Tag Archives: digital

3OH!3 Re-Create The Internet On The Internet In New ‘Double Vision’ Video

Clip is complete with banner ads and an arrow scrolling down the page that is the video. By James Montgomery 3OH!3 in their video for “Double Vision” Photo: Photo Finish Records When we last saw the guys in 3OH!3 , they were going green-screen crazy in the video for “My First Kiss,” a clip that took their patented brand of anti-subtlety to newfound heights. Simply put, it was a video all about kissing. A lot of kissing. In their new video for “Double Vision,” they’ve ditched the digital effects and gone DIY, with a clip that re-creates the sprawling ephemera of the Internet with a bunch of man-made tricks. In a lot of ways, it recalls the work of Michel Gondry, who eschews big-budget effects in favor of in-camera trickery and rough-hewn, eternally moving set pieces. And really, did you ever think you’d see a time when 3OH!3 would be compared to a noted French auteur? Working with director Evan Bernard (he of the Beastie Boys lyrical shout-out and eye-catching clips like Green Day’s “Minority” and the Ben Folds Five’s “Army”), 3OH!3 have done something pretty great with “Double Vision,” and it’s no stretch to say it’s their shining moment, video-wise at least. Because aside from the concept itself — let’s remake the Internet using only stuff found at most Home Depots — there are at least a dozen moments in the clip that are genuinely clever, too: subtle touches like the arrow icon that continually scrolls the screen downward (it’s controlled by a long while pipe held off-camera) and the rainbow-colored loading wheel Sean Foreman picks up and spins (while he freezes in place). There’s the way the “live” footage is presented — as video clips that only spring to life when they’re “clicked” on — and a bit that pays homage to the now-famous “Daft Hands” YouTube clip (and I’m pretty sure they got the “Daft Bodies” girls to do it). And while, sure, the inclusion of those “Plenty of Fish” ads — last seen in Lady Gaga’s “Telephone” video — is rather cloying, they’re at least done cleverly. And really, when you think about it, aren’t banner ads supposed to be annoying? (For maximum annoyance, Bernard should’ve cast some wenches to re-create those “Evony” ads.) So “Double Vision” works on many levels — it’s sort of “Inception-y” in that regard (the Internet … on the Internet) — and it’s because of all that wink-winkery that it works as well as it does. It’s a great concept, greatly executed. And it only proves that perhaps the guys in 3OH!3 would do well to show a little restraint now and then … a video doesn’t need hyper-color explosions and kissing co-eds to be successful. Though, for that to happen, they’d probably have to release a song called “Subtlety.” Who knows, maybe they’ll do it on their next record. What do you think of 3OH!3’s “Double Vision” video? Let us know in the comments. Related Artists 3OH!3

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3OH!3 Re-Create The Internet On The Internet In New ‘Double Vision’ Video

Lady Gaga Thanks Fans For Twitter Crown

The singer shouts out her fans for making her the most-followed tweeter. By Mawuse Ziegbe Lady Gaga Photo: Derek Storm/ Splash News Lady Gaga’s millions of fans have another title to call their Mother Monster: Queen of Twitter. After steadily gaining on Britney Spears, who until recently was the most-followed user on the social-networking site, Gaga surpassed her fellow pop supernova over the weekend by landing over 5.7 million followers. At press time, Gaga’s Twitter army clocked in at 5,726,168 deep, besting Brit, who had 5,696,275 followers. Just days ago, the chart-toppers were neck-and-neck, with Spears boasting 5,646,028 Twitter peeps to Gaga’s 5,635,460. When Gaga learned she had dethroned Spears, she took to the Internet to thank the people who made it all possible: her fans. In a video posted online, Gaga doles out heaps of “monster” love to her followers for solidifying her digital dominance. Sporting a lace headpiece adorned with a sequined Twitter logo and an ornamental Gaga-fied version of the site’s familiar bird symbol, the singer addressed her nearly 6 million followers. “Hello world, this is Lady Gaga, queen of Twitter,” said the singer, with a flourish of an illuminated scepter and a sprinkle of glitter; a move that was part-Elizabethan royalty and part-Glinda the Good Witch. “I wanted to thank all my beautiful little monsters for following me. Thank you for beginning my reign as Twitter queen.” The singer then wished her Twitter-dom only the most enjoyable of experiences when logging onto the micro-blogging site. “May you always have soft cuticles while tweeting,” Gaga said wistfully. “May you never have carpal tunnel.” The “Alejandro” singer, who filmed the clip backstage at her Monster Ball Tour stop in Tacoma, Washington, promised to keep the Twitter nonsense to a minimum. “I vow never to partake in celebrity online shenanigans,” Gaga said. “And I vow to always tweet and tweet again.” Before signing off, Gaga left her legions of viral fans with a few words of encouragement. “Just remember that I love you,” Gaga said. “And love you yourself. Because little monsters, you were born that way, baby. I love you Twitter. See you at the Monster Ball.” Related Photos The Evolution Of: Lady Gaga Related Artists Lady Gaga Britney Spears

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Lady Gaga Thanks Fans For Twitter Crown

Novice Versus Nature: Digital Technology Can Worsen The Odds Of Survival

SPOT emergency personal communicator device, with “SOS” button. Image credit: Amazon ad . Many younger Americans, devoid of such early life experiences as one would get from Boy Scouting or hunting, emboldened by a proliferation of cheap GPS devices, and perhaps encouraged by the recent outpouring of ‘survival shows’ are doing the dumb dance into the wild. The results can be at both public and personal expense.

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Novice Versus Nature: Digital Technology Can Worsen The Odds Of Survival

Report: Shirley Sherrod to Meet with Vilsack on Tuesday; Will the Press Raise Worker Exploitation Charges?

The Theater of the Sherrod(s) is apparently not over. At AL.com last night, Mike Tomberlin of the Birmingham News reported the following : Former USDA employee Shirley Sherrod says she will meet Tuesday with agriculture secretary Shirley Sherrod, the former USDA rural development director for Georgia, said today she plans to meet Tuesday with U.S. Secretary of Agriculture Tom Vilsack to discuss a new job offer. … Sherrod today spoke in the Sumter County town of Epes at an event hosted by the Southern Cooperatives/Land Assistance Fund. Ben Jealous, executive director of the NAACP, shared the stage with Sherrod during a panel discussion. Sherrod said she had no ill feelings toward the NAACP or President Barack Obama. It the meeting does indeed occur, it will be an interesting test of establishment media credibility, given the accusations leveled at Ms. Sherrod and her husband Charles by Ron Wilkins at the leftist publication Counterpunch several weeks ago . Here are some of the specifics: The Other Side of Shirley Sherrod … The swirling controversy over the racist dismissal of Shirley Sherrod from her USDA post has obscured her profoundly oppositional behavior toward black agricultural workers in the 1970s. What most of Mrs. Sherrod’s supporters are not aware of is the elitist and anti-black-labor role that she and fellow managers of New Communities Inc. (NCI) played. These individuals under-paid, mistreated and fired black laborers–many of them less than 16 years of age–in the same fields of southwest Georgia where their ancestors suffered under chattel slavery. … Mrs. Sherrod says she began to see poverty as more central than race. So, should indigent black child farm laborers warrant less reflection by Mrs. Sherrod? What lessons does she have to share from her tenure as management when she had power over her own people working under deplorable conditions at the same New Communities, Inc.(NCI) identified in the current issue? Shirley Sherrod could have included this chapter of her history in the same confession speech. Justice and integrity require at least as much accountability from Mrs. Sherrod to the poor black farm workers of NCI as to the white farmers she came to befriend. This lack of full disclosure of the whole truth is a “sin of omission” that trivializes the suffering of poor black farm workers and exacerbates the offenses of NCI. Shirley Sherrod was New Communities Inc. store manager during the 1970s. As such, Mrs. Sherrod was a key member of the NCI administrative team, which exploited and abused the workforce in the field. The 6,000 acre New Communities Inc. in Lee County promoted itself during the latter part of the 1960s and throughout the 70s as a land trust committed to improving the lives of the rural black poor. Underneath this facade, the young and old worked long hours with few breaks, the pay averaged sixty-seven cents an hour, fieldwork behind equipment spraying pesticides was commonplace and workers expressing dissatisfaction were fired without recourse. … Worker protest at New Communities eventually garnered some assistance from the United Farm Workers Union in nearby Florida in the person of one of its most formidable organizers, black State Director, the late Mack Lyons. The September 28, 1974 UFW newspaper El Malcriado, page two, reported on the worker’s strike (“Children Farm Workers Strike Black Co-op”) and the UFW stepped in to protect black farm workers from exploitation by NCI. Fearful of both UFW efforts to unionize NCI’s labor force and scrutiny by the Georgia State Wage and Hour Division, the Sherrods and NCI management hastily issued checks in varying amounts to strikers to makeup ostensibly for minimum wage differentials. It is bitter irony that the Sherrods have succeeded in being awarded $300,000 following a discrimination lawsuit, while Mrs. Hawkins and other impoverished NCI black laborers whom NCI exploited were never adequately compensated for their “pain and suffering”. In addition to the “pain and suffering” payments Wilkins noted, NCI “won a thirteen million dollar settlement in the minority farmers law suit Pigford vs Vilsack.” This occurred in late July of last year, just a few days before Sherrod was hired by Vilsack to be the USDA’s Georgia Director for Rural Development. A graphic of the full article to which Mr. Wilkins referred is here . The two most damning paragraphs are these, which directly relate to Charles Sherrod: Your eyes are not deceiving you. The UFW accused the Sherrods of using scab labor. Wilkins wrapped up his Counterpunch column with a challenge: Ask Shirley Sherrod about this part of her history. I know this story well, for I was one of those workers at NCI. Will the establishment press follow up? Based on the non-coverage of Wilkins’s accusations during past three weeks, the prognosis is: “Very doubtful.” A Google News search on “Ron Wilkins” (in quotes) returns all of 10 items , eight of which relate to the Cal State professor’s accusations. Three of those eight cover two items authored by yours truly, including this August 8 NewsBusters post . Of the remaining five, three are posts at center-right blogs ( NCPPR , American Thinker , Patriot Post ). There is also an excerpt at the Daily Caller , plus an item at Digital Journal . A search on “Ron Wilkins” (not in quotes) at the New York Times returns nothing relevant . It’s virtually inconceivable that such damaging baggage would be ignored if a conservative, Republican, or important businessperson had been similarly accused of worker exploitation. The Associated Press has picked the Birmingham News item, which is on the wire service’s raw national feed. There are now no valid excuses for ignoring what Wilkins has alleged. Cross-posted at BizzyBlog.com .

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Report: Shirley Sherrod to Meet with Vilsack on Tuesday; Will the Press Raise Worker Exploitation Charges?

Soulja Boy Tell’em Will Answer Fans’ Questions On ‘RapFix Live’

MC Lloyd Banks also recorded a question for Soulja Boy to answer via MTV’s live stream this Thursday. By Jayson Rodriguez Soulja Boy Tell’em Photo: Rene Cerzantes Mr. “Pretty Boy Sway” is in the building this week as Soulja Boy Tell ‘Em will be the next artist to sit down with him for “RapFix Live,” set to stream on MTV.com this Thursday at 1 p.m. ET. Anybody can ask Soulja Boy a question: All you have to do is tweet your inquiry to @mtvnews (be sure to include the hashtag #rapfixlive so that we can track your questions). If you’d rather show your face on the Internet, record your question on video and upload it to Your.MTV.com (just be sure to include “Soulja Boy Tell ‘Em” in the title of the clip). The Teen of the South, now 20, follows in the digital footsteps of Rick Ross , Wiz Khalifa , Fat Joe (with a surprise visit from Blink-182 drummer Travis Barker, who provided music for an impromptu freestyle by the Bronx rapper), and Lloyd Banks as a “RapFix Live” guest. Last week, Banks exclusively announced he had inked a new recording contract with EMI Records for his next album, The Hunger for More. The G-Unit MC also took the opportunity to “pass the mic” to SB and ask the “Crank Dat” star a question. ” ‘Pretty Boy Swag’ was like one of my favorite records for the year,” Banks told Sway. “I wanna know what the next joint is gonna be. And when I’m gonna get the phone call to be on it?” Log on to MTV.com this Thursday at 1 p.m. ET to watch Soulja Boy answer Lloyd Banks’ question and more! Related Artists Soulja Boy Tell’em

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Justin Bieber 3-D Movie Back On Track

‘Step Up 3D’ director Jon Chu will helm biopic/ concert film. By Adam Rosenberg Justin Bieber Photo: Robyn Beck/ AFP/ Getty Images After a brief hiccup, the 3-D Justin Bieber movie is back in the mix. It had previously been reported that , but he dropped out to promote his upcoming release, “Waiting for Superman.” Now Paramount Pictures has hired “Step Up 3D” director Jon Chu to steer the biopic/ concert film to the big screen, according to a press release. Also new to the team are producers Dan Cutforth and Jane Lipsitz, the duo behind “Project Runway,” “Top Chef” and “Project Greenlight.” Bieber manager Scooter Braun and Island Def Jam chairman L.A. Reid were previously confirmed as producers as well. The hiring comes not a moment too soon, as filming is already under way. Cameras were rolling behind the scenes earlier this week at the young pop star’s Nashville performance. They’ll be following him on tour through the end of this month, when Bieber’s August 31 Madison Square Garden performance in New York will be shot with 3-D cameras. Chu is coming to the Bieber movie fresh off of promoting the just-released “Step Up 3D.” Of the hiring, he said, “When I was approached about doing Justin’s film, I jumped at the opportunity to tell a story with honesty and heart. Most people don’t know that his is a true underdog story, and I hope to tell it in a compelling, genuine way, using all source materials available to convey his tale of becoming an icon for this digital age.” Magical Elves partners Cutforth and Lipsitz also expressed their excitement in a statement. “To be able to tell the story of Justin’s unique and revolutionary path to stardom in our first studio feature is an incredible opportunity for us,” they said. Despite the change in director, the movie is still set for a 2011 Valentine’s Day weekend release, as was previously announced. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Artists Justin Bieber

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Taylor Swift Tapes Thank-You Message For ‘Mine’ Success

Country/pop star ties a Billboard record with single’s #3 debut. By James Dinh Taylor Swift Photo: Stephen Lovekin/Getty Images It’s only been a week since Taylor Swift’s “Mine” hit radio , but the lead single from her new album, Speak Now, is already making a splash on the upcoming Billboard Hot 100 with a #3 debut. According to Billboard, “Mine” makes chart history since Swift is only the second female artist in the history of the Hot 100 chart to debut multiple songs (“Mine” and “Today Was a Fairy Tale”) in the top five during a one-year time frame. Mariah Carey also accomplished this feat with her hits “Fantasy” and “One Sweet Day” in 1995. While “Mine” wasn’t able to dethrone Eminem and Rihanna’s “Love the Way You Lie” from the #1 spot, she is on top of the Hot Digital Songs chart with 297,000 in downloads. Swift recorded a video message thanking country radio for all the support, saying, “Konnichiwa! I just wanted to say hi to everybody, all my friends on country radio. I’m about to play for 45,000 people in Japan. Wish me luck. Thank you for the first week. I love you.” Fans will get their first glimpse of Swift performing “Mine” during a pre-recorded performance on the upcoming TV special “CMA Music Festival: Country’s Night to Rock,” which airs September 1. Swift’s highly anticipated new album is set to hit stores October 25. Are you excited to see Taylor’s upcoming performances and video for “Mine”? Share your thoughts below! Related Artists Taylor Swift

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Taylor Swift Tapes Thank-You Message For ‘Mine’ Success

‘The Sorcerer’s Apprentice’: Wizard War, By Kurt Loder

Nicolas Cage in an action-packed fantasy epic that’s not just for kids. Nicolas Cage in “The Sorcerer’s Apprentice” Photo: Disney Kid flicks have ruled this summer, with movies like “Toy Story 3,” “The Karate Kid” and “Despicable Me” racking up box-office grosses far beyond industry predictions. Now comes “The Sorcerer’s Apprentice,” which looks likely to repeat that money-minting feat. Like all great kid flicks, though, it’s too good — too fast and too funny — to be confined within the “family film” ghetto. It’s a Disney picture, of course, derived from a segment of the studio’s 1940 animated classic, “Fantasia,” in which apprentice sorcerer Mickey Mouse did battle with a platoon of out-of-control buckets and mops. For this live-action version of the tale, that eight-minute episode has been much-enlarged (although thanks to some of the year’s tightest editing, the movie still runs well under two hours). Now the story begins in 740 A.D., with the legendary sorcerer Merlin bequeathing his magical secrets to three acolytes, Balthazar (Nicolas Cage, back in top comic form), Horvath (Alfred Molina) and Veronica (Monica Belluci). But Horvath is secretly in league with the evil Morgana Le Fay (Alice Krige), who wants to use Merlin’s secrets to (what else?) “enslave mankind.” Morgana knows that Balthazar loves Veronica, so she takes possession of Veronica’s body. Balthazar is torn, but Veronica implores him to imprison her (and her inner Morgana) within a Grimhold — a nesting-doll contraption designed as a repository for all sorts of nasty Morganians. The director, Disney vet Jon Turteltaub, sketches in this prologue with gratifying brevity. The story then leaps ahead some 1,200 years. The immortal Balthazar is now the proprietor of a curio shop in downtown Manhattan. When a boy named Dave (Jake Cherry) blunders into his store one day, Balthazar — who still has the Grimhold, and has been searching for a kid to turn into a supremely great sorcerer, the “Prime Merlinean” — realizes that Dave is the one. But then Horvath materializes in the cluttered store, a fantastical wizard fight ensues, and the Grimhold is lost (well, misplaced). Jumping ahead another 10 years, we find that the grown-up Dave (Jay Baruchel) is now an NYU physics student well on his way to becoming a career nerd. Balthazar reappears to instruct him in the magical arts he’ll need to help recover the Grimhold. But Horvath is back on the scene, too, and soon recruits his own apprentice, a celebrity illusionist named Drake (Toby Kebbell, delightfully daft), whose rock-star affectations — snakeskin pants, bleached rooster hairdo — are decidedly post-Merlinean. (“Are you in Depeche Mode?” someone asks.) Now the furious hunt for the Grimhold gets underway in earnest. The movie’s action, which rarely lets up, is a stunning blend of practical stunt-work and highly-imaginative CGI. (And the digital effects are so precisely applied that very little of what we see here looks like a cartoon.) You’re still marveling at a huge metal eagle that has sprung to life on the side of the Chrysler Building (Balthazar climbs aboard and flies away on it), when a frantic car chase (this is a Jerry Bruckheimer movie) gets underway, tearing through traffic-clogged Times Square, with Balthazar’s Rolls-Royce transforming into an SUV and Horvath’s Mercedes morphing into a Ferrari, a taxi and a scary garbage truck. (In one of the movie’s cleverest inventions, the two antagonists careen into a mirror-world universe in which all the famous Times Square signage is reverse-lettered). Then there’s a spectacular sequence set amid the confetti-blizzard of a clamorous Chinatown street parade, in which Balthazar and Dave are menaced by an exotic Morganian called Sun Lok (Gregory Woo) and a papier-m

‘Avatar’ Headed Back To Theaters With Extra 3-D Footage

August 27 re-release will include eight never-before-seen minutes the film. By Eric Ditzian “Avatar” Photo: 20th Century Fox “Avatar” is still kicking around in a few theaters these days, a full seven months after it arrived at the multiplex and began its march toward $749.6 million in domestic ticket sales. But ever since March, when “Alice in Wonderland” began muscling aside James Cameron’s big blue aliens from a large swath of 3-D-enabled theaters, “Avatar” has gradually disappeared from screens across the country to the point where it was shown in just nine theaters nationwide this past weekend. All that will change on August 27 when “Avatar” ‘s long-awaited re-release arrives. Fox has announced that the film will be screened exclusively in Digital 3-D and IMAX 3-D and that the movie will include eight never-before-seen minutes of Pandoran goodness. Fox cited the post-“Avatar” explosion of 3-D screens as a key reason for the re-release, allowing many folks their first chance to see the film in three dimensions. “We were still playing very strongly in 3-D theaters until a lot of our 3-D theaters went by contractual agreement to ‘Alice in Wonderland,’ ” Cameron told MTV News in March. “So, we know people still want to have that theatrical experience. We actually think that the home experience and the theatrical experience can co-exist.” Another viewing of the original “Avatar” will have to do for now, because there is still no word about when a sequel will shift into production. Last we heard, in April, was that Cameron had plans to take a second “Avatar” into the depths of an alien ocean . “I’m going to be focusing on the ocean on Pandora, which will be equally rich and diverse and crazy and imaginative, but it just won’t be a rain forest,” the director said. Check out everything we’ve got on “Avatar.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos ‘Behind The Screen: Avatar’ Related Photos “Avatar”

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‘The Last Airbender’: Worlds In Collision, By Kurt Loder

M. Night Shyamalan goes for a blockbuster. Noah Ringer in “The Last Airbender” Photo: Paramount Early reviews in the theatre-full of little kids I saw “The Last Airbender” with were enthusiastic: whoops and wows scattered throughout and a chorus of cheers at the end. The movie is filled with heroic feats, high-kicking martial arts, and elaborate digital imagery, and this is the audience it’s aimed at (along with — the filmmakers hope — an elder demographic that will be drawn in, too). Those unfamiliar with “Avatar: The Last Airbender,” the animated series that ran on Nickelodeon from 2005 to 2008, may find themselves straining to track the movie version’s live action. The fantasy world of the film is divided into four tribal nations, each devoted to one of the four elements: Earth, Air, Fire and Water. In each of these tribes there are specialized citizens called “benders,” who can manipulate the national element at will. And somewhere there’s an Avatar — a spiritual figure, reborn throughout time — who can control all four elements and generally keep the peace among the nations. But the last Avatar disappeared a hundred years ago, allowing the Fire Nation, led by the glowering Lord Ozai (Cliff Curtis), to embark on a campaign of world conquest. Ozai’s black-armored troops have already exterminated the benders of the Air Nation — all but one. Now the Fire Lord has dispatched his son, Prince Zuko (Dev Patel), to find that elusive individual: the last airbender. This turns out to be a 12-year-old boy in a purple cloak and a dusting of runic tattoos. His name is Aang (Noah Ringer), and he’s discovered on an ice floe one day by a waterbender named Katara (Nicola Peltz) and her brother Sokka (Jackson Rathbone). We soon learn that Aang is not only the last airbender, he’s also the long-sought Avatar. Where has he been for the last century? “I ran away from home,” he says. Aang and his new protectors spend the rest of the movie dodging Prince Zuko and a scheming Fire Nation commander named Zhao (Aasif Mandvi) amid great fire lashings and water whips and much taekwondo posing. There are massed digital ships, rampaging battle rhinos, a wise cave dragon, a six-legged sky beastie and a friendly flying fruit bat who goes by the name Momo. Among many, many other things. That’s a lot of story. And the movie is so packed (cast of 6000) and rushed and choppily edited that you soon give up trying to figure out what’s happening and just let it drag you along. The picture is crammed with big-budget CGI — it seems determined to command our interest through sheer technological will. But while some of the digital constructions are amazingly inventive, at the end we’re left feeling wrung-out, and wearily unamazed. Possible the most curious thing about this film is that it was written and directed by M. Night Shyamalan, a man once capable of such twisty delights as “The Sixth Sense” and “Unbreakable.” In the six years since the last of his movies with Disney, Shyamalan has become a wandering supplicant, touching down at Warner Bros. to make the very silly “Lady in the Water,” and then at Fox for the much-unloved “The Happening.” Now he has landed at Paramount, where he acknowledges that he’s taking a crack at launching a blockbuster franchise. “The Last Airbender” ends with the iron vow of a sequel. Will Shyamalan’s technoid determination be sufficient to keep that promise? Or will the search for a welcoming studio home have to continue? (“The Last Airbender” is a Paramount Pictures release. Paramount and MTV are both subsidiaries of Viacom.) Check out everything we’ve got on “The Last Airbender.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos MTV Rough Cut: ‘The Last Airbender’ ‘The Last Airbender’ Clips Related Photos ‘The Last Airbender’

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‘The Last Airbender’: Worlds In Collision, By Kurt Loder