Tag Archives: easton-ellis

EXCLUSIVE: Watch Kip Pardue and James Van Der Beek Update The Famous Rules of Attraction Montage

When Movieline recently interviewed Bret Easton Ellis about the cinematic adaptations of his novels, he singled out Roger Avary’s Rules of Attraction as his favorite. The most acclaimed part of that film was the stream-of-consciousness montage chronicling the hedonistic European trip of Victor Ward (Kip Pardue), and this month, Pardue and James Van Der Beek got together to create a semi-sequel to the clip that pays homage to Ellis’s novels (including his new book, Imperial Bedrooms ) and all the films based on them.

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EXCLUSIVE: Watch Kip Pardue and James Van Der Beek Update The Famous Rules of Attraction Montage

Bret Easton Ellis on The Golden Suicides, His New True Story of Love and Death

Bret Easton Ellis has written six books (his seventh, Imperial Bedrooms, comes out next month ), and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis has tackled a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. So far this week, Movieline’s talked to Bret Easton Ellis about movies made from his own books — movies he often didn’t script himself. His upcoming screenplay, The Golden Suicides , is for a very different film entirely. Adapted by Ellis from a Nancy Jo Sales article for Vanity Fair and written for producer Gus Van Sant, it’s based on the true story of artists Jeremy Blake and Theresa Duncan (pictured above), a glamorous couple who eventually secluded themselves in a cocoon of paranoia when they believed that government organizations and Scientologists were out to get them. Duncan killed herself in July 2007, and a week later, the despondent Blake walked into the Atlantic and drowned.

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Bret Easton Ellis on The Golden Suicides, His New True Story of Love and Death

Bret Easton Ellis on How The Informers Went Wrong

Bret Easton Ellis has written six books (his seventh, Imperial Bedrooms, comes out next month ), and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis will tackle a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. Gregor Jordan’s The Informers begins with a quick, abrupt car accident, but to hear Bret Easton Ellis tell it, the production was something like a car crash in slow motion. Though it’s the only adaptation of Ellis’s novels where he actually served as a producer and co-writer on the film, he’s not happy with how it turned out, and he’s hardly alone. When The Informers was released last year, audiences stayed away and critics were scathing (pundit Devin Faraci, unwilling to review the film according to a normal ratings system, scored it a “F**k God out of 10”).

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Bret Easton Ellis on How The Informers Went Wrong

Bret Easton Ellis on American Psycho, Christian Bale, and His Problem with Women Directors

Bret Easton Ellis has written six books, and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis will tackle a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. American Psycho is by far the most controversial work that Bret Easton Ellis has written, and yet when it comes to the adaptations of his novels, Mary Harron’s 2000 film is the most critically acclaimed and well-regarded. It went through a bumpy production process that attracted directors like Oliver Stone and David Cronenberg and actors like Leonardo DiCaprio and Johnny Depp, but the final result eventually became a calling card for both Harron and its star, Christian Bale, and it’s only grown in public esteem since its release.

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Bret Easton Ellis on American Psycho, Christian Bale, and His Problem with Women Directors