Tag Archives: film

‘Hunger Games’ Cast Will Meet Fans At U.S. Malls

March mall tour including Jennifer Lawrence, Liam Hemsworth and Josh Hutcherson announced as advance tickets for flick go on sale. By Jocelyn Vena Josh Hutcherson and Jennifer Lawrence Photo: MTV News With “The Hunger Games” just four weeks away from hitting theaters, the cast will embark on a mall tour starting next month. Jennifer Lawrence, Liam Hemsworth and Josh Hutcherson all will make the rounds during the trek, kicking off March 3. The tour will hit eight cities over the course of a week with stops in Atlanta, Dallas and Los Angeles. In addition to meet and greets with the big three and other castmembers from the highly anticipated flick, the mall stops will include Q&A sessions and giveaways. The first stop, March 3 at the City of Angels’ Westfield Century City, will feature director Gary Ross as well as Lawrence, Hutcherson and Hemsworth. March 6 at the JW Marriott Atlanta Buckhead in Atlanta, Hemsworth will be joined by Leven Rambin, Dayo Okeniyi, Amandla Stenberg and Jack Quaid. There will be two stops March 7: Hemsworth, Rambin, Okeniyi and Quaid will appear at Scottsdale Fashion Square in Scottsdale, Arizona, while the Westfield Fox Valley in Aurora, Illinois, will host Hutcherson, Isabelle Fuhrman and Jacqueline Emerson. The following day, March 8, Lawrence, Alexander Ludwig and Stenberg are scheduled for the Westfield Broward Mall in Plantation, Florida, and Hutcherson, Fuhrman and Emerson will be on hand at Galleria Dallas. Lawrence, Ludwig, Stenberg, Hutcherson, Fuhrman and Emerson will greet fans March 9 at the Mall of America in Bloomington, Minnesota. The final stop, March 10 at Seattle’s University Village, will feature all three of the film’s top stars: Lawrence, Hemsworth and Hutcherson. In addition to the announcement of the mall tour, Wednesday (February 22) marks the first day fans can buy advance tickets to the flick, which opens March 23. Check out everything we’ve got on “The Hunger Games.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: Jennifer Lawrence And Josh Hutcherson MTV Rough Cut: ‘Hunger Games’ Related Photos The Hunger Games

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‘Hunger Games’ Cast Will Meet Fans At U.S. Malls

Are There A Dozen Headshots Too Many in This Redband Video from Act of Valor?

By many accounts — okay, mostly just the filmmakers’ — this week’s commando pic Act of Valor marks a new kind of filmmaking on account of it’s a Navy SEALS actioner starring real active duty soldiers that takes the viewer along on a near-firsthand experience of what it’s like to fight terrorists and baddies. From the looks of the film’s new redband featurette this means audiences will get to see what it looks and sounds like to drop dome shots left and right in the heat of battle, because nothing says “valor” better than shooting strangers in the head with automatic weapons. I’m sure there’s a fair amount of weightiness and responsibility within Act of Valor , since the filmmakers do seem to have a genuine respect for the members of the armed forces who risk their lives to serve and protect. But a clip like this — which debuted on gamer-leaning IGN , where it could easily get lost within a gaggle of first person shooter promos — doesn’t do much besides glorifying the awesomeness of battle, as seen partially through helmet-mounted cameras. I count no fewer than eleven, maybe 12 exploding head shots in the span of this two-minute video, but what makes this even freakier is the fact that the majority of the cast is culled from active duty Navy SEALS who may have had similar skirmishes in the field. Watching people who have been trained to kill pretend to kill people who may resemble people they’ve actually killed in real life is a tricky thing to digest. It’s one thing to witness the brutality and heroism of actual military life via the movies (see: Restrepo ); it’s another to embrace the glossy, redband-worthy violence as pure entertainment. But maybe you disagree? Check out the clip below and leave your thoughts in the comments. More Act of Valor Videos

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Are There A Dozen Headshots Too Many in This Redband Video from Act of Valor?

Whitney Houston ‘So Special,’ Robin Thicke Says

Singer opens up about the late pop icon as he releases his cover of her track ‘Exhale (Shoop Shoop).’ By Jocelyn Vena Whitney Houston Photo: Jun Sato/ WireImage Just days after a number of A-listers paid tribute to the late, great Whitney Houston at her funeral on Saturday in New Jersey, R&B crooner Robin Thicke decided to pay homage to the singer in his own way. The singer dropped a cover of Houston’s classic track “Exhale (Shoop Shoop)” over the weekend, arranging the song with a piano and his own sweet falsetto voice. Released in November 1995, the original version was the lead single off Houston’s “Waiting to Exhale” soundtrack. Thicke’s soulful version definitely calls to mind Babyface, who wrote and produced the song for the late star. Noticeably, Thicke changed the song from the third person to the first person, making it a bit more personal. “I was thinking about Whitney and how incredible she was and remembered I had recorded this song years ago but never released it,” Thicke said on Tuesday (February 21) in a statement to MTV News. “When I listened to it again, I was overcome by emotion, because the lyrics express everything I’m feeling right now.” He continued that the song reminds us what was unique about the late singer, who died over Grammy weekend in Los Angeles. “That’s what was so special about Whitney, she had an amazing ability to connect to all of us and at the same time make us feel inspired,” he said. “We love Whitney Houston and always will!” Over the weekend, in a sea of moving tributes to the star from her closest friends — including Alicia Keys, Stevie Wonder, R. Kelly and gospel greats BeBe and CeCe Winans, Donnie McClurkin and Kim Burrell — Kevin Costner’s speech about his “The Bodyguard” co-star stood as one of the homegoing’s stand-out moments. “Off you go, Whitney, off you go, escorted by an army of angels to your heavenly father,” Costner told the room in tears. “And when you sing before him, don’t you worry — you’ll be good enough.” What do you think of Robin Thicke’s version of “Exhale (Shoop Shoop)”? Leave your comment below. Related Videos Farewell To A Legend: Whitney Houston’s Funeral Whitney Houston: In Her Own Words Whitney Houston: Life And Music Of An Icon Related Artists Whitney Houston Robin Thicke

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Whitney Houston ‘So Special,’ Robin Thicke Says

George Clooney’s Road To The 2012 Oscars

‘The Descendants’ and ‘The Ides of March’ earn the Academy Award-winner his sixth and seventh nominations. By Kevin P. Sullivan George Clooney in “The Descendants” Photo: Fox Searchlight At this point in his career, almost 30 years after he started acting, George Clooney has become not only one of the most recognizable faces in Hollywood, but a regular competitor at each year’s Oscars . This year’s Academy Awards nominations, his sixth and seventh, for “The Descendants” and “The Ides of March” represent the diverse work Clooney is now known for and the many different roles he takes on. Clooney’s journey to Sunday night’s 2012 Oscars took a familiar path through the festival circuit with releases in the second half of the year, one carefully engineered to spell awards success, but the two films that got him there and the work he did cover a wide spectrum in filmmaking. “Ides of March” took shape late in 2010, when Clooney signed on to wear three hats for the film: actor, producer and director. His fourth directorial effort to date, the political drama follows a young junior campaign manager (Ryan Gosling) as he struggles with the moral dilemmas of supporting a presidential candidate, played by Clooney. Based on Beau Willimon’s play “Farragut North,” the script for “Ides of March” earned Best Adapted Screenplay nominations for the original author, Clooney and his frequent collaborator Grant Heslov. Though Clooney’s well-known political affiliations and beliefs stood in the foreground, the man himself took more of a backseat, limiting his onscreen role to a few keys scenes. During awards season, the film made a small mark, after debuting to only mildly positive reviews. It did, however, take a spot on the National Board of Review’s top 10 of the year and earned four Golden Globes nominations, including Best Picture (Drama) and Best Director. In “The Descendants,” Clooney took a familiar spot as leading man, but the role of Matt King required him to be anything but his usual model of suave confidence. As a soon-to-be widow, Clooney fully adopted the dopey mantel of an Alexander Payne hero in the tradition of Paul Giamatti in “Sideways” and Matthew Broderick in “Election.” But unlike his predecessors as a lead in one of Payne’s films, Clooney’s character remained almost entirely sympathetic throughout the film, thanks in large part to the believability of the acting. He effortlessly took on the role of an utterly clueless father with good intentions, helping make “Descendants” such a true and touching film. In the week leading up to Oscar night, Clooney stands neck and neck with fellow nominee Jean Dujardin as the favorite. It would be Clooney’s second win for acting, his first coming in 2006 as supporting actor in Stephen Gaghan’s “Syriana.” However Sunday’s ceremony might shake out for Clooney, he has proven himself a mainstay for the Academy Awards, and — whether he’s acting, directing, writing or producing — someone who will continue to appear on shortlists for years to come. The MTV Movies team has the 2012 Oscars covered! Stick with us for everything you need to know leading up to the awards show, and on Sunday, February 26, tune into MTV.com at 5:30 p.m. ET for our three-hour red-carpet live stream and updates on the night’s big winners. Related Photos 2012 Oscar Nominees

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George Clooney’s Road To The 2012 Oscars

Did Jennifer Aniston Torpedo Nude Scene For Justin Theroux?

Jennifer Aniston had producers cut out a nude scene from her upcoming film Wanderlust for the sake of her new relationship with boyfriend Justin Theroux, reports say. According to The Wrap , the actress wants Theroux alone to be able to see her naked, so she had a scene where she flashed her bare breasts taken out of the movie. The 43-year-old star reportedly had her forthcoming topless scene changed, so when she flashes TV news cameras in a scene, her breasts are now shown pixilated. According to a source : “When the film was edited with the frontal nudity in it, Jen pleaded for an alternate version due to her blossoming relationship with Theroux. The two met on the set of the film and are now cohabitating. A Universal spokeswoman denied that Jen had her topless time changed: “The scene was shot a bunch of different ways, and we have the best possible version.” Jennifer Aniston is no stranger to nudity, of course, appearing almost topless in Horrible Bosses and getting snapped in the buff for Rolling Stone and GQ . Some of the Jennifer Aniston pictures in question:

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Did Jennifer Aniston Torpedo Nude Scene For Justin Theroux?

Midnight in Paris, Descendants Take Top WGA Honors

The Writers Guild of America gave out its annual awards on Sunday night, bestowing its hardware to the year’s most accomplished film and television scribes… whose work was developed and produced under WGA rules and conditions, which disqualified Artist writer-director (and Oscar frontrunner) Michel Hazanavicius among a few others, but whatever. Congrats to all! FILM Original Screenplay : Midnight in Paris, Written by Woody Allen; Sony Pictures Classics Adapted Screenplay : The Descendants, Screenplay by Alexander Payne and Nat Faxon & Jim Rash; Based on the novel by Kaui Hart Hemmings; Fox Searchlight Documentary Screenplay : Better This World , Written by Katie Galloway & Kelly Duane de la Vega; Loteria Films Paul Selvin Award (Presented to that member whose script best embodies the spirit of the constitutional and civil rights and liberties which are indispensable to the survival of free writers everywhere): The Help , Written by Tate Taylor TELEVISION Drama Series : Breaking Bad , Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC Comedy Series : Modern Family , Written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Carol Leifer, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Brad Walsh, Ilana Wernick, Bill Wrubel, Danny Zuker; ABC New Series : Homeland , Written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Gideon Raff, Meredith Stiehm; Showtime Long Form – Original : Cinema Verite , Written by David Seltzer; HBO Long Form – Adapted : Too Big to Fail , Written by Peter Gould, Based on the book written by Andrew Ross Sorkin; HBO Comedy/Variety : The Colbert Report , Writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Jay Katsir, Barry Julien, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Centra [via Awards Daily ]

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Midnight in Paris, Descendants Take Top WGA Honors

Jennifer Aniston’s Topless Scene Cut From Wanderlust…at Her Request

Apparently it’s not enough that Justin Theroux gets to see Jennifer Aniston naked in their bedroom- no one else is allowed to see her chest Friends either. The Wrap is reporting that Aniston petitioned producers of her new movie Wanderlust, insisting that her topless scene (which appeared in the cut of the film our Skin Skouts saw last year ) be removed from the version being released in theaters next week…because of her relationship with Theroux, whom she met on set! Where there was once a clear shot of Jen’s jugs, there is now, according to The Wrap : “The scene in question features Aniston going topless in front of TV news cameras. In the version that will be included in the film, Aniston will be seen topless from behind, with her bare breasts shown pixelated on TV screens, as they would appear on a TV news broadcast.” We have to say, we’re Theroux ly disappointed. Satisfy your Wanderlust with Jennifer Aniston right here at MrSkin.com!

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Jennifer Aniston’s Topless Scene Cut From Wanderlust…at Her Request

Whitney Houston ‘An Angel,’ Alicia Keys Sings At Funeral

Keys, who shared a mentor with Houston in Clive Davis, performs ‘Send Me an Angel’ during Saturday’s funeral in New Jersey. By Rebecca Thomas Alicia Keys, Clive Davis and Swizz Beatz attend Whitney Houston’s funeral Photo: Jason Merritt/ Getty Images After a stormy 14-year marriage to bad-boy singer Bobby Brown, Whitney Houston decided to end that chapter in 2006. Three years later, Houston had aligned again with mentor Clive Davis, the music industry impresario who first discovered a teenage Whitney belting out tunes in a nightclub and signed her to his Arista Records. Their final collaboration, I Look to You, was set to launch her on a the “comeback” trail. Live broadcasting by Ustream Like so many young singers, Alicia Keys — also a Davis acolyte — had long looked up to Houston. But the gifted songwriter cemented her connection to Houston, who was found dead at 48 a week ago, by writing the album’s hit single, “Million Dollar Bill.” On Saturday afternoon (February 18), Keys honored Houston in song once again, but instead of a dance-floor-filler, the “Unbreakable” singer took to the piano for an emotional farewell at New Jersey’s New Hope Baptist Church. Keys, dressed in a dark suit, first happily recalled Houston as a “beautiful human being, [who would] call you for no reason at all but to say, ‘Hi.’ ” Keys, who co-wrote “Bill” with husband Swizz Beatz, said Houston also made it a habit to nurture the female singers who were following in her superstar footsteps. “She reached back to so many people; she reached back to me, to Monica and Brandy … all these beautiful young artists, and just made us feel strong and capable and loved.” “So she’s an angel to us, and has been an angel to us,” Keys added before performing a moving “Send Me an Angel.” Keys wasn’t the only singer to pay soulful tribute to the “How Will I Know” star. Stevie Wonder, R. Kelly and gospel greats BeBe & CeCe Winans, Donnie McClurkin and Kim Burrell were among the performers at Houston’s Going-Home ceremony in Newark, where her “Bodyguard” co-star Kevin Costner delivered a heartbreaking eulogy. Stay with MTVNews.com all day Saturday for continuing coverage of Whitney Houston’s funeral services. Related Videos Live From Whitney Houston’s Funeral Whitney Houston: In Her Own Words Related Photos Friends, Family And Fans Show Love At Whitney Houston’s Funeral Related Artists Alicia Keys Whitney Houston

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Whitney Houston ‘An Angel,’ Alicia Keys Sings At Funeral

Whitney Houston Remembered By Kevin Costner As ‘The Greatest’

‘The Bodyguard’ actor relives pop diva’s first screen test in a poignant eulogy on Saturday at New Hope Baptist Church. By Rebecca Thomas Whitney Houston and Kevin Costner in “The Bodyguard” Photo: Warner Bros. On Saturday afternoon (February 18), Whitney Houston was sent to rest by family and friends at New Hope Baptist Church in Newark, New Jersey, during a stirring funeral dubbed her Home-Going. While the pop diva’s onetime leading man Bobby Brown reportedly left moments before the noon ceremony began, the pop diva’s onscreen leading man Kevin Costner delivered a poignant eulogy in her honor. In 1992, Houston made her film debut in “The Bodyguard,” a star turn that paired her in the lead with Costner in the title role. Written by Lawrence Kasdan and directed by Mick Jackson, the romantic drama followed Frank Farmer, a Secret Service agent-turned-bodyguard tasked with protecting pop star Rachel Marron from a stalker. The film would go on to gross more than $400 million at the worldwide box office, and the diamond-selling soundtrack spawned Houston’s game-changing rendition of “I Will Always Love You” , the best-selling single of all time. But according to Costner, Warner Bros., the studio behind “The Bodyguard,” not only had to be convinced that the film’s signature song should be a cover of Dolly Parton’s country tune — but also that the part should go to Houston. “At the height of her fame as a singer, I asked her to be my co-star,” Costner recalled on Saturday. Filmmakers were concerned, however, suggesting they should “think about another singer … maybe somebody white.” Though Costner conceded “nobody ever said it out loud,” he agreed that the implications were fair considering how much was at stake. The only problem was, as Costner put it, “I thought she was perfect for what we were trying to do.” Costner remained steadfast about his casting choice, even delaying production by a year so that Whitney could complete a tour. And though the actor knew he’d already all but given her the part, he submitted her to a screen test because he wanted to be “fair.” Houston, possibly the biggest pop star at the time, was frightened. Costner went to her trailer the day of the test and to reassure her, holding her hand and telling her that she looked beautiful. Still, the singer zeroed in on a million things she imagined to be wrong. Feeling insecure, Houston scrubbed her camera-ready makeup job in favor of the thick layer of cover-up she used on the road. The patina of cosmetic paint was perhaps an apt metaphor for how the megastar masked her insecurities. Of course, four minutes in, Houston’s makeup job was streaking; the singer was devastated. “I just wanted to look my best,” she told Costner. “Call it doubt, call it fear, I’ve had mine,” Costner said of the internal struggles that come with fame. “The Whitney I knew, despite her success and worldwide fame, still wondered, ‘Am I good enough? Am I pretty enough? Will they like me?’ It was the burden that made her great and the part that caused her to stumble in the end.” Houston famously battled substance abuse issues, in particular during her tumultuous 14-year marriage to singer Bobby Brown. She was found dead a week ago in a Beverly Hills hotel; the official cause of her death is still being investigated . But Costner insisted her personal turmoil should not muddy her legacy. “As the debate heats up … about the greatest singer of the last century, as the lists are drawn, it will have little meaning to me if her name is not on it,” Costner proclaimed to applause. “Off you go, Whitney, off you go,” Costner continued tears, “Escorted by an army of angels to your heavenly father. And when you sing before him, don’t you worry — you’ll be good enough.” Stay with MTVNews.com all day Saturday for continuing coverage of Whitney Houston’s funeral services. Related Videos Whitney Houston: In Her Own Words Related Photos Friends, Family And Fans Show Love At Whitney Houston’s Funeral Related Artists Whitney Houston

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Whitney Houston Remembered By Kevin Costner As ‘The Greatest’

‘Ghost Rider: Spirit Of Vengeance’: The Reviews Are In!

Most critics have panned the Nicolas Cage flick, citing mediocrity as its biggest crime. By Kevin P. Sullivan Nicolas Cage in “Ghost Rider: Spirit of Vengeance” Photo: Columbia Pictures Nicolas Cage ‘s Ghost Rider has received a makeover from “Crank” directors Mark Neveldine and Brian Taylor, but that’s not enough to keep the critics happy. Most have panned “Ghost Rider: Spirit of Vengeance,” citing mediocrity as its biggest crime. We’ve rounded up a sample of the reviews of the film, so you can decide whether you’ll be making the trip to hell this weekend. The Story “It’s been five years since stunt rider Johnny Blaze (Nicolas Cage) signed on the bloody line and became Beelzebub’s flaming-biker bounty hunter. Sniffing out evil and sucking the souls out of bad guys whenever his head catches on fire, Blaze finally wants rid of his cursed vigilante alter ego.” — Paul Bradshaw, TotalFilm.com The Lead “Returning as the eponymous not-quite-hero, Nicolas Cage spends stretches of the film on autopilot while waiting for scenes he deems worthy of his particular brand of crazy. They’re not frequent enough to please the Cage aficionado, but sequences in which the twitchy, inappropriately giddy actor tries to choke back transformations into a bloodthirsty skeleton-on-fire are welcome in a film where often-charismatic costars Ciar