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Harvey Weinstein’s Bully Problem — and Ours

You’ve heard about Bully , right? The anti-bullying documentary featuring real video of real teenage bullies tormenting real peers, interspersed with experts and victims alike expounding on our ongoing bullying epidemic? Of course you have, because when The Weinstein Company wasn’t shoving its 2012 Oscar crop down your throat, it was protesting way too much about a ratings “controversy” that would require youngsters under 17 to attend the doc with a parent or guardian. God forbid! Because the last thing we want is parents and teens watching and ideally discussing a film about bullying, right? I privately vowed not to succumb to this most ironic of Weinsteinian pursuits : The most legendary bully of the modern Hollywood era releasing a movie about bullies, and then publicly bullying the MPAA over the last week with his outraged! Campaign! To overturn Bully ‘s R rating for language! For the children! No, really: “I have been compelled by the filmmakers and the children to fight for an exception,” Weinstein said in a statement . ” I want every child, parent, and educator in America to see Bully , so it is imperative for us to gain a PG-13 rating.” That was followed by a riotous threat to take “a leave of absence from the MPAA” after the rating was upheld on appeal (by reportedly one vote, which was awfully convenient for the press-release narrative, but hey). Such altruism, Harvey, seriously. But what do we do when commentators as smart and influential as Andrew Sullivan are taking Harvey’s bait not once , not twice but three times , or when the tired, transparent King’s Speech / Blue Valentine -esque gambits that evoke Harvey’s singular genius transcend PR stuntery to become… uh, this: a ” Human Rights Petition ” launched by a Michigan high-schooler seeking a PG-13 for Bully : When I was in 7th grade, a few guys came up behind me while putting my books in my locker. They called me names and asked me why I even bothered to show my face at school because no one liked me. I ignored them because I was scared of what else they might say and who else they might tell if I stood up to them. When I went to shut my locker, they pushed me against the wall. Then they slammed my locker shut on my hand, breaking my fourth finger. I held back tears while I watched them run away laughing. I didn’t know what to do so I stood there, alone and afraid. I just heard that the Motion Picture Association of America has given an “R” rating to Bully — a new film coming out soon that documents the epidemic of bullying in American schools. Because of the R rating, most kids won’t get to see this film. No one under 17 will be allowed to see the movie, and the film won’t be allowed to be screened in American middle schools or high schools. Wow. OK. Setting aside the exploitation of a young woman’s traumatic bullying experience and the blatant untruth that an R-rating precludes Bully ‘s exhibition in American middle schools or high schools (as though Congress passed some constitutional amendment outlawing parental permission slips), there is no fundamental “human right” dictating that Weinstein Company releases must be viewable by everybody. What’s happening presently in Syria is a human-rights issue. This is a crass, cynical marketing ploy by a man who eats Oscars and shits Tonys . Let’s also not forget many distributors’ long-standing frustration with what they term the inconsistency of the MPAA ratings board — the application of one ratings standard to Film A and another to Film B (often perceived as a major studio vs. indie conflict, but if The Weinstein Company isn’t a major after Sunday night , then nothing is). As it did a little over a year ago with The King’s Speech , the board counted the F-bombs and issued the R-rating consistent with numerous prior films it had also rated R. About time, right? Not for Harvey, who knew both the box-office impositions that The King’s Speech and Bully would face when he got into bed with each of them and the MPAA mileage he could milk from both contretemps. The kvetching commenced immediately. In other words, this isn’t the MPAA’s problem, and anyone who attempts to persuade you that it is is either misinformed or a bald-faced liar. Or he’s Harvey Weinstein, who can be both those things in equal measure but most often plays the showman middle with mastery beyond reproach. This, however, with Harvey himself publicly invoking his “school-age children of my own” and openly acknowledging in one statement how “the Cincinnati school district signed on to bus 40,000 of their students to the movie – but because the appeals board retained the R rating, the school district will have to cancel those plans”? This is just… gross. It’s also socially counterintuitive, as noted by at least a couple of Sullivan’s readers who chimed in on the matter today: “At a movie theater on Friday night, I saw numerous young children (ages 5-10, or so) in line with their parents to see the R-rated Act of Valor , the new action movie/recruitment video starring active-duty Navy SEALs that goes as far as depicting torture. I’m assuming that those parents thought that seeing our country defended on screen so violently would be a positive, character-building experience for their children. Although I would personally disagree, every parent does and should have the right to make those decisions for their children. My hope and expectation is that parents would bring their children to see Bully as well.” “What the R rating for Bully does mean is that teenagers (supposedly) can’t see it with their friends, where they might decide to be assholes and cheer for the bullies throughout. This might be a good thing.” Amen. Anyway, the panic continues and barring some sort of bleep-tastic editing revisions, Bully is and shall remain rated R for strong language. Or maybe we can make it silent, black-and-white and splice in a certain charismatic Jack Russell terrier ? Whatever it takes, Harvey! Whatever it takes. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter . [Top photo of Harvey Weinstein at the 2012 Independent Spirit Awards: Getty Images]

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Harvey Weinstein’s Bully Problem — and Ours

Taylor Swift Invites Cancer Patient to ACM Awards

In case you still weren’t convinced that Taylor Swift is totally awesome… The singer was invited last week to attend the prom of Kevin McGuire, an 18-year old from New Jersey who has suffered a relapse of leukemia. The invitation was set up by Kevin’s sister, Tori, who created a “Taylor Swift Take Kevin McGuire to Prom!” Facebook page that has nearly 100,000 followers and on whose profile it reads: Kevin is the kindest, most noble 18 year old a person could even fathom meeting, and throughout his ups and downs Kevin never even questioned ‘why me?’ Nothing, and I mean NOTHING brightens Kevin’s day more than Taylor Swift. Kevin DESERVES more than anyone a special event in his life. Taylor agrees. On her Facebook page , the superstar responded to this request with: “Kevin, I’m so sorry but I won’t be able to make it to your prom. But I was wondering, the ACM Awards are coming up… Would you be my date?” The Academy of Country Music Awards will take place on April 1 in Las Vegas and Swift is nominated for several big ones, including Entertainer of the Year, Female Vocalist of the Year and Video of the Year. Said McGuire, who is being treated at Children’s Hospital of Philadelphia, to USA Today : “Obviously I said yes. [The CMAs are] a lot better than the senior prom.”

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Taylor Swift Invites Cancer Patient to ACM Awards

Rick Santorum hates religion but he hates puppies even more

http://www.youtube.com/v/Nfo4RYBTNfM

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What a silly over-the-top thing to say. It’s the sort of rhetoric that is ruining this country, damnit, and this is the greatest country on earth. Why, it’s a little bit like saying that the whole separation of Church and State thing we have baked into our constitution is out-dated, like Rick Santorum said on Broadcasting platform : YouTube Source : Balloon Juice Discovery Date : 26/02/2012 17:19 Number of articles : 2

Rick Santorum hates religion but he hates puppies even more

‘X Factor’ Will Sign On Two Female Judges, Two Hosts

Simon Cowell and L.A. Reid also confirm that the show will ‘continually’ pay tribute to the late Whitney Houston. By John Mitchell Simon Cowell Photo: FOX Simon Cowell and L.A. Reid spoke candidly to reporters Wednesday about the major changes coming in the second season of “The X Factor,” revealing that while replacements for Paula Abdul and Nicole Scherzinger have not been secured, viewers can expect two female judges to join the panel this fall as well as two hosts — one male and one female. Addressing rumors that Janet Jackson and Britney Spears have been approached to step in for Abdul and Scherzinger, who were fired from the show in January, Cowell would not confirm whom producers were talking to but did not deny that Jackson was on the table. “You can probably count on two girls,” Reid added. “That we can confirm.” “There’s a load of speculation, some true, some not true. It’s true to say that a lot of more people have entered the frame this year. We were waiting to see who was going to contact us before we actually contacted people,” Cowell told reporters on the conference call. “We’re in that place right now, which is a good place to be in. We will meet a number of people over the next few weeks, mainly to explain to them that this is a big commitment when you do a show like this because of the mentoring aspect.” Reid also elaborated on talk that the late Whitney Houston was in talks to join the show prior to her tragic death on February 11 in Beverly Hills. “We love Whitney and we would have certainly considered it,” he said. “But the truth is, it never quite came to that. There was an entrance there, but we never actually had meetings about it. But, again, we’re both huge fans and we’re sad about the loss. But we didn’t really get that far.” The show will likely honor the “I Will Always Love You” singer when it returns this fall. “I was going to recommend that, that we do a Whitney segment because the music is so amazing and it’s so generational and such a challenge for singers,” Cowell said. ”I have a feeling, just a hunch, that you may see a Whitney tribute on ‘The Voice’ and ‘American Idol’ before us. If we decide to do it, we have to do it in a different way. The important thing is that we are going to continually pay tribute to Whitney on this show.” Rumors abound that a preliminary meeting about Houston joining the show was set to take place on February 13. Fans shouldn’t expect the new judges to be named before the show begins its open auditions in mid-March, according to Cowell, who noted that since the early auditions are not filmed, “we probably don’t need to have them by then.” He also confirmed that host Steve Jones would be replaced with two hosts. “I always wanted a boy and girl, and I think that’s going to happen now,” Cowell told reporters. “I think it’s going to be a lot more fun.” Once again, however, the judges did not name names regarding whom they are considering for the hosting positions. Cowell and Reid hit on a number of other topics, including the “Factor”/”Voice”/”Idol” sing-off he proposed on Twitter and Cowell’s current relationship with Abdul. Cowell said he felt his proposed sing-off “would be the music Super Bowl” and that he was “disappointed with the reaction back from the other two shows.” (“The Voice” judge Adam Levine told “Access Hollywood” he’s “not really interested.”) Both judges then joked that the real battle may have to play out on the music charts before Cowell added, “Maybe we’ll just have to compete in the Grammys moving forward.” Asked if he would ever consider working with Abdul again, Cowell admitted that he and the “Straight Up” singer remain friends and that Abdul has been “incredibly gracious and respectful” since she was let go from “The X Factor.” “I think it actually will happen,” he added. Who should “The X Factor” add to its judges panel? Leave your comment below! Related Videos MTV News Extended Play: ‘X Factor’ Judges Simon Cowell, L.A. Reid Whitney Houston: In Her Own Words

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‘X Factor’ Will Sign On Two Female Judges, Two Hosts

Oscars 2012 Predictions: Best Supporting Actor

Christopher Plummer is a shoo-in for his affecting turn in ‘Beginners.’ By Eric Ditzian Christopher Plummer in “The Beginners” Photo: Focus Features Let’s begin this discussion of the 2012 Oscar nominees for Best Supporting Actor by pouring one out for “Drive” co-star Albert Brooks, who seemed to have a nod all locked up until he didn’t, leaving movie fans around the country to scratch our heads and wonder, Whappened? While we’re at it, big shout-out to Patton Oswalt, whose scenes in “Young Adult” were not only the most consistently entertaining but whose post-Oscar snub tweets proved the comedian is hilarious even in defeat. And Uggie — the only thing I truly loved about “The Artist” — was either ineligible due to his being a Jack Russell terrier or else cruelly discriminated against. Either way, he didn’t nab a nom. But we’re supposed to be past the point of whining about snubs, aren’t we? We’re supposed to be focused on celebrating the efforts of five fine supporting actors in five fine films, are we not? The thing is, this category is truly hard to get excited about. We’re not going to go so far as to call the nominees boring as a whole, but we will point out a) approximately 11 people saw “Beginners” in a theater; b) “Extremely Loud and Incredibly Close” is a wretched bit of magical realism lazily draped onto a very raw episode in American history; and c) it would have been way cooler had Kenneth Branagh been honored for helming “Thor” than for anything that occurred in “My Week With Marilyn.” And it is with this high praise and these high hopes that we edge toward the Best Supporting Actor category at this year’s Oscar. Here are our picks. Who Will Win : OK, OK, this is an easy category to mock, especially since the median age of its nominees is 106. But we must say this: “Beginners,” despite no one actually having seen it, is a beautiful movie. It is sweet and moving and complexly told not for complexity’s sake but because life itself is so damn complicated. Christopher Plummer’s turn as an elderly man who finally comes out of the closet following the death of his wife (only to die himself shortly thereafter) is an affecting one. If I don’t exactly see why this supporting performance is being held up as the finest of the year, if I can point to past Plummer roles more deserving of Oscar love (his recent portrayal of Tolstoy in “The Last Station,” for instance), I certainly can’t begrudge the 82-year-old his win. There’s no doubt that after a lifetime of service in Hollywood, he deserves it. Who Should Win : Not Branagh and not “Moneyball” star Jonah Hill. I remain ambivalent about their movies. And certainly not Max von Sydow, who could have delivered the greatest performance in the history of performances and still not rescued the superlatively grating “Extremely Loud.” Then there’s Nick Nolte, whose last Oscar nod came in 1998. He’s never won, and “Warrior” kicked a whole lot of ass. Who are we kidding, though? Given this collection of nominees, the only just choice is the man who’s a lock to actually win Best Supporting Actor: Mr. Christopher Plummer. The MTV Movies team has the 2012 Oscars covered! Stick with us for everything you need to know leading up to the awards show, and on Sunday, February 26, tune into MTV.com at 5 p.m. ET for our two-and-a-half-hour red-carpet live stream and updates on the night’s big winners. To join the live conversation, tweet @MTVNews with the hashtag #Oscars. Related Videos 2012 Oscar Nominees

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Oscars 2012 Predictions: Best Supporting Actor

‘Glee’ Episode On Gay Teen Suicide: Experts Weigh In

‘We just wanted to make sure that they had … resources to tell that story properly,’ Trevor Project interim CEO tells MTV News. By John Mitchell Daniel Roebuck and Max Adler in the “On My Way” episode of “Glee” Photo: FOX Tuesday night’s winter finale of “Glee” tackled the difficult topic of teen bullying and suicide. David Karofsky (Max Adler) — who bullied Kurt (Chris Colfer) because of his sexuality only to be revealed later as gay himself — tried to kill himself after teammates at his new school discovered the football player was gay and viciously harassed him verbally and online. Karofsky’s attempt was unsuccessful but it brought the subject to the forefront for all of the characters. And while the show’s decision to take on the topic was bold, the portrayal has inspired a mixed reaction. Among the viewers who felt the topic was handled deftly and with great care is David McFarland, the interim executive director and CEO of the Trevor Project , a national organization that provides crisis and suicide prevention services to lesbian, gay, bisexual, transgender and questioning youth. The group aired a much-discussed PSA featuring “Harry Potter” star Daniel Radcliffe during the episode. “It’s clear after last night’s episode that Ryan Murphy and his team did an excellent job of doing their research to tell a tough story and we were very proud to be involved and have the opportunity to air Trevor’s PSA with Daniel Radcliffe,” McFarland told MTV News on Wednesday (February 22). Others, however, complained that the episode had too many additional story lines — a teen wedding, the Regionals’ singing competition and a major incident for one of the principal characters that we won’t spoil here — which ultimately served to oversimplify and trivialize an important topic. MTV News’ own “Glee” re-capper, Kevin Sullivan, took particular offense to a comment made by Mr. Schuester, who revealed that his own suicide attempt was prompted by being caught cheating on a math test. “Suicide has so many aspects to consider that it cannot be glossed over in the same hour that features a regional show choir competition and a fictional wedding,” Sullivan said. McFarland disagreed, however, saying he thought the episode was an example of responsible storytelling. “[The Trevor Project wasn’t] told in advance … what the episode was going to be, we weren’t on-set advisors to the episode,” McFarland added. “We’ve been involved to the extent that if they were going to tell the story about suicide, we just wanted to make sure that they had access to resources to tell that story properly.” What seemed to be sloppy product placement also raised some eyebrows given the subject matter. After a member of McKinley’s Christian student club (a.k.a. the “God Squad”) mentions that they’re sending Karofsky an Edible Arrangement, we later spot the fruit bouquet when Kurt visits the hospital. And when Warbler Sebastian announces that his team will be taking donations for Lady Gaga’s Born This Way Foundation at Regionals, some couldn’t help but cringe. While the Born This Way Foundation’s anti-bullying mission aligns well with the episode’s message, some fans questioned the wisdom of plugging the yet-to-launch organization of a major pop star when other, less-visible organizations have demonstrated their work on the matter. Still, McFarland thinks the show did a great service by putting the topic of LGBT teen suicide on a large national platform; he’s happy the subject is getting the national attention it deserves. “It’s being discussed on many platforms and levels throughout this country, including on the radar screen of the president and first lady of the United States,” McFarland said. “And a story like this reinforces the important attention that this country needs to give to what is truly a health crisis in America. “We really need to provide safe spaces and environments for our youth and that episode told that story beautifully,” he continued. “More of these stories need to be told, more work needs to be done. Overall, we need to do a much better job for our young people in providing safe environments and they need to feel socially, emotionally and physically safe and supported at home, in their communities and their schools.” Share your thoughts on Tuesday’s episode of “Glee” in the comments below.

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‘Glee’ Episode On Gay Teen Suicide: Experts Weigh In

Tale of the Tape: Bobby Brown vs. Chris Brown!

Bobby Brown and Chris Brown. Both controversial figures who share a surname and other attributes. Both R&B singers have found themselves in the news lately for unrelated, semi-scandalous reasons. Both frequent THG conversation topics. Which Brown is best? Or the least terrible? Time for a THG Tale of the Tape! 1. CAREER ALBUMS SOLD Bobby Brown: 20 million Chris Brown: 12 million Edge: Bobby 2. TWITTER FANS Bobby Brown: 33,052 Chris Brown: 8,205,360 Edge: Chris 3. RAP SHEET Bobby Brown: Felony battery, DUI, unpaid child support, parole violation(s) Chris Brown: Felony battery Edge: Chris 4. SWORN ENEMY Bobby Brown: Condoms Chris Brown: Haters Edge: Chris 5. CURRENT PARTNER Bobby Brown: Alicia Etheridge (above, left) Chris Brown: Karrueche Tran (above, right) Edge: Chris 6. CURRENTLY FEUDING WITH Bobby Brown: Cissy Houston Chris Brown: CM Punk Edge: Even 7. BIGGEST HITS Bobby Brown: “My Prerogative”, “Roni” Chris Brown: “Run It”, “With You” Edge: Bobby 8. COLLABORATIONS WITH LOVER/VICTIM Bobby Brown: “Something in Common” Chris Brown: “Turn Up the Music,” “Birthday Cake” remix Edge: Chris Chris Brown on Tosh.0 9. NOTABLE TV APPEARANCES Bobby Brown: Celebrity Fit Club, Gone Country, Being Bobby Brown Chris Brown: Tosh.0 (above) Edge: Chris 10. RECENT FAUX PAS Bobby Brown: Inexplicably leaving Whitney Houston funeral early Chris Brown: Smashing GMA window, weekly Twitter rampage Edge: Even VERDICT : Chris Brown takes it, decisively, 6-2. Despite whatever flaws he has, his career is still on an upward trajectory. Even Rihanna’s recording with him again!

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Tale of the Tape: Bobby Brown vs. Chris Brown!

Adele: 21 Amazing Facts About 21

As Adele marks one year on the Billboard charts, we look at 21 amazing facts about the equally amazing 21. By Gil Kaufman and James Montgomery Adele Photo: Jeff Kravitz/ FilmMagic The traditional gift for a one-year anniversary is paper. Though, considering that Adele has sold more than 6 million copies of her breakthrough album 21 since its U.S. release one year ago this week, trust us, paper is the one thing the Grammy-winning British songbird has plenty of. What she’s also racked up over the past 52 weeks is a gang of awards, records and amazing feats of music industry daring that most people thought just weren’t possible in the download era. So, on the anniversary of the unstoppable album’s chart debut, we thought we’d take a look back at the year that was, with 21 amazing facts about 21 . 1. In February 2011, 21 debuted at #1 on the Billboard 200 albums chart with first-week sales of 352,000 copies. It stayed in the top three for 24 consecutive weeks and has never fallen out of the top 10 since its release. 2. In the year since its release, 21 ‘s lowest chart position was #7, in November 2011. The following week, it was back at #2, and it hasn’t left the top three since. 3. With her , Adele has broken the record previously held by the late Whitney Houston ‘s soundtrack to “The Bodyguard” by notching 21 non-consecutive weeks at #1. 4. The album’s 21 weeks atop the chart also mean that it spent a staggering 40 percent of the past year as the country’s #1 album. 5. 21 was not only the best-selling album of 2011 in the U.S. — with sales of more than 5.8 million — it’s also the best-selling digital album of all time in this country, racking up more than 2 million downloads to date. 6. The album debuted at #1 in the U.K. upon its release on January 30, 2011, and held that spot for four weeks. After she sang “Someone Like You” on the BRIT Awards telecast, sales increased by nearly 900 percent on Amazon.co.uk within an hour of her performance. She also set a Guinness World Record in September 2011 by becoming the first female artist to have two singles and two albums in the U.K. top five simultaneously. 7. 21 was also the best-selling album of the 21st century in the U.K., passing Amy Winehouse’s Back to Black. 8. 21 has topped the charts in 27 different countries, including Switzerland, Sweden, Mexico, Poland and Greece, and has sold more than 17 million copies worldwide. 9. In the U.S. alone, 21 has sold more copies in one year than Katy Perry’s Teenage Dream, Lady Gaga’s Born This Way, Rihanna’s Talk That Talk and Beyonc

Dianna Agron and Sebastian Stan: Back Together!

From breaking up to making up, all is good again for Dianna Agron and Sebastian Stan. A source confirms to Us Weekly that the Glee star and recurring Gossip Girl player are “back together,” saying the reconciliation took place “over Golden Globes weekend.” Need further evidence? Witnesses spotted the pair having dinner on Valentine’s Day and sharing a kiss afterward while waiting for their car. HOT! Smile, Sebastian Stan! You’ve totally seen Dianna Agron naked! Agron and Stan split in December after seven months because, insiders claim, the actress was worried about the actor cheating on her. They were also working on opposite sides of the country. But a friend of Stan’s says Sebastian would “never” step out on Agron and she apparently now believes the same. [Photos: WENN.com]

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Dianna Agron and Sebastian Stan: Back Together!

Berlinale Dispatch: A Chinese Epic and an Indonesian Zoo Tale Vie for the Jury’s Favor

Today is the next-to-last day of competition screenings here at the Berlinale , which means people are speculating about a possible winner – to the extent that speculation is ever possible. This year’s jury is headed by Mike Leigh, and at dinner the other night some friends and I were playing the “WWMLL” – What Will Mike Leigh Like? – game. Voting for prizes is a democratic process, but the jury president can set the tone. Even so, it’s hard to say, rummaging around in the Berlinale 2012 bag, what Leigh and co. might possibly go for. The critics’ favorites so far seem to be Christian Petzold’s Barbara , an unusual, slow-building drama set in 1970s East Germany, and Miguel Gomes’ Tabu , an inventive melodrama that uses old-school movie conventions – and sensuous black-and-white cinematography – to weave a story of love and loss. But critics’ favorites and a jury’s choices don’t necessarily align. At this point, the field is fairly open. I’m wondering what a Mike Leigh-led jury will think about Postcards from the Zoo , by the young Indonesian filmmaker who goes by the name Edwin. Postcards is a gentle story, with a loose-jointed, somewhat impressionistic narrative structure, about a young woman, Lana (Ladya Cheryl), who spends her life in a Jakarta zoo, though she doesn’t officially work there. She helps bathe the zoo’s baby tiger; she knows many facts about the zoo’s giraffes, which she shares authoritatively with the zoo’s visitors; and, one day, she takes up with another zoo denizen, a magician-cowboy who turns her into his assistant and accomplice. (She dons an Indian-girl outfit and takes her place in his knife-throwing routine.) During this meandering journey of self-discovery, Lana also becomes a massage girl at a spa, serving men who nonchalantly stop in for full-service satisfaction, complete with a happy ending (if they’re willing to pay for it). The picture is gorgeously filmed – the early section really is a series of postcards, a gentle meditation on the zoo’s peaceful, inspirational nature, including shots of a mother and baby hippo idling in a pool, and a droll little sequence in which Lana muses aloud about why one of the tigers won’t eat. (She surmises that he feels sorry for the hens that become his dinner.) Postcards , Edwin’s second feature, is so low-key that its emotional effects don’t really linger – the picture is inconsequential, but it’s also reasonably enjoyable, particularly for its pensive, low-key aura. Wang Quan’an’s White Deer Plain, on the other hand, is anything but low-key. This nearly-three-hour Chinese epic includes no real battle scenes and very little pageantry, but it does something that’s perhaps harder to pull off: It wrestles with the changes and hardships that the country endured between 1910, the end of Imperial China, and 1938, the time of the Japanese invasion. The story, an adaptation of a controversial historical novel by Chen Zhongshi, uses the power struggle between two village families – a struggle that’s intensified by the woman, played by an expressive actress named Kitty Zhang Yugi, who enters their midst – as a means of talking about sweeping and painful change in China during the first half of the last century. The picture is gorgeous to look at — well, not the famine sections, but pretty much everywhere else. Wang has a weakness for showing, over and over again, the shimmering golden wheat fields that play a key part in the story, and they are beautiful. The human characters, unfortunately, often take a backseat to the scenery. They’re cogs in the machinery of the country and in that of the movie, too – perhaps that’s intentional, but it does keep White Deer Plain from being as involving as it might be. So who knows, from what we’ve seen so far, what the Berlinale 2012 jury will go for? (The group also includes François Ozon, Jake Gyllenhaal, Anton Corbijn and Charlotte Gainsbourg, as well as Asghar Farhadi, the director of last year’s Golden Bear winner A Separation .) A Hungarian picture that screened this morning, Bene Fliegauf’s   Just the Wind, draws its subject matter from recent real-life horrors, in which several Romany families were murdered in their homes, the targets of racial hatred. The picture is harrowing, yet it’s also somewhat detached – Fliegauf often works harder than he has to, maybe, to underscore the fear and anxiety visited upon the community in the wake of these murders. But the picture is topical, and that’s sometimes a quality that makes a jury sit up and take notice. We’ll see what happens on Saturday, by which time I’ll have bid the Berlinale adieu for another year – though before that, I’ll be checking back in with a look at Declan Donnellan and Nick Ormerod’s Bel Ami , featuring the Pale One himself, Robert Pattinson. Read more of Movieline’s coverage from the 2012 Berlinale here . Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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Berlinale Dispatch: A Chinese Epic and an Indonesian Zoo Tale Vie for the Jury’s Favor