Tag Archives: director

Lil Wayne Pens A Note About U.S. Open Tennis From Prison

Rapper sent the handwritten letter to Sports Illustrated. By Jayson Rodriguez Lil Wayne Photo: Johnny Nunez/ WireImage Lil Wayne knows his sports well enough to understand free agency: When you’re not signed, you go with the best offer. The Cash Money rapper was formerly a blogger for ESPN, opining about the NCAA Men’s Basketball Tournament, among other topics. Now, however, the incarcerated rap star has sent his latest athletic musings to ESPN the Magazine ‘s rival, Sports Illustrated. (He’s also been posting about sports on his personal blog .) Weezy sent a handwritten note to the publication with his predictions for the U.S. Open’s men’s and women’s tournaments. The rapper picked top-seeded Rafael Nadal in the men’s bracket and Belgian star Kim Clijsters to take the woman’s crown. “I’m definitely rooting for [Nadal] to get the Grand Slam and win the U.S. Open,” Lil Wayne wrote on SI stationary after the magazine sent him a letter. “He’s already became the 2nd youngest player to win 8 major titles before the age of 25. He’s halfway there to Roger [Federer]’s 16. And even while battling knee tendinitis, he’s still ranked #1. His Wimbledon performance was one of a kind. He simply plays with pure passion and leaves it all out there on the court.” Lil Wayne is slated to be released from prison in November. He was sentenced to a year in prison in New York after a 2007 gun bust. Next month, the Cash Money Records superstar will release an EP directly online. Since he began his jail time, the rapper has released a flurry of music videos, recently appearing in Drake’s “Miss Me” clip. Wayne’s prot

Jessica Alba ‘Inspired’ Robert Rodriguez’s ‘Spy Kids 4’

Writer/director recalls seeing the ‘Machete’ star change diapers on set. By Kara Warner Jessica Alba at the “Machete” premiere Photo: Jason Merritt/ Getty Images Let’s face it, Jessica Alba is known for her sexy factor. No matter what role she’s in, be it a superhero (“Fantastic Four”), a pharmaceutical sales rep (in the upcoming “Little Fockers”) or an immigration officer (this week’s “Machete”), Alba’s addition to any cast turns up its heat. Such is even the case with Robert Rodriguez’s “Spy Kids 4: All the Time in the World.” When MTV News caught up with the actress and her director at the L.A. premiere of “Machete” earlier this week, we asked them how her casting came to be. “I was so inspired, seeing her on [the ‘Machete’] set trying to be beautiful for the camera and yet having to [run off] to change her baby’s diaper,” Rodriguez explained. “I thought, ‘You know what, that would be great as a spy mom, I’ve got to write that in.’ ” And since Rodriguez is the writer/director/creator of the “Spy Kids” franchise, he did just that. “I wrote that into the script, based on her,” he said of what will his third film with Alba. The 28-year-old actress/mom said she’s most looking forward to working with Rodriguez again — and to eating more of the director’s specialty: homemade margherita pizza with jalape

‘Avatar: Special Edition’ Cheat Sheet: Everything You Need To Know

Get ready to return to Pandora with our updated cheat sheet! By Eric Ditzian “Avatar” Photo: 20th Century Fox On December 18, 2009, MTV News published our first “Avatar” cheat sheet , pulling together years’ worth of newsy updates, interviews, video, sneak peeks and more. A month later, as the 3-D blockbuster headed into what would become the fifth of its seven straight weekends at the top of the box office, we reloaded our “Avatar” cheat sheet because audiences couldn’t get enough of James Cameron’s alien epic. Now, “Avatar” is coming back again in a special, 3-D-only version, so our cheat sheet is getting the three-peat treatment. A lot has happened in these last, Pandora-free months. Here’s everything you need to know about “Avatar: Special Edition.” After the Oscars While “Avatar” triumphed at the box office, it undoubtedly disappointed at the Oscars , winning three categories but losing Best Picture and Best Director to “The Hurt Locker.” But by that point, Cameron was already looking ahead , hinting at plans that he would re-release the film, enhanced with fresh footage, later in the year. “Well, here’s what’s in discussion, and it’s not locked in yet,” Cameron told us a few weeks later. “After the DVD release [of ‘Avatar’], we’re going to do a theatrical re-release toward the end of the summer, into September. Because there were a lot of people who still wanted to see the movie in IMAX 3-D that didn’t get a chance to do it. We were still playing very strongly in 3-D theaters until a lot of our 3-D theaters went by contractual agreement to ‘Alice in Wonderland,’ ” Cameron told us a few weeks later. “So we know people still want to have that theatrical experience. We actually think that the home experience and the theatrical experience can coexist.” Not until July, though, was the official announcement made: “Avatar” would return to theaters on August 27, exclusively on Digital 3-D and IMAX 3-D screens. Returning to Pandora Why even take “Avatar” back to the cinema? Producer Jon Landau explained it thusly: “This is just about appealing to two groups of people: one are fans of the movie that want to return to Pandora, and two are people that have never seen the movie. I can’t tell you how many people have said to me, ‘Gee, I never got to see it, and then it was out of the theaters.’ It’s about servicing those two groups.” The big question for both those groups headed into the re-release was what new footage Cameron would include. We already knew the DVD would eventually deliver a slew of extra footage . But what would Cameron fix up and deliver? Star Sam Worthington tossed us some hints in July. “There are several different hunts that the characters go on, there’s a sex scene that everyone keeps talking about that is going to be unique,” he said. “There’s a lot of other stuff to do with the Na’vi. And there is also a lot of other live-action stuff that got taken out as well because of time constraints and at the time not knowing if the movie was going to be successful or not.” The Things They Left Behind After we’d all done enough speculating , Cameron himself delivered some solid info earlier this month. “There’s a pretty powerful emotional scene at the end, which is Tsu’tey’s death … which happens off-camera in the original release,” he said. “[In the original film] he kind of falls off the back of the shuttle, and that’s the last that you see of him, but here we follow through. We have this emotional scene with Jake [Sully] and Neytiri and some other Na’vi that gather around him in the forest,” Cameron said. “Incorporating that footage back in was a no-brainer. “The alien kink scene?” he added. “It’s been restored, every last frame of it. Seriously. I would say, just so that we correctly manage people’s expectations,” he explained carefully, “it does not change our rating at all. I would call it more of an alien foreplay scene. It’s not like they’re ripping their clothes off and going at it.” Check out everything we’ve got on “Avatar.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: James Cameron Related Photos “Avatar”

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‘Avatar: Special Edition’ Cheat Sheet: Everything You Need To Know

REVIEW: Handsome Takers is Nothing But a Stuffed Suit

Takers is a sterling example of how a movie can take a basic, appealing idea — bank robbers who plan their infrequent crimes so meticulously they never get caught, living the high-life in between jobs — and turn it into something that you could easily watch while brushing your teeth, clipping your toenails, plucking your eyebrows. The movie at least attempts to offer some textbook pleasures: Director John Luessenhop gives us several elaborate shoot-outs, a killer explosion here and there, even a glitzy-classy shopping montage (and you thought those were only for girly movies like Sex and the City ). But Takers is so indistinguished that it starts fading from memory as soon as the end credits start rolling. It comes to the party overdressed and still fails to make an impression.

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REVIEW: Handsome Takers is Nothing But a Stuffed Suit

Miley Cyrus And Liam Hemsworth Split

Disney star and Australian actor have parted ways, Hemsworth’s rep confirms. By Mawuse Ziegbe Liam Hemsworth and Miley Cyrus Photo: Jamie McCarthy/ Getty Images Miley Cyrus is ending the summer as a single lady. The teen queen has split from her boyfriend Liam Hemsworth after more than a year of dating. Hemsworth’s PR representative confirmed the “Can’t Be Tamed” singer and her beefy Australian beau have officially called it quits. “It’s true,” the actor’s rep told RadarOnline.com . The news comes after reports that the couple were getting serious. According to Radar, Cyrus recently purchased a $3.4 million house, not far from her parents’ California home, where Hemsworth was a frequent guest. Hemsworth and Cyrus struck up a romance after meeting on the film set of “The Last Song” in 2009. The pop star said earlier this year that although she wasn’t on the lookout for a boyfriend, Hemsworth won her over with his gentlemanly charm. “I kind of just wanted to focus on my work. I tend to hide behind my work sometimes,” Cyrus said on “Ellen” in March. “But I met him, and he opened the door for me, and I was like, I have been in L.A. for three years and I don’t think any guy has actually opened the door for me. It wasn’t that he wanted the job. That’s just who he is. I was like, ‘Wow, that is super-impressive.’ I actually turned to the director and said, ‘He’s got the job.’ He’s hot and he opened the door. Excellent.” Cyrus, who dropped her latest album, Can’t Be Tamed, in June, said that much of the LP was inspired by her romance with Hemsworth. “There are a lot of songs that are about Liam,” Cyrus told MTV News when Tamed was released. “I tell him every one’s about him,” she quipped. Are you bummed that Miley Cyrus and Liam Hemsworth broke up? Let us know in the comments! Related Photos A Look Back: Miley Cyrus and Liam Hemsworth Related Artists Miley Cyrus

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Miley Cyrus And Liam Hemsworth Split

Emails Refute James Cameron’s Reason for Cancelling Global Warming Debate

E-mail messages obtained by NewsBusters refute claims that multi-millionaire filmmaker James Cameron cancelled a debate with prominent global warming skeptics because they weren’t as famous as he is. As NewsBusters reported Monday, a debate had been scheduled and placed on the program for last weekend’s AREDay summit in Aspen, Colorado, featuring internet publisher Andrew Breitbart, Sen. James Inhofe’s (R-Okla.) former communications director Marc Morano, and documentarian Ann McElhinney.  Within the past 36 hours, event organizers have absurdly claimed that since Cameron wanted to match wits with either Glenn Beck, Sarah Palin, or Inhofe, he decided to pull out of the debate when this didn’t happen. E-mail messages between the prospective participants and Cameron’s representative paint an entirely different picture.  To begin our story, Richard Greene, the man that negotiated the particulars with the skeptics, sent the following regrets to the prospective participants some time Saturday (h/t Big Hollywood ): Dear Andrew, Larry, Marc and Anne [sic], Here is the final decision in what has been, without a doubt, a very challenging road. There will be no debate as originally envisioned and discussed . . . for now. Instead, AREDAY and I offer the three of you (or two or even just one) the FULL platform – 5:30 – 7:00 pm Paepke Auditorium on The Aspen Institute campus . . .with FULL video and audio rights – to share “the other side” of the climate change and energy debate with the assembled notable in the environmental community. James Cameron will not participate. Again, this is my fault and my responsibility. Way back in April James authorized me to set up a debate with either Glenn Beck or Senator Inhofe. As Matt Dempsey will tell you, we tried very hard to get something done for Earth Day and then continued to talk. I communicated that the “denier” team was representing and indirectly chosen by Sen. Inhofe’s office (as Matt had 100% endorsed Marc for that role) but it somehow, given James’ travel, literally to Siberia, was not clear that Sen. Inhofe or someone of his public stature would not be involved. As a result, despite James’ total willingness to engage, he has been universally advised to wait for the time that Senator Inhofe or Governor Palin or Glenn Beck are willing and able to engage in this important debate. Best, Richard Greene For those unable to read through the lines, this was a classic CYA letter, although the A being covered wasn’t necessarily apparent. For some background, the “Larry” in the greeting is Larry Solov, Breitbart’s business partner. As for Greene, according to his biography at the Huffington Post: Richard Greene is an attorney, political and communication strategist, author of the Prentice Hall coffee table book, “Words That Shook The World: 100 Years of Unforgettable Speeches and Events” and Host of “Hollywood CLOUT!” on Air America Radio (Monday – Friday at 6 – 8 pm Pacific/9 – 11 pm Eastern, www.AirAmerica.com and on the air in New York, Los Angeles, Chicago, Washington DC, Detroit, Seattle, Santa Fe and elsewhere). He is also the Founder of a 501(c)(3) corporation that runs high school competitions to find and cultivate the next generation of great speakers and leaders in America. (www.WordsThatShookTheWorld.com). Greene has recently been collaborating with Cameron on Words That Shook The World events as reported by Bing Community and pictured at DayLife.com. With that as pretext, the following e-mail correspondence chronicles recent negotiations concerning debate rules and particulars (e-mail addresses scrubbed for privacy): In a message dated 8/16/2010 11:32:52 A.M. Pacific Daylight Time, morano@xxxx.com writes: Hi Richard, Please give us your proposal for the format and rules of the proposed debate. The bios and press release are currently unacceptable as proposed. I have copied Andrew Breitbart’s business partner Larry Solov on this email to bring Breitbart directly into the loop. Let’s get this squared away. Thanks Marc Greene quickly responded: From: RHGreene@xxxx.com Sent: Monday, August 16, 2010 3:36 PM To: morano@xxxx.com; larry@xxxx.com; annmcelhinney@xxxx.com Cc: info@areday.net; sally.ranney@xxxx.com Subject: Aspen Debate – Important Details Dear Marc, Andrew/Larry and Anne, Very much looking forward to our Sunday debate. Here are the important details as of this moment. Richard 1. Press Release In order for us to have press we need to get this out asap. Please get me, by 4:30 pm Eastern, the following: a) Any changes you need to YOUR bios. We will include everyone in the final release. b) A written sign off on the press release title and copy. See below for the current iteration that has attempted to incorporate Marc’s feedback. Notice the urgency: “In order for us to have press we need to get this out asap.” Sounds like a done deal, doesn’t it? As such, on Monday, August 16, this debate was all a go with some particulars left to be ironed out. Greene included the format of the encounter: Introductory 5:30 – 5:31 Welcome by Moderator 5:31 – 5:40 Introduction of “James Cameron Team” members and a 2 minute per member “Opening Statement” 6:40 – 5:49 Introduction of “Andrew Breitbart Team” members and a 2 minute per member “Opening Statement” B. The 10 Issues 5:49 – 6:34 Moderator will raise, one by one, a total of 10 issues and will toss each issue to one team for a 2 minute response, and then the other team for a 2 minute rebuttal. Each team will decide, on their own, the member or members that will use the 2 minute timeT slot. Time: :30 second intro of the issue, 4 minute debate time per issue x 10 = 45 minutes, total. C. Questions from the Audience 6:34 – 6: 54 Questions from the Audience. Each side will choose the people to ask questions in alternating fashion. The moderator will not make these choices. D. Closing Statements 6:54 – 7:00 Each side will get 3 minutes, total, for closing statements, to be distributed as one minute per member or 3 minutes for one member or however the side decides. Next, he added a press release: James Cameron vs. Andrew Breitbart “The Great Climate Debate” at AREDAY Conference in Aspen Looming man-made crisis or a manufactured crisis? Sunday, August 22 Aspen, COLO… AVATAR Director and Producer James Cameron will face conservative pundit Andrew Breitbart in what is being called “The Great Climate Debate,” on Sunday, August 22, at 5:30 – 7:00 pm in Aspen, Colorado, as the culmination of the American Renewable Energy Day (AREDAY) Summit. Cameron and Breitbart will each be joined by climate and energy experts and advocates and will address questions of whether climate change is real, a horrific threat to humanity and, more specifically, whether human caused carbon emissions are responsible for extreme weather around the world, acidification of the oceans, the melting of the polar ice caps and glaciers and other environmental phenomena. The panelists for the debate will be: (please edit your blurb) 1. James Cameron, Underwater explorer, having spent over 3,000 hours, in submersibles and scuba diving, observing the devastation of the oceans first hand. Writer and Director of the environmentally themed film, AVATAR. 2. Dr. Julienne Stroeve, Research Scientist for The National Snow and Ice Data Center, specializing in remote sensing of snow and ice in the visible, infrared, and microwave wavelengths. Personally conducted research on Kangerlussuaq Glacier in Greenland and presented her findings and research at the UNESCO international experts meeting in Monaco and many other forums and featured on The Discovery Channel and the History Channel documentary “Underwater Universe” Dr. Graciela Chichilnisky is a world renown economist and mathematician and the author of the carbon market of the Kyoto Protocol that became international law in 2005. She also created the concept of Basic Needs voted by 153 nations at the 1993 Earth Summit to be the cornerstone of Sustainable Development, and in 1996 created the formal theory of Sustainable Development that is used worldwide. The “Climate Change is Not Real and/or Not Significantly Man Made and and/or Not A Significant Threat to Humanity” Side: 1. Marc Merano [sic], Former Communications Director for Senator James Inhofe, Executive Editor, “Climate Depot”, a website dedicated to challenging the “Climate Con”. 2. Ann McElhinney, Irish Journalist, Writer, Producer of Documentary Film attacking Al Gore’s “Inconvenient Truth”, “Not Evil – Just Wrong”. Most popular speaker (after Limbaugh and Ann Coulter) during 2010 CPAC Convention where she told James Cameron to grow-up, accusing the film Avatar of being an “anti-American, anti-capitalist, anti-mining celebrity guest. 3. Andrew Breitbart – Climate Change denier, Conservative blogger (www.Breitbart.com), Columnist for The Washington Times, author, “Hollywood, Interrupted: Insanity Chic in Babylon”, frequent Fox News Channel commentator and recipient of the Reed Irvine Accuracy in Media Award during the 2010 CPAC conference in Washington, D.C., Keynote speaker at the First National Tea Party Convention in 2010 and the journalist who released the edited videotape of Shirley Sherrod’s allegedly racist speech. Notice some of the wording in the bios was less than flattering. For instance, Morano’s name was misspelled, McElhinney was quoted as bashing one of the featured guests, and Breitbart was credited for releasing the Shirley Sherrod tape. Not very gracious, wouldn’t you agree?   On the other hand, both “captains” had clearly chosen their teams, and submitted bios to Greene. As he forwarded this proposed press release to Breitbart et al, isn’t it safe to assume Cameron and his participants were also kept in the loop? Greene was, after all, acting as the coordinator for this event. Wouldn’t it have been in keeping for him to apprise Cameron and Company of how this was going, and get their acceptance of the proposed press release? In fact, Greene later commented about how he was waiting on Cameron to approve the wording. As such, how is it possible that Breitbart, Sovol, Morano, and McElhinney knew on Monday who they’d be facing in this debate, but Cameron – who was having this set up by one of his representatives – didn’t? Regardless, Morano quickly responded: In a message dated 8/16/2010 2:27:53 P.M. Pacific Daylight Time, morano@xxxx.com writes: For the title, let’s delete “looming.” How about: Global Warming: A man-made crisis or a manufactured crisis? My bio as follows: 1.Marc Morano, Senior Aide to Senator James Inhofe and Climate Researcher for Senate Environment & Public Works Committee. Currently Executive Editor, For “Climate Depot”, a website dedicated to exposing the manufactured “Climate Con”. We would also like to have our own film crew present to tape the proceedings. As for debate rules, my only further suggestion would be not to be held to 10 points. If a topic is getting hot and showing great energy, let’s stick with it for another round instead of changing the subject. This of course would be at your discretion. Even if we only get to 7 or 8 questions, we would end up having better back and forth. I am not ready to sign off on press release yet. Greene responded the next day: From: RHGreene@xxxx.com Sent: Tuesday, August 17, 2010 8:51 AM To: morano@xxxx.com Cc: info@areday.net; RHGreene@xxxx.com Subject: Re: Aspen Debate – Important Details Hi Marc, I agree about keeping things more open ended. A light went off when I received Ann’s revisions relative to the scope of the debate. Would like to suggest that, to make the debate even more relevant to the media and the country . . . and to keep it even further away from wonky, statistical, boring banter . . . that we focus mainly on the economic issues that are relevant to the Mid Term Elections, i.e., whether adopting “alarmist” climate change legislation will destroy jobs and the economy, the recent Harry Reid Senate energy bill, the $20 Billion Fund from BP and whether we should raise the cap on oil company liability (the Menedez Bill), and, also, a solution oriented discussion on how we deal with energy in the future. I’m going to assume that this is also right up your alley. Please submit some questions/issues on these areas that I can pose to the James Cameron side. Thanks. Pretty strange, don’t you think? This was supposed to be a debate about global warming, and suddenly the coordinator wanted to talk about the midterm elections, Reid’s energy bill, BP, and raising the cap on oil company liability. Apparently confused by this change in subject matter, Morano promptly responded: From: Marc Morano-ClimateDepot.com [mailto:Morano@xxxx.com] Sent: Tuesday, August 17, 2010 9:27 AM To: ‘RHGreene@xxxx.com’ Cc: ‘info@areday.net’ Subject: RE: Aspen Debate – Important Details Hi Richard, NOOOO!!!! Please not a wonky energy debate. The core of the debate should be about climate science, and the impacts of warming on the world’s poor and the impacts of alleged solutions to world’s poor. Please no gulf oil spill or energy bill. BORING! Let’s keep this to global warming with 25% or less devoted to energy, BP, etc! No policy debate! Let’s debate the state of global warming science in 2010!!! Thanks Marc After a phone discussion with Greene, Morano sent the following: In a message dated 8/17/2010 8:36:29 A.M. Pacific Daylight Time, Morano@xxxx.com writes: Hi Richard, After our phone call, my team is fine with this change in debate format. Let’s go ahead and finalize this and as the energy debate you suggest. Can we get out press release announcing this asap? We are confirmed for the changes you suggest. Thanks Marc The following day, Greene responded with an updated press release not much different than the prior one: From: RHGreene@xxxx.com Date: Wed, Aug 18, 2010 at 5:45 PM Subject: Hi Marc – Current Press Release To: Morano@xxxx.com Cc: info@areday.net, annmcelhinney@xxxx.com Hi. We’re just waiting for James to land from Siberia to approve the language. Here’s the current press release. Richard So, on Wednesday, Greene was just waiting for Cameron to approve the language in the press release. Nothing at all about him approving the participants. Yet, on Friday, after phone discussions with Solov the previous evening and despite the two sides appearing close to finalizing the deal, Greene again changed course: On Aug 20, 2010, at 4:56 AM, RHGreene@xxxx.com wrote: Hi Larry, Nice to talk with you last night. James has rejected the idea of NOT having video. He wants video. We are discussing another idea that I’d like to have you vet with Andrew which I think may even be better for everyone’s reputation, including Andrew’s, than the debate we have planned. What do you two think of an intelligent “Roundtable” where all 6 sit around with a glass of wine or coffee and have a serious conversation in order to try to find some common , ground. Instead of spinning around and around in an adversarial way with both parties claiming “victory”, what about honoring all the participants as “Thought Leaders”, fully listening to their perspectives and showing the American people that both Andrew Breitbart and James Cameron, in their own way and from an authentic perspective, really care about their country. It would even allow Marc Merano [sic] to be more understood and to be considered as such. It’s an easy adjustment. We all sit around and everyone gets their 2 minutes to share their perspective but the goal is to try to come to some joint way to move forward on these issues rather than a Gladiator approach trying to kill the other side. Thoughts? Richard A keen eye should detect mischief afoot. First of all, roughly 60 hours before showtime, the coordinator proposed completely changing the format.  Suddenly, reputations are of a concern “including Andrew’s.”  Greene wants to “[honor] all the participants as ‘Thought Leaders'” and “[show] the American people that both Andrew Breitbart and James Cameron, in their own way and from an authentic perspective, really care about their country.” So much for debate. Would this end with the participants singing “Kumbaya?” And what about this insult to Morano, “It would even allow Marc Merano [sic] to be more understood and to be considered as such.” For those that have seen Morano speak either in person or on video – I’ve witnessed both – he’s quite a commanding and effective orator that always makes his positions both interesting and understandable. Surpised by this correspondence, Solov replied three times in the next hour: On Aug 20, 2010, at 7:33 AM, Laurence Solov wrote: Richard – I have asked our “team” and will get back to you ASAP. I assume from your response/proposal that we can film it, too, but please correct me if that is not a correct assumption. Larry Solov On Aug 20, 2010, at 7:54 AM, Laurence Solov wrote: Also, is it moderated? By whom? Is there Q&A from audience? Is it each person gets 2 minutes to speak, then talk back and forth more free form, or questions asked by a moderator? How long? Larry Solov From: Laurence Solov Date: August 20, 2010 8:29:42 AM PDT To: RHGreene@xxxx.com Cc: Breitbart Andrew Subject: Re: James Cameron and Video/Roundtable Richard – I’ve talked to our “team.” Please call me ASAP. This is workable if we just nail down a few specifics – see my questions below. But, to make it happen, we need to “finalize” this by, say, noon PST. People have planes to catch, videographers to arrange, and the press release needs to incorporate the language changes we gave you and to get out, Chardonnay or Pinot or maybe a nice Bordeaux, etc. I do not have a phone for you in Aspen. So, please call as soon as you get this. Thanks. Larry Solov The “see my questions below” referred to Solov’s previous message wherein he asked: Also, is it moderated? By whom? Is there Q&A from audience? Is it each person gets 2 minutes to speak, then talk back and forth more free form, or questions asked by a moderator? How long? Readers should bear in mind that it was now late Friday morning on the East Coast, and folks scheduled to get on airplanes in less than 24 hours still didn’t know whether this event was going to take place. Sensing the growing urgency, Solov had several telephone conversations with Greene to finalize the particulars so that he could instruct the participants to head to Aspen. By late Friday evening his time – Solov is based in the Los Angeles area – he had ironed out the final details with Greene, and sent the following e-mail message to confirm everything: From: Laurence Solov Date: Fri, Aug 20, 2010 at 10:08 PM Subject: Aspen Debate To: RHGreene@xxxx.com Cc: Breitbart Andrew , Ann Mcelhinney , phelim mcaleer , Marc Morano Richard: You have revised your proposal to the following: 1. A private debate – no video or audio, no press, not open to the public (not even the conference organizers would be allowed tape it); A. Introductory 5:30 – 5:31 Welcome by Moderator 5:31 – 5:40 Introduction of “James Cameron Team” members and a 2 minute per member “Opening Statement” 6:40 – 5:49 Introduction of “Andrew Breitbart Team” members and a 2 minute per member “Opening Statement” B. The 10 Issues 5:49 – 6:34 Moderator will raise, one by one, a total of 10 issues and will toss each issue to one team for a 2 minute response, and then the other team for a 2 minute rebuttal. Each team will decide, on their own, the member or members that will use the 2 minute timeT slot. Time: :30 second intro of the issue, 4 minute debate time per issue x 10 = 45 minutes, total. (Richard – I will add, based on our previous conversation, that you told me you intend to provide the questions before the debate, no later than, say, 5:00 pm Saturday the 21st – Aspen time) C. Questions from the Audience 6:34 – 6: 54 Questions from the Audience. Each side will choose the people to ask questions in alternating fashion. The moderator will not make these choices. D. Closing Statements 6:54 – 7:00 Each side will get 3 minutes, total, for closing statements, to be distributed as one minute per member or 3 minutes for one member or however the side decides. (or, the more interactive format Marc suggested) 2. Romm to replace Stroeve; 3. A 20 – 30 minute exclusive interview by our side of Mr. Cameron that can be videotaped. Without rehashing the long history of trying to put this together, Andrew, Ann and Marc are disappointed that they were originally told they would be permitted to video a public debate, but are now being told that a condition of going forward is that the debate be private and that no video or audio will be permitted. Having said that, they will accept the invitation, and look forward to the event and the interview. Larry Solov At this point, Solov informed Morano and McElhinney that the debate was a go, and the former got on a plane heading to Colorado only to find out upon landing a few hours later the debate had been cancelled. On Monday evening, Environment & Energy News reported that someone involved in this event blamed the debate’s cancellation on the participants (subscription required): But Chip Comins, founder and executive producer of the event, said the details of the debate had never been confirmed and accused Morano of distorting the truth. Organizers had considered holding a climate debate pitting Cameron against high-profile foes like former Alaska Gov. Sarah Palin (R), conservative radio host Rush Limbaugh, and FOX News hosts Bill O’Reilly and Sean Hannity, Comins said. “Morano is not at James Cameron’s level to debate, and that’s why that didn’t happen,” Comins said. “Cameron should be debating someone who is similar to his stature in our society.” Imagine that. After weeks of negotiations, it was decided that Breitbart, Morano, and McElhinney were not up to Cameron’s stature. Then why did Greene go through this tedious process with the prospective participants – including numerous e-mail messages and phone calls – if this were the case? Shouldn’t that decision have been made quite some time ago? According to Morano, Greene had initially contacted Inhofe’s office hoping the Senator would be interested in debating Cameron. As this was not going to work, Greene was referred to Morano. At that point, Morano recommended Breitbart and McElhinney as his debate partners, and the negotiations began. In his view, there was never any pushback from Greene after this point about Cameron wanting to match wits with personalities other than those already on the table. Instead, as he has written at Climate Depot, Morano was told by event organizers that once Climate Progress’s Joe Romm got involved in the discussion, he convinced Greene that having Cameron debate Morano would be a big mistake.  As Romm got absolutely demolished by Morano in a debate last April, we can understand why he’d prefer nobody else on his side go up against him. With this in mind, Greene’s job appears to have first been to continually change the format of the debate while making more and more absurd demands hoping Breitbart et al would give up and quit. When this didn’t happen, the fallback was a preposterous cover story that the participants just weren’t up to Cameron’s high-standing in the society. What a crock! Of course, all of this points to the continued obfuscation concerning this issue by climate alarmists.  For years, folks like Nobel Laureate Al Gore, his minions James Hansen and Gavin Schmidt of the Goddard Institute for Space Studies, and Romm have been trying to convince the public the global warming debate is over. At the same time, climate realists nee skeptics have been arguing the debate hasn’t yet begun because those on the other side refuse to do so. This latest episode with Cameron et al acts to further prove this, for in the end there likely never was going to be a debate at AREDay in Aspen. As Romm demonstrated last April, his side looks foolish when their dogma is challenged by folks that aren’t members of the choir. The only possible victory for the alarmists in such encounters is for them simply not to happen.

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Emails Refute James Cameron’s Reason for Cancelling Global Warming Debate

Linkin Park’s ‘Catalyst’ Video All About Contradiction

The clip conveys ‘something can be beautiful or it can be destructive,’ Mike Shinoda tells MTV News. By James Montgomery Mike Shinoda on the set of “The Catalyst” Photo: MTV News Linkin Park’s much-discussed A Thousand Suns will finally see the, uh, light of day on September 14, bringing to close a nearly two-year process that saw the band push themselves in ways they never thought possible. And, as is the case with most grand projects, things were still being worked out up until the very last minute. Case in point: The video for the album’s first single, “The Catalyst,” which the band shot back in June. In keeping with tradition, the clip was directed by the band’s DJ, Joseph Hahn, but aside from who would be sitting in the director’s chair, there were still plenty of details to sort out including just what they were going to call the song itself. “We are deciding the title as we speak,” LP’s Mike Shinoda told MTV News on the set of the video back in June. “We came in with a title in mind, and changed our minds, and probably by the end of the day, we’ll have a new name for the song.” And while they were still unsure of the song’s title a few months ago, the boys knew exactly the kind of emotions they wanted to convey in its video. Much like the album itself, they were gunning for big, often-contradictory themes: power and grace, destruction and salvation, ugliness and beauty. “The concept to the video: It kind of comes from the idea of, like, if you could imagine when nuclear fission was invented, or a moment in time when something can be used for positive or negative,” Shinoda said. “Something can be beautiful or it can be destructive. Or even, you know, if you’ve ever seen a dangerous fire from far away, it’s devastating up close, but from far away, it can be beautiful. Those are the kind of themes that run throughout the album, and they’re also themes that you see in the video.” “The Catalyst” video premieres at midnight August 25 (technically, the 26th) on MTV.com and VH1.com, and then on MTV, VH1, MTV2, mtvU, MTV Hits, MTV Tr3s and all MTV international territories at 8 p.m. ET/PT on August 26. Are you looking forward to seeing what kind of video Linkin Park created? Tell us in the comments!

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Linkin Park’s ‘Catalyst’ Video All About Contradiction

Taylor Swift Explored Dark Side For ‘You Belong With Me’ Video

‘Once she put on that wig, [the] real Taylor was gone,’ director Roman White recalls of VMA nominee. By Jocelyn Vena, with reporting by Matt Elias Taylor Swift in her “You Belong With Me” music video Photo: Big Machine Records Taylor Swift got to show the world that she can be just as naughty as the next girl in her VMA-winning “You Belong With Me” video. We also learned that once she puts on a cheerleader costume and a long, dark wig, she becomes almost unrecognizable. “We did have a body double for Taylor, and it was not easy because of Taylor’s hair,” director Roman White explained. “Her hair is so specific, so we did have to have a body double to go back and forth when we did ‘evil cheerleader Taylor’ and ‘good girl Taylor.’ We really had to cheat it.” “It works really great,” he continued. “She looks very different with long, blonde hair.” And White explained it wasn’t just her look that was different in the disguise. “There was real Taylor and cheerleader Taylor, and once she put on that wig, real Taylor was gone,” White remembered. “I didn’t want to be around ‘cheerleader Taylor.’ ‘Cheerleader Taylor’ was a monster. Taylor, on the other hand: very nice, easy to work with.” The John Hughes-influenced video was meant to have “colors that pop” and a love story that was at the heart of the clip. “I really wanted there to be a great love story there,” White said. “It’s about these two people who have lived these two lives across from each other and both of them loved each other but just never knew it. They were just barely missing each other, across the way.” For Swift’s love interest, “Hannah Montana: The Movie” star Lucas Till was cast as the perfect boy next door. White revealed that sparks between the pair were evident to everyone on set. “How many kisses did we go through? I stopped counting at, like, 45,” he joked. “They were going for it, no? When you’re shooting this, you’re always looking for that perfect kiss, but as the director, it’s always weird for me to go, ‘OK — we need you to kiss a few more times.’ But they were very natural. … Not that they didn’t like each other, ’cause they did.” In fact, the pair did date for a short time after doing the video. And White could see why they’d be perfect for each other. “They’re both really, really kind. It sounds really cheesy, but they really are,” he said. “I think you can see it when they kiss. You can see that warmth and that kind of first-kiss moment. So we literally got to see their first kiss, and it worked.” What’s your favorite Taylor Swift video? Tell us in the comments! Related Videos Frame By Frame: Taylor Swift’s ‘You Belong With Me’ Music Video

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Taylor Swift Explored Dark Side For ‘You Belong With Me’ Video

CNN Veteran Andrew Breslau Takes Helm at Far-Left Nation Institute

Andrew Breslau, who for eight years ending in 2006 toiled at CNN “as a senior manager and producer,” has been named President of New York City-based The Nation Institute , affiliated with the far-left The Nation magazine run by frequent MSNBC guest Katrina vanden Heuvel , and home to Christopher Hayes, Rachel Maddow’s fill-in host. The institute’s August 18 press release described Breslau’s CNN duties: “Tasked with managing a team of journalists covering the U.S economy, he also helped cover events overseas that ranged from the 50th anniversary of the People’s Republic of China to the World Economic Forum in Davos, Switzerland.” Prior to joining CNN, Breslau was quite active with a series of left-wing enterprises, starting in the mid-1980s writing for Mother Jones magazine and then helping to found Fairness and Accuracy in Reporting as its first associate director, the release from the institute’s Communications Director, Ruth Baldwin, recounted. Following several years in the early 1990s as “director of public affairs for Manhattan Borough President Ruth Messinger,” during the 1996 election cycle “he was the director of special projects for the Democratic National Committee, where he handled press relations and organized artists and celebrities on behalf of President Clinton and Democrats across the country.” Indeed, a  July 26, 1996, USA Today item by Jeannie Williams reported Breslau’s creation of “Artists for a Democratic Victory Committee.” Apparently, CNN decided that partisan activism qualified him for a slot as a producer and guest-booker.   Last week: “ AP White House Reporter Loven Jumps to Liberal Democratic Political PR/Lobbying Shop .” (My complete Obama-journalism revolving door list .) Since leaving CNN in 2006, Baldwin relayed, “Breslau has served as the Executive Director of City Futures, the parent organization of the public policy think tank, Center for an Urban Future.” The Nation Institute’s self-description: The Nation Institute’s dynamic range of programs include a bestselling book publishing imprint, Nation Books; the award-winning Investigative Fund, which supports groundbreaking investigative journalism; nationally televised town hall meetings and debates; the widely read and syndicated website TomDispatch; an internship program at The Nation magazine; Journalism Fellowships that fund up to 25 high-profile reporters every year and the prestigious Puffin/Nation and Ridenhour prizes that honor outstanding public citizenship and acts of truth-telling. Work produced by The Nation Institute has sparked Congressional hearings, new legislation, FBI investigations and the resignation of government officials, has changed the debate and has a powerful impact on the most urgent social and political issues of our day.

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CNN Veteran Andrew Breslau Takes Helm at Far-Left Nation Institute

‘The Expendables’ Arsenal: A Weapon-By-Weapon Guide

Weapons supervisor Kent Johnson leads us through the biggest, baddest arms from the action hit. By Adam Rosenberg Dolph Lundgren and Sylvester Stallone in “The Expendables” Photo: Millennium Films Sylvester Stallone proved that his action star still burns brightly with the box-office-winning performance of “The Expendables,” which he wrote, directed and starred in. The veteran of action classics like “First Blood” and “Demolition Man” ceded some screen time in this latest outing to action stars of yesterday and today, particularly the core “Expendables” team of Jason Statham, Jet Li, Dolph Lundgren, Terry Crews and Randy Couture. As impressive as that lineup is, the collected firepower of the group is what makes them really scary. Just try to identify some of those guns and blades in the heat of combat — it’s impossible. So MTV News got on the phone with Kent Johnson, property master and weapons supervisor for “The Expendables,” to get the inside scoop on who used what and why. For those who haven’t seen the movie, spoilers ahead. You’ve been warned. Handguns and Revolvers Stallone actually makes use of three handguns in the movie: a pair of semi-automatic pistols and a more traditional six-shooter, the sort that you’d see in a Western — only far more dangerous-looking. Johnson identified the pistols as custom-made Kimber Gold Combat IIs. “It’s a .45 [caliber],” Johnson said. “Kimber put them together for us. Sly wanted something a little bit different, a little more unique, a little more of an individual style, so we were able to make the body of the gun a little darker with black grips and little chrome pieces on it. Just very subtle, to make it more personal.” As anyone who’s seen the movie knows, Stallone fires those twin pistols at a remarkable rate. According to Johnson, that’s perfectly realistic and all based on the skill of the shooter, who in this case is one of the most accomplished action stars of the past 30 years. “A gun will fire as quick as you let the gun work, because it’s a gas-activated gun — meaning the gas in the chamber causes the recoil — which causes everything to work in the gun and the next shell coming up. So as fast as you could possibly pull the trigger is how fast that gun will.” Compare that to Sly’s revolver, which is an “1873 six-shooter with a 3-inch barrel” seen in the first and last scenes of the movie. “It’s a single-action gun, which means it won’t cock, it won’t fire like [the Kimbers], where you just pull the trigger and it’ll go bang, click, bang, click. With a single-action, you have to pull the hammer back,” Johnson explained. “[Stallone] was using it like the old Western style, like a fanner-type gun. What it is, is you have your finger on the trigger pulled at all times, and you fire and rotate, fire and rotate, by pulling the hammer back on the gun [and then letting it go], which is what a lot of quick-draw and fast-draw artists [do].” Shotguns and Rifles As cool as Sly’s paired pistols are, the undisputed star weapon of the movie is Hale Caesar’s (Terry Crews) automatic shotgun, an “MPS AA-12 Sledgehammer.” The weapon itself is a beastly thing, capable of laying down rapid-fire shotgun blasts. What makes it a force to be reckoned with in “The Expendables” however is the ammo that Caesar fills it with, which he describes in great detail during one particular scene. Said Johnson: “It has fins and it explodes before it hits the target. … It’s like a little missile, a little ground-to-air missile. You could load a shotgun shell with a solid pellet, you could load it with birdshot, you could load it with buckshot, you could load it with all different things. The way we did it [in ‘The Expendables’] was, basically, [we built it] to take down buildings, and it does. In real life, this shotgun would do pretty close to what you see on the screen.” Even more frightening is the idea that such a destructive bit of firepower exists. It does, Johnson said — sort of. “There’s something like that that does exist, yeah. We basically made up our own shell, but we copied one that was a prototype that is in development for the military.” A range of assault rifles are also on display in the movie, though the climactic battle is highlighted by two in particular. First, you have the bad guys, led by David Zayas’ General Garza. “All of Garza’s military guys we had [equipped] with AK-47s,” Johnson revealed. “Which is the right gun, [because], basically, they work all the time. So the AK-47, which is the old traditional standard workhorse, versus our boys with their modern weaponry.” In the case of the Expendables, “modern weaponry” is one tactical assault rifle in particular: the Noveske N4. “In the real world, it’s high-tactical, more in Europe than the States. It’s a high-caliber, it’s a very uniquely balanced weapon, a close-quarters weapon. It’s short and has a lot of firepower,” Johnson said. As with most of the other weapons on display in the movie, the N4 was Stallone’s pick. “He liked the look; it works off of rail systems, so we were able to put smaller but better sights on it, we were able to put better scopes on it. Visually, it was just a better, more futuristic-but-contemporary look without getting into silver [plating] or other crazy things, it’s just a real kick-ass weapon.” The Sharpened Blade Not all of the weapons in “The Expendables” go boom. Some slice through the air with nary a sound. Dolph Lundgren’s Gunner Jensen and Jason Statham’s Lee Christmas both make notable use of bladed weapons. “[Lundgren’s] Bowie knife … that was a Gil Hibbons. That’s the knife that Gunner gives Christmas [at the beginning of the movie]. “Gil Hibbons made a custom knife for us, for Sly. He and Sly have worked throughout the years together,” Johnson continued. “It was a white-bone handle and had the Expendables logo, the same logo that was on the motorcycles. It’s a traditional Bowie knife, but he custom-made it for us for the movie. The design was Gil’s, but he [used] some subtleties in the handle, very small little subtle things to make it a unique piece.” Then there’s Statham’s Christmas, who excels at killing silently from a distance with his throwing knives. “That was director’s choice on the [throwing] knives to have a little ring at the top so [Statham] could flip them and do different things,” Johnson explained. “We worked in different ways on making [Statham’s draw look right]. We went from a shoulder draw to a hip draw to kind of like a gun draw almost. That’s pretty much what we ended up with, where we had the three knives on each side of his hips. “That was the director’s idea in working with Jason, what made him feel comfortable and made him feel like he could be as quick as anybody with a gun with that knife. You’ve got to be able to get that knife and then be able to get the second one and the third one. He always carried at least six knives with him at all times when he was in his combat gear.” Finding the Right Weapons for the Job With all the killing force detailed above, the obvious question is: Where does it all come from? Johnson, being the man who makes it all happen, has the answer. “There’s different prop rental houses and different weapon rental people. I’ll work with the director and what his vision is for the movie, and basically I’ll go out and bring him an assortment of guns. Sly’s even gone to the gun room, multiple times, where he wanted to look at things,” Johnson said. He’s worked on Stallone projects since 1989’s “Tango & Cash,” and on “Big Trouble in Little China,” “Death Wish II,” “The Final Countdown” and others before that. “There’s one shop that I work with extensively called Independent Studio Service. They’re in Sun Valley, California, and they have the biggest weaponry [selection] probably in the world for the movie business,” he said. The guns themselves are the other key to the puzzle. These are all actual weapons that have been converted for prop use, though in most cases converting them back to live weapons is possible. Some of them still are live weapons; they’re simply loaded with blanks. “A gun with blank ammo, all you’re doing is making the gun think it’s firing a bullet,” Johnson explained. “They’re all real guns, they all have been modified to shoot blanks. Sly’s 3-inch 1873 six-shooter that he had in the small of his back, you could put live rounds in that gun and fire that gun because it’s a non-plugged gun. Non-plugged meaning, when you fire a semi-automatic or a full automatic, you actually plug the barrel of the gun and control the amount of gas that stays there to make the gun think that it’s shooting a live round out. “So you’re fooling the gun. All of these guns that are converted for studio use can be converted back to live fire.” Check out everything we’ve got on “The Expendables.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Expendables’ Arsenal: A Weapon-By-Weapon Guide