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I’m Kendall and April 28th, 2012 was literally the best…

I’m Kendall and April 28th, 2012 was literally the best day I have ever had in my life because I met my boyfriend Justin Drew Bieber. On the 27th, I heard Justin was going to the Tribecca Film Festival but it was during the day and I wasn’t allowed to go because I of course had 3 tests that day . It turns out that all my friends who went, met him and got kisses on the cheek from him in pictures and I started bawling my eyes out in school and at my lacrosse game and I was just depressed. That night I heard from a friend where he was staying and I called up my two other friends saying, “GUYS LETS GO TO THE CITY TOMORROW,” at like 12 o’clock at night and I didn’t even tell my mom until the morning.  We took the train in at around 9:30 and we were shaking and going crazy on the train. People were texting me saying I heard he left, I heard he’s here, I heard he’s there and blah blah blah, and so at this point I was like whatever I’m not going to get my hopes up, I doubt I’ll meet him. I got there around 10:45 am and there was no one there except for 2 girls and a mom and we weren’t sure if they were waiting for Justin or not so I asked and they were, which meant he was most likely still in the city so my hopes went up a little bit. As time went on a few more people came and of course beliebers become friends. There were not many people, it was only about 12 kids which wasn’t bad at all. They started to put these two barricades around us and at that point I was like OMG JUSTIN IS DEFINITELY HERE! I went up to the escalade we thought he was going into and we talked to the driver. He told us he was driving Justin, as soon as we walked away from the driver, he drives away to the back of the building. I sprinted as fast as I possibly could to the back just in case and he went into a garage in the hotel and the door closed. We were here for about 2 and a half hours already at this point and there was paparazzi around the front so we didn’t know where to wait, of course. I was about to cry not knowing what to do.  About an hour later, the garage doors open and the escalade comes out and the window rolls down what it seemed to be slow motion. At that moment I was just in complete shock, Justin was so beautiful he looked airbrushed he was so perfect. I sprint up to the car and was the first one there. I was like, “HI JUSTIN!” Everyone was FLIPPING out so Justin goes, “Don’t worry guys. I’m not going anywhere.” I start taking my picture and all of a sudden I realize I took a video and I’m like OH NO! So then I took another picture with him and it was just perfect. He grabbed out for my phone and held it with me while we took a picture and he smiled with his teeth in this picture, which I love when he does that.  After everyone got the picture I ran back up to the car and I was like Justin one more, he goes I’m sorry guys I gotta go,  and I was holding his hand in the car and then he starts rolling up the window and my hands were in the car. I screamed, “I LOVE YOU SO MUCH JUSTIN!” He said, “Love you too!”  and the window rolls up and he pulled out. Tears start POURING down my face and I ran around the perimeter of the hotel screaming, “I JUST MET JUSTIN BIEBER!” It honestly couldn’t have been more perfect, Justin was so sweet. I absolutely never expected this at all, I just went with the flow and it turned out for once I was lucky. I always sat here reading MBE’s and I would bawl my eyes out! Everyone who hasn’t met him yet, you all know the motto to NEVER SAY NEVER because it will happen and when it does, you will be the happiest person alive.  -@kendallrochlin See the original post: I’m Kendall and April 28th, 2012 was literally the best…

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April 27th, 2012 was clearly the best day of my LIFE.  I heard a…

April 27th, 2012 was clearly the best day of my LIFE.  I heard a while ago Justin was going to be in NYC on the 27th and I flipped out. I told my mom and she promised me that she would take me and my friend. When the date got closer, we found out where Justin was going to be since he was accepting an award at a Tribeca Film Festival for the Disruptive Innovation Award. It was all perfect until we found out we had a state math test in the morning and Justin would be arriving a little after the test was over. We took the test and once we were done, we went straight into the city and got to the event. When we got there, he had already went in 10 minutes earlier! I was so mad but I knew I would hopefully see him on his way out.  After waiting a little while, barricades were set up so it was a sign Justin would be coming out any minute.  At first Alfredo and Kenny walked by and got into their car. Everyone was so anxious waiting for Justin to come out.  About 20 minutes later, Justin walked out and came down to meet everyone. He had to walk down these stairs and as he was doing that, he said quietly “SWAGGGGGGGGGG”. It was my turn to meet him and I’ve been planning for years for him to kiss me in a picture and I was hoping he would said okay! I was like to him, “Justin can you kiss me on the cheek?” and Justin said of course and automatically kissed me and was like “MWAHHHHHH!!!” He made this huge sound effect and I was freaking out because he kissed me before I got the picture. I thought that during the picture it showed him pulling away already so I said, “JUSTIN!” and without me saying anything he goes, “YOU DIDN’T GET IT? AWWWH”. I asked him again, “Justin, I don’t think my picture came out, can we take another one?” He leaned in right away and he did that over-exagerated “MWAHHH” sound again!   He was so sweet!  My friend and I ran away screaming on the top of our lungs not knowing how to deal with our lives at that moment. I looked at my picture and was so confused why I was only smirking and not smiling! When your in that situation, you don’t even know what you’re doing, you don’t think, so that’s what happened to me. My 3  friends and I jumped into my mom’s car and we chased Justin’s car for blocks and blocks. At one point I jumped out of the car in the middle of the street and Justin gave me the peace sign thru the window! A few blocks after we saw that his car pulled over and Moshe got out to go into a little market or something. Justin was just waiting in the car with the driver.  Paparazzi surrounded the car from a distance and me and the 3 other girls casually walked up to the car and started to talk to Justin. His window was only half down and he said he was sorry for that, but he didn’t want the paparazzi taking pictures of him and we understood.  He was so sweet and kind, he could have easily said please get away from the car and the driver could have gone out and told us to leave but they didn’t do that. We spoke to him until Moshe came back into the car which was about 5 minutes into our conversation.  Justin politely said to us that he had to go and we let him leave.  This day, was the most amazing day of my life. I always pictured me meeting Justin and having him give me a huge smooch on the cheek and being so nice and looking gorgeous as always and that’s exactly what I got.  I’m so grateful for this day and everything that happened, it was a truly amazing experience. -@drobbbsbieber6 Go here to read the rest: April 27th, 2012 was clearly the best day of my LIFE.  I heard a…

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April 27th, 2012 was clearly the best day of my LIFE.  I heard a…

Martin Scorsese Sure is Guzzling the 3-D Kool-Aid

Martin Scorsese has long proven his mastery of filmmaking, passion for storytelling and an infectious worship of the medium in which he’s produced nearly five decades of singular, sometimes legendary work. Perhaps it should come as no surprise, then, that man of such fervency and skill would take so well to one of the rapidly developing hallmarks of contemporary cinema culture: Trolling. Scorsese joined fellow Oscar-winner Ang Lee on a panel Wednesday at CinemaCon , where the filmmakers told the industry crowd how sincerely they believed in the 3-D renaissance. I mean, sure, Hugo turned out OK ( critically , anyway; commercially, oof ), and Lee’s forthcoming 3-D epic The Life of Pi has plenty worth anticipating with or without the stereoscopic extras. But this … I mean, I just can’t: Martin Scorsese has become so enamored with 3-D filmmaking that he expects to use the technology in all his future projects. The Academy Award-winning director of The Departed told a crowd of theater owners at the CinemaCon convention in Las Vegas on Wednesday that he wishes his landmark films Raging Bull and Taxi Driver had been three-dimensional. Scorsese is so convinced of the power of 3-D, he said he only saw Hugo, his first 3-D movie released to critical acclaim last year, once in 2-D. “There is something that 3-D gives to the picture that takes you into another land and you stay there and it’s a good place to be,” he said. Yes! That land is called Migrainetown, and it is a good place to be if you are director with back-end points and/or an exhibitor selling the eye-cramping privilege for $16 a pop, both shuttered away in the local bank reinvesting the community’s money in more 3-D “infrastructure.” (“Keep them open,” Lee implored, for example, on behalf of Migrainetown’s independent movie houses. “Especially with 3-D, this is a new era coming. We have to keep up with it.”) And then there was… this , which apparently is the stock defense for anyone advocating new technology that completely takes viewers out of the movie : Scorsese compared 3-D to the rise of color movies. He said as a film student at New York University in the early 1960s, he was shocked when he heard predictions that all future movies would be filmed in color. He said anyone harboring doubts about the rising influence of 3-D technology should consider how color movies have taken over the industry. The 3-D craze allows filmmakers to accomplish the original goals of cinema, Scorsese said. “The minute it started people wanted three things: color, sound and depth,” Scorsese said. “You want to recreate life.” Wrong, wrong, wrong — they wanted color, sound and texting . Get it straight, Marty! Also: Come back to us! Also : If what happens in Vegas truly stays in Vegas, then why do I keep smelling sulfur? [ AP via Awards Daily ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Martin Scorsese Sure is Guzzling the 3-D Kool-Aid

On Friday April 13th, after all these years I finally met Justin…

On Friday April 13th, after all these years I finally met Justin Bieber.  I have been trying for years to meet Justin, and every time I got let  down. I was in Florida and I had heard Justin was coming to a  middle school in Boca, so obviously I made an arrangement so sleep in  Boca the night before, and wait outside the school the next day for  Justin to drive in. When I got to the school it was about 11:00am, and  Justin was arriving at 1:00pm. No one was there besides me, my friends  and some news reporters. We got a lot of interviews. As it drew closer  to 1pm, more and more people starting to arrive at the school. We all  checked each car thinking it was Justin. Finally it was around 1:25pm,  and a beige truck pulled in. Justin rolled down the window, and all  the fans ran to his car. I knew there was no way of getting in front  to the window. I just stood there. After Justin was done saying hi  and signing autographs, he slowly drove into the school. I then chased  his car into the school, and most of the girls followed. I was chasing  the car and finally it stopped. Justin rolled down the window and said,  “Let me take your picture”. Justin took my picture and then drove  away, only mine and no one  else’s . I felt so special. After everyone  ran away I stayed in the parking lot and found his car with the driver  inside. The driver secretly told me he was coming out the back.  5 other girls and myself went to the back of the school. It was  pouring  rain and  Justin’s car came out and he stopped of course. He started to talk to  all of us and Pattie was saying, “Don’t worry he’ll take as many  pictures as you want”. Someone else in the car was yelling that he had  somewhere to go. I screamed at Justin to stay with us and not leave. H e tried to tell the driver to stop but they were slowly pulling  away. “Wait, I never got a picture!” I said. Justin answered with, “Yes  you did, don’t think I forgot stopping the car for you.” That was the  best moment of my life! Justin remembered me and purposely stopped for  me. Pattie was laughing because I screamed on the top of my lungs!  Hopefully, I will be lucky enough to meet Justin again. Who knows,  maybe hell even remember me. -@emilyhalp  Read more from the original source: On Friday April 13th, after all these years I finally met Justin…

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‘Dancing With The Stars’: Katherine Jenkins Hits High Note Again

Gladys Knight earned the lowest scores on Motown night, while Jaleel White and Jenkins each earned a pair of 10s. By Kelley L. Carter Derek Hough and Maria Menounos Photo: ABC Monday night’s telecast of “Dancing With the Stars” opened with R&B legend Smokey Robinson crooning his Motown hit “Tears of a Clown.” Then Martha Reeves came in singing her hit with the Vandellas “Dancing in the Streets.” Then came the (current lineup of the) Temptations singing their classic hit “Get Ready.” And Motown founder Berry Gordy was in the audience, to boot. It was the perfect way to intro Motown night — this week’s theme — for the popular ABC dance reality competition. This week’s scores included bonus points for a group cha-cha dance marathon. At the top of the pack this week were Katherine Jenkins and Mark Ballas. The opera singer once again impressed judges with her moves. She and Ballas danced to the Temptations’ “I Can’t Get Next to You,” and the judges thought she continued to deliver. Her prize? She earned a pair of 10s in her initial score for an almost perfect score. “Tonight, girlfriend, you let it loose. That was amazing!” judge Carrie Ann Inaba said. 29/30 + 10 = 39. Here’s how the others fared: Jaleel White and Kym Johnson The former child actor jumped right back near the top of the leaderboard. He danced the cha-cha to “Ain’t Too Proud to Beg,” and the judges found his movements to be sharp and filled with attitude “You’re back!” head judge Len Goodman told him. He also was rewarded with a pair of 10s from the judges. 29/30 + 8 = 37 William Levy and Cheryl Burke The Latin soap opera star danced the rumba, and judges loved the steam that came from the pair. Their ending was over-the-top sexual (they were laid out on top of one another on the dance floor), and the judges — and the live audience, gauging from the screams and hooting and hollering — enjoyed it thoroughly. “William! Absolute and utter filth. And I loved every minute of it!” judge Bruno Tonioli said. “On behalf of all of the women out there, I thank you,” Inaba said. Goodman thought it was a bit on the raunchy side. 27/30 + 9 = 36 Donald Driver and Peta Murgatroyd The football star danced the foxtrot to a Temptations track, and the judges were impressed by his showmanship. “Donald, you are a showman! Confidence! Power! Your performances get better and better. You should be in the theater,” Tonioli said. 27/30 + 7 = 34 Melissa Gilbert and Maks Chmerkovskiy The actress danced the Viennese waltz to Robinson’s lush hit “Ooo Baby, Baby,” and judges thought her lines were beautiful. “I see poetry starting to happen in your movements. I see the artistry there,” Inaba told her. 24/30 + 6= 30. Maria Menounos and Derek Hough The TV journalist danced the foxtrot to a Reeves’ hit, and even though she made a few missteps, judges thought she pulled it off quite nicely. “You lost your footing, but you caught up quite brilliantly,” Tonioli told her. 26/30 + 4 = 30. Roshon Fegan and Chelsie Hightower The Disney star danced to a Robinson hit, and the judges thought his moves were more suitable for a hip-hop dance — his specialty — than the ballroom. Goodman said that the execution of his routine was “clipped and jerky.” “In general, I thought your moments were a bit over-exaggerated tonight and it made it hard for me to watch,” Inaba said. 23/50 + 5= 28. Gladys Knight and Tristan McManus The soul legend took the stage first — kind of fitting, considering she recorded with the Detroit label — and she performed the rumba. Judges thought her routine was passionate and said her star quality was undeniable. They thought her rumba should have been a bit steamier and noted how she lost it a bit at the end. “You’re not the best dancer, but I’ll tell you what you are … Gladys, you are the most charismatic dancer, I’m telling you. It is so appealing,” head judge Len Goodman said. “It’s just easy like Sunday morning!” 21/30 + 3 = 24.

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‘Dancing With The Stars’: Katherine Jenkins Hits High Note Again

REVIEW: Disney Doc Chimpanzee Is Shamelessly Adorable Simian Sensationalism

Chimpanzees are the putative subject of Chimpanzee , another in a line of Disney documentaries with big, blunt titles ( Oceans , Earth , Nature ) and very specific stories to tell. This time out, narrator Tim Allen tells us, our tale promises “drama, sadness, and joy in a world you and I may never set eyes on.” That world is the Ivory Coast rainforest, and we’re pretty much looking at it just then, but it becomes clear early on in the beauteous but outrageously martial Chimpanzee that things might not be what they seem. Because although our eyes tell us that the Ivory Coast is filled with wondrous life forms (my favorite might be the time-lapse sequence of a day-glo fungus), this world feels a lot like our own, where babies are nurtured by their moms, everyone has a name, and every happily functioning community has a mortal enemy one copse over. The center of Chimpanzee is Oscar, a just-born chimp with much to learn and about ten years to learn it. Oscar’s coo-factor was helpfully confirmed by the woman beside me, who turned to her young daughter and let out a helpless “awww” every time Oscar did something adorable, which is often, or every time Tim Allen said something shameless (“He may not be the most popular boy with everyone,” goes one such line, “but his mother’s love is something he can count on”), which is slightly less often. An early monkey business montage set to pop music sets a tone calibrated to charm children and their moms, but then Chimpanzee takes its subjects to war, and things get kind of weird. Freddy is the alpha male in Oscar’s group of a few dozen chimps, and we are told there is another gang not far away led by an aging don named Scar. Well, “gang” is one of the words used to describe them. The others are: mob, forces, rivals, ranks, enemy, team, and troops. Scar and his whatever you want to call them really got the short end of this combat narrative: According to the uncredited script, those other apes are greedy heathens who have hoovered up all the food in their territory and are mounting an “invasion” in order to continue feeding their insatiable lust for… nuts. Poor sweet Oscar and his doting mother are in danger, although the monkey they help tear to shreds in a coordinated attack might tell you that the group’s survival skills are pretty sharp. Inter-chimp and territorial fighting are facts of nature, but the extreme anthropomorphism of Chimpanzee makes what is natural feel bizarre. Excitedly setting up good guys and bad guys seems more about reinforcing our world than exploring theirs. Calling their work nature filmmaking rather than documentary, directors Alastair Fothergill and Mark Linfield had a story and specific shots in mind when they set out on what turned out to be a four-year shoot. Their access to the chimps has the hidden world feeling of the best nature films, but rather than observational the human presence feels invasive. For a nature film Chimpanzee cuts too many corners in the name of entertainment. Although Jane Goodall, a consultant on the film, has claimed that Oscar’s mother was killed by a leopard, in the film her disappearance is clearly connected to an attack by Scar and his goons. But our team starts looking pretty shabby as well: In the wake of her death the rest of the chimps turn their back on little orphaned Oscar, leaving him to starve and shunning him when he comes near. Then the extraordinary plot twist advertised at the beginning of the film takes shape, and there is a brief respite from all the military metaphor as Oscar and his new and unlikely adoptive parent bond. Many of the images speak for themselves, to the extent that with a little more creative editing and narrative restraint Chimpanzee could work as a silent film. Oscar learns how to crack nuts and chew fruit, and long shots of a handful of apes moving stealthily across the forest floor having a chilling, forbidding beauty. The few times when Allen does keep quiet, ironically, are the only times you really want him to chime in – say to explain the soufflé-topped mushrooms that crumple in a puff of amber dust when so much as a droplet of water hits them. There are only a few glimpses of life beyond the chimp family, but each one is mesmerizing and elusive, perhaps as they should be. Soon enough we’re back to the battle royale, when “Scar attacks,” “final pushes” are begun, “Freddy’s team can’t escape,” and “there can only be one victor.” I hope it doesn’t spoil anything to say that “teamwork beats brute force,” although the distinction between the two looked pretty thin to me. Anyway, the chimps fade from soldiers back into cartoon figures who seem to dance to our music, casting an impenetrable eye at the camera as we clap for more. Follow Michelle Orange on Twitter . Follow Movieline on Twitter .

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REVIEW: Disney Doc Chimpanzee Is Shamelessly Adorable Simian Sensationalism

From Deer Hunter to Bridesmaids 2: Judd Apatow and Robert De Niro Toast Universal at Tribeca

The first full day of Tribeca 2012 yielded at least one major highlight, as festival co-founder Robert De Niro and comedy mogul Judd Apatow joined Deadline’s Mike Fleming for a discussion commemorating the 100th anniversary of Universal Pictures. (Fellow Universal blockbustress Meryl Streep, alas, backed out at the last minute due to illness.) At least, that was the plan ; what ensued was a wide-ranging, freewheeling chat about the pair’s work for the studio, the natures of their comedy, varying sequel statuses, and much more. As per Tribeca custom , read on for this years revelations from from De Niro and Co. Without De Niro’s Cape Fear remake, Apatow might not be who he is today “One of first important milestones of my career was [when] I created The Ben Stiller Show with Ben,” Apatow said. “And the sketch that got us picked up was the Cape Fear parody. Have you ever seen that?” “No, I didn’t know that,” De Niro said dryly. “Do you have a lot of friends who want to show you parodies of you, or are they afraid to?” Apatow asked. “Sometimes,” De Niro replied. “So we studied that movie shot-for-shot, and then Ben was dressed up like Eddie Munster,” Apatow explained. ” Cape Munster . That’s how we got the how picked up.” The filmmaker gestured back to the screen, invoking the epic Universal clip reel that opened the event. “The rest I didn’t care for.” De Niro didn’t like The Deer Hunter ‘s poster And according to him, there’s even a better design somewhere out there. “I was given the script by Michael Cimino, and I liked it very much,” De Niro recounted of his first experience on a Universal film. “I even liked the way it was presented. The cover of the script read ‘ The Deer Hunter ,’ and it was a character against a white Cadillac with a deer strapped on to the hood, and he had a shotgun hung over his arm. And I felt it would have been great for the actual poster of the movie instead of the more complicated kind of poster that I didn’t think worked very well.” (Apatow later chimed in: “When The Deer Hunter came out, I was 10 years old. We had the VHS of it, I watched it, and that’s how I became this.”) Neither Apatow nor Universal are about to apologize for Funny People Fleming asked Apatow about the tonal change of pace — and commercial downshift of fortune — that the director experienced with his 2009 film. “I think it’s important for people to make movies that are deeply personal,” Apatow said. “I think you have to be willing to push it, and when you do things that are intimate, there are some people who are like, ‘I was at work all day today, and I don’t give a shit what you’re upset about in your life.’ And there are the people who really want to feel other emotions than just pain or watching the bad guy get beaten. So you’re always going into more difficult territory when the move isn’t about making you happy, but it’s about why comedians are in pain — much like…” Apatow turned to De Niro and paused for dramatic effect. ” The King of Comedy . I’m bringing you into it!” Fleming followed up by asking Apatow what the conversations with Universal were like as the film came together as the challenging piece it was. “In all honesty,” Apatow said, “they loved the movie and were supportive through the entire creative process and when it came out. It’s been an amazing experience for me working with them. They want me to grow and get better at what I do, and part of that is for me to take risks and try new things. And it was never weird. I’ve had weird. I’ve been on planes coming back from the test screening of The Cable Guy . I know what it’s like when people are like, ‘Oh my God. What are we going to do?’ I’m like, ‘It’s great , isn’t it?'” The Bridesmaids sequel is still in limbo “You know, I don’t know,” Apatow said when asked about the status of a follow-up to last year’s Oscar-nominated blockbuster, which he produced. “It took five years to make it; I think there’s some exhaustion from having made it. I think down the line we’ll see if people are reinvigorated to want do it or not. I would like to see a sequel to…” Again, Apatow faced De Niro and hesitated. ” The Deer Hunter .” The Midnight Run sequel may be writing around Charles Grodin The development of the recently announced Midnight Run 2 was thought to hinge heavily on the participation of Grodin, who brilliantly played De Niro’s foil in the 1987 comedy classic. But to hear De Niro tell it, the writers might have an answer for that. “Somebody had approached me — a young writer — and he had said how much he liked it. And he said, ‘What about writing a sequel if you want?’ I said, ‘Fine, sure.’ So it’s been going through these kind of changes. [… De iro’s character Jack Walsh] is helping the son of Charles Grodin. He’s gotten himself in trouble. That’s where we are. The script is being reworked again. But I hope to do it. It was a lot of fun to do.” De Niro always had a feeling he could do comedy Asked about how he transitioned to comic roles from his celebrated dramatic roles of the ’70s, De Niro cited those very same roles as his comedic inspiration. “You know, Taxi Driver had a few funny things in it. Mean Streets , King of Comedy … They weren’t obvious ‘comedies,’ but they were funny. The comedy was out of situations, the irony or whatever.” ” Goodfellas is hilarious!” Apatow half-joked. “I saw it in the movie theater and it just rocked the house!” “Joe Pesci’s scene with Ray Liotta is a hysterical scene, yeah,” De Niro said. ” Analyze This came from Billy Crystal, who had the idea. Billy had a script and thought it’d be fun if I did that. And somebody tod me about it but said they didn’t know. I said, ‘No, it sounds interesting. Let me see. Let’s get together and talk about it. And then we had a reading of it and so on, and figured it out. But I never had a problem thinking I could be funny — especially that kind of character, since he’s bigger than life anyway.” Apatow is all for seeing movies on your phone Surprised? Don’t be: “Anything that allows me to watch a film while going to the bathroom is awesome.” De Niro isn’t totally averse to Raging Bull 2 ” I don’t know about it,” he said to a laugh from the crowd. “I mean… Maybe if it’s a great, great script? Have you read it?” “It’s great,” Fleming said. “Oh,” De Niro replied, tongue mostly in cheek. “Then I’d consider it. Sure.” Apatow’s only acting experience is a… Jack in the Box commercial Asked if he would consider starring in a film, Apatow didn’t hesitate. “I am a bad actor,” he said. “I learned that in a Jack in the Box commercial when I was 20. I was reading the lines, which were about how good the burger was, and I kept pointing to it. I couldn’t stop pointing . And the director of the commercial taped my hands to my legs, and I never acted again.” “But he did hire you?” De Niro asked. “Yes, I got work from here up,” Apatow said, waving his hand above his neck. “Well, that’ll give you something,” De Niro said. “If I was in it for his own amusement, it would have been like a scene from Fame .” Pronto! Someone get it on YouTube! Read all of Movieline’s Tribeca 2012 coverage here . Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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From Deer Hunter to Bridesmaids 2: Judd Apatow and Robert De Niro Toast Universal at Tribeca

Pippa Middleton Gun Photo: Real or Fake?

It’s all fun and games until someone pulls a piece on a paparazzo. As we previously reported, Pippa Middleton is at the center of a gun scandal after she and her friends went for a spin in a convertible last weekend. After partying at a raucous bash in Paris until 5 a.m., Pips was spotted leaving in a car with friends, when the driver took out what appeared to be a semi-automatic pistol and aimed it at a celebrity news photographer. But was the gun even real? Sitting in the passenger seat, Pippa Middleton laughed. Nobody’s laughing now. Especially not her in-laws. “This is embarrassing for them,” a royal source says. The surprising scandal “has put [ Kate Middleton ] in a very difficult position,” the source adds. However, it appears that the excitement, which included reports that Pippa Middleton could face criminal charges, may have been overblown. ABC News reports that the photographer claims he knew all along that the gun was a fake and has been telling people he never felt scared by it. Even friends of one of the young fashionistas in the car with Pippa told ABC News that they have the toy gun in their possession currently. The Sun reported that the Paris Police are “poised” to launch a probe, but there is no investigation …. because no one has filed a complaint. Pippa Middleton Gun Photo The mystery man pointing the gun in question, meanwhile, has finally been identified: He’s Romain Rabillard, a 36-year-old French attorney. The single Rabillard parties with a crowd of chic Parisians, including wealthy clothing designer Viscount Arthur de Soultrait, Middleton’s pal. It was his 30th birthday bash she attended Friday. If the gun was in fact fake, the accused could still face legal action, but far less severe.

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Pippa Middleton Gun Photo: Real or Fake?

Dancing With the Stars Week 5: Who Was the Best?

The 14th season of Dancing With the Stars, as evenly-matched as it is entertaining thus far, rolled into its fifth week Monday with the top nine going ALL out. Last week, which saw a nasty head injury to Melissa Gilbert and the elimination of Sherri Shepherd , did not lack for drama. What would this week’s act bring? A lot of strong performances from a group of engaging characters capable of some high quality dancing. for sure. They always leave you wanting more! Sadly, someone must leave each week. Who will it be this time? Coming into the fifth week, the favorites (Donald Driver, Maria Menounos, William Levy and Katherine Jenkins) looked to bolster their frontrunner status. The rest of the pack (Gilbert, Gavin DeGraw, Roshon Fegan, Jaleel White and Gladys Knight) looked to make a move. How did they do? You tell us below. Who do you think will win Dancing With the Stars?

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Dancing With the Stars Week 5: Who Was the Best?

Keeping Up With The Kar-Krash-ians: Kimmy Cakes And Khloe Have Angry Hit-And-Run Confrontation With A Motorist In The Middle Of The Hollyweird Skreets!

We’re pretty sure that Kim VERY familiar with “hit-and-runs”… Kim And Khloe Kardashian Get Into Hit-And-Run Confrontation According to TMZ reports : Kim and Khloe Kardashian furiously jumped out of their car yesterday in the middle of a busy L.A. street — after another vehicle nearly ran into them — and now, footage has surfaced of the angry standoff. It’s unclear what happened right before the cameras started rolling — but sources tell TMZ, the other car had been driving aggressively, turning into Kim and Khloe’s lane … as if trying to run them off the road. Here’s where the footage starts — Khloe, who’s driving, cuts the other car off to corner it in … then she and Kim angrily hop out to see what the hell the deal is. It gets crazy fast — Khloe BUM RUSHES the car’s driver side door and tries to open it. Meanwhile, Kim snaps pics of the car’s license plate. Sources tell us, a woman was driving the other car with another female in the passenger seat. In the backseat, we’re told some guy wearing a CBS Sports t-shirt was filming the entire altercation. The footage is pretty wild … but it only lasts a few seconds — before the other car backs out and takes off. Kim tweeted a pic of the other car’s license plate yesterday (below) — with the caption, “This driver tried to hit us and run while video taping it. She works for CBS Sports. Wow drivers beware.” Here is a TwitPic that Kim of the car that fled the scene. Never a dull day in Kardashianville… Image via SplashNews More On Bossip! Making It Rain On Them Hoes: A List Of Your Favorite Rapper’s Salary For Performances And Shows YOLO: A Gallery Of People That Hit The Beach And Let It All Hang Out Even If They Aren’t Right And Tight For All The Brothers Who Enjoy Latina Cakes: Jessenia Vice For T.I.T.S. Brand [Pictorial-Video] 808s And Chopdowns: A Gallery Of Women Kanye West Has Shouted Out In Song

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Keeping Up With The Kar-Krash-ians: Kimmy Cakes And Khloe Have Angry Hit-And-Run Confrontation With A Motorist In The Middle Of The Hollyweird Skreets!