Tag Archives: director

BBC Chief Admits ‘Massive’ Left-wing Bias, Vows to Remedy Imbalance

BBC Director General Mark Thompson admitted to the UK Daily Mail in an article today that Britain’s state-run news outlet has had a “massive” left-wing bias. He insisted, though, that the network is taking steps to remedy the ideological slant. BBC has a history of promoting the ultra-leftist agenda on most issues. But to see the channel’s top dog admit it in an interview with the Daily Mail was quite a sight. Now if only some television outlets on this side of the pond would do the same. While Thompson pleaded guilty to a liberal slant, he insisted that a new crop of journalists is changing the political face of the BBC. The Daily Mail’s Paul Revoir reported today: The TV chief also admitted there had been a ‘struggle’ to achieve impartiality and that staff were ‘ mystified’ by the early years of Margaret Thatcher’s government. But he claimed there was now ‘much less overt tribalism’ among the current crop of young journalists, and said in recent times the corporation was a ‘broader church’. He claimed there was now an ‘honourable tradition of journalists from the right’ working for the corporation. His comments, made in the New Statesman magazine, are one of the clearest admissions of political bias from such a senior member of its staff. The BBC has long been accused of being institutionally biased towards the Left, and an internal report from 2007 said it had to make greater efforts to avoid liberal bias. Talk about honesty! But while the BBC is looking into ways to remedy its “massive” slant to the left, swaths of the American news media have yet to even acknowledge that that slant exists. First, do no harm…

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BBC Chief Admits ‘Massive’ Left-wing Bias, Vows to Remedy Imbalance

‘The Last Exorcism’ Director Enjoys Viewers’ Debate Over Conclusion

Director Daniel Stamm explains the controversial ending to the #2 movie in country this week. By Adam Rosenberg Ashley Bell in “The Last Exorcism” Photo: Lionsgate SPOILER WARNING: Before you read past this point, be warned: This article discusses the end of “The Last Exorcism” in depth, so stop reading if you intend to see the movie and don’t want to know how it ends. Director Daniel Stamm’s mock documentary concludes on an open-ended note. As predicted earlier in the film by Nell’s (Ashley Bell) paintings, the cinematographer gets his head chopped off, the producer is hacked to pieces and the preacher, Cotton (Patrick Fabian), his faith seemingly restored, walks into the flame to ward off Hell, his cross held high and his ultimate fate left unclear. That ending has spurred quite a bit of discussion among many who have seen it. MTV News talked to Stamm about that response and his reaction to it. “I don’t mind the passion that the discussion has spurred,” he said. “I’m getting threats now, which is a whole new thing for me. People are [tweeting] me, telling me to jump headfirst off the Empire State Building, really hateful [comments], which I can only take as a compliment. Which movie do you care about so much that you get so hateful and so passionate about it?” Of the dialogue that’s sprung up, the director admits that he understands where the dissenters are coming from. “I think that a lot of the people that are upset by the movie [feel] that they are paying for you to enlighten their world a little bit with an answer about what’s going on around them,” he said. “They want a statement that is clear. That is a very legitimate position to me, but that is not what the movie does. The movie leaves you with a question. And it was very true to the format of the documentary style that you don’t understand everything. ” By “staying true to the documentary style,” Stamm is referring specifically to the death of the camera operator in the film’s final scene. “Yes, it’s abrupt, because your point of view is gone, you’ll never find out what happened after that. There is no scene that neatly ties it all together and explains it all to you because that’s not how it would go down. I think the rest of the movie is naturalistic enough … that it would be a complete betrayal of the movie [to tie things together].” He appreciates that the film’s conclusion has a very definable impact on the scale of the story, from an intimate gathering of concerned individuals and one troubled little girl to a community full of Devil-worshipping Satanists. “I understand that people are maybe overwhelmed by the openness of the ending, but at the same time … I can’t think of a different ending to this movie. I think it completely does it justice and I think it does the characters justice.” Check out everything we’ve got on “The Last Exorcism.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Last Exorcism’ Director Enjoys Viewers’ Debate Over Conclusion

Angelina Jolie And Johnny Depp Have ‘Incredible Chemistry,’ ‘Tourist’ Director Says

‘Johnny and Angie just got along so well,’ Florian Henckel von Donnersmarck tells MTV News. By Kara Warner Angelina Jolie and Johnny Depp in “The Tourist” Photo: Sony Pictures What does an up-and-coming director do after winning the Oscar for Best Foreign Language Film? If you’re the talented Florian Henckel von Donnersmarck, you do not go to Disneyland; you go out and secure the talents of megawatt actors Johnny Depp and Angelina Jolie for your next feature. The already heavily-hyped film in question is “The Tourist,” loosely based on the French thriller “Anthony Zimmer.” When MTV News caught up with von Donnersmarck, we talked international intrigue, the challenges of shooting in Venice and why everyone falls in love with Johnny Depp (including his co-star Paul Bettany , who confessed his feelings to us last month). MTV : Given the story’s twists and turns, what can you reveal about the plot? Florian Henckel von Donnersmarck : I can see already that you were trying to wrangle some information out of Paul. [Incredibly enough, the busy director somehow found time to read our Bettany interview.] It’s a love story, that’s for sure. Imagine a woman who is just so elegant and sophisticated and educated and has lived in that world and now, through a whole set of circumstances, suddenly falls in love with a guy who is not any of those things, and it just somehow confuses her whole world because that was not meant to happen. She had it all worked out, she had this grand master plan, and neither he nor she had thought it possible that they would fall in love with each other. I have to keep the real details a secret otherwise you won’t have any fun seeing it. MTV : Is the film a remake of “Anthony Zimmer” or an interpretation? Von Donnersmarck : I’d say, in a way, the film is inspired by a whole set of films. There’s a lot of “Anthony Zimmer” in it, which is the French screenplay that they optioned the rights for, there’s a lot of “North by Northwest,” “To Catch a Thief,” “The Thomas Crown Affair,” the “Thin Man” series, “The Pink Panther” — there’s just a whole sweep of films that we used as inspiration and, certainly, there’s quite a few films that informed the film. MTV : How did you assemble such a spectacular cast? Von Donnersmarck : I think if you create a part in the screenplay and what you describe to actors where they can show some of their acting muscle, then great actors will be attracted to those parts and will be game for it. I think what people forget often when they talk about such great stars as Angelina and Johnny, they forget that what they are, really, are actors. They’re actors with a capital “A,” but they’re much more actors than they are stars, and I think that these parts were just right for them as actors. They can really show what they can do. Angelina is so charming and delicate and feminine and strong and everything at the same time that I think when I talked to her about that part and when we worked on the screenplay together, she saw that she could really be able to do something with that part, and the same for Johnny. He shows so much of his own complexity in this part. He’s so winning, so charming, so funny, like he is in real life. I think in many ways, this part is quite close to who he is in real life. He is the most funny and charming person you’ll have ever met. MTV : Well, we already know Paul fell in love with him … Von Donnersmarck : It’s impossible not to. Everybody does. Same with Angelina. She is so much fun. Also, Johnny and Angie just got along so well, that was something I could sense straight from the first meeting that we had, the three of us. Believe it or not, Angie and Johnny had never met. Through all the years that they’ve been king and queen of Hollywood, they had never actually physically met, so I was the first person to ever bring them together. So if nothing else, that was a really historical moment. They just got along so well from the first moment they met that I knew it was going to be a lot of fun making this film. I probably have hours worth of bloopers where they were just laughing because they had so much fun inventing stuff on the fly and letting their incredible creativity run free. MTV : How difficult was shooting in Venice? Von Donnersmarck : It was difficult, and that’s why most films they do all the interior stuff in studio and go to Venice for maybe three weeks to shoot all the exteriors. We really shot the entirety of the picture — except the scenes that take place in Paris — we shot them in Venice. There’s a chance that we would have captured more of Venice than has been captured before; that was certainly our aim. When Angie and I first talked about it, we said, “Let’s really make Venice a character. Let’s have it be about Johnny’s character, about her character, but also about Venice. Let’s really shoot it there.” Luckily, our producer was game for this, Graham King, so before we knew it, we were all in Venice and lived there for half a year, and in some of the most fantastic places along the Grand Canal, and I never set foot in a car or a truck for half a year. MTV : Going from “The Lives of Others” to this film, was there any added pressure in having such big-name actors attached? Von Donnersmarck : I always feel, at the end of the day, the director is one of those many people hiding behind the cameras. I think the spotlight always should be on the actors. The actors I had on “The Lives of Others” were, maybe not so known so much in America, but in Europe and in Germany they were very well-known. I don’t feel that it was that different in that aspect. It was very different genre-wise and just the feel of the film, but that was part of the fun for me. I feel it’s more fun to try out something completely different, and after you’ve done something more heavy, to do something light and breezy, it was almost a kind of self-therapy there. MTV : What do you think will resonate most with audiences? Von Donnersmarck : I think that they’ll love just seeing a world where somehow everything is beautiful, not so much in a way that seems unrealistic. All of the things we show in the film could happen like they do in the film and could look the way they do, but even if there’s a scene with 500 extras, every single extra will have been designed and sculpted by the most fantastic designers that Hollywood and Italy have to offer, so I hope people will feel transported into a world that is as beautiful as it could be, that’s what I was aiming for. Most of all, I just hope they will be transformed by — as I was on the set — by the incredible chemistry and the joy and love between our marvelous actors, between Angie and Johnny, and Paul and Timothy Dalton and Steven Berkhoff, all the incredible actors that we had. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “The Tourist.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Angelina Jolie And Johnny Depp Have ‘Incredible Chemistry,’ ‘Tourist’ Director Says

Lady Gaga Redefines Pop: A VMA Cheat Sheet!

Since the 2009 VMAs, Gaga has become an international sensation. By Jocelyn Vena Lady Gaga at the 2009 VMAs Photo: Christopher Polk/ Getty Images With a whopping 13 nominations, Lady Gaga is bound to take home at least a Moonman or two when the 2010 MTV Video Music Awards go live September 12.

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Lady Gaga Redefines Pop: A VMA Cheat Sheet!

Civil Rights Groups Challenge Obama’s Assassination List

Civil liberties groups have long objected that President Barack Obama has continued and even expanded on many of George Bush’s abuses in the area of national security, including blocking any investigation into the torture program. Now, civil liberties groups are targeting Obama’s continued use of an assassination list and his assertion that he can simply kill a U.S. citizen without any criminal charge or trial. The lawsuit focuses on the reported kill order targeting U.S.-born cleric Anwar al-Aulaqi, who is reportedly hiding in Yemen. The American Civil Liberties Union and the Center for Constitutional Rights have filed this interesting action, naming the President of the United States, the director of the Central Intelligence Agency and the secretary of the Department of Defense. This could make for a very interesting case if the groups can establish standing, which is likely to be challenged by Attorney General Eric Holder. As usual, Congress has done little to explore the constitutionality of a president who claims the unilateral power to kill U.S. citizens upon sight. If a President can unilaterally kill a U.S. citizens on his own authority, our court system (and indeed our constitutional rights) become entirely discretionary. The position of the Administration contains no substantial limitations on such authority other than its own promise to make such decisions with care. Here is the complaint: http://jonathanturley.files.wordpress.com/2010/08/al-aulaqi-v-obama-complaint.pd… added by: Radical_Centrist

‘True Blood’ Star Alexander Skarsgard Ready To Board ‘Battleship’

‘It’s quite different from the board game, obviously,’ he tells MTV News. By Kara Warner Alexander Skarsg

Is Kanye’s ‘Runaway Love’ Remix The Future Of Hip-Hop?

Experts weigh in on West’s blend of an old Wu-Tang beat with the Bieber track. Justin Bieber and Kanye West Photo: Getty Images

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Is Kanye’s ‘Runaway Love’ Remix The Future Of Hip-Hop?

Tupac Biopic Gains Oscar-Winning Screenwriters

Stephen J. Rivele and Chris Wilkinson have signed on to write script about Death Row superstar’s final years. By Jayson Rodriguez Tupac Shakur Photo: Steve Granitz/ Wireimage Antoine Fuqua’s forthcoming Tupac Shakur biopic will soon have a script: Two Oscar-nominated writers, Stephen J. Rivele and Chris Wilkinson, have been tapped to write the screenplay. The scribes, whose writing credits include “Nixon” and “Ali,” told New York magazine that the film will focus on the late rapper’s final day, with flashbacks of the preceding four years of his life interspersed throughout. Rivele added that the script centers on their perception that Shakur was miscast in the hip-hop world in which he found himself. “It became clear that he was essentially a 19th-century Romantic poet who found himself in the 21st century,” he explained. “He was a really sensitive, very romantic, talented young poet who also could sing, dance, and act. But the realities [of the hip-hop music business] were that he had to create this persona of the gangster.” The film is tentatively slated to begin production later this year, according to the magazine. Fuqua has previously said he hopes to find a newcomer to play Tupac . “I want to go to the streets and find him anywhere he might be in the world,” the director said. In addition to a fresh face, filmmakers intend to offer a new take on the life of the fallen rap star, who was murdered in 1996. Rivele explained that the movie won’t aim to resolve who murdered Shakur, but rather focus on who he was and the person he attempted to be. The movie will push a thesis slanted more toward asking why anyone would have wanted to kill the talented superstar. “He was obviously very angry, and had been subjected to a great deal of violence at home, in the streets and in prison,” Rivele said. “But he was just beginning to shed that anger and look for a purer voice. … He was in the process of changing himself and entering a new phase of his life — essentially a Romantic vision — and had set up a new label and a new production company to create it. He saw the contradiction between the musical persona of ‘Thug Life,’ and his essential nature as a gentle, sensitive person. And that was partly responsible for his murder: He was not a gangster, but the people around him were. They saw he was going to leave, that they were going to lose him, and so I think they decided to kill him.” Who would you cast to play Tupac in a biopic? Share your choices with us in the comments section. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Artists Tupac Shakur

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Tupac Biopic Gains Oscar-Winning Screenwriters

Jimmy Fallon, Betty White Earn Our Alternate Emmys

MTV News picks the truly award-worthy moments — and the massive fails. By Gil Kaufman Jimmy Fallon at the 2010 Emmy Awards Photo: Mathew Imaging/ Getty Images Sunday night’s Emmy Awards were full of unforgettable moments and thrilling first-time wins for the casts and brilliant minds behind “Modern Family,” “Breaking Bad” and “Glee.” But because there’s no Emmy Award for the Emmy broadcast itself, MTV News decided to sprinkle a bit more Hollywood pixie dust on Sunday night’s winners and losers with our own nods to the show highlights. Instant Viral-Video Hit : Host Jimmy Fallon didn’t knock it out of the park, but his opening musical tribute to “Glee,” set to the tune of Bruce Springsteen’s “Born to Run,” became an overnight viral hit. Social-Networking Fail : Fallon promised to take the Emmys into the future with some Twitter bits, but his introductions of presenters courtesy of viewer tweets fell flat nearly every time. Best Name That Totally Sounds Like It Was Made Up : Bucky Gunts. We were totally with comedian Ricky Gervais when he said he hoped the director of the opening ceremonies for the Vancouver Olympics with the vaguely porn-y sounding name would win his category. Worst Use of a Prop : Gervais provided many moments of hilarity during his time onstage (go back and listen to the Mel Gibson bit), but perhaps the night’s most awkward moment came after his rant about how, unlike at the Golden Globes, there’s no booze at the Emmys. He rectified that situation by sending waiters out into the audience with a variety of microbrews for the attendees. Things got a bit weird, though, when former “Friends” star Matthew Perry, who has spent time in rehab, had to politely decline a bottle of suds. Think It, But Don’t Say It Award : Definitely goes to three-time Emmy winner Edie Falco for joking after she won Outstanding Lead Actress in a Comedy for her role in “Nurse Betty”: “I’m not funny.” Guess who else doesn’t think you are? All of the other women in the category. Best Unexpected Cameo by the Subject of a TV Movie You’d Never Heard Of : Admit it, you got a bit misty when the spunky inspiration and namesake for “Temple Grandin” stood up during David Strathairn’s acceptance speech and showed off her lady rancher outfit and later took the stage with her Hollywood doppelg

Sofia Coppola Talks Motherhood, Reality TV And ‘Somewhere’

Writer/director’s latest, starring Stephen Dorff and set at L.A.’s Chateau Marmont, premieres at the Venice Film Festival. By Josh Horowitz Elle Fanning and Stephen Dorff in “Somewhere” Photo: Focus Features You could say Sofia Coppola’s work is primarily concerned with stories of lives playing out in the heady glow of fame or notoriety: the talk-of-the-town death-wishers in “The Virgin Suicides,” the lonely wife lounging in the fancy hotel while her husband hobnobs with celebs in “Lost in Translation,” the mercurial public and private life of the young queen of France in “Marie Antoinette.” Now comes “Somewhere,” a film set at the famed Chateau Marmont in Los Angeles, where a restive hotshot actor (Stephen Dorff) whiles away his time until his adolescent daughter (Elle Fanning) shows up and forces him to reassess his ways of emptiness and agony. The settings might change — 18th-century France, modern-day Hollywood — but the themes and the existentially troubled atmosphere of Coppola’s films remain the same. Yet the director describes “Somewhere” and “Lost in Translation” as her most personal films, in that she also penned both scripts, and audiences are sure to make many connections between the two. The soft-spoken Oscar nominee doesn’t seem to mind. In a recent phone conversation with MTV News as part of our Fall Movie Preview, she spoke openly about her inspirations for the new film and how her own life — from her time living abroad to becoming a mother for the first time — have influenced her creative decision making. MTV : The title is “Somewhere.” Did you come up with it early on? Sofia Coppola : Yeah, when I was first writing, that was just a temporary title until I thought of a real title and then it became the title. MTV : Where did this film begin in your mind? What was the genesis? Coppola : I’m not sure if it was the character or the setting for this one, but I think it started with wanting to write about Los Angeles, and I was living in Paris at the time. So thinking about Los Angeles, this character came into mind, that Stephen Dorff plays, and then I wanted to do a portrait of this guy and it took its shape from there. And then the character of his daughter came after, and that evolved into kind of the father/daughter part of the story. MTV : What were you trying to capture about Los Angeles that may or may not have been captured in film before? Do you feel L.A. is ever captured well on film? Coppola : I like “Shampoo” and “American Gigolo,” and I feel there hasn’t been a portrait of modern-day L.A. And I was just looking at how tabloid culture was while I was living in France. You know, there’s always stuff about the Chateau Marmont. I remember going there when I was in college, and now it’s so different with our reality TV shows and paparazzi around there. There wasn’t Us Weekly when I lived there. It was a different world and I started with wanting to do something set in that world. MTV : Have you watched some of the reality shows that the people who sign my paycheck created? Coppola : I haven’t watched tons of it, kind of a little here and there, but it just seems when you look at these tabloids, they’re all reality TV stars and definitely a focus on celebrity culture more than ever. But I’ve seen a few. The twins in my movie are from “The Girls Next Door.” So we do have some reality TV stars in it. MTV : So Stephen’s character, can you not help but base your characters after different aspects of people that you know? Coppola : No, he’s a combination of a ton of stories I’ve heard or different people’s experiences, and I have put them all together into my imagination of what this guy’s life is like. So it definitely is from people I know or stories I’ve heard. MTV : Why was Mr. Dorff the guy for you? Coppola : I just felt like he was the right guy for this part and I think he’s a really talented actor and he has a lot of heart and sweetness that I thought was important for this role. And it’s nice to see someone that’s not in a million movies every year. You don’t know everything about their personal life and all that. MTV : As a parent, how much are you relaying your own experiences with the film? Coppola : The movie’s the first thing I wrote since having a kid. I definitely think that changes your point of view or that it had an effect on what I was thinking about. So the character had a kid, and how it affected him was definitely part of the story. MTV : What does the script for this one look like versus what I will see on the screen? Coppola : I don’t think [scripts are] a blueprint, and I kind of stay open to what could happen. I don’t storyboard everything and have an exact plan. I think you have an idea of what you want. So the script is definitely what the movie is. I think, if you look back on it, it’s definitely from that but there’s a lot of improvisation, especially with Chris Pontius, who plays the buddy from “Jackass.” Part of why I cast him is because he’s great at improvising and coming up with things and he’s really great with kids. So I knew he would have a great interaction with Elle’s character. MTV : Were there any exceptional improvisational moments that you captured that weren’t in the script? Coppola : Yes, there are always happy accidents because when you’re being creative, it’s always the mistakes or things that you look forward to that make it real. I can’t think [of one] specifically, but I think just putting Chris Pontius and Elle in a room together, and Stephen, the three of them, it was fun to watch that interaction. There are definitely surprises. MTV : Can you tell me a little bit about Elle? Coppola : She’s 12 now. She was 11 when we were shooting. I was always impressed by her because she’s so natural. When she starts a scene, she doesn’t shift. You don’t see a big difference even though the character is different from her in real life. But I feel that she is really talented and I tried to stay out of her way and not interfere too much. And we talked about it and she had the impression of what I was trying. At the beginning, we did rehearsals, and we rehearsed with her and Stephen together, so she got an idea of it. MTV : Would you say at this point in your career you’re a confident filmmaker? Coppola : I don’t think you’re ever totally confident because you’re always pushing yourself into new territory to do something you haven’t done before. So it’s always scary, but I feel like I have a clear idea in my head when I start a movie of what it should feel like and what it should look like. So I guess it’s an intuitive thing, but I don’t ever feel confident. It’s scary. Besides that, I do have a strong opinion. That’s why I like directing, because you can be very opinionated. MTV : Were you sensitive when making this to the comparisons to “Lost in Translation”? Coppola : When I started writing it, I didn’t know what shape it was going to take, so I really didn’t think about that. But then after finishing it, I can definitely see that there are similarities. I’ve only written two original scripts, so I feel this and “Lost in Translation” are my most personal stories because it originates from me. So there are going to be links, because I think, like all creative people, you’re interested in similar themes that you revisit. I think each one of my movies has been a continuation of the last one. MTV : Why use the Chateau Marmont? What are your memories from your time there? Coppola : I just thought for this young actor guy in a moment of transition, that’s where he’d be staying. And there’s something impermanent about a hotel. Chateau Marmont is legendary in L.A. and it’s kind of a setting for show business. So it seemed like the natural place for it to take place. And I have memories of going there as a kid and then as an adult in L.A., and we would go out there and it was always filled with interesting people for people-watching and it has great stories and a lot of history that I wanted to be a part of it. But I wanted the iconic L.A. backdrop. MTV : Do you feel the same need to pick the brain of your successful family members? Coppola : I always am glad to have my dad when I need advice or mentoring. Sometimes I’ll show him [something] earlier on, but this one I had a more specific idea of how I wanted it to be and then I showed him when I was done. And my brother is the producer and he helped me a lot in the preproduction phase. MTV : You’re premiering at Venice, right? Coppola : Yeah, next week. It’s the first time we’re going to show an audience. MTV : How do you feel about that? Do you get nervous? Coppola : Yeah I’m excited to share it with the audience and [in Venice]. And the guys from Phoenix are going to be with us. But I’m excited and it’s also scary and nerve-racking to put it out there in the world for opinions and reactions. But I’m really happy with the way it turned out. I like it, so I hope other people will connect to it. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Somewhere.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com. Related Videos Exclusive Clips From The Fall’s Most Anticipated Films Related Photos Fall Movie 2010 Preview Week: Exclusive Photos

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Sofia Coppola Talks Motherhood, Reality TV And ‘Somewhere’