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Bret Easton Ellis Is The Patrick Bateman Of Film Criticism

If American Psycho ‘s Patrick Bateman were a film critic, he’d be Bret Easton Ellis. When he’s not promoting his film The Canyons    — directed by Paul Schrader and starring Lindsay Lohan — on Twitter, Ellis has been blowing shotgun-sized holes in some of the awards season’s biggest films.  The Less Than Zero author contends that  Zero Dark Thirty  director Kathryn Bigelow is “really overrated,” and Les Misérables   makes him miserable. (According to him, it’s an “incomprehensible mess.” )    Life of Pi   fares better, though Ellis would like to see that film’s young star Suraj Sharma get into porn.  Oh yeah, and he also claims that the Academy “hates” The Dark Knight Rises . Below, a sampling of Ellis’ critical stylings, not necessarily in chronological order: Zero Dark Thirty: Kathryn Bigelow would be considered a mildly interesting filmmaker if she was a man but since she's a very hot woman she's really overrated.— Bret Easton Ellis (@BretEastonEllis) December 06, 2012 Kathryn Bigelow: Strange Days, K-19 The Widowmaker, Blue Steel, The Hurt Locker. Are we talking about visionary filmmaking or just OK junk?— Bret Easton Ellis (@BretEastonEllis) December 06, 2012 Silver Linings Playbook: “Zero Dark Thirty” might win critics awards but “Silver Linings Playbook” will win the Best Picture Oscar. This is how it always happens…— Bret Easton Ellis (@BretEastonEllis) December 06, 2012 Les Misérables: The film version of “Les Miserables” is so bad that it made me rethink why I ever loved the stage version. 2 hours and 40 minutes of tacky.— Bret Easton Ellis (@BretEastonEllis) December 05, 2012 The one actor surviving the incomprehensible mess “Les Miserables” is Eddie Redmayne, who should get an award for avoiding humiliation…— Bret Easton Ellis (@BretEastonEllis) December 05, 2012 Tom Hooper blows just about every song in “Les Miserables” including “On My Own” which I didn't think possible no matter who directed it…— Bret Easton Ellis (@BretEastonEllis) December 05, 2012 Oh yeah and I forgot: “Les Miserables” opens on Christmas Day and (spoiler alert!) just about everyone in it dies. Merry fucking Christmas.— Bret Easton Ellis (@BretEastonEllis) December 05, 2012 Life of Pi: Life of Pi is the movie I've thought about the most in 2012. As a writer I can't reconcile with its disturbing reveal: illusion vs. reality?— Bret Easton Ellis (@BretEastonEllis) December 04, 2012 Suraj Sharma gives an amazing and incredibly moving performance in “Life of Pi” and seriously needs to do some porn. Misspelling: my fault.— Bret Easton Ellis (@BretEastonEllis) December 04, 2012 Killing Them Softly Based on the terrific source material “Killing Them Softly” doesn't work at all, but the actor Scoot McNairy is now officially on the radar.— Bret Easton Ellis (@BretEastonEllis) December 04, 2012 “Killing Them Softly” starring Brad Pitt is one of only eight films in Cinemascore's history to receive an “F” grade but…”Troy” didn't?!?— Bret Easton Ellis (@BretEastonEllis) December 04, 2012 How the Academy will vote: The Academy is going to go for Silver Linings Playbook and not Lincoln.— Bret Easton Ellis (@BretEastonEllis) December 03, 2012 The Academy hates The Dark Knight Rises because I sat in that theater that night and listened to the banter in the lobby afterwards.— Bret Easton Ellis (@BretEastonEllis) December 03, 2012 There's not a chance in hell that Ang Lee will win best director. That will be a fight between Ben Affleck and David O. Russell. Haneke? No.— Bret Easton Ellis (@BretEastonEllis) December 03, 2012 I’m not sure if Ellis’ most recent tweet is a reaction to reaction to his withering perspective, but, as you might expect, he’s unrepentant: Anyone Unfollowing me should have known better and never Followed me in the first place. Wise up: pussies and snowflakes. Get the F over it.— Bret Easton Ellis (@BretEastonEllis) December 06, 2012 Watch your back, Sandy Kenyon. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter. 

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Bret Easton Ellis Is The Patrick Bateman Of Film Criticism

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Darren Criss Officially Not Signed on to Bret Easton Ellis’s Downers Grove

So much for that bit of dubious casting ! A rep tells Movieline that Darren Criss is not signed on to the next Bret Easton Ellis film Downers Grove (an adaptation of Michael Hornberg’s thriller), even though Ellis took back the “tasteless” HIV -related joke he made about Glee . Downers Grove concerns “a cursed high school in the Chicago suburb of Downers Grove.” Once upon a time I worked at a Barnes & Noble in Downers Grove, IL. The “Christian Inspiration” section was indeed haunting!

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Darren Criss Officially Not Signed on to Bret Easton Ellis’s Downers Grove

Bret Easton Ellis on The Golden Suicides, His New True Story of Love and Death

Bret Easton Ellis has written six books (his seventh, Imperial Bedrooms, comes out next month ), and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis has tackled a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. So far this week, Movieline’s talked to Bret Easton Ellis about movies made from his own books — movies he often didn’t script himself. His upcoming screenplay, The Golden Suicides , is for a very different film entirely. Adapted by Ellis from a Nancy Jo Sales article for Vanity Fair and written for producer Gus Van Sant, it’s based on the true story of artists Jeremy Blake and Theresa Duncan (pictured above), a glamorous couple who eventually secluded themselves in a cocoon of paranoia when they believed that government organizations and Scientologists were out to get them. Duncan killed herself in July 2007, and a week later, the despondent Blake walked into the Atlantic and drowned.

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Bret Easton Ellis on The Golden Suicides, His New True Story of Love and Death

Bret Easton Ellis on How The Informers Went Wrong

Bret Easton Ellis has written six books (his seventh, Imperial Bedrooms, comes out next month ), and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis will tackle a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. Gregor Jordan’s The Informers begins with a quick, abrupt car accident, but to hear Bret Easton Ellis tell it, the production was something like a car crash in slow motion. Though it’s the only adaptation of Ellis’s novels where he actually served as a producer and co-writer on the film, he’s not happy with how it turned out, and he’s hardly alone. When The Informers was released last year, audiences stayed away and critics were scathing (pundit Devin Faraci, unwilling to review the film according to a normal ratings system, scored it a “F**k God out of 10”).

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Bret Easton Ellis on How The Informers Went Wrong

Bret Easton Ellis on Less Than Zero, Its Adaptation, and Its Sequel Imperial Bedrooms

Bret Easton Ellis has written six books, and all six have been optioned by Hollywood. Of those six, four were made into movies, and they run the gamut from iconic to underseen, acclaimed to lambasted. Each day this week, Ellis will tackle a different adaptation of his books for Movieline, giving his take on what worked, what didn’t, and what went on behind the scenes. As a property, Less Than Zero heralded the arrival of two major talents: Bret Easton Ellis, the young author who had written the novel while in college, and Robert Downey Jr., who co-starred in the 1987 film adaptation as the wily junkie Julian. Still, while the Marek Kanievska-directed movie had style to burn and gorgeous production design (by Barbara Ling) and cinematography (by Ed Lachman), it softened and moralized Ellis’s sex-drugs-and-violence tale by considerable amounts.

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Bret Easton Ellis on Less Than Zero, Its Adaptation, and Its Sequel Imperial Bedrooms