’s what they want to do. And it’s only now that people seem to realize just how influential that authenticity really is. At midnight Wednesday &#8212 on MTV2, mtvU, VH1 Classic and Palladia &#8212 they’ll premiere “Fight for Your Right Revisited,” a short film/ career retrospective that includes plenty of nods to their past — it tells the wholly imagined story of what happened after 1987’s legendary “(You Gotta) Fight for Your Right (To Party)” video — but also features cameos by a whole lot of “f— it, let’s do something funny” actors like Will Ferrell and Danny McBride, who were 19 and 11, respectively, when the original video premiered and probably couldn’t help but have been influenced by its sublimely stoopid sentiments, not to mention everything that came after. So, in a lot of ways, Ferrell and McBride are a lot like you or I. They were drawn to the Beastie Boys because they sensed in them something revelatory and real, and they stuck around because neither of those things ever changed. Of course, leave it to the Beasties to turn the convention of career retrospection on its ear. Rather than release some deluxe edition of License, they’ve instead made an incredibly insular short film that rewrites history with each frame. It’s deceptively brilliant, really. And the same can be said for the B-Boys themselves. Without really trying, they’ve fashioned the kind of anti-career that many aspire to, yet few ever attain. And no matter where they go from here, you’ll know it’ll be someplace else entirely. Even if they’re just doing it for themselves. Don’t miss “Fight for Your Right Revisisted” on Wednesday at midnight on MTV2, mtvU, VH1 Classic and Palladia.

View post:
Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

With their new film set to premiere at midnight, Bigger Than the Sound looks back at the Beasties’ authentic but odd history. By James Montgomery Danny McBride, Seth Rogen and Elijah Wood in the Beastie Boys’ “Fight For Your Right Revisted” video Photo: Capitol Back in the summer of 1992, I wasn’t really concerned with the Beastie Boys’ legacy. I wasn’t aware of the seismic shift they had undergone with Check Your Head or the to-the-brink-and-back journey they’d taken just to make the album. Instead, I was focused on getting my Dickies to sag just so and tracking down a pom-pom beanie like MCA wore on the album’s cover. So deep was my Beastie-mania that I was willing to wear a knit cap and khakis in July. In Florida. And I wasn’t alone (at least not in my high school). Because in 1992, everyone I knew lived and breathed the Beastie Boys, and their fantastically rattling comeback album Check Your Head. Of course, at the time, none of us really knew it was a comeback album; we just thought it was the coolest thing we’d ever heard &#8212 a fuzzy, funky think that sounded like nothing else on the radio &#8212 and, by proxy, the Beasties were the coolest guys on the planet (or, at least, the coolest guys in suburban Orlando). They dressed like skaters, they were obsessed with the ABA and creaky badasses like Richard Holmes and the Ohio Players, and they channeled the swagger of everyone from Columbo to Dolemite. They were, whether they knew it or not, the underground railroad of hip. If you wanted to know what was cool, and you wanted to know before anyone else, you went to the Beastie Boys. It’s only years later that I realize that prescient coolness is what has made the Beastie Boys what they are today: a band whose career rivals any other. They have been together in their current incarnation for nearly 30 years and have released a slew of albums, the overwhelming majority of which are very good (their latest, The Hot Sauce Committee Part Two, is due May 3), but it’s not their longevity or their back catalog that have earned them respect; it’s their unerring ability to continuously reinvent themselves, seemingly at will, and without ever getting snagged the way so many of their contemporaries have. In 1986, with License to Ill, they were party-hearty terrors. On 1989’s epochal Paul’s Boutique, they were stony sample-meisters. Check Your Head saw them zigging at a time when others were zagging; rather than join the debate over just how the ’90s would sound, they decided to head back to the ’70s ( Head remains a decidedly lo-fi thing to this day). Sure, 1994’s Ill Communication was in the same vein, but there also emerged a newfound consciousness, one they’d explore more fully with their series of Tibetan Freedom Concerts. In ’98, with Hello Nasty (and the accompanying “Intergalactic” video), they got a jump on the Kid Robot “designer toy” fetish that broke through to the mainstream late in the 2000s. And on 2004’s To the 5 Boroughs, they returned to their hip-hop roots and celebrated the city in which they live (though, to be honest, the less said about this album the better). In between all that, they released EPs that saw them dabble in hardcore punk and jazzy instrumentals (to name just a few), but never once did anyone bring up the question of authenticity. And there’s a reason for that — the same reason they’ve become the revered act they are today. No matter how they reimagined themselves, it always came from the same place: the heart. There is an unquestionable authenticity to everything the Beastie Boys do, because they’re not doing it to be contrary or successful; they’re doing it because it’s what they want to do. And it’s only now that people seem to realize just how influential that authenticity really is. At midnight Wednesday &#8212 on MTV2, mtvU, VH1 Classic and Palladia &#8212 they’ll premiere “Fight for Your Right Revisited,” a short film/ career retrospective that includes plenty of nods to their past — it tells the wholly imagined story of what happened after 1987’s legendary “(You Gotta) Fight for Your Right (To Party)” video — but also features cameos by a whole lot of “f— it, let’s do something funny” actors like Will Ferrell and Danny McBride, who were 19 and 11, respectively, when the original video premiered and probably couldn’t help but have been influenced by its sublimely stoopid sentiments, not to mention everything that came after. So, in a lot of ways, Ferrell and McBride are a lot like you or I. They were drawn to the Beastie Boys because they sensed in them something revelatory and real, and they stuck around because neither of those things ever changed. Of course, leave it to the Beasties to turn the convention of career retrospection on its ear. Rather than release some deluxe edition of License, they’ve instead made an incredibly insular short film that rewrites history with each frame. It’s deceptively brilliant, really. And the same can be said for the B-Boys themselves. Without really trying, they’ve fashioned the kind of anti-career that many aspire to, yet few ever attain. And no matter where they go from here, you’ll know it’ll be someplace else entirely. Even if they’re just doing it for themselves. Don’t miss “Fight for Your Right Revisisted” on Wednesday at midnight on MTV2, mtvU, VH1 Classic and Palladia.

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Beastie Boys’ ‘Fight For Your Right Revisited’ And The Art Of The Anti-Career

For Discussion: How Young Is Too Young To Start Giving Kids Condoms???

Apparently the city of Philadelphia thinks that the perfect age to start giving kids condoms is… age 11!! (PHILADELPHIA) — With the largest rate of teens having sex in the country and the fifth-highest HIV/AIDS rate in that age group, Philadelphia has launched a campaign to reverse those trends with a website that offers mail-order condoms to children as young as 11. A similar effort in Provincetown, Mass., last year stirred up vigorous protest from parents when the school board made condoms available to children of all ages, as long as they went to a school counselor and asked. After the uproar, officials limited access to fifth-graders and up — or those 11 and older. But so far in Philadelphia, the parental reaction has been minimal, according to city health department spokesman Jeff Moran. Though not much data exists on sexual behavior among kids as young as 11, the 2009 CDC Youth Risk Behavior Survey shows that 15 percent of children under 13 have had their first sexual encounter. “I haven’t heard much in way of public outcry — not yet — but I anticipate it,” said Gary Bell, executive director of Bebashi-Transition to Hope, a local nonprofit that works with teens on prevention of HIV and other sexually transmitted diseases. The main impetus for this program was the reports of disturbing sexual behavior of young children. “We hear from teachers and school counselors and sometimes the principals that kids are cutting school in the afternoon and leaving early to go have orgies — and that’s in middle school,” said Bell. “They get groups together with kids of different genders — sometimes same-sex and sometimes mixed. The parents are not home and so they go there and have sex and trade partners.” He also reported that city teens use different colored lip stick to signal “how far they will go with oral sex with a guy,” according to Bell. “We are hearing about them acting out in school in the bathrooms and the stairways. This is not entirely new, but we don’t think of it in middle school.” The age old question has always been “Do condoms encourage children to have sex”?? What say you?? Source

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For Discussion: How Young Is Too Young To Start Giving Kids Condoms???

BET Renews The Game For Fifth Season

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After rescuing The Game from cancellation on The CW network, BET has renewed the drama for a new season on the network. This will make the fifth season overall for the sports-centered sitcom. According to Deadline , the series’ fourth season debut was seen by 7.7 million viewers, a staggering number compared to the less than 2 million viewers the show was bringing in while on The CW. Season 4 ended with an audience of around 4.4 million viewers. READ MORE AT TVSQUAD.COM RELATED POSTS: The Game Season 4, Episode 3 Review:Malik Wright Gets Tased Tia Mowry From “The Game” Pregnant & Getting A Reality Show

BET Renews The Game For Fifth Season

Uncle Luke: My Business Enhanced The Economy In Miami [VIDEO]

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Luther “Uncle Luke” Campbell made headlines recently when he officially decided to run for mayor of Miami-Dade County, FL. Campbell is hoping to use his business savvy to help the city. Campbell stopped by WLRN-FM, a local station owned by the Miami Herald, to talk about his run for office.  He repeatedly talked up his business savvy and how he brought new industry to Miami.  “My business enhanced economics in this town,” Campbell told radio host Phil Latzman. “There was no music business here in South Florida in 1986 when I started off.  We created a business. We employed people. We educated people.” We couldn’t help but chuckle at the 2:34 mark in the video when Campbell states that the mayor of Miami needs to have vision.  It reminded us of that classic scene in Willie Dynamite … Spotted @ The Miami Herald RELATED: Uncle Luke Officially Joins Miami Mayoral Race RELATED: Uncle Luke Lands Assistant Coach Job At Miami High School

Uncle Luke: My Business Enhanced The Economy In Miami [VIDEO]

‘Lemonade Mouth’ Stars Talk Possible Tour Plans

‘It’s up to the people,’ Disney co-star Blake Michael tells MTV News about the fictional TV band. By Jocelyn Vena The cast of “Lemonade Mouth” The Disney Channel’s latest movie, “Lemonade Mouth” debuted over the weekend. The feel-good flick about a ragtag group of teens who form a band named Lemonade Mouth is based on the book by Mark Peter Hughes, and last week we caught up with the gang who told us they’d be down to hit the road for a tour — if the fans want it. “We have no idea,” co-star Naomi Scott explained to MTV News about potential plans to take the TV band out on the road. Her co-star Blake Michael added, “It’s up to the people.” The group has already performed on “Good Morning America,” hitting the stage last week. And Hayley Kiyoko said if they were tapped to hit the road to perform tracks from the movie, they’d certainly have the skills to pay the bills. “I think we all love performing and we’re all very musically inclined and if we get a tour, that’d be awesome,” she said. “We’re just enjoying what’s going on right now and performing and we’re gonna keep doing it whether or not there’s a tour or not.” Disney has a pretty impressive track record when it comes to launching the next big thing (Zac Efron, Miley Cyrus, the Jonas Brothers, to name a few), but regardless of what happens next with Lemonade Mouth, Scott said that they’re just living in the moment. “I don’t think that we are trying to be anything; we’re just who we are,” Scott said. “We are who we are, like we’re just ourselves and wherever that takes us; it’s not sort of a planned route. We’ll see.” What did you think of the “Lemonade Mouth” movie? Tell us in the comments! Check out everything we’ve got on “Lemonade Mouth.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com .

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‘Lemonade Mouth’ Stars Talk Possible Tour Plans

New West Artist Casey Veggies Is ‘Dreaming Big’

We profile Sleeping in Class MC for New West Week. By Alvin Blanco, with reporting by Steven Roberts Casey Veggies Photo: MTV News Main Pick Rap Scholar : Casey Veggies Representing : Inglewood, California Mixtape : Sleeping in Class Real Spit : Casey Veggies is an MC who’s looking to make sure you don’t snooze on him or his talented peers, and MTV News is spotlighting the artist to start off New West Week . After catching the rhyme bug and getting positive feedback from some tracks he posted on MySpace, Casey released the Customized Greatly, Vol. 1 mixtape in 2007. Steadily improving with each new song, Odd Future knew what was up early, with Tyler the Creator throwing a couple of beats on Casey’s sophomore mixtape, Customized Greatly, Vol. 2 back in 2009. Last year, he dropped Sleeping in Class, an offering that further reveals the Inglewood, California native to be from the school of fresh beats and rhymes. “I didn’t really want Sleeping in Class … for people to think, ‘Oh he’s sleeping in class.’ That’s ignorant,” Casey told Mixtape Daily . “Really, it was like a sub-meaning and it meant that I was sleeping on everything that everyone else was telling me was the truth and what was right to do. That’s class, that’s the teacher talking to you. I was sleeping on that and I chose my own route. I chose to do what I wanted to do. So that means I’m sleeping, I’m dreaming big and I’m doing my thing.” We weren’t kidding about Casey being a student of the game, literally. While making a name for himself as an artist to watch from the West side of the map, the Inglewood High School senior made the honor roll with a 3.5 GPA. Commend the man. Joints to Check For

Content Warning Not Strong Enough for This Video of Leftist Freakout at Oregon Tea Party Rally

http://www.youtube.com/v/RSwJykCBzYY

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Going into the tax day rally in Portland, local Tea Party organizers had concerns about security : Oregon Tea Party members are taking a pledge of nonviolence for Friday afternoon’s Portland-area tax day rallies. Party officials said they feared “union supporters” might try to stir up trouble at the rallies in Pioneer Courthouse Square and in other parts of the city on the day federal income taxes… Broadcasting platform : YouTube Source : The Blaze Discovery Date : 17/04/2011 07:54 Number of articles : 2

Content Warning Not Strong Enough for This Video of Leftist Freakout at Oregon Tea Party Rally