Tag Archives: director

Robet Pattinson Has New Respect For Porn Stars

Remember Me star Robert Pattinson said he has “a lot of respect” for porn stars after filming sex scenes in the new movie. Pattinson, 23, indulged in some saucy scenes in the new flick with Emilie De Ravin and said it wasn’t an enjoyable experience “I’m always the one who’s the most uncomfortable. So we came into the room and we got on to the bed and the director was like: ‘I got you these things, if just maybe you wanted to use them. You don’t have to use them, maybe it will make you more comfortable.’ They were these bondage things: lube and handcuffs and porn videos. It was so funny!” Pattinson added to UK’s The Sunday Times Style Magazine: “When you end up doing it, you have this little patch on your privates. I didn’t really tape it up properly, so I’d spent so long taping it round myself and then literally it falls off within one second and it’s taped to the sheet. “And you realise the whole crew are looking directly at your butt crack. It gives you a lot of respect for porn stars.” You know who respects porn stars? Jesse James. Didn’t think we could make this innocuous RPattz story about his philandering, could you?

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Robet Pattinson Has New Respect For Porn Stars

Guns N’ Roses Face Tour Trouble In South America

A riot erupts during an alleged scheduled private show, and another concert is canceled after a stage collapses. By James Montgomery The damaged stage where Guns N’ Roses were going to perform in Brazil on Monday Photo: Agencia Estado/AP Images Axl Rose has always had the ability to seemingly summon chaos at will — witness his apparent run-in with paparazzi at LAX late last year, any number of riots his actions (or lack thereof) touched off at Guns N’ Roses shows, or, really, anything on this list — but on GN’R’s current South American tour, things are really getting out of hand. Because now, Rose and crew are wrecking havoc even when they don’t have shows. Case in point: a reported riot at a private concert in S

Lady Gaga’s ‘Telephone’: The Best Tribute Videos

Gaga’s ‘little monsters’ show that imitation is still the sincerest form of flattery. By James Montgomery Lady Gaga in her video for “Telephone” Photo: Interscope It’s not like fan-made tributes to Lady Gaga’s “Telephone” didn’t exist before the epic, excellent video premiered last week, it’s just that, well, now they’ve been bumped to the forefront. Over the past few days, our inboxes have been inundated with YouTube clips of Gaga fanatics strutting their stuff in time to the tune, and while not all of them have been particularly great (some are downright unsettling), there have been a handful that have risen to the top — lovingly detailed, expertly choreographed, awesomely costumed efforts that basically back up everything Gaga’s ever said about her “Little Monsters.” We got so many that we decided to round up the cream of the crop, the fiercest, funniest and most fabulous of the “Telephone” tribute videos. These aren’t necessarily “parodies” (though there are quite a few of those that are pretty good, too, like the bathtub-riffic “Bubbly” and the too-cute “Telemarketer” more like (somewhat) straightforward love letters to the Lady and her music. Watch, enjoy and pass along to your co-workers, if you haven’t already. Ryan James Yezak Presents “Telephone” : Sort of the “Citizen Kane” of “Telephone” tribute vids, Yezak — a “filmmaker/blogger” according to his Twitter account — turns in an epic, ambitious thing that features plenty of costumes, choreography and even a special effect or two (check the glowing telephones). Bonus points for the catty showdown between the Gaga and Beyonc

Lady Gaga ‘Telephone’ Video Director Takes It Frame By Frame

Jonas

Lady Gaga’s ‘Telephone’ Video: Will There Be A Sequel?

‘We’re very spontaneous. We’ll see,’ director Jonas

The Man Behind Lady Gaga’s ‘Telephone’ Video: Jonas Akerlund

The director of Gaga’s epic new clip has also worked with Madonna, Christina Aguilera, Pink, U2. By Josh Wigler Lady Gaga and Beyonce in the “Telephone” video Photo: Eric Ford/ On Location News The long-awaited debut of Lady Gaga’s sprawling epic of a music video for “Telephone” has no shortage of stars, including Gaga herself, Beyonc

Project Runway: Winning by a Hair [Recaps]

Project Runway is all about vision and delusion. The vision that the sponsors get to dream up a challenge. The delusion it will be interesting. The vision to have the bitchiest judges in the biz. The delusion they are enough. That’s right, the best part of last night’s episode was the judging. Yes, there were plenty of other excellent parts, but if you watch anything this week, it must be our final clip of Nina Garcia Marie Claire ‘s fashion director, withering one of the contestants with her criticism. But before we get there, first those cackling fashion barristers must have something to rule on, hence the challenge. As happens every year, the Garnier Paris Hair Salon gets to engulf the whole entire show and make up some sort of challenge. This year they wanted the designers to make something based on one of the four elements: earth, air, fire, and water. They did not get to use “heart,” the lost fifth element, because Heidi Klum is deathly afraid that Captain Planet will show up and steal her thunder. The challenge was introduced by Garnier head stylist Philip Carreon, who is the human equivalent of something you would stuff in the overhead compartment. He is going to make a signature hair style for each one of the designs, because they don’t already do this every week and it’s so boring we barely see more than 30 seconds of it. Really, it’s not a bad challenge, but the corporate pandering is always one of the: Things We Hated : Speak Up Little Snoozy : Maya is a good designer. She is also a low talker and kind of boring. Other than her intimate chats with her bang clone Mila, we really don’t know that much about her, but we’re curious. She’s like the pretty girl who sat in the corner of your home room who you always ignored and then the last week of senior year you realize that she’s really sexy and mysterious and take her out for a few dates, but she’s going to Sarah Lawrence early, so you have a torrid two week affair before she is off to the land of the lost forever. (And speaking of Maya, she was the only remaining designer not to show at Fashion Week. Many of us assumed that meant she’d be kicked out weeks ago. I asked a rep at Bravo why she didn’t have a collection but was still on the program. The rep said, “Just watch the show!” We hope that means there is going to be something crazy like she gets disqualified for copying other designers or something.) The Laughter of Children : Jonathan, who chose “air” when selecting their forced elemental muses says his real inspiration, “isn’t air, it’s laughter.” Oh Jesus. That is some modern dance Martha Graham bullshit right there. It’s bad enough that you are being forced to have an intangible direction to design in, but to make it even more abstract is totally stupid. Also, if laughter is your inspiration, then you aren’t following the rules of the challenge and we know how the judges feel about that. Too bad his dress was stunning or we’d really rip into him. Dead Man Calling : Showing a designer talking to his family on the phone means he is going home. Period! Every time it has happened this season it ruins the suspense of the rest of the episode because we know who loses. These calls rarely tells us anything about these people other than that they miss their families (and who wouldn’t!) and now you went and ruined the ending for nothing. You Can’t Say “Tits” on Cable : Really? It’s 10pm on a channel dedicated to ladies and their vitamins and you bleep out “tits?” In 2010? Is it really that offensive? Tits, tits, tits, tits, tits. Old Hollywood Glamor : Remember how we just said we wished Maya would speak up some more? Scratch that, because she went and said her look had “old Hollywood glamor.” This is the worst phrase to ever be used to death on Project Runway . Not only was there nothing Grace Kelly about her ensemble, but the phrase is just short hand for creating something that is a retro knock off of something that people did better in the past. Innovation does not come from channeling history, it comes from co-opting and subverting it and jargon won’t convince people otherwise. Shut Up, Models : Next to “old Hollywood glamour,” this is my least favorite thing on the show. It’s not called Project Wearability . It’s not called Project Have an Opinion . It’s not called Project Let’s Ask Skinny Beautiful People with Absolutely No Design Ability, Experience, or Training What They Think . If I were a producer, it would be called Project Ballgag . If we want to hear fleshy coat hangers saying ridiculous things, America’s Next Top Model is just a channel flip away. Things We Loved : Jay : He dresses like an Easter party on May Day. He says things like “We’re a Victoria’s Secret push up bra, we lift each other up.” He makes wonderful clothes. God, we love Jay. If being kooky and talented wasn’t enough, he finished his dress early and went over to help Ben, who was so far behind he was in danger of not completing his project. In the “I’m not here to make friends” world of reality television, this is the equivalent of giving a stranger a kidney. Way to step in and keep it classy, Jay. You are officially our new favorite. Don’t Play It Safe : Jonathan bitches about being in the middle every week so he never knows what the judges want from him. Does he play it safe? No! He makes a dress inspired by laughter. As stupid as we think that sounds, it was a great dress and a strategic move. Everyone has to establish themselves at some point, or they have no chance of winning. The folly of last season is that everyone just tried to make something good enough to get through, so we got a lot of boring and unexceptional creations. This week everyone got really ambitious which meant lots of angsting and scurrying around the Mood Fabrics Workroom, but also some really great work. Quality Not Quantity : Finally we have a handful of really talented designers. We know them all, we have some idea of their aesthetic, and we like several of them. This is the point in every season that we really love. Though Lifetime says it to create meaningless tension, really anyone could go home any week. The dead weight is gone and the talented risk takers are left, which means wonderful victories and defeats each week. This week, almost all of the dresses were competitive. It’s great when there’s not only tension about who goes home but over who wins as well. Getting a Peek : Finally Bunim/Murray productions have learned how to make this show! Last season, we never got to see anything the designers were working on before the runway. This season we get to see just enough so we have a hint if they’re in trouble or not, but we’re not shown so much that it ruins the surprise of the final show. A perfect, hard-to-find balance, and they’ve finally got it right. How Do You Solve a Problem Like Mila? : Finally, the judges turned on Mila. Even Nina Garcia Fashion Director of Marie Claire Magazine, who previously decided that Mila should win this competition. Mila stepped out of her mod, geometric, black and white style this week to make something new and thoroughly blase. We applaud taking chances, but showing something different—and bad—just showed the judges that she is incapable of doing anything but staying in her safe little three-month period of ’60s London that she has been designing for all season. Nina Garcia Fashion Director of Marie Claire Magazine Is No Longer Getting Laid : Last week, NGFDMCM was getting some and she was all sunshine and unicorns. This week, she apparently broke up with her boyfriend, and instead of giving us the unicorn, she is giving everyone the horn. She was practically cunty to all the designers. She ripped Amy apart, ridiculed Ben, and turned on her beloved Mila, who she has been verbally fellating since day one. Was it guest judge Roland Mouret , the saucy Frenchman who broke up with NGFDMCM? She wouldn’t even acknowledge him, which isn’t rare for her, but that coupled with an ire that was scorching even for her might give us a clue. Either way, we hope she never gets laid again, because we love this NGFDMCM much more than the horrible nice one from last week. Isn’t It Bazaar? : There are three things in this world that Heidi Klum loves: maternity dresses, boobs, and the adjective “bizarre.” Of all these things, the last is by far our favorite. To hear Heidi say “bizaaaare” (often accompanied by some crazy face) is like hearing the wind whistle across the top of the Grand Canyon. It is Lolita blowing on a bottle of pop. It is a roaring black hole of delight that sucks us in and spits us out covered in rags and stardust. In the end, Jonathan laughed his way all the way to the winner’s circle for his dress that looked like an ace bandage and a peach melba got stuck in a blender. Seth Aaron’s Matrix Goes Wild black leather look was also nice (we hate to admit Seth Aaron can make anything decent) and Jay’s swooshingly circular mingle of black, white, and gray that looked like the insides of a Dyson vacuum while in operation was ignored by the judges but not by us. Gay comic book artist to the stars Ben was sent packing for making an ill-fitting suit that looked like a jock strap had cancer and enveloped the model’s entire body. It was pretty bad. Amy also made some ridiculous contraption that was a straight jacket for Lady Godiva and all her hair. At least she failed interestingly. For more on her withering judging and some funny bits from resident jester Suzanne Sugarbaker, let’s have Captain Planet save our day with some videos. Underminers Context : Suzanne Sugarbaker (who mere mortals call Anthony) is making a dress inspired by the scorched carcass of his preacher’s house and is using darker colors than usual. Mila finds a way to look like she’s supporting him but really gets her digs in. Vision : If Suzanne wants to win, she needs to make something other than gem-hued samples from the Dynasty collection at Wal-Mart. Delusion : None of these people want you to beat them, Suzanne, and they will resort to dirty tactics. The world is too cruel for your smile. What Would Nina Say? : “All I see is black, which is the color of Roland Mouret’s soul.” Dramometer : 6 Under the Gunn Context : Tim Gunn is always right, except when he’s not. He tells Ben that it is right to make a suit even though he has never made one before. He gets sent packing. Vision : The judges will miss all the wonderful nuance of his creation. Delusion : This panel doesn’t miss a thing, especially when it comes to something as ugly as this. What Would Nina Say? : “The only thing I hate more than the crotch of those pants is Roland Mouret.” Dramometer : 4 Trash Talk Context : Jonathan and Suzanne are more worried about what everyone else is doing than their own designs. Vision : Amy is an insane crazy person making a dress for a club kid who is on an LSD drip. Delusion : Seth Aaron’s look is too hard. No, it’s only too hard for them to understand. What Would Nina Say? : “I love Seth Aaron’s leather blazer as much as I love Roland Mouret until he cheated on me with my assistant. Now I want to kill him.” Dramometer : 7 Runway Arrogance Context : Jonathan’s dress marches toward victory Vision : Ugh, laughter. Also, that he is god’s gift to design. Delusion : Jonathan, this is a great look, but it is not as amazing as you are making it out to be. What Would Nina Say? : “This does not give me pure joy. Sleeping with Roland Mouret gives me pure joy, and I don’t think your dress is quite as…prodigious.” Dramometer : 2 Back Talk Context : The judges are amazingly cruel to Amy’s concoction. It is awesome. Vision : We don’t know whose vision it was to hire these people, but it was a stroke of genius. The colorful insults fly and then NGFDMCM’s dismissive disgust takes over. Breathtaking. Delusion : Sorry, Amy, you had to know this was coming. What Would Nina Say? : You must, must, must see for yourself. Dramometer : 10!

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Project Runway: Winning by a Hair [Recaps]

Lady Gaga Talks Hidden Meanings In Epic ‘Telephone’ Clip

Gaga said jailhouse heat video worked because she and Beyonce ‘both like women.’ By Gil Kaufman Lady Gaga in “Telephone” Photo: Interscope Records Lady Gaga wears a series of barely there outfits in the nine-and-a-half minute video for “Telephone” that debuted on Thursday night, including one that’s no more than discretely applied electrical tape and a pair of torn fishnets. But the singer said despite the acres of provocative flesh (not to mention copious product placement) on display in the “Thelma and Louise”-style revenge fantasy co-starring Beyonc

Miley Cyrus Talks Liam Helmsworth, Taking Time Off From Music

‘He’s very grateful for what he has, but he doesn’t let it go to his head. I’m like that too,’ Cyrus tells Teen Vogue. By Jocelyn Vena Liam Hemsworth and Miley Cyrus At Elton John’s Oscar party on Sunday Photo: Stefanie Keenan/Getty Images for Chopard In the forthcoming issue of Teen Vogue, teen queen Miley Cyrus sits down with her “Last Song” co-star and real-life boyfriend, Liam Hemsworth , to talk about the pair’s instant chemistry with one another, as well as her career future now that she’s bidding the world of Hannah Montana a fond farewell for more adult pastures in flicks like “The Last Song” and her cameo in the “Sex and the City” film sequel. “I think we’re both deeper than normal people — what they think and how they feel,” Cyrus says about Hemsworth in the April issue, hitting newsstands March 16. “He’s very grateful for what he has, but he doesn’t let it go to his head. I’m like that too.” And while his down-to-Earth nature may have stuck with Cyrus, it was his height that initially caught her eye. “He’s really tall. I thought, either I’m going to have to be in heels or standing on something for this entire movie!” she said. “He definitely showed chivalry: I remember him opening the door for the director, and I was like, ‘Wow.’ ” Hemsworth jokingly chimed in, “I have very good parents. It was funny — working with Miley was a lot easier than I thought it was going to be. From the first time we read, it was like I had known her before.” Cyrus is can easily be defined as a “quadruple threat,” but it’s Hemsworth’s focus on just acting that she found most refreshing while shooting the flick. “It’s refreshing to work with an actor who isn’t also a singer and dancer and musician and artist and this and that,” she explained. “I’m sick of quadruple threats who do everything when they should stick to one thing.” Cyrus herself has been hard at work on her next album, but she admitted that music isn’t inspiring her the way it should be. “The more I make music that doesn’t truly inspire me, the more I feel like I’m blending in with everyone else,” she said. “So after this next album, I’m taking some time off.” So, what’s next for Cyrus then aside from “The Last Song” due out on March 31. Easy, lots: “I’m working on lots of different films: drama, action, comedy,” she says of her post-Hannah Montana life . “I like challenges, so I’m doing a little bit of everything.” And that includes a cameo in the hotly anticipated “Sex and the City” flick out in May. “I know everyone says Carrie, but I love Kim Cattrall, so I’ll say Samantha,” she said. “I want to be her because she’s the hottest, she’s funny, and she has attitude.” The new issue of Teen Vogue is on stands March 16. Related Videos 2010 Oscar Red-Carpet Interviews Related Artists Miley Cyrus

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Miley Cyrus Talks Liam Helmsworth, Taking Time Off From Music

Lil Wayne’s Arrest: Concert Organizer Looks Back On The Night

Radio exec says he advised Wayne’s crew against bringing tour buses into New York. By Shaheem Reid Lil Wayne, 07.22.07 Photo: MTV News Ebro Darden, Director of Programming for New York’s Hot 97 and KISS-FM, was one of the people who spearheaded Lil Wayne’s New York concert on July 22, 2007 — after which he was arrested on the attempted gun possession charges that are sending him to jail today. Darden, a veteran of radio for over 20 years, said he and his staff urged Wayne and his entourage to not to travel to the Beacon Theater on their tour bus. “They decided they wanted to drive their tour buses through Manhattan because they didn’t want to ride in regular cars that day,” Darden recalled. “I suggested against it, but obviously [he’s] the type of person that likes to be in an environment he’s comfortable in. That’s where he lives a lot. He spends a lot of time on that tour bus. Leaving that tour bus in one place and jumping in the car and going to another place was uncomfortable. So we parked the tour buses outside [the theater]. “My reaction to the actual incident at first was, ‘Damn. Didn’t he know he was in New York? ‘Cause they don’t play that,’ Darden continued. “I didn’t know the particulars — if the gun was his, if the gun was in somebody else’s bag, if it was in his bag. I just knew that somebody I like as an artist got caught up in something, same way a lot of artists that we love in hip-hop have got caught up in having possession of firearms in New York. [New York authorities] don’t play , especially if you are coming through New York and are an out-of-towner coming from somewhere you can actually carry a firearm, the odds are high that they’re gonna catch you with one to be able to make a an example out of you. You’re gonna get caught up.” Outside the Beacon Theater that night, tension was very high between police and a group of hip-hop luminaries, such as the Diplomats, Ja Rule, Irv Gotti and DJ Khaled, who came to support Weezy at his first headlining New York concert. Police, mounted on horses practically pushed a crowd — which included Juelz Santana and Jim Jones — down the block. Wayne himself had a tough time getting in the building and going through security. Onstage during his performance, Weezy said police harassed him. “I just went through the worst f—-in’ feelin ever with y’all police,” he fumed onstage. “This may be one of the only times you see me because of how they treated me.” Darden said he had no control over the police’s behavior. “Security is security,” he said. “At any event, we try to do the artists a special service because they’re coming to do a service for the audience. You still gotta go through security. We don’t own the buildings; we definitely don’t own the police. This is hip-hop, so most buildings and most police, we’re not on their good side. They’re not really going show us any special concessions. They’re gonna try and make it difficult for us. Just like they’re gonna try and make it difficult for the cat on the train. If you’re in hip-hop, you kinda accept a little bit of that burden. It’s unfortunate.” The hip-hop stars say that the treatment by the police got no better for them as they left the Beacon. “Leaving the Beacon was weird for me,” Khaled told MTV News last year. “I felt like [police] was just watching everybody. It didn’t feel right. Everybody was backstage, undercovers, I heard Ja Rule got pulled over. And nobody was doing anything wrong. That’s why I didn’t really understand it. Me, I didn’t leave from backstage. I left with the crowd. When I was leaving, I was hearing all this stuff about people getting pulled over. I feel hip-hop is a target for no reason right now.” “I remember that day, a couple of people got arrested, I got pulled over,” Santana told MTV News last year. “They followed me uptown. You can’t just go and try get n—as for no reason. Say a n—a did have a gun. We’re on defense. By the time somebody tries to [do something to me] and [the police] get to me, I’m just explaining the story. That’s the position we in. C’mon. The people that’s trying to get us are looking out to see when the police aren’t there,” he said. Wayne and Ja Rule were both arrested on weapons charges. In October, Wayne pleaded guilty to attempted gun possession and is expected to begin serving a year-long sentence today, of which he’s expected to serve eight to 10 months. Darden is one among many who feels that Wayne’s musical career won’t flag while he’s in jail. “He’s got a great catalog at this point,” he said. “The airplay is going to continue. I think people are rooting for him. He didn’t hurt anybody. The Young Money album , the [upcoming] Drake album , his album, even the Birdman album: The music that features him and the music that is his own is gonna stretch out from March to March [of next year]. It usually takes a record 8-12 weeks to take off. Then it’s probably another 8-12 weeks tacked on the back of that where it has a life. So you’re talking four to six months that a record could be around getting airplay. If you have three or four records lined up that are bona-fide, we might not even notice he’s gone. I think that’s what their plan is: shoot a bunch of videos, have a bunch of music, you might not even recognize he’s gone.” Related Videos Lil Wayne Goes To Jail Lil Wayne’s ‘Road To Rikers’ Related Photos Lil Wayne And Friends Live In New York Related Artists Lil Wayne

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Lil Wayne’s Arrest: Concert Organizer Looks Back On The Night