Tag Archives: darkest-hour

Holiday Weekend Receipts: Impossible Rules, War Horse Strong

‘Twas the weekend of Christmas, and all through the house, many studio executives had good reason to grouse… Ugh, sorry about that — it’s the egg nog. In fairness, the holiday frame actually signaled a nice rebound from previous weekends (which, when considering the utter horror show this month’s been, isn’t saying so much, but still). Who got what they wanted for Christmas, and who did Santa all but skip? Your Weekend Receipts are here. [All figures are four-day weekend estimates, with the exception of War Horse and The Darkest Hour , which opened Sunday.] 1. Mission: Impossible – Ghost Protocol Gross: $46,210,000 ($78,645,000) Screens: 3,448 (PSA $13,402) Weeks: 2 (Change: +261.4%) Oh, so this is how Scientologists celebrate Christmas : With a franchise windfall that ran away with the box-office crown. Xenu? Er, I mean, who knew? 2. Sherlock Holmes: A Game of Shadows Gross: $31,810,000 ($90,564,000) Screens: 3,703 (PSA $8,590) Weeks: 2 (Change: -19.7%) Enh. I’m more interested to see how this performs internationally, which will likely dictate how, when or even if your third Sherlock Holmes sausage is made. Just roll it in with Iron Man 3 and let Robert Downey Jr. move on with his life, already. 3. Alvin and the Chipmunks: Chipwrecked Gross: $20,000,000 ($56,940,000) Screens: 3,734 Weeks: 2 (Change: -14%) Raise your hand if you thought that the second weekend of Chipwrecked would outgross the first weekend of the PG-rated We Bought a Zoo by a nearly two-to-one margin. On Christmas, even! Maybe Fox should have bumped that awesome Marley and Me sequel to theaters instead. 4. The Girl With the Dragon Tattoo Gross: $19,400,000 ($27,776,000) Screens: 2,914 (PSA $6,658) Weeks: 1 Clearly the parents who suffered through Chipwrecked needed this bracing Fincherian pick-me-up. Nice timing, Sony! 5. The Adventures of Tintin Gross: $16,100,000 ($24,107,000) Screens: 3,087 (PSA: $5,215) Weeks: 1 In the battle of the movie terriers, Tintin ‘s Snowy was no match for The Artist ‘s Uggie — at least when it came to per screen average, $8,400 to $5,200. Honestly I have no other insights or observations to bring to this. 6. We Bought a Zoo Gross: $15,600,000 Screens: 3,117 (PSA: $5,005) Weeks: 1 Speaking of animal performers, what happened to Crystal the Monkey? First The Hangover Part II made more than half a billion dollars; then Zookeeper slid in with less than a third of that. Now she’s doing holiday tricks for America’s pocket change. Someone mount an intervention, pronto. 7. War Horse Gross: $15,025,000 Screens: 2,376 (PSA: $6,324) Weeks: 1 A miraculous horse! OK, not quite — but still: That’s not a bad two-day showing at all for a two-and-a-half-hour non-sequel with no stars and stiff competition (and not-so-stiff competition; The Darkest Hour was dead on arrival with $5,500,000) up and down the multiplex corridor. I’m very curious to see how this holds in the weeks ahead, if only so we might have the much-needed War Goose spinoff a few Christmases from now. Fingers crossed… [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Holiday Weekend Receipts: Impossible Rules, War Horse Strong

Hollywood Ink: Jennifer Garner’s Odd Life

Also in this morning’s Hollywood Ink: A Mad Men star will appear in Superman … Pinocchio gets a totally necessary live-action reboot… fire can’t stop The Darkest Hour … and more ahead.

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Hollywood Ink: Jennifer Garner’s Odd Life

Hollywood Ink: Emile Hirsch Getting Paid by the Hour