Tag Archives: director

2010 Academy Awards: Full List of Winners

Sandra Bullock, Jeff Bridges and The Hurt Locker , which took home both Best Picture and Best Director, were among the big winners at the 82nd Academy Awards. There were some surprises, though few in the major acting categories. Below is a full list of Oscar winners from Sunday night. We will have continuing coverage and photos of the event throughout the morning and afternoon. Best Actress Sandra Bullock , The Blind Side – WINNER Helen Mirren, The Last Station Carey Mulligan, An Education Gabourey Sidibe, Precious: Based on the Novel Push by Sapphire Meryl Streep, Julie & Julia Sandra Bullock blind sided the competition as expected . Best Actor Jeff Bridges, Crazy Heart – WINNER George Clooney , Up In The Air Colin Firth, A Single Man Morgan Freeman, Invictus Jeremy Renner, The Hurt Locker Best Picture Avatar The Blind Side District 9 The Hurt Locker – WINNER An Education Inglourious Basterds Precious A Serious Man Up Up in the Air Best Supporting Actor Matt Damon, Invictus Woody Harrelson, The Messenger Christopher Plummer, The Last Station Stanley Tucci, The Lovely Bones Christoph Waltz, Inglourious Basterds – WINNER Best Supporting Actress Pen

Oscar Winners 2010: Who Deserved Their Oscars? (PHOTOS) (The Huffington Post)

There weren’t a lot of surprises in the acting awards, but not many expected Kathryn Bigelow to make off with both Best Director and Best Picture for ‘The Hurt Locker.’

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Oscar Winners 2010: Who Deserved Their Oscars? (PHOTOS) (The Huffington Post)

Full Winners List of 2010 Oscars (AceShowbiz)

‘The Hurt Locker’ collects the most awards at the ceremony, taking the coveted prizes for Best Picture and Best Director categories.

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Full Winners List of 2010 Oscars (AceShowbiz)

Academy Award Winners 2010 – Kathryn Bigelow Is First Woman to Claim "Best Director" Oscar!

Recap of the top Oscars (nominees and winners) — with some great surprises! Included are Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress. Music: “The Weary Kind” (Winner, Best Original Song) by Ryan Bingham from the movie “Crazy Heart”

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Academy Award Winners 2010 – Kathryn Bigelow Is First Woman to Claim "Best Director" Oscar!

The Complete Guide to Winning Your Oscar Pool [Little Gold Men]

Hollywood’s big gay Olympics are approaching, and the annoying “film buff” in your office is probably pestering you to enter his Oscar pool, which he’s convinced he’s going to win. We want you to beat the little nerd. Here’s how! Well, ha, OK. So all of this guessing. You cannot hold us to any of these GUESSES. Enter Randy’s stupid pool at your own peril! These are but one blog’s mere opinions. All liability is waived or whatever. In case you want to disagree with us, full list of nominees is here . Sound Mixing No one, not even sound mixers, know what this category is. It has something to do with how that one thing sounded in relation to that other thing. Usually a big special FX movie wins this shit, so let’s say… Avatar Sound Editing The fuck? There’s another one? Yes, we all make Sound jokes every Oscar season, like clockwork. And then we make them again because there are two Sound categories. This one is about piecing sound together or something. Because of all the big booms, let’s say The Hurt Locker takes it. Visual Effects Bryan Brown’s favorite category, these are for all the magic CGI things that movie wizard-nerds are always cooking up in their Sun Chips-scented lairs. There’s no way Avatar won’t win this thing, right? Short Film, Live Action The Culture Vulture blog over at New York magazine did a kindly write-up about the shorts this year, and they think somethin’ name’a Instead of Abracadabra is going to take this beautiful prize. We think it’s going to be The Door , because that is about Chernobyl and that is sad and what Academy voter doesn’t like sad? Short Film, Animation The Vulture kids say it’s A Matter of Loaf and Death , because Adam Moss really likes puns. And we agree. Mostly because of its Wallace & Gromit pedigree. Makeup The nominees for this are weird. An Italian movie about Italian politics. Star Trek , a nerd fantasia about lens flares. And The Young Victoria , that movie that Diane the HR assistant saw and wouldn’t shut up about for a week because it made her feel really artsy and British and different . Well, I hate to tell you this, but Diane is right. We think The Young Victoria will get this, mostly because Emily Blunt wasn’t nominated and this is how the Oscars say they’re sorry. Documentary, Short Jesus on a Thursday, who the hell knows. Because it sounds sad and topical, let’s say The Last Truck: Closing of a GM Plant . Documentary, Longer & Boringer There are a few high-profile docs here — The Cove (about dolphin-killing Japaneseses and their sworn mortal enemy, Hayden Panettiere), Food, Inc (about why you are fat and/or dead), The Most Dangerous Man in America (about how America lied to you) — so it’s a tough race. But because everyone likes to eat, let’s go with Food, Inc. . It was good! Yes it was, Foer. You shut up. Original Score Why Marvin Hamlisch wasn’t nominated for his didn’t-know-he-was-making-fun-of-himself tunes for The Informant! is beyond us. But he wasn’t, so we must press on. We like Michael Giacchino ‘s Up score for this category. He won the Golden Globe and he makes such scary trombone music for Lost . So he deserves it. Original Song Well, Disney will basically hurl itself off the top of Big Thunder Mountain if something from The Frog Princess doesn’t win. Which is sad, because we like Disney sort of, and they will soon be dead splat down on the asphalt, sending park guests running and screaming but still clutching their Meat-On-a-Sticks. Because “The Weary Kind” from Crazy Heart is totally taking this one. Costume Design In our eyes, this is between two films. The equally well-liked but awards-ignored period pieces Bright Star and The Young Victoria . Because Bright Star was about stupid dying writers and not about the royal court, its costumes weren’t quite as grand. So let’s go with The Young Victoria on this one. But don’t be surprised if it’s Bright Star . Or any of the others. We really have no idea what the hell we’re doing. Cinematography Roger Deakins should win this category every year, because he is a genius. But he’s not even nominated! So let’s see. We loved the camerawork in Inglourious Basterds , but Avatar will probably sew this up for its epic computer-generated sweep. Art Direction Oh we’re just tossing out guesses left and right here. This award is for what movie looked the prettiest. Victoria looked pretty. So did Nine . The Imaginarium of Doctor Parnassus certainly was interesting to gaze at. Shit. Let’s go Victoria , again. Who knows! Editing This is the award for how the film is strung together. Didja like that cut? Then you liked the editing! We think The Hurt Locker will snag this for its deft tension ratcheting. Cartoon Because kids love the Oscars, they’ve put this category in the mix for the past coupla years. This is absolutely Up ‘s to lose. Foreign Weirdo French Thing Oohh where’s mah wiiiine. I needz mah wiiiiiine to make le cinemaaaa. A buncha sissies from Europe or whatever made some queer little movies and then the Americans give ’em an award for it? Only in this new Apology Tour America, ladies and germs. Michael Haneke’s somber The White Ribbon probably has this one in the fancyboy handbag. Screenplay, Adapted Though it was nice that quirky small things like In the Loop got recognized in this category, there’s only ever been one possible winner. That’d be Jason Reitman & Sheldon Turner ‘s script for Up in the Air . Screenplay, Original It’d be nice to see Quentin walk away with this one, but we fear he won’t. The Golden Globe went to the boys from Up , and we think they’ll repeat at the big dance. Su’pporting Ac’tress If you have to ask this, you are either dumb or don’t care about movie awards season (which makes you dumb by default). Hope you wear a nice dress, Mo’Nique Supporting Actor Hope you wear an even nicer dress, Christoph Waltz . Actress Ohhh a corker. Well, something of a corker. Will Merlin Streep take it for her magical work in Julie & Julia ? Or will Sandra Bullock please all of Popcorn America with a win for That Darn Negro ? While Bullock is riding a wave of awards momentum following wins at the Globes and the SAGs, it’s still hard to imagine that stuffy Academy voters will throw their vote behind that charming, horse-tailed comedienne . It’s been years since Streep has won, and she did get the Globe for comedy actress… You know what? We’re probably wrong, but we’re gonna say Streep takes it by a nose. Actually no. Bullock takes it. No, Streep. BULLOCK . Blargh. Actor For a very, very short time, it looked like it might be Colin Firth’s year. But that was monnnnths and many awards shows ago, and now it’s all about one DUDE . Jeffriah Bridges , come on down. Director Ohhh snap! Will it be big scary Ego Hurricane James Cameron or his scorned and bitter and lonely and old ex-wife, a known woman, Kathryn Bigelow ? Everyone hated Cameron’s speech the last time he won Hollywood’s most coveted dildo, so we say Kathy Bigs gets the gold. Picture There were ten nominees this year! Isn’t that crazytime? Well, no, actually. There really were only five nominees, the ones also nominated for Best Director, and now there are only three possible winners. The Hurt Locker has been a favorite, but it may have suffered due to a swirl of controversy that recently appeared, doom-like, over Los Angeles. There’s also Avatar , which… ugh. It can’t win, can it? And our favorite, Inglourious Basterds . What a fine, fun film that was. That opening scene! But… We think the Oort cloud of bad press didn’t come in time and that The Hurt Locker will still explode into Oscar history as the second Best Picture in which Ralph Fiennes dies. So that’s that! We’re probably entirely wrong. Or entirely right. That’s the fun of the Oscars, and all unpredictable things in life. As far as any certainty goes, we’ll just say this: If Mo’Nique doesn’t win, we’ll eat our h’ats.

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The Complete Guide to Winning Your Oscar Pool [Little Gold Men]

Death, Divorce, and a Baldwin Will Save History’s Boringest Oscars [Beautiful Awards]

The Oscars are on Sunday! Aren’t you soooo excited? What’s that? It’s shaping up to be one of the least-surprising Oscars in recent memory? Well, OK, sure. But we think there are actually a few things to be excited about. Yeah, yeah. A lot of the categories already feel like locks. Mo’Nique is going to win for her blistering turn as a psychotic Nazi in Precious and Ch’ristoph Waltz has already sewn up the Supporting Actor prize for his brilliant work as a terrifyingly violent lady in Inglourious Basterds . Yes, Jeff Bridges will grizzle his way to Oscar glory, most likely, for The Singing Wrestler , and Sandy Bullock’s win will probably not Blind Side anyone (joke copyright: Jeffery Lyons). But there are a few potential nail-biters and show stoppers to look forward to. Her(r) Directors At this point, Avatar and The Hurt Locker are duking it out for the Best Picture prize. The whole new 10 nominees thing was supposed to shake up the race a bit, but it really hasn’t. These are the clear frontrunners. As this is how these things work, Kathryn Bigelow and James “King Kong Ain’t Got Nothin’ On Me” Cameron, ex spouses, are in a battle royale for the director trophy. The good news about this? If Kathryn wins, we get to witness history as the first woman in moviedom wins the top prize for directing. So we will remember it forever and tell our grandkids that, yes, we remember when the first lady paved the way for Dame Drew Barrymore’s big Whip It 3: Whip It Some More win. And if Cameron wins, we get another horrible, aggrandizing speech about how amazing he is, plus a little awkwardness about beating his ex-wife. This is exciting stuff to blog and comment about, folks. So, set your phasers (or hair-penises) to fun! The Baldwin Brother Steve Martin is hosting. Zzzzz. He’s funny and all, but he’s no Whoopi Goldberg! But at least there’s an unknown variable in play as beloved ornery uncle of the moment Alec Baldwin joins him as cohost. Will he bellow at people? Tell awkward political jokes? He and Martin are both SNL legends, so we’d imagine they’d work well together. Of course there was that whole It’s Complicated thing, which proves the two aren’t always dynamite together, but that was all Nancy Meyers’ fault. Here we’re talking about the comedy stylings of the Bruce Vilanches of the world. This could spell comedy gold. Plus, both men can sort of carry a tune. This hopefully means we will get Crystalian levels of opening number songsplosion. The Year of Death Every celebrity died last year, so that ought to make the In Memoriam segment extra touching. Who will win the applause-o-meter? We suppose it’s awfully gruesome to say we’re “excited” about this, so let’s say instead that we’re… curious. It was an especially brutal year in celebrity passings, and we have to assume that they’ll try to address that in some way. Or maybe they won’t! Which would be sort of interesting in its own right. So that’s what we’re anticipating. As fun as Oscar predicting is, all the blog buzz and E! chatter has made the whole game pretty easy at this point, so we’re not expecting too many actual awards surprises. Which is too bad. The predicting ruined the predicting. Meta?

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Death, Divorce, and a Baldwin Will Save History’s Boringest Oscars [Beautiful Awards]

Estelle Addresses Use Of Black Makeup In ‘Freak’ Video

‘I could defend myself, but it’s just silly,’ singer says of ‘blackface’ criticism. By Hillary Crosley Estelle in the preview for her music video “Freak” Photo: EstelleMusic.com/ Youtube After her breakthough album Shine, British songstress-rapper Estelle has returned with a new single, “Freak,” from her forthcoming album, All of Me. However, the song’s video — segments of which show her wearing black makeup on her face and body — did not go over well with some of her fans online . “Those comments were the first thing I saw after we released the video trailer,” Estelle told MTV News on Monday (March 1). “It’s like, ‘Are you joking?’ ” The “Freak” clip was directed by frequent Kanye West collaborator Nabil Elderkin and the song itself is a bouncy dance-track produced by David Guetta, featuring Canadian MC Kardinal Offishall. The lyrics address people releasing their individuality and the clip features Estelle in a multitude of looks, including black body paint. However, the director said it’s meant to be in fun. “We are making a video about Estelle acting freaky and we’re gonna do lots of things: turns, fingers, beauty looks, freaky looks, fast dancers, it’s gonna be hot,” Elderkin says in the clip’s promotional trailer. (The director was unavailable for comment at press time.) Estelle said she and the director are longtime friends and he understands that her creative vision is “coming from a place of art versus just trying to be different.” She also declined to address the online chatter directly. “I think they need to wait to see the clip. I could defend myself, but it’s just silly,” Estelle said of the comments. “I’m black, so how do I do blackface? Missy did the same thing [with her video] “She’s a Bitch.” I refuse to defend it, I didn’t put any white ring around my mouth — never that.” Estelle said the “Freak” video will hit the web this week and her album will hits shelves this summer. Related Artists Estelle

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Estelle Addresses Use Of Black Makeup In ‘Freak’ Video

Rihanna ‘Rude Boy’ Video Director ‘Wasn’t Trying To Rip Anybody Off’

‘We’re all inspired by similar elements and it came together in that way,’ Melina Matsoukas says of comparisons to M.I.A.’s ‘Boyz’ clip. By Jocelyn Vena Rihanna in her video for “Rude Boy” Photo: Def Jam As soon at Rihanna ‘s new colorful, sassy video for “Rude Boy” hit the Internet, fans and music lovers couldn’t help but compare it to M.I.A.’s video for “Boyz.” However, that reaction isn’t one that the star or the video’s director, Melina Matsoukas, had even considered while they were shooting the clip. “I mean, you know that the video lends from a lot of Rasta culture and ’80s Atari vibe and that’s what we went with too,” Matsoukas said. “And then afterward I was like, ‘Oh, this sucks. They tore down my video.’ And her video’s great too. It definitely wasn’t trying to rip anybody off at all — it was just our approach and the animation stuff, it had a similar vibe. We’ve seen that before with Grace Jones and Andy Warhol, so I don’t know if anybody can lay claim to anything. We’re all inspired by similar elements and it came together in that way.” With nods to Keith Haring, Jean-Michel Basquiat and Andy Warhol, the pop-art inspired video is a far cry from the pair’s work on “Hard” — but as soon as they wrapped the latter, they knew they had to work together again. “I mean, ‘Hard’ was our first time together,” the director explained. “[Rihanna] will try anything, which is always great because you have a lot of artists who won’t do what you need them to do. She’ll go there and I definitely wanted to bring that part of her out — that fun side.” Rihanna’s daring fashion sense is also exhibited in the video. “She loves crazy outfits! She loves the fashion. The stylist was actually my best friend. And Rihanna’s one of the only artists that will take it there and wear it and wear it well,” Matsoukas gushed. “That part is always fun. Nothing looks bad on her, so that’s even more fun. She goes with it and she really challenges you to take it a step further with the status quo.” Related Artists Rihanna

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Rihanna ‘Rude Boy’ Video Director ‘Wasn’t Trying To Rip Anybody Off’

Kevin Smith Reveals Why He’s Laying Low After Airplane Drama

‘When you could have come to my aid, all you did was let me dangle,’ writer/director says of the press. By Larry Carroll, with additional reporting by Anya Zadrozny Kevin Smith Photo: Soren McCarty/ Getty Images In the entire history of the cinema, you’d have a hard time finding a filmmaker who has made himself more accessible than Kevin Smith. From his low-budget convenience-store beginnings to his current incarnation as director of the Bruce Willis comedy “Cop Out,” every move the guy has made over the last decade-and-a-half seems to have been chronicled in some sort of media report, blog, tweet, book or podcast. Which makes it all the more odd that the “Clerks” filmmaker has done very little press to promote his new movie, which opens Friday (February 26). Over the last few days, MTV News covered a “Cop Out” press junket and red-carpet premiere in New York City and both times Smith avoided on-camera interviews. What gives? To say it simply: Kevin is upset at the media. To say it more accurately: There are three factors in play. “If I’m not the guy who’s making Kevin Smith movies then who am I?” – First off is the fact that “Cop Out” represents Kevin’s first non-writing directorial effort. Much like recent Woody Allen films, the studio seems intent on marketing it without his famous name — and trailers like this one need to be freeze-framed to even catch his credit block. As Smith recently told MTV Radio in one of the few interviews he has done to promote the film, he agrees with the technique and is trying to step back from his usual media presence. “[‘Cop Out’] has nothing to say itself; it’s a popcorn movie,” he explained. “Let me see if we can work on this other part of the craft, just me as the director, and leave the personality stuff out of it. Because I’ve got SModcast now, I’ve got this Twitter account I’m on every day, I do Q&A’s onstage all the time. So I can be myself, express myself in any number of forums.” “Before, it used to just be the films, so I’d do it in my films — now I can do it everywhere on a regular basis for free; I don’t feel the need to put it in films,” he added — then admitted that the “Cop Out” experience has him reevaluating his own place in Hollywood. “Without [making references to my life in films] I’m like, ‘Who am I? If I’m not the guy who’s making Kevin Smith movies then who am I?’ I’m trying to figure out if I have any skills after 15 years as a professional director.” “I’m trying to take the high road” – As everyone and their mother knows by now, Smith was booted from a Southwest Airlines flight last week. After tweeting extensively about it, Smith is trying his best to not talk about the situation anymore — in an excellent Huffington Post article , the writer explains that “he seems reticent to even make normal media appearances to promote the film” because he doesn’t want people to ask him about Southwest. On Tuesday (February 23) a follower even went so far as to ask whether Kevin was doing the usual media blitz we would expect to see a few days before one of his films opens. “I did only the print & radio. Skipped TV,” he tweeted to his 1.6 million followers . “As all anyone was gonna ask about was SWA, which I’d already said enough about. Despite righteous indignation, [I’m] trying to take the high road.” When MTV News approached Kevin’s publicity folks for further comment, Warner Brothers declined to make a statement and his personal publicist said, “He very clearly explains himself and the situation [in the tweets]. There is nothing else to add.” “I was so mad at the press” – The final — and most significant — reason why you’re not seeing Kevin Smith on TV this week is the same one that has made his audience love him for all these years: The man is brutally honest and talkative to a fault. As he explained in Tuesday’s tweet, however, he did speak to a handful of radio outlets — and the aforementioned MTV radio interview offers unique insight into his mindset these days. “It’s on my blog. I would waste time talking about it now, but you could pull it off my SModcast where I do the whole story,” Kevin responded when asked the inevitable Southwest question. “I did about 24 video clips called ‘Final Words’ that also contains the whole story. And the blog has it all outlined; it would be a waste of time to go all over it again now.” A good, short, concise, polite answer. The only problem is, fans of Kevin Smith know that such a thing is an impossibility. Sure enough, he spent the rest of the radio interview — approximately one-third of the entire thing — doing exactly what he had just called “a waste of time.” The point seemed to be that Smith wants to get his own message out there and then get back to talking about his movie. So, although we rarely run an article this long, we now present Kevin’s unedited thoughts on Southwest, the media and how he was wronged: “The long story short? My parents taught me if you get f—ed and you don’t want to get f—ed, then you start screaming. And that’s what happened. I got lied to, I got f—ed over and I started complaining. And the airline was like, ‘Well, something did happen — but he is fat and fat people should buy two seats.’ And they put the information out there side by side and made it about weight. But it wasn’t about weight — it was about a dude who bounced me for no reason, except maybe he didn’t like a joke I told him on my way down the jet way.” “First they were like, ‘The pilot told us you have to get off because you’re a safety concern.’ I was like, ‘Are you kidding me? Tell me the pilot’s name.’ And they lied — they lied again and again … two days later, they told me, ‘The pilot didn’t say it, some employee made the call.’ And I was like, ‘OK, so it had nothing to do [with my weight],’ because I could put my armrests down. I literally sat in the seat for five seconds before this chick — who had been all the way up at the desk in the airport — came over. If I just hit my seat and she’s saying the pilot wants me off, I was like, ‘Where’d you get that message, ma’am?’ She’s like, ‘Well, the pilot told me.’ And I can’t even see the pilot! I’m sitting in the front row of the bulkhead — if I can’t see the pilot, how can he see me? “She’s like, ‘Well, we have phones.’ And I’m like, ‘Well, I know you have phones, ma’am. But I’m telling you — I literally sat and here you are.’ She said, ‘Can you please just come with me?’ The lie compounds; the lie compounds. “I go outside, I’m like, ‘Give me more information,’ and she’s like, ‘The pilot, the pilot.’ Two days later, Southwest is going, ‘It wasn’t the pilot.’ But they don’t change that on their blog — they don’t point out that they’ve changed the information. “Everyone’s going, ‘He’s fat’ for the next f—ing three days; the top of Google News is everyone in the world telling me I’m fat. Everyone on network [TV] telling me I’m fat; ‘Entertainment Tonight’ put a f—ing chick in a fat suit and put her on a plane. I’m like, ‘What does this have to do [with anything]?’ “Ladies and gentlemen, I don’t know how many ways to say this: For 15 years, I’ve been completely honest with everybody. I believe in honesty. And I’ve been saying I’m fat for 15 years. This ain’t about being fat — they obfuscated the f—ing truth with my fat, which really bums me out. They used my own fat against me. They hid behind my fat. And that’s my job — to hide behind my fat. “The [fat story] is the sexy story that everybody wants to write … I was so mad at the press because for 15 years I’ve done nothing but tell you the truth and give you interesting sh– to write about. And this one time, when you could have come to my aid, all you did was let me dangle and let these f—ers call me fat. Heartbreaking, heartbreaking.” Check out everything we’ve got on “Cop Out.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Kevin Smith Reveals Why He’s Laying Low After Airplane Drama

Kevin Smith — Not Large But In Charge

Filed under: Movies Director Kevin Smith made it to the premiere of his film “Cop Out” in NYC last night … and didn’t get kicked out.With no one from Southwest there to bug him, the 39-year-old — and his hot wife — were not deemed a “safety risk.” See Also Kevin … Permalink

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Kevin Smith — Not Large But In Charge