Tag Archives: eraserhead

20 Years Ago Today: In Praise of 3 Ninjas

You need only utter the words “Rocky loves Em-ily” or “Light up the eyes!” to transport me to the wondrous time known as the early ’90s, when timeless classics — timeless, I say ! — such as Touchstone’s tale of Rocky, Colt, and Tum Tum opened up new worlds for 11-year-old me . Hollywood.com’s Michael Arbeiter knows what I’m talking about: “[As] rich and dense as the history of the ninja might be, it wasn’t until the date of August 7, 1992, exactly twenty years ago today, that the identity of the Japanese spy and soldier really hit its potential in terms of relevance in the canon of American film. For on this date, the great Jon Turtletaub bequeathed unto the world his third directorial feature: 3 Ninjas .” Preach . Thanks to Arbeiter for bringing this ’90s kid-cinema essential back into the conversation with his open letter ( 3 Ninjas: 20 Years Later ? Sign me up!), which today rekindled my decades-long love affair with the 1992 ninja pic. Oh, who am I kidding? That flame never went out. A few years back I committed my 3 Ninjas love to the internet in an ode to star Michael Treanor, archived at the old Cinematical , but my passion for the erstwhile Rocky endures: Treanor, 13-years-old when 3 Ninjas debuted, played Rocky with a fresh-scrubbed, clear-eyed honesty and one heckuva smile. It helped that cinematographer Richard Michelak shot his preteen actors in the dreamiest light possible (he also lensed White Wolves: A Cry in the Wild II , AKA White Wolves: The One With Mark-Paul Gosselaar ). And that Rocky protected his little brothers and never gave up, even when all seemed lost. When Colt wanted to karate chop the mean kids at school, who was the voice of reason who calmed him down? Rocky. When idiot surfer-kidnappers invaded the boys’ house, who came up with the plan to take them down, Home Alone -style? Rocky did. Most of all, I loved Treanor because he rocked a dreamy, short on the sides/long in the front early ’90s hairdo that stayed perfectly coiffed even when Rocky ninja-jumped ten feet into the air to dunk on a pair of bullies in a basketball game to win his girlfriend’s bicycle back! Which brings me to the bane of my eleven-year-old existence: Rocky’s girlfriend, Emily. Ugh, Emily. The worst. It took a good few decades for me to get over my Emily-hate; it helped that by High Noon at Mega-Mountain , Rocky had wisened up and gotten himself a girlfriend named Jennifer, even if by that fourquel I’d already moved on to Team Colt. But I digress! Happy 20th, 3 Ninjas . Hollywood never quite made ’em like they made you. (Except for all those sequels. And those other ’90s kid flicks I wore out on VHS.) So good. So ’90s. The best thing Turteltaub ever made, and yes, that includes Cool Runnings . Never forget. [ Hollywood.com ]

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20 Years Ago Today: In Praise of 3 Ninjas

Alternative Music Pioneer Peter Ivers Lives On Via Limited-Edition Eraserhead Soundtrack Release

Still enthrallingly spooky after all these years, the soundtrack to David Lynch ‘s groundbreaking — and mind-blowing — 1977 film Eraserhead got a lovingly produced limited-edition vinyl release on Tuesday that, I hope, refocuses attention on the life and tragic death of one of its key contributors, Peter Ivers. Sacred Bones records released a sweet deluxe edition of the soundtrack that initially was limited to just 1,500 copies, but after that first edition sold out, the Brooklyn, NY-based indie label has agreed to press a second edition of just 1000 copies, which it’s selling for $25.00. The package includes the soundtrack in vinyl and digital form — a convention-shattering soundscape of industrial bleeps, buzzes and hums that Lynch and sound designer Alan Splet spent years perfecting. Also included: a 16-page booklet featuring beautifully reproduced production stills that show Lynch dressed like a 20th-Century iteration of Johnny Appleseed. For me, the cornerstone of the release is Ivers’ work, not only the movie’s eerily old-timey theme song, “In Heaven,” which was sung by the Lady in the Radiator in Lynch’s film, but a previously unreleased Ivers composition, “Pete’s Boogie,” that was discovered during the transferring of the original soundtrack audio tapes. The Illinois-born, Brookline, Mass.-raised Harvard graduate was a musician whose close friends included National Lampoon founder Douglas Kenney and Saturday Night Live and Animal House star John Belushi. In the 1970s, Ivers recorded for Epic and Warner Bros Records, and beginning in 1981, he amassed a fervent cult following as the free-associative poetry-spouting host of New Wave Theatre on the USA  cable network’s   Night Flight program block. A kind of underground SNL , the show  featured comedy and alternative bands such as the Dead Kennedys and the Angry Samoans that were really not ready for prime time. Like his friends Kenney and Belushi, who died, respectively, in 1980 and ’82, Ivers would not make it to mid-decade. In March  1983, he was found bludgeoned to death in his Los Angeles apartment.  According to Wikipedia, new information in a book about Ivers’ life prompted the L.A, Police Department to reopen the investigation into his death.  I contacted the LAPD to see what the status of that investigation is, and am waiting on a reply. Stay tuned.  In the meantime, here’s an example of Ivers’ inspired New Wave Theatre work — further proof,if you ask me, that his life is worth reexamining. Watch It On YouTube . Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Alternative Music Pioneer Peter Ivers Lives On Via Limited-Edition Eraserhead Soundtrack Release