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Cult Fave Susan Tyrrell and the Zellner Bros. On Their SXSW Fable Kid-Thing

Filmmaking brothers David and Nathan Zellner ( Goliath ) tackle the isolation and discovery of childhood in Kid-Thing , a naturalist East Texas-set fable about Annie (Sydney Aguirre), a lonely ten-year-old tomboy who discovers a mystery woman at the bottom of a well while playing by herself one day in the woods. Lending her distinctive voice to the proceedings is Oscar-nominated cult actress Susan Tyrrell ( Forbidden Zone , Cry-Baby , Fat City ) as the woman in the well, who may or may not be real – or harmless. Movieline spoke with Tyrrell and the Zellner bros. about their Sundance, Berlin, and SXSW selection, which screens in Austin today. The ambiguity of what’s really going on in the world of Kid-Thing lends the film its sense for the childhood experience as witnessed through Annie’s eyes; ignored and left to her own devices by her hapless single father (played by Nathan Zellner), Annie stifles her frustrations at home and wanders the dirt roads and freeways on her BMX bike, casually destroying anything she stumbles across. On the one hand she’s deeply perceptive, the result of early confrontations with disappointment, neglect, and loneliness; on the other, she’s still a kid ruled by her own sense of logic, morality, and imagination. Many films have tackled the inner life of children, but few of them choose as their protagonists complex young girls facing the world with such a deeply-felt emotional chip on their shoulder. David Zellner, who wrote and directed the film, explained what inspired the creation of Annie. “We wanted to do a movie centered around a child that was from the child’s perspective, as opposed to the rose-tinted glass of an adult perspective – whether it was an adult literally looking back or you just kind of get that vibe sometimes, a lot of films about children are sentimental and have a tendency towards being maudlin and we wanted it to be an in the now kind of perspective of what this kid’s going through, in terms of the beauty and horror of how they’re interpreting the world around them.” As played by newcomer Aguirre, Annie’s one of the more complex and interior child protagonists to come along in a while – destructive and emotional, growing out of her blithe childhood in the never-explained absence of her mother. Left to fend for herself, more or less, she increasingly tests boundaries in the world around her – and the discovery of Esther (Tyrrell), trapped at the bottom of a dark hole in the ground, puts Annie in control of something for the first time in her life. “I like how kids at that age are like little explorers and scientists and they’re all about pushing buttons and finding boundaries, and there’s this stimulus-response thing,” said Zellner. “’If I do this, how does the world around me react?’” The Zellners found their young star after working with her on a music video, and after years of developing the idea for Kid-Thing they knew they had just the right Annie. “She’s very physical and very athletic and we loved that, because you don’t see many girl characters that aren’t just precious,” Zellner explained, comparing her Annie to a female Huck Finn and a Days of Heaven / Out of the Blue actress Linda Manz. When it came to finding the right voice for Esther, the duo looked no further than veteran actress Tyrrell, whom they’d met through the Austin film scene. “Susan has this great demanding, aggressive, sweet, powerful voice,” remarked Nathan Zellner, “and Sydney’s so silent — but she battles her a couple of times in the film and it was like a power struggle between a ten year old and this mysterious woman.” Tyrrell, who refused to read the whole script (“I like to hear as little as possible — that’s my style,” she explains), agreed to lend her voice to the film and recorded her part in the span of a few hours. “I figured I had nothing to lose,” she said. “It was like two hours or three. That’s how I like to do it – fast!” Despite losing her legs due to illness in 2000 Tyrrell has continued to work in film here and there, appearing most recently in films like Masked and Anonymous as Ella the Fortune Teller. But in classic Tyrrell style, she has no reservations about showing her condition to the world. “I know people are looking, but I’ve always enjoyed attention. And I have my dog, everyone’s scared of her – she’s a silver giant poodle, a really big one. When we go out on the street it’s honk, honk!” In fact, she hopes to reunite with the Zellners on a much different feature film, in which she would star. “We have a very sick idea,” she promised. “The next film we’re doing, I can only say – I lost my legs, so I’ll be legless – there will be a lot of sex.” Though she now prefers a quiet life, Tyrrell keeps acting “for the money, honey!” But the independently-produced Kid-Thing , a modest affair by most standards, came about for other reasons. “You’ve got to do things for your friends,” she explained, “and hope that it all comes out.” Kid-Thing screens today and this week at SXSW . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Cult Fave Susan Tyrrell and the Zellner Bros. On Their SXSW Fable Kid-Thing

Jay Chandrasekhar on Olivia Munn’s ‘Hilarious’ Response to Hacked Sexytime Pictures

Last night at SXSW , Broken Lizard alum Jay Chandrasekhar debuted his latest comedy, The Babymakers , which features Olivia Munn as a woman whose not-so-potent husband (Paul Schneider) breaks into a sperm bank to retrieve his own, um, donations so they can get pregnant. Given the film’s balls-out embracing of sex jokes and a subplot concerning racy photographs, one could view those recent hacked photos of Munn in provocative poses as brilliantly conceived viral marketing, a fact that hasn’t escaped Chandrasekhar. He offered Movieline his two cents on the matter with a nod to Munn’s own recently-released photo response. “I spoke to Olivia about it,” said Chandrasekhar, who has worked with the G4 host-turned-actress on three Broken Lizard-related comedies. “At the end of the day what happened was her phone was hacked. It’s private! I know people could say, ‘Well, maybe you shouldn’t have pictures like that on your phone,’ but if my phone was hacked… it’s such a violation. And then once the pictures get out there on the internet, we’re looking at a real violation of somebody.” Photos taken from Munn’s hacked phone made their way to the interwebs last week , depicting the scantily clad actress in racy poses. Accompanying Photoshopped (or, rather, Skitched ) arrows and dirty talk scrawled across the pictures only made them more infamous and bizarre, but Munn wasn’t the only celebrity whose private phone cam pics made waves that week. “I honestly believe Olivia is a great actress and I think that there’s a part of this business that will try to do what it did to Lindsay Lohan or Britney Spears – they want you to explode, eventually,” said Chandrasekhar. “They want you to become really famous for being really hot then they want to see you naked and then they want to eat you alive. I think Olivia, because of her acting ability, has an opportunity to be famous for her talent and not for this. And look, it’s not her fault these pictures came out.” That said, the timing of the photo leak may serve as a coincidental boon for The Babymakers , which is currently seeking distribution. Chandrasekhar says Munn cooked up a set of her own mock sexy pictures in response to the hubbub, poking fun at the situation; might her good-humored reaction pique audience interest in the film by showing that Munn has a sense of humor? “From a marketing standpoint I totally recognize that it’s going to be a positive for the film. I get it, people will be curious. But she’s printed some subsequent pictures that are fucking hilarious. She hasn’t put them out yet [ ed. Today Munn released at least one of these response pics today along with an open letter ], but they’re hilarious and really make fun of this whole event. She totally gets how to spin something funny.” [ @oliviamunn , WSJ Speakeasy ]

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Jay Chandrasekhar on Olivia Munn’s ‘Hilarious’ Response to Hacked Sexytime Pictures

Twee-riffic! Wes Anderson’s Moonrise Kingdom Will Kick Off Cannes

Get ready for some twee twinkling on the Croisette — Wes Anderson ‘s Moonrise Kingdom is set to open the 2012 Cannes Film Festival! Last year’s opener, Woody Allen’s Midnight in Paris , went on to enjoy a rousingly successful theatrical run on its way to a Best Picture nomination; Anderson’s comedy, about a pair of pre-teen lovebirds on the lam in 1960s New England, will open stateside just over a week after its May 16 Cannes debut and marks his return to live-action film after his most recent film, the Oscar-nominated Fantastic Mr. Fox . In a statement announcing the premiere, Cannes head Thierry Frémaux referenced Fellini and Renoir while calling Anderson a ‘ brilliant and inventive filmmaker ‘; not too shabby for a guy who most recently followed in the footsteps of some of cinema’s brightest directors by helming a pair of car commercials for Hyundai ! (Said ads are classic Anderson, though, through and through — can’t quite say the same for this week’s other ad director-for-hire, Darren Aronofsky .) Moonrise Kingdom stars youngsters Jared Gilman as Sam and Kara Hayward as his best gal Suzy, along with Bruce Willis, Tilda Swinton, Ed Norton, Frances McDormand, Jason Schwartzman, Bob Balaban, and Harvey Keitel. [ Deadline ]

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Twee-riffic! Wes Anderson’s Moonrise Kingdom Will Kick Off Cannes

Will John Carter of Tennessee Watch John Carter of Mars?

“Yes, because everybody’s giving me a ration about it. I wish they would have named it something else because I have a weird background and now people keep accusing me of being reincarnated.” I see. How about John Carter of Oklahoma? “Why are you calling? Oh. Well, he’s been dead for over 10 years.” [ Moviefone ]

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Will John Carter of Tennessee Watch John Carter of Mars?

Lie Down With Dogs, Wake Up With Beverly Hills Ninja 2 and a Lawsuit

There’s an old Korean proverb intoning that anyone who attempts to make a sequel to Beverly Hills Ninja starring David Hasselhoff will eventually get the cosmic punishment he or she deserves. If you don’t believe that, then ask Jay So, the plaintiff in a new lawsuit involving the unfinished Beverly Hills Ninja 2 and six figures’ worth of unpaid development work. THR passes along word of the suit filed Wednesday in L.A., in which So alleges that writer-director Mitchell Klebanoff and his Korean investors (the latter of whom Klebanoff successfully sued last year for his own improper termination) stiffed him on a $100,000 co-producer fee. This came after So “commenced substantial pre-production efforts and activities, including sourcing potential investors” — one of whom, Jungho Han, eventually partnered with Klebanoff, with both allegedly changing the company name and edging So out: As a result, So inquired about his $100,000. He then had a meeting Han, who allegedly told him that $200,000 had been obtained for the project, and that the money would be going to Klebanoff and Han. So was purportedly refused his fee. Meanwhile, around the time that So was karate-chopped out of the picture, the film experienced some money issues, according to details that were revealed in the earlier Klebanoff lawsuit. The film stopped production in LA, before resuming in Vancouver. Some of the film was shot, but it was never completed because Klebanoff and Han argued over things like whether the film’s lead actress should appear nude in the film. Of course . Did I mention that David Hasselhoff was in this, too? What could go wrong? Moreover, this is what they’re dealing with at Los Angeles Superior Court? I say let Judge Joe Brown dispense with this in 15 minutes, complete with a lesson about the stinking miasma of Hollywood values and maybe remanding the litigants to some kind of experimental rehab for hideous taste. Or exiling them to space. Now I’m out of ideas. Suggestions? [ THR ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Lie Down With Dogs, Wake Up With Beverly Hills Ninja 2 and a Lawsuit

Here’s The First Trailer For On the Road

The first trailer for the lonnnng -awaited adaptation of On the Road is here — an international/market spot (the film doesn’t yet have US distribution) showcasing Jack Kerouac’s shambolic literary stylings and director Walter Salles’s ensemble including leads Sam Riley, Garrett Hedlund, Kristen Stewart and a kind of staggering supporting ensemble: Viggo Mortensen? Kirsten Dunst? Amy Adams? Terrence Howard? Steve Buscemi? Elisabeth Moss? You can’t Beat it! Honk. Sorry, it’s late. Anyway, fingers crossed this video isn’t yanked sooner than this post is published, but fair warning! And probably look for this to debut at Cannes in May. [via indieWIRE ]

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Here’s The First Trailer For On the Road

‘Silent House’: The Reviews Are In!

‘[Elizabeth] Olsen rivets our attention, and the camera’s, so fiercely it verges on unbearable,’ Kat Murphy of MSN.com writes. By Kara Warner Elizabeth Olsen in “Silent House” Photo: Open Road Films Although based on a 2010 Uruguayan Spanish-language horror film, “Silent House” is supposedly inspired by actual events, which only adds to its creep factor. It’s not a movie for the faint of heart. Elizabeth Olsen stars as a young women who finds herself trapped in a remote cottage where she is haunted and hunted by unknown horrors. While critics seem divided over whether it is mostly good or bad — the film is currently hovering around the 50 percent Fresh mark over at Rotten Tomatoes — almost all of them had high praise for the technical construction of the film, which was uniquely done by filming the entire movie in one long, continuous shot . Read on through the “Silent House” reviews … if you dare. The Plot ” ‘Silent House’ introduces us to our soon to be harried heroine, a 20-something who’s returned with her father to their old family vacation home (in the woods and by a lake, natch) to pack it up, board it up, and say farewell to it before it goes on the market. But it’s going to take a lot of work — squatters have defaced it; rust has wrecked the plumbing; and mildew’s worked its way into the electrical system. The house is much like Sarah … she’s barely hiding lots of peeling paint, weak foundations, and broken windows to the soul. But why? We will find out, but first it is time to get scared! Dad and Sarah are soon joined by Uncle Peter who’s come to help with the tidying, a neighbor Sarah really doesn’t remember from childhood summers pops by, and a creepy little girl lurks just out of sight in convenient shadows. The players are in place, and the suspense begins. It’s just little things at first; a noise here, a falling piece of plastic sheeting there. And then Sarah’s dad is attacked, his eye bloodily gouged from his skull. Sarah tries to run — and she does escape the dwelling of doom, but she’s lured back inside by clever, insidious means. To reveal much more would be spoilery, but I will say that Silent House is the kind of movie you must suspend all disbelief for (OK, maybe some of the embarrassingly foreshadowing dialogue is diss-worthy) in order to enjoy. Just watch the girl, follow her, and get caught up in her terror. It works on a visceral level, similar to the French film of a few years back, ‘Ils.’ ” — Staci Layne, Horror.com The Technical Achievement “Like Alfred Hitchcock’s ‘Rope’ or the original movie, the conceit of the film is that it’s entirely shot in one take with only a couple obvious times where they could have easily cheated. If you weren’t informed in advance that the movie was done in one take, you may not even realize it as the camera person/DP follows the characters up and downstairs, in and out of the house in an incredibly fluid way, barely missing a beat as we go from mundane packing activities to intense horrors. [Directors] Kentis and Lau have done a terrific job creating an atmosphere of tension, keeping the viewer on the edge never knowing what to expect or in fact, what exactly is going on. This helps to make some of the more obvious jump scares work better than they might normally, something that can also be attributed to Nathan Larson’s subtle but effective score. Even so, the filmmakers sadly go for many often-used clich

9 Film Villains Who Actually Scare Me

When it comes to frightening cinematic villains, this list will likely seem tame to hardcore horror film fanatics — those who revel in phantasmagoria. But to my mind, horror films are very rarely scary, usually hovering somewhere between slapstick and melodrama. What makes for a really scary character to me has little to do with those qualities most often found with the horror film ghoul, being a penchant for brutality, a supposedly fraught psychological profile, or any underpinning mysticism. Jason Voorhees of the Friday the 13th films, for instance, can boast all three. Yet, despite this, his appeal translates similarly to that of a clown: He proceeds with a certain inevitable performative gravity. Just as everyone knows that a clown will take a pratfall, we all know that Jason will make his kill. The fun is in just how the ax falls, if you’re into that sort of thing. Meanwhile, genuinely scary film characters don’t necessarily have to do anything. In fact, they’re more characterized by a sort of watchful unpredictability, or what they might do if given the chance, which could include pulling up a chair to warmly tell you about their day or, well, murdering you. This sort of lingering dread is different than suspense, which builds to a crisis. Here, the character’s presence — their mere existence — is the crisis. Though in many ways these nine film characters are not as obviously scary as your Jasons, Freddy Kruegers or Jigsaws et al., even the mention of some of them creeps me right out. Prince Prospero (Vincent Price) in The Masque of the Red Death Prospero represents the man of means, absolutely corrupted. He hypnotizes, tempts, and spreads death wherever he goes. In one scene he condemns some of his hapless subjects to die, relishing in the means of their execution. “Garrote them!” he says. In another scene, he casually mentions that he worships the devil. Visitor #1 (Grace Zabriskie) in Inland Empire This character’s profoundly strange appearance is short, but it makes a lasting impression. In the scene where Grace Zabriskie’s visitor calls on a character played by Laura Dern, she turns a fairly straightforward conversation between neighbors into a story about the nature of good and evil, with absolutely no provocation. The character is something straight out Grimm’s Fairy Tales , though even weirder, striking a stark contrast to the domestic setting, the home movie quality of the film, and especially Dern’s politely tense forbearance. Zabriskie is a great actor, often tapped to play characters on the brink, but this might be her best turn ever. (See the unembeddable clip here .) The Beast in Krull Evocative of the tentacled monsters of H.P. Lovecraft, the otherworldly villain of Krull surely qualifies as one of the scariest creatures of the sword-and-sorcery film genre. Plot-wise, the Beast has some vague prophecies attached, but no one seems to really know why or how it shows up from outer space to wreak havoc. Its immense form seems amphibious, but it appears shrouded in smoke and shoots lightning from his slimy, fish-like mouth. Most of Krull is total boilerplate, but the compelling fantasy imagery, especially as displayed in The Beast and the black-eyed Emerald Seer, make this film worth a look. Sid (Erik von Detten, voice) in Toy Story Why is Sid scary? Because he turns an otherwise cutely complicated world upside down. The Toy Story films don’t really get into the darker implications of the toy characters being subject to built-in obsolescence until the second film. Initially, the main conflict presents as a competition between Woody and Buzz for their owner’s favor, but Sid’s childish violence heightens the drama and foreshadows the darker material ahead. Frank (Henry Fonda) in Once Upon a Time in the West Like a lot of classic film villains, Frank seems to have no limits to how low he’ll go. He feels no moral qualms about murder or torture. What sets him apart is his almost provincial ambition to be a businessman. Eventually he realizes that he doesn’t have the entrepreneurial spirit, except where killing is involved. But the practicality initially motivating his cruelty both humanizes and demonizes him. Bruno Antony (Robert Walker) in Strangers on a Train The character who infamously offers to “trade murders” with a man he has never met in Alfred Hitchcock’s Strangers on a Train carries something of The Joker, something of Huckleberry Hound, and quite a lot of one of Hitchcock’s other parentally obsessed villains, Norman Bates. But Bruno Antony is scarier to me than Bates, in that he more readily moves in society, spreading his madness throughout the privileged class he inhabits. (This trailer is fan-made and admittedly kind of cheesy, but it has some good clips.) Mouse Alexander (Don Cheadle) in Devil in a Blue Dress Played expertly by Cheadle, Mouse Alexander is the ultimate blunt instrument. This film’s script would have allowed a cool-headed killer in Mouse, someone closer to, say, Mr. Blonde in Reservoir Dogs . But Cheadle highlights the innocence of the character, adding new layers. His mild irritation about the blood on his jacket in the scene below reveals how casually he regards violence, how confused he is without a gun in his hand. Harry Powell (Robert Mitchum) in The Night of the Hunter Much of the menace of Mitchum’s demented preacher is couched in the film being told from the perspective of children. Harry Powell’s religious talk might fool the grown-ups, but his would-be paternalism goes nowhere with the two young protagonists, who have him pegged from the start. The powerlessness of the children in a world inhabited by mad parental figures serves as the perfect contrast to Powell. And who can forget those “LOVE/HATE” tattoos? Alex (Alex Frost) in Elephant Director Gus Van Sant’s slow-paced, naturalistic take on the killings at Columbine High disturbed a lot of people. Alex is that disturbance, a wide-eyed victim of bullying who methodically plans a two-man military strike on his high school. Part Holden Caulfield, part Wilmer from The Maltese Falcon, this wounded, delusional character terrifies. Nathan Pensky is an associate editor at PopMatters and a contributor at Forbes , among various other outlets. He can be found on Tumblr and Twitter as well.

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9 Film Villains Who Actually Scare Me

The Lone Ranger First Look: Johnny Depp and Armie Hammer

Walt Disney Studios Motion Pictures has given us our first look at Johnny Depp in his latest eccentric role. The Oscar-winning star teams up with Armie Hammer for The Lone Ranger , starring in that May 2013 blockbuster as Tonto, the Native American BFF of the film’s title character. The Lone Ranger is a big screen adaption of the classic 1940s TV and radio series. It will produced by Jerry Bruckheimer and directed by Gore Verbinski. Said the former to Entertainment Weekly awhile back: “When the idea came up [for the movie], I started thinking about Tonto and what could be done in my own small way try to reinvent the relationship to attempt to take some of the ugliness thrown on the Native Americans – not only in The Lone Ranger, but the way Indians were treated throughout history of cinema – and turn it on its head.” Are you excited for The Lone Ranger remake?

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The Lone Ranger First Look: Johnny Depp and Armie Hammer

Rihanna Even ‘Better At Acting,’ ‘Battleship’ Co-Star Says

Taylor Kitsch also opens up to MTV News about filming his sexiest scene so far in ‘Savages.’ By Kevin P. Sullivan, with reporting by Josh Horowitz Rihanna in the “Battleship” poster Photo: Universal Pictures No one can ever accuse Taylor Kitsch of slacking off. In addition to the heading up the massive release of “John Carter” this week, Kitsch has two more movies headed for theaters before the summer is out. In his second big-budget action movie of the year, Kitsch will try to sink some alien scum in Peter Berg ‘s “Battleship,” based on the classic board game. Always a fan of ironic understatement, Kitsch told Josh Horowitz during MTV First, “Yeah, it was fun.” Through “Battleship,” Kitsch not only reunited with Berg, who gave him his breakout role as Tim Riggins in “Friday Night Lights,” but he also worked closely with acting legend Liam Neeson . “Liam Neeson is kind of decent. I had to carry Liam on my back,” Kitsch said. “Let’s just get that out there.” Knowing better, he added, “He’s going to eat me for breakfast.” Taking a more serious approach to talking about the movie, Kitsch said he was honored to work with both Neeson and Berg. “[Neeson] is amazing, and so is Pete. It was very flattering for him to come and pitch and talk about ‘Battleship’ and to regroup with him,” Kitsch said. “As you guys know, he was the catalyst in hiring Tim Riggins. I love the guy. He’s a dear friend. Again, it is so hard to say ‘no’ to that guy. This movie will surprise a lot of people.” “Battleship” also marks the big-screen debut for Rihanna , and when forced to say whether she could sing or act better, Kitsch took a very political approach. “Oh, man. This is a tough one,” he said. “This is intense. She’s better at acting.” Large action flicks aren’t the only tricks Kitsch has up his sleeve this summer. He’ll also star in a film from iconic director Oliver Stone called “Savages.” In “Savages,” Kitsch plays a pot grower who gets mixed up with the wrong people. The movie should have some of the raciest material Kitsch has had to work with. “There’s some sex in there. The opening scene of Chon, pretty intense,” he said. “Chon’s the guy I play in it. That opening scene, if [Stone] keeps it that way….” Blake Lively plays O, and Aaron Johnson plays Ben, so it’s basically these two guys that are in love with this one girl in their own way and will truly do anything for her and to get her back,” Kitsch said of the story. “She gets kidnapped quite early in the film, so it’s that journey of getting O back. And it’s those crossroads that are inevitably met with Benicio del Toro, John Travolta, Uma Thurman, Salma Hayek. Again, on the back.” Check out everything we’ve got on “John Carter” and “Battleship.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: John Carter Related Photos Five Important Moments In The ‘Battleship’ Trailer Related Artists Rihanna

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Rihanna Even ‘Better At Acting,’ ‘Battleship’ Co-Star Says