Tag Archives: film

Iggy Azalea ft. T.I. & B.o.B – “M.D.M. (Million Dollar Misfits)” [Listen]

Iggy Azalea’s forthcoming EP, Glory, is now TBD, but it isn’t stopping her from dropping new music from the project. The Australian rapper, and Wilhelmina model, shares “M.D.M. (Million Dollar Misfits),” featuring her Grand Hustle brethren T.I. and B.o.B… Continue

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Iggy Azalea ft. T.I. & B.o.B – “M.D.M. (Million Dollar Misfits)” [Listen]

Black Dynamite Animated Series Trailer [Video]

Put down the Anaconda Malt Liqour. Fans of the new age Blaxploitation comedy Black Dynamite should be pleased to know that an animated series based on the film is well into production with its first episode scheduled to premiere July 15th… Continue

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Black Dynamite Animated Series Trailer [Video]

Seth MacFarlane talks about watching his first movie! — Hollywood.TV

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Hollywood.TV is your source for all the latest celebrity news, gossip and videos of your favorite stars! bit.ly – Click to Subscribe! Facebook.com – Become a Fan! Twitter.com – Follow Us! Seth McFarlane talks about sitting in the back of the theater during the initial screenings of “Ted”, especially this movie as it was the hardest script he’s ever written. The challenge in this film was retaining the story arch throughout the movie, and he’s relieved that the movie is not a failure. He says he hopes that audiences relate to the talking teddy bear as an actual character…and not just a stuffed child’s toy. Originally, ‘Ted’ was an idea for an animated series! Hollywood.TV is the global leader in capturing celebrity breaking news as it happens. We cover all the major Hollywood events including The Golden Globes, The Oscars, The Screen Actors Guild Awards, The Grammy’s, The Emmy’s and the American Music Awards, as well as all the red carpet movie premiers in Los Angeles and New York. HTV is on the streets 24/7, at all the industry events and invited by the stars to cover their every move in Hollywood, New York and Miami. Hollywood.TV is currently the third most viewed reporter channel on www.youtube.com YouTube with almost 400 million views, and our footage is seen worldwide! Tune in daily for all the latest Hollywood news on www.hollywood.tv and http like us on Facebook!

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Seth MacFarlane talks about watching his first movie! — Hollywood.TV

Kevin McKidd on Scottish Roots, Brave Accents, Grey’s Anatomy and His Brush with John Carter

Among the many familiar faces in Disney-Pixar’s Brave – or familiar voices , rather – is actor Kevin McKidd , who joins fellow Scots Kelly MacDonald, Billy Connolly, Craig Ferguson, and Robbie Coltrane in bringing the tale of a 10th century princess to life in colorful detail. Earlier this week, Movieline spoke with the transplanted McKidd about his beloved home country, his Brave brogue, and the breakthrough moments in a career spanning his early turn in Trainspotting to his current gig on Grey’s Anatomy . Tapped for Brave , McKidd (who also lends his voice to the popular Call of Duty: Modern Warfare video games) contributed not one, but two voices to the animated adventure: He voices the honor-bound Lord MacGuffin, one of three battle-happy noblemen in King Fergus’s domain, and the lord’s awkward son Young MacGuffin, a bashful would-be suitor prodded to vie for the hand of the headstrong Princess Merida (MacDonald). For the role of Young MacGuffin, the Elgin, Scotland native offered his own solution to a stumped Pixar’s filmmaking crew searching to find the right unintelligible accent for the character. McKidd shared that and more with Movieline, discussing the post- Trainspotting “lean years,” the TV roles on Journeyman , Grey’s Anatomy , and HBO’s Rome that established him Stateside, his brush with Disney’s John Carter , and how the one-time engineering student forged his own path, a la Brave , to embark on his acting career: “There’s no point living unless you’re actually following the path you feel you should be on, you know?” I’ve never been to Scotland. You have obviously been, a few times. How could you not go to Scotland? It’s beautiful. You should go! Go now! Go today! Okay, I’ll just go right after this! But tell me, from your perspective having grown up there, how well do you feel Brave captures the feel and the spirit and the culture of the place you’re from? I think it really captures it – it’s almost like they took the best parts of Scotland and stuck them in a film and put them in Photoshop, kind of improved on Scotland. I didn’t think anyone could improve on Scotland but I think Pixar did. What are the best parts of Scotland? The glens, and the beautiful lochs… the amazing islands. I love the islands on the west coast of Scotland, they’re stunning places to visit. You take ferries from different ports to different places – the beautiful, white, sandy, clear beaches with no pollution. It’s a stunning place, but also the people are hilarious. I really miss the people. They’re your own people – or, for me, they’re my own people. And I do miss that. There also must be such a sense of the mythic history, so rich in this place. Growing up in Scotland, surrounded by these beautiful landscapes – did you feel that sense? Yeah! There were castles near where I was from, and I’d cycle my bike out there and we’d have picnics. There’s Duffus Castle, near Elgin, so there’s definitely that kind of epic historical nature to the landscape that’s there, that’s never far away. It’s just part of your life as you grow up. And we’d have standing stones just stood around in fields, with cows walking around them, that are ancient – truly ancient! How did you come to Brave ? It’s great that so much of the voice cast is actually Scottish. They just called me – they said, “We want you to be in this film!’ I said, “Who are you?” [Laughs] “Pixar!” “Pixar? I’ll do it!” And then they said it was about Scotland and I was like, brilliant! So it was a double-whammy for me, because just to be asked to be involved with Pixar is a big badge of honor. Then for the film to be about a place that I really love, was brilliant. So I didn’t even think about it for a second. At this point it’s interesting to hear the projects that different folks recognize you from – you’ve done notable television and film work, but many people also recognize your voice from your video game work. Oh yeah, from Call of Duty: Modern Warfare ! It’s huge, that game. It’s absolutely massive. And I didn’t realize how big video games are until I did them. Did the Brave call come before or after your gaming voice work? It was during, actually. I’ve been doing the Brave movie for four years, and I did Modern Warfare 2 and 3 over the course of two years. So it was all around the same time. Which of your works do you think inspired the Pixar folks to call you up for Brave ? I don’t know! They just said, “We think you’re a really good actor and we’ve been a fan of your stuff.” I think a lot of people at Pixar were very into Rome , on HBO. It was a great show. So I think that was the thing that made them go, “We’re interested…” I know that Andrew Stanton was very interested in me for John Carter , which I couldn’t do because of Grey’s Anatomy , so I think my name was around there. Which role was it, in John Carter ? I can’t remember! Did you go as far as to actually converse with Stanton about the film? We got close to meeting, and then the studio just said, “No, we can’t release him from Grey’s , so don’t even bother.” It was a shame. It’s been interesting to follow your career all these years – the first time I saw you was in Trainspotting . Yes. That was a long time ago… At what point do you feel like you really broke through? I think there were a couple of points, really. I think it was Rome that was the thing, because I had quite a lot of lean years after Trainspotting . I did a lot of cool work but very low budget and very indie stuff. I think it was Rome that was that game changer for me. That was also just about the time that cable television was emerging as this fantastic medium for storytelling, and look at it now. Yes – this force! I’m still so proud to have been a part of that show, and I miss that show. I’m so happy to be on Grey’s , but there was something about Rome – it was this real boy’s own show, it was about all these male relationships and these strong female characters, and it was really just an amazing show to shoot. Grey’s Anatomy in itself is quite a touchstone – isn’t landing that show a sign that you’ve made it? It’s kind of cool – I’m still pinching myself that I’m on that show. I was also fond of Journeyman … I loved that show, and I miss that show. I saw Kevin Falls, the creator, yesterday – he was playing golf with his son and I was behind him. We were reminiscing, it was great! We’re still good friends. That was a brilliantly written show, Journeyman – it just didn’t get the traction it needed. It’s hard these days in the business world, in the TV world. A TV show has to be a massive hit straight away, so it was unfortunate that it didn’t last. We sat through the writer’s strike and then we thought, “Shit, we’re going to have to just leave, and go back to the U.K.” – and then Shonda Rhimes called me. She said, “We want you for this show.” You and your family were ready to go back? Yeah, we were going to go, and Shonda said, “I want you to play this guy, Owen Hunt.” I knew Grey’s was a hit, but I didn’t know much about it. But it’s been a blast ever since, and I feel very, very fortunate, to be honest. Because I’m just this guy from a village in the highlands of Scotland, you know? Well, going back to your roots – you play not one, but two characters in Brave . The resemblance is stunning, by the way. [Laughs] Oh, thank you! I like the hairdos. You play Lord MacGuffin and his son, two very different characters in the periphery of Merida’s kingdom. It’s interesting to see how the vocal performances come through, because some of the dialogue is so minimal. But the younger MacGuffin has a very particular accent… He does! It’s kind of a great joke, to give him an accent so thick nobody can understand him – even other Scottish characters in the film. It works pretty well. They wanted the young MacGuffin to be completely not understandable, and they were asking my advice on how they should do it. I said, “The one thing I can suggest is, there’s a dialect from the home area that I’m from which is called the Doric, and it’s a very thick, almost Norwegian dialect that most people, even in Scotland, can’t understand.” Can you understand it? I can understand it because I grew up with it, my grandfather spoke it. But a lot of people familiar with that area can’t understand it. So I did some for them and showed them a few YouTube clips and they were like, “Oh my god, that’s amazing! That isn’t made up?” I said, “No, it’s real!” So I feel pretty stoked that I managed to get this crazy dialect from my home area into a massive Disney film. I love that – not to mention the fact that the character is so cute. He’s very cute. Well, he’s this shy boy, very big-boned – he’s shy like I was. I kind of channeled myself as a ten-year-old boy, because I was a painfully shy child. When did that change for you? Probably about age 14, because then I started acting and that was the thing that drew me out of myself. The themes that resonate strongly in Brave , aside from the fact that this is the rare female heroine who doesn’t need a love interest and gets to fight her own battles, involve the relationship between parent and child, and the idea of teenagers forging their own path in life. Do you feel that you relate to that sentiment yourself? I relate – I shouldn’t have been an actor. I should have been like a plumber, or something practical. I went to university to study engineering. What changed? I just knew that I wasn’t going to be happy. I could feel it in my gut, I could just feel it. So I made a change. I didn’t tell anybody, but I applied to drama school in addition, and got in, and then told my family that I was going in another direction. People were really cool about it, surprisingly! I think that can be a challenge – I was expecting them to be really not happy. But I think you have to do that sometimes, you have to just follow your gut. There’s no point living unless you’re actually following the path you feel you should be on, you know? Brave is in theaters today. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Kevin McKidd on Scottish Roots, Brave Accents, Grey’s Anatomy and His Brush with John Carter

Keira Knightley Talks About ‘Seeking A Friend’ … For Sex

Actress tells MTV News her romance with Steve Carell in ‘Seeking a Friend for the End of the World’ is not really a romance at all. By Kevin P. Sullivan Keira Knightley in “Seeking a Friend for the End of the World” Photo: The new Keira Knightley – Steve Carell film, ” Seeking a Friend for the End of the World ,” is not a traditional romance for a number of reasons — the main one being the meteor that is headed toward Earth and will likely end all life on the planet. The other, less cataclysmic way “Seeking a Friend” subverts your typical rom-com tropes is that the relationship at the center of the film isn’t—at least according to Knightley —a romantic one. It’s just about sex. Her character, Penny, and Carell’s character, Dodge, neighbors who have never spoken, only join forces when they’re left utterly alone as the world comes to an end. Eventually, their relationship becomes something more, but Knightley would argue not much more. “I don’t know that their romantic arc actually has much to do with romance in the beginning and has more to do with ‘It’s the end of the world, and we both want to have sex,’ ” she said. “I think that was sort of more what the romantic arc was hinged on, and then what it becomes is about friendship.” For such a complex on-screen relationship, chemistry between Carell and Knightley became all-the-more important, but the actress said that getting along with her co-star was never a problem. “As far as chemistry goes with Steve, he is one of the loveliest men in the entire world,” she said. “He is so funny, and so courteous to everyone. He is a consummate professional. He’s just a lovely, lovely man. I defy anybody not to have good chemistry with him.” Carell, who got his start as a comedian, once again shows off his dramatic chops in “Seeking a Friend,” and Knightley said he is not one of the funny men who have to be on all the time. “There are a lot of comics who are fabulous, but are relentlessly [telling] one joke after another, after another, which is completely fabulous, but when you’re working, it can be kind of tricky,” Knightley said. “Steve’s not like that. He is incredibly funny, but he’s funny in a way that makes everybody around him feel like they’re funny as well. He’s incredibly inclusive, but also, he’s a complete professional, so he’s about getting the best of everybody. If that means having a laugh and having a joke, that’s what happens. If that means giving everyone space, that’s what he means as well.” Check out everything we’ve got on “Seeking a Friend for the End of the World.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Seeking A Friend For The End Of The World’

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Keira Knightley Talks About ‘Seeking A Friend’ … For Sex

First Look: Christian Slater and Donald Sutherland in Assassin’s Bullet Images and Trailer

Christian Slater and Donald Sutherland star in the spy action pic Assassin’s Bullet (formerly titled Sofia ), about an ex-FBI agent (Slater) assigned to investigate the vigilante killings of terrorists in Eastern Europe. Action fans will know director Isaac Florentine’s work from Undisputed II and III ; take a look at the trailer debut, along with new images from the film and set, after the jump. Florentine’s earned kudos in the genre world for his action films, but Assassin’s Bullet introduces a new element: Namely, Bulgaria-born Elika Portnoy, who co-stars as an elusive and deadly agent and earns a story credit on the film. Synopsis: When an unknown vigilante begins killing high-priority terrorists from America’s Most Wanted list in Europe, a former FBI field agent (Christian Slater) is brought in by the US Ambassador (Donald Sutherland) to discover the identity of the assassin. Click here for Movieline’s exclusive gallery of images from Assassin’s Bullet . Assassin’s Bullet opens August 3.

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First Look: Christian Slater and Donald Sutherland in Assassin’s Bullet Images and Trailer

REVIEW: Tough, Devastating The Invisible War Takes on Rape in the Military

It’s hard to know exactly how to review something like  The Invisible War , how to step back and look at it as a movie through the steady barrage of emotional devastation it presents. The stranger sitting next to me at my screening spent the latter half of the runtime sobbing into a fistful of tissues, and I couldn’t blame her — the film, the latest documentary from the Oscar-nominated Kirby Dick ( Outrage, This Film Is Not Yet Rated ) presents a sickening chorus of accounts not just of rape but of institutional betrayal, of a system that’s utterly failed to protect or serve those who’ve joined it. The Invisible War is brutal in the cases of sexual assaults in the U.S. military it runs down, but it’s even harder to take when it then explores the lack of follow-up, the victim blaming and self-serving protection of those in charge and the status quo. Again and again, the interviewees in the film — who are mostly but not entirely women — tell stories of enlisting out of idealism, patriotism or family tradition, thinking they’ve found a place for themselves, only to realize that for some of their colleagues, they’ll only ever be a target, and for others, they’re going to be held responsible for their own safety and taken to task otherwise. The film offers a variety of stories from military rape victims from different branches of the armed forces, including the Coast Guard and the Marines. Disturbing patterns quickly emerge. A woman ends up on assignment somewhere where she’s usually outnumbered. She gets harassed; she gets raped. She reports what happened to her superior officer, who either warns her off, or is a friend of the attacker, or would just rather the problem go away. And usually, at least for the perpetrator, it does — an appallingly low number of cases actually get brought to any kind of justice. Dick skillfully weaves together interviews with presentations of some damning numbers — like the fact that 20% of active-duty female soldiers get sexually assaulted, and the military itself acknowledges that a lot of cases are underreported because accusations of rape are so discouraged and can also permanently damage careers. To listen to someone talk about how she ended up getting charged with adultery and conduct unbecoming an officer after being assaulted by a married colleague is to feel that these structures aren’t just fundamentally flawed, they actually encourage this kind of horrific behavior because there are no consequences. The Invisible War follows a few of its interviewees in their current, non-military lives. One, Kori Cioca, is a young mother trying to get the VA to help her with the surgery she needs for her facial injury — she had her jaw broken by someone with whom she was serving in the Coast Guard, a man who raped her. Struggling with PTSD and in constant pain, she’s able to eat only soft food and is told she hasn’t served long enough to be covered because she left after the assault. Navy Seaman Trina McDonald was drugged and raped repeatedly while on a remote assignment in Alaska — the men attacking her were the military police to whom she’d need to report an assault. Now married to a woman and living in Seattle, she still struggles with trauma that, for a while, left her addicted and homeless. There are others — Marine Ariana Klay was told she must have wanted the harassment she received because she wore her military-standard uniform skirt. Elle Helmer, another Marine, and Navy Seaman Hannah Sewell had their rape kits “lost.” The film delves into what’s been done to change the present military culture and comes up with some laughable in-house poster and video campaigns that feature a woman soldier being angrily quizzed about why she’s out by herself and another that urges guys to “ask her when she’s sober,” suggesting that the problem in the military’s eyes is drunk girls with morning-after regrets rather than the kinds of attacks described by the interviewees on screen. The Invisible War also suggests, though doesn’t pursue the way perhaps it should have, that the military has a higher percentage of sexual predators than the outside world — because they’re drawn to the macho imagery with which enlistment is sold. The film certainly offers a solid case for military service being a great environment for someone with those inclinations, because there’s little recourse for a victim to report what happened outside of going to his or her commanding officer (one spokesperson earnestly suggests one could also write to one’s congressperson as a secondary option), and that goes against military sentiment of solidarity and strength through suffering. But solidarity’s worth nothing if you’re not actually a part of the whole, and both the accounts on display here and the way so many of the interviewees conclude that, initial positive experiences aside, they couldn’t recommend that anyone serve, show just how warped the system is and how many scars it’s left. The Invisible War   might be best judged as a piece of activism, in which case it’s already succeeding — after seeing the film in April, Secretary of Defense Leon Panetta took the responsibility for sexual assault investigations away from commanding officers and put them in the hands of higher-ranking officials. It’s a step in the right direction, but this doc makes it clear there are many more serious changes to be made. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: Tough, Devastating The Invisible War Takes on Rape in the Military

REVIEW: Abraham Lincoln: Vampire Hunter Tells the Real Story Behind the Civil War — Not!

It’s not every day you see a movie and ask yourself, “Why does this thing even exist?” But I’m truly puzzled by the existence of Abraham Lincoln: Vampire Hunter . I get that it’s based on a novel by Seth Grahame-Smith, part of a pop literary genre — launched by Grahame-Smith himself — that takes famous figures, fictional or otherwise, and pits them against vampires and zombies. I get that it’s directed by Timur Bekmambetov, the zany Russian-Kazakh mastermind behind cult apocalyptic favorites Night Watch and Day Watch (2004 and 2006, respectively), not to mention the stupidly entertaining 2008 action thriller Wanted. I even grant you that it’s probably OK to make up wholly imaginary motives for why Abraham Lincoln might have wanted to end slavery, motives having to do not with the preservation of human dignity, equality between all people and all that rot, but because it was kind of a handy sideline to the task of ridding the world of vampires. I know and accept all of this. And still I ask — Why? I do understand, sort of, the appeal of Benjamin Walker, a young actor who made a splash on the New York stage a few years back in another semi-historical (actually, pretty damn historical) work of fiction, Bloody, Bloody Andrew Jackson . In Abraham Lincoln: Vampire Hunter , he plays first the young and then, with a strip of fun fur attached to his chin, the older Abe Lincoln, radiating a suitable degree of Mount Rushmorelike intensity. But again I ask — Why? Abraham Lincoln: Vampire Hunter provides an alternative history of the Civil War, one that begins during Abe’s childhood: He realizes an evil neighbor has caused the death of his mother, but he doesn’t know exactly how. Later, he meets a fellow who explains it all: Henry Sturgess (Dominic Cooper) gives Abe the lowdown on vampires who restlessly walk the earth — the man who murdered Abe’s mother was one of these nasty dudes — and then trains him in the art of vampire destruction (it’s a little more complicated than you might imagine), necessitating a training sequence in which Abe learns to twirl an ax like a majorette at Ole Miss. Mid-movie, Abe retires from the vampire hunting game and turns his attention to politics. By this time, he’s married (to a serene Mary Todd, played by Mary Elizabeth Winstead), and before long, the Civil War breaks out and things get really hairy, including his chin. It’s then that Abe learns the bloodsuckers, led by vampires extraordinaire Adam (Rufus Sewell) and Vedoma (leggy model-turned-actress Erin Wasson), play an even more sinister role in American politics than he’d previously thought. Meanwhile, the always-terrific Anthony Mackie wanders through the film listlessly as Abe’s Black Friend. It doesn’t take long for Bekmambetov to wear out his welcome with a laundry list of generic-looking action sequences: When you’ve seen one vampire get stabbed in the eyeball, you’ve seen ’em all. Actually, the script, written by Grahame-Smith, explains the whole North vs. South, Abolitionist vs. pro-slavery interests, vampire vs. human thing pretty well, considering how inane it is. And the picture is surprisingly handsome-looking, especially for a 3D vehicle. (The DP is Caleb Deschanel.) But none of those attributes are enough to convince me that Abe Lincoln: Vampire Hunter isn’t the sort of story that’s best left as an unfilmed concept. The moment Winstead’s Mary Todd Lincoln taps her foot impatiently and calls to her husband, “Hurry, Abraham — we’ll be late for the theater!” can’t come soon enough. At least Grahame-Smith had the good sense to realize he couldn’t make up a better ending. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .

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REVIEW: Abraham Lincoln: Vampire Hunter Tells the Real Story Behind the Civil War — Not!

‘Taken 2’ Trailer: Five Key Scenes

Liam Neeson is back as international badass Bryan Mills in a brand-new trailer for the hotly-awaited ‘Taken’ sequel. By Josh Wigler Liam Neeson in “Taken 2” Photo: Liam Neeson has a very particular set of skills. Skills that make him a nightmare for people like you — unless you’re a fan of ex-CIA operatives who remain unreasonably badass in their golden years. In that case, Neeson is something of a dream come true. The Oscar nominee remains in perfectly hardcore form in the first official trailer for “Taken 2,” the sequel to the 2008 action flick that kick-started a surprising new phase in Neeson’s career. Since his turn as former spy Bryan Mills in the Luc Besson-produced thriller, Neeson has become the go-to guy for older-man-kicks-so-much-ass action movies like “The A-Team,” “Unknown” and “The Grey.” But it’s “Taken” that remains the decisive favorite for Neeson fans, and seeing him run around in that particular world once again is the action-movie equivalent of comfort food: a bit familiar, yes, but gloriously so. Here are five key scenes from the “Taken 2” trailer. A Job for Boris the Blade When you need a vaguely Eastern European bad guy to add gravitas to your film, call Rade Serbedzija. With bad-guy credits including “Snatch,” “24,” “X-Men: First Class” and more, he’s the man for the job. In “Taken 2,” he’ll be the one giving Mills hell, concocting an elaborate scheme to get revenge for his son, who was killed by Mills in the first “Taken” film. “He slaughtered our men,” he scowls in the trailer. “Our brothers. Our sons. We will find him. And we will have our revenge.” Family Reunion Our villain’s vengeance will take him and his men to Istanbul, where Bryan’s ex-wife Lenore (Famke Janssen) and daughter Kim (Maggie Grace) pay him a surprise visit. Bad timing, considering the spit-storm headed Mills’ way. But there’s a silver lining: Bryan’s relationship with his daughter seems much smoother than ever before, and it even looks like he might have another shot at love with Lenore … assuming they survive their next ordeal. Phoning It In The “Taken 2” trailer is fantastically familiar, even if the tables are somewhat reversed this time: It’s not Kim being taken, but Lenore and Mills himself. When he gets on the phone to once again instruct Kim on what to do next, his directions are different, but the tone remains the same. With Mills and Lenore at the mercy of terrorists, it’s going to be a whole new ball game in “Taken 2,” their lives depending heavily on help from … Saving Grace Traditionally the character who mucks everything up for her surrounding cast (see “Lockout,” “Breaking Dawn,” “Lost” and so many more), Maggie Grace will finally get her opportunity to shine as a bona fide badass in “Taken 2.” She’s seen in the trailer jumping from rooftops and facing down guns with (almost) no tears, a marked improvement from the Kim of the last “Taken.” But as she told MTV News just a few weeks ago, Kim is “empowered … [but] she doesn’t morph into La Femme Nikita.” So temper your expectations just a little bit. “You’ll Just Have To Die” Frankly, Kim doesn’t really need to step up her game. Even if he’s captured early on in the film, Neeson’s ex-spook won’t be sitting on the sidelines throughout the proceedings, as the trailer clearly illustrates. He spends the final few seconds of the trailer breaking necks, shooting thugs and making explicit death threats over cell phones, as he’s wont to do. Old dog, same tricks — and we wouldn’t have it any other way. Tell us what you think of the new “Taken 2” trailer in the comments section below! Related Photos ‘Taken 2’ Trailer: Five Key Scenes

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‘Taken 2’ Trailer: Five Key Scenes

Inessential Essentials: Revisiting Live Action Hero Dolph Lundgren in Red Scorpion

The film: Red Scorpion (1988) Why It’s an Inessential Essential: Co-scripted and produced by Jack Abramoff, Red Scorpion is a starring vehicle for Sweden’s own living action hero, Dolph Lundgren. Being the modest gentle giant that he is, Lundgren has nothing but good things to say about the film during the interview segment he shot for Synapse Films new release of the movie. But that says more about Lundgren’s personality than it does the crackerjack B-movie. As self-styled Lundgren expert Jeremie Damoiseau remarks in his annotated(!) liner notes, Red Scorpion nearly ruined Lundgren’s career (more on this shortly).  Lundgren plays Lieutenant Nikolai Rachenko, a Russian “killing machine” that is tasked with murdering the leader of a group of rebel insurgents leading a coup in Africa. The Russians want the rebels stopped so they hire Rachenko to cozy up to the rebel leader’s advisor, now imprisoned by the Russians. In spite of repeated warnings from a smug, four-letter-word prone American journalist (M. Emmett Walsh, scowling up a storm), the rebel leader’s advisor grows to trust Rachenko, who in turn starts to see the murder and destruction caused by his comrades. Rachenko inevitably changes sides and becomes a hero, but only after being tortured by needles, attacked by scorpions, shot at, assaulted by a tank, thrown onto a moving motorcycle and berated repeatedly by the inimitable Walsh. How the DVD/Blu Ray Makes the Case for the Film:  In his liner note, Damoiseu gives a stirring and comprehensive history of Red Scorpion that reveals how the film’s freaky production history helped to make it a memorable role for the charismatic–look at him pout!–athletic–thighs as big as a Rob Liefeld comic book character!–and smart–has a master’s degree in chemical engineering!–Swede. According to Damoiseau, Red Scorpion was a vanity project for Abramoff, who Lundgren describes during his supplementary interview as “patriotic,” and, “fiercely anti-Soviet.” Case in point: the film’s budget more than doubled from its original $8 million. Furthermore, production on the film continued even after the New York Times reprinted a story that revealed Abramoff and director Joseph Zito were disrespecting the Comprehensive Anti-Apartheid Act of 1986 by shooting in South Africa. That article stirred up considerable controversy, like when, to quote Damoiseau, “Sweden’s own Isolate Africa Committee called for a boycott of all films starring Dolph Lundgren.” The controversy surrounding Red Scorpion, which got a meagre first-run domestic release in America of 1,200 screens and grossed $4 million in its first two weeks, also made it difficult for the Lundgren-starrer The Punisher to be released in American theaters one year later in 1989. But at the same time, what makes Red Scorpion so fun is the fact that everyone was clearly throwing caution to the wind when they made it. The film could have been shot anywhere but instead it was shot in the desert, causing the film’s shooting schedule to distend from its original 2 1/2 months to 4 1/2 months. The film’s crew similarly used real guns and real dynamite for stunt-work. And while Tom Savini’s make-up effects certainly wasn’t real, Lundgren did many of his own stunts. Several live black scorpions were let loose on his back in one scene (their stingers had rubber tips put on them) while a P.O.ed hyena took a bite out of Lundgren after the filmmakers shot a deleted scene that’s not featured in Synapse’s release but is alluded to in Damoiseau’s essay. Other Trivia: Lundgren is such a generous and kind raconteur that it’s pretty funny listening to him reflexively trying to defend some things that any other star else would either conveniently gloss over or dismiss. He praises Sylvester Stallone’s detail-oriented direction of Rocky IV but also commends Red Scorpion director Zito for his zeal: “Zito was very postitive and had full momentum all the time rather than focussing on the individual scenes.” Furthermore, Lundgren’s not even sure why he did some of the stunts that he did for Red Scorpion , saying about a stunt where he jumps onto a speeding motorbike: “I don’t know if I was just stupid or if Zito wanted it.” He added, “Crazy! I would never do that today.”

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Inessential Essentials: Revisiting Live Action Hero Dolph Lundgren in Red Scorpion