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James Franco’s General Hospital Psychodrama, Lesbian-Werewolf Romance Lead Tribeca 2012

Tribeca time already? Believe it: The 11th edition of the Manhattan-based film festival has announced the first half of its 2012 program, led in part by James Franco’s General Hospital behind-the-scenes psychodrama (!), the loooonnnng -gestating lesbian-werewolf romance Jack and Diane (!!), a hipster-crisis apocalypse thriller (!!!) and a fairly awesome-sounding Val Kilmer/Harmony Korine collaboration ( swoon… faint… thud ) — all joined by nearly four dozen other dramatic and documentary selections in three categories. They will follow the April 18 opening-night world premiere of The Five-Year Engagement . Read on for the full Competition and Viewpoints selections, and keep an eye on Movieline for more about Tribeca 2012 as events warrant. WORLD NARRATIVE COMPETITION All In (La Suerte En Tus Manos) Directed by Daniel Burman, written by Daniel Burman and Sergio Dubcovsky (Argentina)—International Premiere Professional poker player Uriel has been on a real hot streak—with the ladies—since his marriage fizzled out. But in between growing his online gambling business and helping to raise his kids, Uriel has rediscovered his old pre-marriage flame, Gloria…. Starring the great Valeria Bertuccelli (XXY) and Oscar®-winning songwriter Jorge Drexler, this romantic comedy from Daniel Burman (Lost Embrace) unfolds in the acclaimed director’s signature style: poignant, natural, and bitingly funny. In Spanish with subtitles. Beyond the Hill (Tepenin Ardi) Directed and written by Emin Alper (Turkey, Greece)—North American Premiere Faik, a proud old forester, is having trouble with nomads grazing their livestock on his land. For revenge, he and his hulking farm hand Mehmet snatch a goat to butcher for a family holiday, unwittingly sparking a dire blood feud. Debuting Turkish director Emin Alper creates an atmosphere of skin-crawling terror in this psychological drama by withholding, not showing, the escalating acts of violence that hurtle these feuding farmers toward a shocking confrontation. In Turkish with subtitles. First Winter Directed and written by Benjamin Dickinson (USA)—World Premiere In this extraordinary debut feature, a blackout of apocalyptic proportions strands a group of Brooklyn hipsters in a remote country farmhouse with no heat and no electricity during the coldest winter on record. At first, it’s all sex and drugs and acoustic guitars. But as the days go on and the food supply dwindles, struggles of power, jealousy, and desire threaten the group’s ability to work together in order to survive. The Girl Directed and written by David Riker (USA, Mexico)—World Premiere From the director of La Ciudad comes this moving drama about a single mother (Abbie Cornish) caught in emotional quicksand after losing her job and custody of her son. Desperate to earn cash for her custody battle, she makes the daring choice to help smuggle illegal immigrants over the border. A deep connection to a young Mexican girl will take her on a life-changing journey and force her to confront her past. In English, Spanish with subtitles. Jack and Diane Directed and written by Bradley Rust Gray (USA)—World Premiere Tomboy Jack and bubbly Diane fall head over heels in love one hot summer in New York City. When Diane reveals she must leave the city for school in Europe, their budding love is tested. Weaving horror elements into a distinctive and fresh yet timeless and universal first-love story, TFF alum Bradley Rust Gray (The Exploding Girl) brings his unique vision to this idiosyncratic story of the joys and terrors of first love. A Magnolia Pictures release. Nancy, Please Directed by Andrew Semans, written by Will Heinrich and Andrew Semans (USA)—World Premiere Paul’s life is good. He has a gig teaching literature at Yale, and he just moved in with his longtime girlfriend, finally shedding his casually sinister roommate, Nancy. There’s just one thing. Paul left an item of great importance at his old apartment, and Nancy doesn’t want to give it back.… Paul’s life is about to unravel. Debuting director Andrew Semans skillfully orchestrates a minor annoyance into an all-consuming obsession in this smart, stunning psychodrama. Postcards From the Zoo (Kebun Binatang) Directed by Edwin, written by Edwin, Daud Sumolang, and Titien Wattimena (Indonesia)—North American Premiere Acclaimed Chinese-Indonesian director Edwin (Blind Pig Who Wants To Fly) returns with a gorgeous, dreamlike fairy tale set inside Jakarta’s wondrous Ragunan Zoo. Abandoned in the zoo as a little girl and raised among the wild menagerie, Lana finally embarks outside the peculiar confines she has always known—and into the seedier side of Jakarta—when she falls in love with a charming magician. In Indonesian with subtitles. Una Noche Directed and written by Lucy Mulloy (UK, Cuba, USA)—North American Premiere Fed up with catering to the privileged tourist class, Cuban teens Raul and Elio are tantalized by the promise of a new life in Miami. Accused of assaulting a foreigner, Raul has no choice but to flee, but Elio must decide whether his own escape is worth abandoning his beloved sister. Brimming with the nervous energy of Havana’s restless youth and evocative cinematography of the sun-bleached capital, Una Noche follows one sweltering day, full of hope and fraught with tensions, that burns to a shocking climax. In Spanish with subtitles. Unit 7 (Grupo 7) Directed by Alberto Rodriguez, written by Rafael Cobos and Alberto Rodriguez (Spain)—International Premiere Unit 7 is a semi-official police detail with a seemingly impossible mission: kick Seville’s most vicious drug trafficking ring out of town ahead of a major international expo. By any means necessary. As they slip outside the bounds of the law in the name of duty, two officers fueled by violence, lies, and ambition end up on opposing paths. Spanish superstar Mario Casas (Neon Flesh) stars in this adrenaline-pumping action thriller. In Spanish with subtitles. War Witch (Rebelle) Directed and written by Kim Nguyen (Canada)—North American Premiere At 14, Komona has lived through horrors that eclipse any adult’s worst nightmares. In this mesmerizing, otherworldly drama, shot entirely in the Congo, she confides to the baby growing inside of her the harrowing story of her life since rebel warlords stormed her village. Fortified by eerily mystical powers and the warming friendship of an albino boy, the sensitive girl battles through this dire, war-ravaged world enchained as a child soldier. In French, Lingala with subtitles. While We Were Here Directed and written by Kat Coiro (USA)—World Premiere Jane (Kate Bosworth) and her English husband travel to Naples hoping to reinvigorate their silently disintegrating marriage and escape a personal tragedy that hangs heavily between them. When Jane, facing writer’s block, takes a day trip to a beautiful island off the coast, she meets a young American man living a hermetic life on the island. As the two embark on an unlikely emotional affair, Jane faces some drastic changes in her life. Yossi (Ha-Sippur Shel Yossi) Directed by Eytan Fox, written by Itay Segal (Israel)—World Premiere Returning to the role that won him TFF’s Best Actor award in Eytan Fox’s Yossi & Jagger in 2003, Ohad Knoller is extraordinary as Yossi, a closeted gay man living a solitary existence in Tel Aviv. A chance encounter with a group of soldiers ignites Yossi’s desire to live an open, fulfilling life. Written and directed with uncommon honesty and compassion by Fox, this is a deeply moving film about the power of second chances. In Hebrew with subtitles. WORLD DOCUMENTARY COMPETITION Ballroom Dancer Directed and written by Christian Bonke and Andreas Koefoed (Denmark)—North American Premiere In 2000, Slavik Kryklyvyy became the World Latin American Dance Champion. Enduring success seemed assured, but instead Slavik’s career sputtered… until redemption seemed possible with his new partner and lover, Anna. But will Slavik’s unwavering ambition prove toxic to their romance? Subtly depicting the pair’s shifting relationship through gestures, glances, and the dance itself, Ballroom Dancer begins as a comeback story and evolves into a movingly intimate tragic romance. In Russian, English with subtitles. Downeast Directed by David Redmon and Ashley Sabin (USA)—World Premiere Gouldsboro, Maine. Hit hard by the closure of the sardine canning factory, its laid-off residents—mostly 70-year-olds—just want to get back to work. So why is Italian immigrant Antonio Bussone having so much trouble getting federal funds to open a new lobster processing plant? Charged with the spirit of a generation that still gives it 110 percent, this poignant and poetic documentary sheds new light on the trying task of putting America back to work. Fame High Directed and written by Scott Hamilton Kennedy (USA)—World Premiere Scott Hamilton Kennedy’s follow-up to his Oscar®-nominated The Garden captures all the drama, competition, heartbreak, and triumph among a group of struggling students at the Los Angeles County High School for the Arts. From the nail-biting freshman auditions to the spectacular senior graduation performance, this endearing coming-of-age documentary is a tribute to discovering your passion and deciding whether you have the talent to take it to the next level. The Flat (Hadira) Directed and written by Arnon Goldfinger (Israel, Germany)—North American Premiere At age 98, director Arnon Goldfinger’s grandmother passed away, leaving him the task of clearing out the Tel Aviv flat that she and her husband shared since immigrating to Palestine from Nazi Germany in the 1930s. In this emotionally riveting documentary, Goldfinger follows the hints they left behind in a lifetime’s collection of documents to investigate long-buried family secrets and uncover the mystery of his grandparents’ painful past. In Hebrew, German, English with subtitles. High Tech, Low Life Directed by Stephen Maing (USA, China)—World Premiere With the Chinese government employing 40,000 “internet police,” more than half a million websites are blocked in the country. Local TV stations only publicize “the good news.” The rising tide of censorship has aroused a wave of citizen reporters committed to investigating local news stories and crime scenes. This timely and probing documentary tracks rogue bloggers Zola and Tiger Temple as they risk political persecution to become China’s uncensored eyes and ears. In Mandarin with subtitles. The List Directed by Beth Murphy (USA)—World Premiere After leading rebuilding teams in war-torn cities in Iraq, Kirk Johnson returned to America to establish and advocate for a growing number of Iraqi citizens now targeted by radical militias because they aided the U.S. in the reconstruction effort. TFF alum Beth Murphy (Beyond Belief) creates an affecting portrait of an unlikely but passionate humanitarian who has championed the cause of Iraqi refugees largely ignored by the U.S. government. In English, Arabic with subtitles. Off Label Directed by Michael Palmieri and Donal Mosher (USA)—World Premiere The term “off-label” refers to the use of pharmaceuticals in any way counter to their prescribed dosage and function. Weaving together the powerful, personal stories of misdiagnosed patients, professional guinea pigs, recreational drug users, and soldiers struggling with PTSD, Michael Palmieri and Donal Mosher (October Country) expose the breadth of off-label drug use and take us on an emotional road trip through an overmedicated, misdiagnosed, and drug-addled America. Planet of Snail Directed by Seung-Jun Yi (South Korea)—North American Premiere Deaf and blind, Young-Chan lives in a quiet, isolated world in his small apartment. But when Soon-Ho, an empathetic woman compromised by a spinal disability, comes into his life, a unique love story begins. Poetic and gently paced, Planet of Snail brings to life the sensual world shared by this special couple, and illustrates that the greatest beauty can be found in the smallest and most unlikely love stories. In Korean with subtitles. The Revisionaries Directed by Scott Thurman, written by Jawad Metni and Scott Thurman (USA)—World Premiere Once in a decade, the 15 members of the Texas State Board of Education meet in Austin to revise the textbook standards for five million schoolchildren. Led by Don McLeroy, a Young-Earth Creationist and Evangelical Christian, the panel implements standards that will ultimately go into effect in science and history textbooks for schoolchildren across the nation. The Revisionaries is a galvanizing peek behind the curtain at the politicization of education. The Virgin, the Copts and Me (La Vierge, les Coptes et Moi) Directed by Namir Abdel Messeeh, written by Namir Abdel Messeeh, Nathalie Najem, and Anne Paschetta (France, Qatar)—North American Premiere In his feature debut, French-Egyptian filmmaker Namir Abdel Messeeh sets out to investigate the phenomenon of supposedly miraculous Virgin Mary apparitions in Egypt’s Coptic Christian community. But when the secular director faces opposition from skittish producers and his Coptic family, Namir turns the camera on his wonderfully smart-alecky mother and reimagines his film as a touching, uniquely hilarious portrait of family and heritage. In Arabic, French with subtitles. Wavumba Directed by Jeroen van Velzen, written by Jeroen van Velzen and Sara Kee (Netherlands)—North American Premiere Mysticism and color reign in this stunning documentary steeped in the fishermen lore of Kenya. Revisiting a childhood fairy tale of a spirit-filled island with the magic to either bless or curse a fisherman’s journey, Dutch filmmaker Jeroen van Velzen explores his memories via Masoud, a real-life legend of shark fishing. His glory days long gone, Masoud relives his youth through grandiose stories told with swaggering pride and heartbreaking nostalgia. In English, Swahili with subtitles. The World Before Her Directed by Nisha Pahuja (Canada)—World Premiere Weaving together the seemingly opposing stories of the Miss India beauty pageant and a fundamentalist Hindu camp for girls, director Nisha Pahuja illuminates the situation of women across contemporary India, drawing surprising parallels in the way women are perceived and the opportunities that are afforded them in both modernizing and traditional cultures. The World Before Her is a riveting, thoughtful profile of the fundamental contradictions of a country in transition. In English, Hindi, Marathi, Gujarati with subtitles. VIEWPOINTS Babygirl Directed and written by Macdara Vallely (Ireland, USA)—World Premiere, Narrative For as long as she can remember, Bronx teenager Lena has watched her mom Lucy squander her life on a series of deadbeat men. When Victor, her mom’s latest boy toy, starts hitting on Lena, she sets up a trap to expose Victor for the creep he is… but the plan backfires. Macdara Vallely crafts a heartfelt drama about the emotional highs and lows in the moment between childhood and adulthood. Benji Directed by Coodie and Chike (USA)—World Premiere, Documentary In 1984, 17-year-old Ben Wilson was a symbol of everything promising about Chicago: a sweet-natured youngster from the city’s fabled South Side, and America’s top high school basketball prospect. His senseless murder on the day before his senior season devastated the city of Chicago and sent ripples of anguish nationwide. A stirring portrait of a phenom admired both on the court and off, Benji tells the story of a legend who might’ve been. Burn Directed by Tom Putnam and Brenna Sanchez (USA)—World Premiere, Documentary Detroit is burning. Meet the men and women charged with saving the once-roaring American city that many have written off as dead. With vast stretches of forsaken buildings left as kindling, they face one of the worst arson rates in the world. From executive producer Denis Leary, Burn drives us straight into the heart-pounding fire and introduces us to the characters and controversies that make up the most overworked and underequipped firehouse in the country. Caroline and Jackie Directed and written by Adam Christian Clark (USA)—World Premiere, Narrative When Caroline throws a surprise birthday party for her sister Jackie, what starts as an evening with friends devolves into a night that will change everything, as their bond is tested by the emotional mayhem only sisters can wring. Injecting his dinner-party-gone-wrong story with genuine tension, first-time filmmaker Adam Christian Clark strips away the layers of Caroline and Jackie’s fraught relationship right up until the film’s raw and moving conclusion. Certain People (Katinkas Kalas) Directed by Levan Akin, written by Lisa Östberg (Sweden)—World Premiere, Narrative A small group of friends—upper-class, art world bohemians in their thirties—gather at Katinka’s summer house to celebrate her birthday. Suddenly during dinner, Katinka’s brother arrives with Linda, a blonde game show hostess whose brusque and liberated manners are entertaining and fresh… at first. During the course of the evening Linda stretches the group’s invisible social rules of hospitality. Contempt starts to grow, and hidden prejudices flare up. In Swedish with subtitles. Consuming Spirits Directed and written by Chris Sullivan (USA)—World Premiere, Narrative Nearly 15 years in the making, Chris Sullivan’s Consuming Spirits is a meticulously constructed tour de force of experimental animation. Shooting frame by frame in 16mm, Sullivan seamlessly blends together a range of techniques into a distinct, signature visual style. In the process, he constructs a hypnotic, layered narrative, a suspenseful gothic tale that tracks the intertwined lives of three kindred spirits working at a local newspaper in a Midwestern rust belt town. Cut Directed by Amir Naderi, written by Amir Naderi, Abou Farman, Shinji Aoyama, Yuichi Tazawa (Japan)—U.S. Premiere, Narrative Award-winning Iranian filmmaker and TFF alum (Vegas: Based on a True Story) Amir Naderi travels to Tokyo to tell this striking, fiercely unconventional tale of a struggling young filmmaker, Shuji. Desperate to create great cinema, Shuji obtains financing for a few utterly forgettable pictures from his brother—who got the money from the mob. Now Shuji must repay his debts and test his love of the movies by working as a human punching bag for yakuza thugs. In Japanese with subtitles. Death of a Superhero Directed by Ian Fitzgibbon, written by Anthony McCarten (Ireland, Germany)—U.S. Premiere, Narrative Donald is a teenager with extraordinary talents, wild daydreams, and a bright future as an artist of fantastical graphic novels. But when Donald discovers that a very real enemy is trying to kill him, an unorthodox psychologist tries to help him find the light in an otherwise dark world. Thomas Brodie-Sangster and Andy Serkis star in this exceptionally honest drama about discovering life, love, and death. A Tribeca Film release. El Gusto Directed and written by Safinez Bousbia (Algeria, Ireland, UAE)—North American Premiere, Documentary A rhythmic cocktail of European and Arabic traditions, chaabi music was the heart and soul of cosmopolitan Algiers in the 1940s, but the war of independence with France tore apart the peaceful Muslim and Jewish communities that came together to play this unique music. A group of over-the-hill but still fiery musicians reunites after five decades apart in this spirited, gorgeously shot documentary about music’s power to transcend cultural boundaries. In French, Arabic with subtitles. Fairhaven Directed and written by Tom O’Brien (USA)—World Premiere, Narrative Jon is well past his glory days on the football field and searching for meaning in the small town of Fairhaven. When his friend Dave comes home for his father’s funeral, the limits of friendship are tested as the past is uncovered. This thoughtful meditation on love, loss, and minor triumphs reminds us that sometimes the most important things in life are the little moments we cherish forever. The Fourth Dimension Directed by Harmony Korine, Alexey Fedorchenko, and Jan Kwiecinski, written by Harmony Korine, Alexey Fedorchenko, Jan Kwiecinski, Oleg Loevsky, and Yaroslava Pulinovich (USA, Poland, Russia)—World Premiere, Narrative A motivational speaker named Val Kilmer (played by Val Kilmer) delivers a sermon at a roller rink. A Russian scientist builds a time machine in his apartment. Four friends stumble upon an abandoned village in the Polish countryside. All are in search of the fourth dimension—whether they know it or not. Weird, ominous, cool, compelling: These three short films could only be inspired by the creative vision of Harmony Korine and Vice Media’s Eddy Moretti. In English, Polish, Russian with subtitles. Francophrenia (or: Don’t Kill Me, I Know Where the Baby Is) Directed by Ian Olds and James Franco, written by Ian Olds and Paul Felten (USA)—North American Premiere, Narrative James Franco stunned the film world when he committed to a regular gig on General Hospital, but the Oscar®-nominated actor had a clever trick up his sleeve. While shooting a key GH episode, Franco brought along a film crew. TFF award winner Ian Olds (Fixer, 2009) then repurposed Franco’s behind-the-scenes footage into an experimental psychological thriller set amid the spectacle of a celebrity’s escalating paranoia, creating a mind-bending exploration of identity. Journey to Planet X Directed by Josh Koury and Myles Kane (USA)—World Premiere, Documentary By day Eric Swain and Troy Bernier are a couple of mild-mannered, middle-aged desk jockeys from Florida, but their wildest dreams come to life after hours when they get together to make fantastical sci-fi movies with the help of a green screen, amateur actors, and retro-futuristic computer graphics. As they embark on their most ambitious production yet, this hip and heartwarming documentary shows how boundless imagination can hilariously stretch the limits of DIY moviemaking. On The Mat Directed and written by Fredric Golding (USA)—World Premiere, Documentary Achieving greatness in high school wrestling requires a level of devotion unmatched perhaps by any other sport. That greatness has become a yearly expectation at Lake Stevens High, winner of seven Washington state championships in the past 10 years. Narrated by Lake Stevens wrestling alum Chris Pratt (Moneyball), this riveting documentary follows the team over the course of a season as they fight through injuries and academic issues to maintain their school’s legacy. Resolution Directed by Justin Benson and Aaron Scott Moorhead, written by Justin Benson (USA)—World Premiere, Narrative Michael is committed to getting his best friend Chris to sober up and put his life back on track. But what begins as an attempt to save his friend’s life quickly takes an unexpected turn as the two friends confront personal demons, the consequences of past actions, and forces beyond their control. Expertly balancing dark humor, heart, and thrills, Resolution is an utterly unique cinematic experience that defies genre classification. Room 514 Directed and written by Sharon Bar-Ziv (Israel)—North American Premiere, Narrative When a young, idealistic military investigator confronts an elite soldier with accusations of unnecessary violence against a Palestinian man in the Occupied Territories, her quest for justice ends up having far-reaching consequences. Director Sharon Bar-Ziv’s feature debut is a gritty minimalist drama that provides a raw, direct look at the psyche of contemporary Israeli culture as shaped by the effects of the ongoing conflict. In Hebrew, Russian with subtitles. Rubberneck Directed by Alex Karpovsky, written by Alex Karpovsky and Garth Donovan (USA)—World Premiere, Narrative Months after a one-night-stand-gone-nowhere with a sexy coworker, sad-sack Boston scientist Paul still finds himself increasingly consumed with obsessive thoughts toward his uninterested colleague. As his impulses become increasingly irresistible, and the repercussions of his actions snowball, the tension mounts. Indie stalwart Alex Karpovsky directs this slow-burn psychosexual character study. Sexy Baby Directed by Jill Bauer and Ronna Gradus (USA)—World Premiere, Documentary In the age of runaway social media and “sexting,” raunchy rap songs on pop radio and hardcore pornography at the click of a mouse—what’s it like to be a woman? A girl? A teenage boy? A parent? Following a middle-aged former porn star, a young woman undergoing a controversial surgery, and a 12-year-old girl who’s growing up faster than her parents can handle, Sexy Baby is a startling look at America’s increasingly sex-saturated culture. Stones in the Sun (Woch nan Soley) Directed and written by P. Benoit (USA, Haiti)—World Premiere, Narrative In the 1980s, in the midst of increasing political violence, a young couple, two sisters, and a father and son are driven from Haiti to New York, where they must confront the truths of their interlocked pasts. In her impassioned, penetrating feature film debut, Haitian director P. Benoit steers clear of clichés about immigrants and refugees, authentically tapping into the reality of the unique Haitian-American experience. In English, Haitian Creole with subtitles. Supporting Characters Directed by Daniel Schechter, written by Tarik Lowe and Daniel Schechter (USA)—World Premiere, Narrative In this funny and authentic take on modern relationships, best friends Darryl (Tarik Lowe) and Nick (Alex Karpovsky) are a film editing duo hired to rework a movie in crisis, only to find themselves increasingly consumed with reworking their own personal lives. While Nick begins to question his stable relationship after receiving attentions from the film’s flirtatious starlet, Darryl finds himself falling hard for tempestuous dancer Liana (Melonie Diaz). Town of Runners Directed by Jerry Rothwell (UK)—World Premiere, Documentary Over the past two decades the small, rural Ethiopian town of Bekoji has been the unlikely home to numerous Olympic champion long-distance runners, whose athletic success has paved the way for a generation of young Ethiopians searching for a better future. With a keen artistic eye, TFF award winner Jerry Rothwell (Donor Unknown) follows two teenage track hopefuls who face the challenge of growing up and striving for greatness in a developing nation. In Amharic, Oromo with subtitles. Turn Off the Lights Directed by Ivana Mladenovic, written by Ivana Mladenovic and Bianca Oana (Romania)—World Premiere, Documentary After years behind bars, three young men begin to rediscover lives of aggression and excess in their raucous Roma community. Among them is Alex, a captivating figure with a disturbingly blasé attitude toward violence, women, and guilt. In this absorbing documentary, offering a rare peek into contemporary Roma culture, Alex and his fellow ex-cons reconcile the outside world with the gray-shaded areas of morality with which they all struggle. In Romanian with subtitles. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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James Franco’s General Hospital Psychodrama, Lesbian-Werewolf Romance Lead Tribeca 2012

Wonderful Japanese ‘Brave’ Trailer is Packed With Mystic, Mythic New Footage

http://www.youtube.com/v/_8cLhckSAAw

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This is a must-see. I know some opinions have been divided on Pixar’s upcoming film Brave. Personally, I was captured by the first teaser trailer and then felt as if the clip and full trailer that followed were a bit scattershot. I was left not really knowing what to expect from the film. Now a Broadcasting platform : YouTube Source : /Film Discovery Date : 05/03/2012 12:37 Number of articles : 2

Wonderful Japanese ‘Brave’ Trailer is Packed With Mystic, Mythic New Footage

Dakota Fanning Has Cancer (and a British Accent) in Now Is Good

Young adulthood has seemed to suit Dakota Fanning well, as the now 18-year-old has embraced her transition out of childhood with a number of ballsy , mature moves. The latest in her career progression? Tackling the two-fold challenge of playing a dying cancer patient and sporting an English accent, as seen in the trailer for Now is Good . Try to ignore the Mia Wasikowska vibe emanating from Fanning (and the spectre of Mandy Moore , who did this already in the Nicholas Sparks pic A Walk to Remember , if you remember) after the jump. In the film, based on the 2007 YA novel Before I Die , Fanning’s a 17-year-old leukemia patient who decides to waive treatment as her condition gets worse in order to live life to the fullest, etc. Is she spunky in the face of impending death? Yep! Will she inevitably teach those around her lessons on how to live fully? I mean, of course. Is Fanning’s Brit-speak a bit wobbly but nonetheless confident? Absolutely. War Horse ‘s Jeremy Irvine co-stars as the boy Fanning wants to cross off her bucket list, if you catch my drift. Kaya Scodelario of Skins fame also co-stars, which excites me even though she’s nowhere to be seen here. I’m curious to see less of Fanning gleefully indoor skydiving and more of her breaking the law, having sex, getting into trouble thanks to the license terminal illness gives her character to pack a lifetime of risky, thrill-seeking behavior into a truncated last hurrah, but maybe that’s just me. The film is due stateside in 2012. [ Yahoo! ]

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Dakota Fanning Has Cancer (and a British Accent) in Now Is Good

‘Lorax’ Star Zac Efron Laughs Off Red-Carpet Condom Drop

Efron tells ‘Today’ show that he now has a ‘pocket-checking policy.’ By John Mitchell Zac Efron on the “Today” show Photo: NBC/ Getty At last week’s “Dr. Seuss’ The Lorax” premiere, the movie’s star Zac Efron caused quite a stir when he pulled his hands out of his pants pockets and accidentally dropped a condom on the red carpet. Unfortunately for the handsome star, just a few days later, he was scheduled to hit the talk-show circuit to promote the animated flick, which in these gossipy times meant fielding questions about the embarrassing snafu. His first stop was “Today,” where a blushing Matt Lauer asked Efron about the condom drop and, well, the journalist seemed to be having a harder time talking about the incident than the movie star. “Your name brings a lot of attention to this role and this movie, and there’s something else that brought a lot of attention to this movie recently, Zac, at the premiere,” Lauer said with a smile. “Yeah,” Efron answered reluctantly, knowing where the conversation was headed. Lauer then asked the “High School Musical” breakout to “take me through it.” Efron didn’t exactly want to do that, but he did assure the anchor that he “never really had a pocket-checking policy when I was going on the red carpet before, but now we’ve fully instated one.” “You dropped a … a condom on the red carpet,” Lauer elaborated, just to make sure everyone was on the same page, though he was clearly uncomfortable. “That was really hard for you to say,” the 24-year-old star observed. Clearly embarrassed by the conversation but maintaining his cool, Efron agreed with Lauer that the “better to be safe than sorry” message he was sending was “a great message to add to the many messages of the film.” That’s when things took a turn for the super -awkward. Lauer tried to move straight into a conversation about Efron’s production company. “You’ve got your own production company,” Lauer started before laughing. “And that’s a bad pun, by the way: your own production company.” Get it? His own production company. Related Videos MTV Rough Cut: ‘The Lorax’

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‘Lorax’ Star Zac Efron Laughs Off Red-Carpet Condom Drop

Scarlett Johansson to Star as Janet Leigh in Alfred Hitchcock and the Making of Psycho

We always knew Scarlett Johansson had great lungs. Now the redheaded lust object and catsuit-clad Avenger is gearing up to put those boobies- uh, babies – to good use as Janet Leigh in Alfred Hitchcock and the Making of Psycho . Due in 2013, the film seeks to capitalize on the success of My Week with Marilyn (2011) by dramatizing the behind-the-scenes experiences of…well, it’s right there in the title. We just have one suggestion for the filmmakers on this one…this time, try a clear shower curtain for that infamous shower scene. Catch up with the breast of Scarlett Johansson right here at MrSkin.com

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Scarlett Johansson to Star as Janet Leigh in Alfred Hitchcock and the Making of Psycho

‘Dark Shadows’ Photos Reveal Faithful Fashion

Vanity Fair character portraits prove Tim Burton is sticking with the aesthetic of the ’60s series. By John Mitchell Johnny Depp in “Dark Shadows” Photo: Warner Bros Another week has passed, and we still don’t have a “Dark Shadows” trailer . For those keeping tabs, we’re just over two months out (70 days, to be exact) from the scheduled release of Tim Burton’s campy vampire blockbuster. But to whet increasingly impatient fans’ appetites, in this month’s Vanity Fair, Burton and company have released some character portraits of Johnny Depp as Barnabas Collins, Michelle Pfeiffer as Elizabeth Collins Stoddard, Eva Green as Angelique Bouchard and Helena Bonham Carter as Dr. Julia Hoffman. The images — which are not yet available on Vanity Fair ‘s website but you can see here — are nothing we haven’t seen before. But hey, at least it means Warner Bros. is doing some promo, right? Taking a close look at the portraits — and, really, we might as well, because there isn’t much other “DS” material to stan over — it’s striking just how closely Burton and costume designer Colleen Atwood have kept Depp’s big-screen styling to the Barnabas “Shadows” series creator Dan Curtis developed for actor Jonathan Frid all the way back in 1967. The more we see of Depp in character, the more we’re reminded of Frid, who also appears in the film. “Johnny’s very open about what things are in the process, but he really lets people present things to him. He never really pushes at all,” Atwood told MTV News late last year about Depp’s costuming for “Shadows.” “Sometimes he doesn’t even look in the mirror in his fittings. It’s so funny. It’s pretty amazing. People would be surprised, because I think they have this image of Johnny, because he’s so stylish always, but he really feels his costumes, more than looks at them, and the movement and the feeling in them is really important.” From the hair and pale, monstrous makeup to the penchant for 18th-century bling, it’s kind of amazing how closely Burton is hewing to the look already established for the characters in the late-’60s series. And that’s true of nearly all the key players in his adaptation: He’s taken famed brunette Eva Green blonde, as Angelique (played by Lara Parker) was on the show, given Bonham Carter’s eccentric Dr. Julia Hoffman the same sweeping ’60s ‘do worn by Grayson Hall and has Pfeiffer sporting dark, regal ensembles similar to those worn by Joan Bennett to play Elisabeth Collins Stoddard. One notable exception is Chlo

EXCLUSIVE: A Dog, a Gun, and a Serial Killer’s Eerie Charm in Clip from Aussie Thriller The Snowtown Murders

” Shoot the dog .” In the vein of powerhouse Aussie import Animal Kingdom comes The Snowtown Murders , a chilling thriller based on the true story of charismatic charmer and sociopathic serial killer John Bunting, who led a band of criminals in South Australia as they kidnapped, robbed, terrorized, and murdered victims from their own community during the ’90s. Get a glimpse of the masterful manipulation skills that helped Bunting earn the notorious title of Australia’s worst serial killer in Movieline’s riveting exclusive clip, featuring Daniel Henshall as Bunting and Lucas Pittaway as his emotionally vulnerable protege — tasked here with proving himself by committing a heinous act at Bunting’s behest. In her review of the film , Movieline’s own Alison Willmore described Henshall’s Bunting as “an unassuming monster,” and as you can see in the clip below Henshall is wonderfully, and chillingly, unsettling. Director Justin Kurzel’s slow-burn pic introduces the notorious killer as a do-gooder savior who steps in to pull an ailing Australian community up by its bootstraps, drawing his group of brethren deeper and deeper into adopting and, frequently, aiding in his own ultraviolent tendencies; by the time the most heinous atrocities have been committed, it can at least be understood just how these neighbors and friends had fallen under Bunting’s destructive spell in the first place. First screened at the Cannes Film Festival (where it won the FIPRESCI Prize — special mention) as Snowtown , The Snowtown Murders is quite an unsettling but powerful watch, but is worth seeing especially if you’re curious about the so-called Australian New Wave. The film hits theaters in limited release today (NYC Friday at IFC Center, 3/15 in LA at the Egyptian) but can already be viewed now on IFC Midnight VOD. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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EXCLUSIVE: A Dog, a Gun, and a Serial Killer’s Eerie Charm in Clip from Aussie Thriller The Snowtown Murders

The Hunger Games Sneak Peek: Attention, Gamemakers!

Pssst, Seneca Crane and other Gamemakers: Katniss Everdeen would like your attention. A new clip from The Hunger Games should ease many concerns fans of this book series might possess, as it’s taken straight from the pages of the best-selling Suzanne Collins’ novel. Watch now as Katinss brandishes her best skill in order to make an impression on those who will decide her fate: The Hunger Games Clip: Katniss Takes Aim The sneak peek premiered on the movie’s Facebook page and included, along with it, the following statement from Collins: “I’m really happy with how it turned out… Director Gary Ross has created an adaptation that is faithful in both narrative and theme, but he’s also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well… The cast, led by the extraordinary Jennifer Lawrence , is absolutely wonderful across the board. It’s such a pleasure to see how they’ve embodied the characters and brought them to life.” The Hunger Games – EEEK! – opens on March 23.

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The Hunger Games Sneak Peek: Attention, Gamemakers!

‘Project X’: The Reviews Are In!

Critics call the found-footage teen movie immature, unfunny and even dangerous. By Kevin P. Sullivan Jonathan Daniel Brown, Oliver Cooper and Thomas Mann in “Project X” Photo: Beth Dubber/ Warner Bros. “Project X” is the new found-footage movie that claims to show the most out-of-control party ever. Well, it seems like the party might be over based on the reviews the film has earned. Critics have skewered “Project X,” calling it immature, unfunny and even dangerous. For some, that might sound like a ringing endorsement of the party, but when it comes to throwing a movie together, “Project X” is much less successful. Here is our roundup of “Project X” reviews. The Story “In suburban Pasadena, three exceedingly ordinary high school dudes stage a birthday bash for one of them, even though they’re hardly the sort of guys that you’d expect to attract a hot crowd. Thomas (Thomas Mann), the one turning 17, whose parents are going away for the weekend, is the dutiful son who has promised — oh, has he promised! — not to mess up their home.” — Owen Gleiberman, Entertainment Weekly The Laughs “It’s billed as a comedy, but there’s not a laugh to be had during the frenetic mayhem. There is also no plot beyond debauchery, nor characters beyond cardboard cutouts. Basically, it’s a setting, and a familiar one: a suburban home teeming with drunken, druggie, hedonistic, irresponsible high-schoolers.” — Claudia Puig, USA Today The POV “Aesthetically, the film sets the teeth grinding and the eyes aching. Presenting the spectacle from the p.o.v. of a home video camera documenting the event for posterity, first-time director Nima Nourizadeh and cinematographer Ken Seng swing the camera around with all the stability of a rowboat in a storm and unsurprisingly induce a strong facsimile of seasickness. The images tend to be dark and random, the music incessant.” — Todd McCarthy, The Hollywood Reporter The Parents in the Audience “But only about an hour in, ‘Project X’ grows repetitive and starts running out of steam, and you begin to wonder what could possibly occur over the remaining 30 minutes or so. And not to get all mom-ish, but it does send a disturbing message to teens under the guise of ‘edgy’ entertainment. If you provide a setting and the means for strangers to get hammered, it will make you cool. If you are a young woman who wants approval, you must get naked and give up the goods.” — Christy Lemire, The Associated Press The Final Word “The only people likely to buy into the oh-so-shocking exploits of the teen comedy ‘Project X’ are those who can’t get invited to their own high school parties. Though the central blowout is as epic as advertised, so is the movie’s self-congratulatory obnoxiousness.” — Elizabeth Weitzman, New York Daily News Check out everything we’ve got on “Project X.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Project X’: The Reviews Are In!

‘The Hobbit’ Is Going To Be ‘Amazing,’ Star Says

Benedict Cumberbatch tells MTV News working with Peter Jackson was ‘extraordinary.’ By Kara Warner Benedict Cumberbatch Photo: MTV News For those who have been keeping tabs on the comings and goings surrounding Peter Jackson’s return to Middle-earth in “The Hobbit: An Unexpected Journey,” there is a unique level of excitement building around the film. The die-hard Jackson fans and “Lord of the Rings” loyalists are eager to see anything helmed by the Oscar-winner, particularly when it involves a faithful adaptation of J. R. R. Tolkien’s beloved book, which has a different tone and fanbase from “LOTR.” This excitement level is not just for fans like us, but everyone involved with the production as well. When MTV News caught up with rising star Benedict Cumberbatch recently, who is playing not one but two roles in the film, he was full of praise for Jackson as well as his friend/co-star Martin Freeman. “I was very lucky [to work] with Pete,” Cumberbatch told us at Elton John’s Oscar-viewing party. “As far as the experience, what an extraordinary one it was because at the time I was in my work; I was in isolation with him and this incredible tag team. And at the very cool place with that technology doing mo-cap for two characters, Smaug the dragon and another character, which will remain nameless, and it was an awful lot of fun.” Cumberbatch went on to say that he hasn’t seen any finished shots from the film since he worked mainly by himself doing voice-over work and movements for the characters. “It’s a sort of wonderful ongoing process,” he said. “I spent a lot of time recording voice as well as doing movements. So, it was sort of freeing; it was fun. It was like playing a game. It’s going to be an amazing film; it’s going to be a real treat. I watched ‘The Lord of the Rings’ again before I started working, and the way those films grow in depth of craft on every level are extraordinary. Their mark is for that.” The “War Horse” actor admitted that the only trouble he had while on set was keeping a straight face when he saw his friend and “Sherlock” co-star Martin Freeman in costume as lovable Hobbit Bilbo Baggins. “It was great. I got to hang out with him, and I kept a straight face for a bit and then I started giggling because I know Martin, I don’t know Bilbo,” Cumberbatch said with a grin. “For Martin to be sitting there playing Bilbo is amazing. He’s going to be amazing, he’s going to be fantastic in this film.” What are you looking forward to most in “The Hobbit: An Unexpected Journey”? Leave your comment below! Check out everything we’ve got on “The Hobbit: An Unexpected Journey.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘The Hobbit’ Is Going To Be ‘Amazing,’ Star Says