Up until now, we haven’t known a whole lot about the plot of The Hangover Part III except that the Wolfpack returns to Vegas. The latest trailer, however, is by far the most plot-heavy look at the final installment of the comedy franchise. So if you like to know what a film is about before hitting the theater, watch below: The Hangover Part III Trailer So in addition to seeing Melissa McCarthy for the first time (woohoo!), what have we gathered about the plot? Well first, the gang isn’t returning to Vegas of their own volition, because that would be ridiculous. In fact, they should probably all just lock themselves in a small room. They’re actually taking Zach Galifianakis’ character Alan to rehab, when they’re intercepted by a John Goodman, who forces them to help him locate Chow (Ken Jeong). Enter Las Vegas. Looks like The Hangover Part III could actually be a decent cap to the franchise. What do you think? Catch the comedy in theaters May 24.
As mystifying as his 2004 sci-fier, Primer , albeit for entirely different reasons, Shane Carruth’s Upstream Color is a stimulating and hypnotic piece of experimental filmmaking. It’s also a poem about pigs, a meditation on orchids, a cerebral-spiritual love story, an intensely elliptical sight-and-sound collage, and perhaps a free-form re-interpretation of Thoreau’s Walden . Surely the most challenging dramatic entry at Sundance this year, this unapologetically avant-garde work regards conventional narrative as if it were a not-especially-interesting alien species; the mainstream will take no notice, but adventurous auds are in for a strange and imaginative trip. Primer fans and hardcore art-film devotees will likely be the sole takers for this long-anticipated sophomore effort, which again finds Carruth taking on writing, directing, acting, producing, scoring, lensing and editing duties. He’s even serving as his own distributor this time, with plans to release the picture in L.A. and Gotham in April, followed by a quick transition to repeat-viewing-friendly smallscreen play. At the center of Upstream Color is a young woman, Kris ( Amy Seimetz ), who finds herself an unwitting participant in some exceedingly bizarre experiments. First a thief (Thiago Martins) attacks her and forces her to ingest a bio-engineered worm that brainwashes her into handing over her savings. When the critter starts to replicate inside her body, in scenes that give the picture a brief horror-movie spin, she’s rescued, after a fashion, by an older gentleman identified in the credits as Sampler (Andrew Sensenig), who subjects her to a bizarre respiratory treatment involving one of his many farm pigs. Left with little to no memory of what has happened, Kris finds herself drawn to a young man ( Carruth ) who seems to have experienced the same ordeal. The two walk and talk, ride the subway, make love and at one point cradle each other in a bathtub. They wander a nondescript-looking city, exchanging dialogue laced with random repetition and impenetrable non sequiturs. Even as their actions and circumstances defy comprehension, a troubling and poignant idea rises to the surface: the universal human compulsion to construct a sense of identity and ascribe meaning to one’s life, to impose order on disorder. The futility of such a thing may well explain the befuddling, pretzel-like contours of the story; even the most attentive viewers may be hard-pressed to comprehend the significance of the women harvesting orchids, or why Sampler walks around using sound-recording equipment. Peculiar as it all may sound in outline, it’s even stranger to experience onscreen, arranged by Carruth in a complex symphonic framework that variously invokes Malick and Lynch in its narrative illogic, tactile lyricism and possible transmigration-of-souls subtext. The picture is so densely edited (by Carruth and Ain’t Them Bodies Saints helmer David Lowery) that no single shot seems to last more than mere seconds, which combines with the shallow-focus compositions to produce an experience of near-continual disorientation. Factor in the almost omnipresent synth score, layered under tinkling piano chords, and the film seems to be attempting to induce a state of synaesthesia. Walden , a frequent reference point here, provides a clue as to what Carruth is up to: In its intense levels of visual-aural stimulation, the film is at once transcendent and meditative, and in some ways a call for the sort of inner detox Thoreau prescribed. And since exalted literary works seem to be on the interpretive agenda, the transference of illness to a herd of pigs calls to mind nothing so much as the gospel accounts of Jesus casting out Legion by the Sea of Galilee. Pretentious or sublime, these ineffable spiritual overtones are finally what make Upstream Color so approachable, for all its mysteries: This is a warmer, less foreboding picture than Primer , not moving in any conventional sense, but suffused with emotion all the same. One can only imagine what directions the actors were given in order to inhabit roles that seem to splinter and reassemble themselves at will, but Seimetz supplies a quietly haunting presence, particularly in the film’s tender closing fade. Follow Movieline on Twitter .
As mystifying as his 2004 sci-fier, Primer , albeit for entirely different reasons, Shane Carruth’s Upstream Color is a stimulating and hypnotic piece of experimental filmmaking. It’s also a poem about pigs, a meditation on orchids, a cerebral-spiritual love story, an intensely elliptical sight-and-sound collage, and perhaps a free-form re-interpretation of Thoreau’s Walden . Surely the most challenging dramatic entry at Sundance this year, this unapologetically avant-garde work regards conventional narrative as if it were a not-especially-interesting alien species; the mainstream will take no notice, but adventurous auds are in for a strange and imaginative trip. Primer fans and hardcore art-film devotees will likely be the sole takers for this long-anticipated sophomore effort, which again finds Carruth taking on writing, directing, acting, producing, scoring, lensing and editing duties. He’s even serving as his own distributor this time, with plans to release the picture in L.A. and Gotham in April, followed by a quick transition to repeat-viewing-friendly smallscreen play. At the center of Upstream Color is a young woman, Kris ( Amy Seimetz ), who finds herself an unwitting participant in some exceedingly bizarre experiments. First a thief (Thiago Martins) attacks her and forces her to ingest a bio-engineered worm that brainwashes her into handing over her savings. When the critter starts to replicate inside her body, in scenes that give the picture a brief horror-movie spin, she’s rescued, after a fashion, by an older gentleman identified in the credits as Sampler (Andrew Sensenig), who subjects her to a bizarre respiratory treatment involving one of his many farm pigs. Left with little to no memory of what has happened, Kris finds herself drawn to a young man ( Carruth ) who seems to have experienced the same ordeal. The two walk and talk, ride the subway, make love and at one point cradle each other in a bathtub. They wander a nondescript-looking city, exchanging dialogue laced with random repetition and impenetrable non sequiturs. Even as their actions and circumstances defy comprehension, a troubling and poignant idea rises to the surface: the universal human compulsion to construct a sense of identity and ascribe meaning to one’s life, to impose order on disorder. The futility of such a thing may well explain the befuddling, pretzel-like contours of the story; even the most attentive viewers may be hard-pressed to comprehend the significance of the women harvesting orchids, or why Sampler walks around using sound-recording equipment. Peculiar as it all may sound in outline, it’s even stranger to experience onscreen, arranged by Carruth in a complex symphonic framework that variously invokes Malick and Lynch in its narrative illogic, tactile lyricism and possible transmigration-of-souls subtext. The picture is so densely edited (by Carruth and Ain’t Them Bodies Saints helmer David Lowery) that no single shot seems to last more than mere seconds, which combines with the shallow-focus compositions to produce an experience of near-continual disorientation. Factor in the almost omnipresent synth score, layered under tinkling piano chords, and the film seems to be attempting to induce a state of synaesthesia. Walden , a frequent reference point here, provides a clue as to what Carruth is up to: In its intense levels of visual-aural stimulation, the film is at once transcendent and meditative, and in some ways a call for the sort of inner detox Thoreau prescribed. And since exalted literary works seem to be on the interpretive agenda, the transference of illness to a herd of pigs calls to mind nothing so much as the gospel accounts of Jesus casting out Legion by the Sea of Galilee. Pretentious or sublime, these ineffable spiritual overtones are finally what make Upstream Color so approachable, for all its mysteries: This is a warmer, less foreboding picture than Primer , not moving in any conventional sense, but suffused with emotion all the same. One can only imagine what directions the actors were given in order to inhabit roles that seem to splinter and reassemble themselves at will, but Seimetz supplies a quietly haunting presence, particularly in the film’s tender closing fade. Follow Movieline on Twitter .
With three laugh-out-loud trailers in circulation, This Is The End is looking like the comedy of the summer. At the very least, it’s going to make the phrase “titty fucking” extremely popular. And if it doesn’t live up to the hype? We’ll always have this latest red band clip, which is such a laugh riot that I’ve taken the opportunity to list the 20 funniest moments, in ascending order. Disagree? Leave your ranking in the comments section. And memo to Mr. Rogen: please find a cameo for Will Ferrell before the movie is released. He and Craig Robinson should have a bat fight . ‘This Is The End’ Red Band Trailer The 20 Funniest Moments: 20. Paul Rudd getting third billing on IMDb without even even appearing in the trailer. 19. The Beavis & Butthead way James Franco says “Machinima” in the introduction. 18. Emma Watson in extreme looting mode. 17. Craig Robinson expressing a little James Franco envy — “Fuck your house, Franco!” — after a runaway helicopter rotor leaves him with a boo-boo. 16. Mindy Kaling overstating her desire to hook up with the “fucking pale, 110 pounds, hairless” Michael Cera . 15. The freaked-out lady getting crushed by a gigantic vintage air conditioner. 14. Cera shotgunning a massive cloud of cocaine into Christopher Mintz-Plasse’s face and finishing with a Karate Kid move. 13. Jason Segel falling into a sinkhole with his belly hanging out. 12. Rihanna falling into the same sinkhole. 11. Robinson declaring Aziz Ansari unfit to rescue because “you’re already in the [sink]hole.” 10. Jay Baruchel managing to look sleepy even when he’s terrified. 9. Robinson screaming like a little girl (in the last scene). 8. Michael Cera asking “Is it bad?” After being impaled by a lamp post. 7. The debate over who gets to a piece of James Franco’s “special” Milky Way . 6. Rihanna smacking Cera—really hard—after he pinches her ass. 5. Franco’s “You could be a looter. A rapist. A titty fucker” speech. 4. Emma Watson clocking Seth Rogen with an ax handle. 3. Robinson declaring: ” We’re actors. We pretend to be hard, man. We soft as baby shit!” 2. The bald dude offering to “titty fuck” his way to safety 1. Danny McBride : “Hermione just stole all of our shit.” Follow Frank DiGiacomo on Twitter . Follow Movieline on Twitter .
With three laugh-out-loud trailers in circulation, This Is The End is looking like the comedy of the summer. At the very least, it’s going to make the phrase “titty fucking” extremely popular. And if it doesn’t live up to the hype? We’ll always have this latest red band clip, which is such a laugh riot that I’ve taken the opportunity to list the 20 funniest moments, in ascending order. Disagree? Leave your ranking in the comments section. And memo to Mr. Rogen: please find a cameo for Will Ferrell before the movie is released. He and Craig Robinson should have a bat fight . ‘This Is The End’ Red Band Trailer The 20 Funniest Moments: 20. Paul Rudd getting third billing on IMDb without even even appearing in the trailer. 19. The Beavis & Butthead way James Franco says “Machinima” in the introduction. 18. Emma Watson in extreme looting mode. 17. Craig Robinson expressing a little James Franco envy — “Fuck your house, Franco!” — after a runaway helicopter rotor leaves him with a boo-boo. 16. Mindy Kaling overstating her desire to hook up with the “fucking pale, 110 pounds, hairless” Michael Cera . 15. The freaked-out lady getting crushed by a gigantic vintage air conditioner. 14. Cera shotgunning a massive cloud of cocaine into Christopher Mintz-Plasse’s face and finishing with a Karate Kid move. 13. Jason Segel falling into a sinkhole with his belly hanging out. 12. Rihanna falling into the same sinkhole. 11. Robinson declaring Aziz Ansari unfit to rescue because “you’re already in the [sink]hole.” 10. Jay Baruchel managing to look sleepy even when he’s terrified. 9. Robinson screaming like a little girl (in the last scene). 8. Michael Cera asking “Is it bad?” After being impaled by a lamp post. 7. The debate over who gets to a piece of James Franco’s “special” Milky Way . 6. Rihanna smacking Cera—really hard—after he pinches her ass. 5. Franco’s “You could be a looter. A rapist. A titty fucker” speech. 4. Emma Watson clocking Seth Rogen with an ax handle. 3. Robinson declaring: ” We’re actors. We pretend to be hard, man. We soft as baby shit!” 2. The bald dude offering to “titty fuck” his way to safety 1. Danny McBride : “Hermione just stole all of our shit.” Follow Frank DiGiacomo on Twitter . Follow Movieline on Twitter .
It’s a skinaissance of Roman depravity this week on DVD and Blu-ray, with the second season of Showtime’s The Borgias hitting shelves. There’s a rare bush only scene from Gina McKee , beatific boobs from blonde Holliday Grainger , plus notable nudity from plenty of other Euro-babes. Next up, indie princess Alexia Rasmussen reveals her right roundie for the deceptive drama The Comedy (2012), and Elina L
The Real Housewives of Atlanta had Kenya declaring that “He’s Stalking, I’m Walking.” We recap all of the weirdness in our THG +/- review. I don’t know if Walter was actually stalking but if I were her I’d be running in the opposite direction because after what we learned tonight, their relationship makes even less sense. So Kenya and Walter weren’t having sex?!? Really? Miss USA swears that after months of dating and even sharing a room on vacation she never witnessed him once, um…standing at attention. Then why was she so gung ho to marry him? Did she think things were going to get better if she got a ring? Minus 20 . These two are even weirder than I originally thought. Walter’s explanation for the lack of sex makes me think even less of him. He tells the boys that Kenya was too old for him. According to Walter, “I like my women like I like my rims. 22s, 24s, 26s.” What a jackass. Minus 18. But Walter’s made friends with all of the boys. Or at least they invite him to all of their parties in the hopes of watching Kenya explode. Minus 11. I think the boys may enjoy the drama even more than the girls. Walter shows up at Kandi’s housewarming party with a much younger date on his arm. Then he dumps her in a chair to go spend time with the boys. Did I mention I thought he was a jackass? And who invited Walter in the first place? Todd? Phaedra? Has anyone else noticed that Walter seems to want to spend more time with Kordell than with his supposed dates? Just an observation. Speaking of Kordell, he didn’t seem over the moon when he thought that Porsha might be pregnant. And she was quickly brought to tears by his rant that she had to choose whether she wanted a career or a baby. Minus 10. No nannies for Porsha. But as controlling as Kordell is, sometimes I wonder if Porsha needs that in her life. Admittedly when she asked him, “So I need to pee for two whole minutes?” I laughed out loud. Plus 13. Comedy aside, should anyone that dumb be in charge of raising children? Getting back to Kenya for a minute, did you see Porsha’s face when Kenya told her she needed to dress as Halle Berry from the movie BAPS. Isn’t that the one where she wears that really tacky, vinyl orange cat suit. Plus 15 . That’s hysterical…and downright mean. It’s OK for Kenya to give her guests suggestions for her costume party but telling them what they must wear is kind of rude. Minus 10 . Of course the rest of her picks were pretty good. Cynthia will make a great Diana Ross. Phaedra and Eartha Kitt are the perfect match. But when she said she wanted Kandi to come as Tina Turner from the movie did she mean Angela Bassett playing Tina Turner? Once again, Nene Leakes looked like the sanest and most successful Housewife of the bunch. Who would have guessed that? Episode total = -41! Season total = -348!
The Real Housewives of Atlanta proved the “Strip is a Trip” as we waited for the time bomb in the room to tick down to its inevitable explosion. We recap who set the fuse and who went pop in our THG +/- review. The ladies left Hollywood behind and headed off of to Vegas…via bus. Minus 12. Granted it was a nice bus but a bus ride all the same. Smartest Housewife award goes to NeNe Leakes once again for ditching the bus and flying first class. Plus 20 . I wouldn’t have blamed her if she made up the excuse about working just so she could fly. To kill time Kenya decides they should all do a little improv and try out their best housewife impressions. Honestly I thought that was going to go worse than it did. Best Impression award went to Kenya but not for the one on the bus. She and Cynthia nailed it in the hotel room when they were making fun of Phaedra. Plus 10 . Speaking of Phaedra, if anyone wanted to hand out honors for the craziest faces that girl would win hands down. How does she contort her face into those scrunchy shapes? Minus 8. Does she know she looks like that on camera? Before we finally get off the damned bus, Kandi performs the worst stand up routine in the history of housewives. Seriously? Orgasms and farting. Comedy is suppose to make you laugh, not go eww. Minus 19. Cynthia’s so tired she says she wants to use Phaedra’s donkey booty as a pillow. Minus 10. When the bus ride finally ends, the stripping begins as they all head to the Crazy Horse, sans Porsha. Kordell wouldn’t like it. You knew the ladies weren’t going to leave that one alone. Certainly Kordell seems to rule the roost but Porsha appears to like it that way. Even more disturbing was Phaedra feeling up the dancers. As NeNe said, “I thought she was gonna take a bite out of Hello Kitty.” I don’t even want to know how much you have to tip for that. Minus 15. On a side note, perhaps someone should tell Cynthia she shouldn’t be riding a mechanical bull without panties…that is unless she’s auditioning at the strip club. Minus 11. Not that I’m against the Bedroom Kandi party but did they have to travel all the way to Vegas to have one? Seems like they could have done that back in Atlanta. And I didn’t blame Porsha at all for not taking that pregnancy test. Plus 15 . Some things really should be between a husband and wife. The strawberry seduction game was more disturbing than funny. I saw more of Phaedra’s tongue than I needed to but when she took a jab at Kenya and brought up Walter one more time I really wished she would have kept it in her mouth. Leave it to Phaedra to throw out a hurtful dig and then act like she did nothing wrong. Minus 20. Honestly, I expected Kenya’s reaction to be more explosive. She only went mildly cray cray, at least it was mild for Kenya. Time to agree to hate one another and just move on. Episode total = -50! Season total = -307!
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