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Machinimagic! The Top Fan-Made Films Based on Video Games, And Why Hollywood Should Pay Attention

Movies adapted from video games are usually like video-game zombies: shambling brainless wrecks. Thanks, in part, to the vacant movie adaptation of Prince of Persia , Jake Gyllenhaal is doing theater now; the adaptation of Max Payne should have been spelled Max Pain , and the Resident Evil franchise continues to stupefy. And judging from the latest delay in the making of Uncharted: Drake’s Fortune , Hollywood still struggles mightily with how to turn good games into good movies. Sadly, unlike video-game zombies, these adaptations are impossible to kill. They exist in perpetuity and will be playing on Cinemax long after your corpse resembles a rotting zombie. The best you can do is ignore them, which is increasingly easy thanks to some inspired and inspiring gamers who are solving the problem the way they’ve been trained — through countless hours of play — to solve all problems. They’re taking the controls and doing it themselves. They’re winning, too. Here are four fan-made movies inspired by video games that should have the movie industry’s total attention: 1. Dead Fantasy : Give the Gamers What They Want — Action! Video games should feature more pure action than a Terminator   T-800 UFC match, so it’s weird that most game-inspired movies feature more pointless explanation than you’d find in a manual for some old-school Bond villain’s Death Laser. If someone’s going to see Street Fighter — and they really shouldn’t — they don’t need an hour of set-up explaining why people are fighting. The gamers already know the back story, and even if the filmmakers have strayed from the game to develop the plot line, the less said the better. Monty Oum, the creator of Dead Fantasy understands this principle better than most and packs more kickass per minute into Dead Fantasy than you’ll find in the entire Thai film industry. For the uninitiated, Dead Fantasy depicts a battle between the ladies of Dead or Alive and Final Fantasy , two of the most popular gaming series in existence. And while this abundance of X chromosomes might make you think it’s all about titillating fan boys, this clip is all about eye-popping choreography, not anatomy. If this video starred rotting mummies you’d still watch it five times. Dead Fantasy is able to pile on the action because it rightly trusts the intelligence of its audience. For example, the girl in blue arrives by teleport, so you know she can teleport, and it’s used in several awesome and original moments of fight choreography. In a theatrical movie there’d be an entire expository scene explaining her teleportation skills ad nauseam, and at no point would she be thrown off a collapsing bridge to save a falling gunslinger. The film-industry should be stalking this guy. 2.  Escape from City 17 : Make a Movie That Honors the Game The Purchase Brothers — David and Ian — embarrassed the producers of every video game movie ever made with just $500. They filmed part 1 of Escape from City 17 — which is set in the universe of the Half-Life video game franchise — with less money than most film productions spend on mineral water. Their genius was realizing that you don’t need to design sets, clothing and a plot for a video game because that’s already been done by the video game publisher. The brothers matched the costumes of their original characters to the ones worn in Half-Life 2 and even extracted special effects directly from the game code. What you see on the screen really is in the world of the game — which is what gamers have always wanted from movies, and what video game movie directors have never understood. Escape from City 17   isn’t your typical movie inspired by a video game, which usually amounts to a film that has very little connection to the actual game except for a few key words and characters that get thrown around. (See the Resident Evil series.) It’s a live-action movie made by people who actually played and loved the game — and it’s a first in that respect. The brothers then made a sequel that was triple the length for half the budget in their spare time. Given their level of proficiency, if they had a real movie budget, they wouldn’t just make the best parallel-universe alien-invasion game movie ever: they’d probably be able to stage one for real. 3. Freeman’s Mind :  You Don’t Always Have to Appeal to the Lowest Common Denominator The blanding of movies has a lot to do with the minimization of risk in the name of profit-making, which is a weird strategy when you’re making a movie that’s essentially about cops blowing up terrorists. The biggest budget movies need to convince everyone on the planet to watch it, and,  if at all possible, sell tickets to a few alien planets as well. Small creators don’t have that problem: if they want to make something they’re already halfway there. Ross Scott’s Freeman’s Mind is genius, but its entire target market is “People who’ve played through Half-Life .” If you have, you’ll love it. If you haven’t, you might not even have read this far. The Internet connects niche productions with their perfect audience, while machinima — using video game graphics engines for filmmaking — gives them an incredibly powerful set of actors and cameras. This kind of production is popping up everywhere, as fans driven by pure love and enabled by awesome technology turn a hobby into entertainment for others. The most famous example is Red vs Blue, who turned Halo into an entire film studio, and are now building a real film studio based on that success. 4. Thousand Pounds Action Company: You Don’t Need No Stinkin’ Fancy Graphics While the Purchase Brothers showed how easy it was to match a game’s look and feel, the Thousand Pounds Action Company demonstrated that it’s possible to be true to a game without all the fancy visuals. (The company name is also much cooler.) Their three Ultra Combos clips perfectly match the feel of Street Fighter IV  (with the help of some of the games smackdown sound effects) using original characters who wouldn’t exactly be welcome in an American Apparel store. Street Fighter was the only game with a more disappointing movie than Mario Bros , and its 2009 sequel of sorts,  The Legend of Chun Li   only made things more disappointing. These videos show what could be done with the franchise, and we’ll soon see more. Because these fan-made videos are not only fun for other fans who get to enjoy them, they’re drawing attention to skilled creators who should be working in a film industry that seems eager to make movies based on video games but then doesn’t seem to know how to go about it properly.  That brings us to the fifth and final lesson; 5. Get Your Act Together Hollywood, Because Gamers Are Realizing They Don’t Need You. Dead Fantasy producer Oum has been hired by Red vs Blue. The Purchase Brothers, who are represented by William Morris Endeavor, are beavering away on a “secret feature film project”, and the Thousand Pounds Action Co are turning their fame into their future right now with a LINK Kickstarter campaign to  fund their first original series. Stay tuned. Luke McKinney loves the real world, but only because it has movies and video games in it. He responds to every tweet. Follow Luke McKinney on Twitter.  Follow Movieline on Twitter.

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Machinimagic! The Top Fan-Made Films Based on Video Games, And Why Hollywood Should Pay Attention

Here’s A Look At Prometheus Alternate CG Character Design That Doesn’t Make Any More Sense

It seems Ridley Scott gave himself options when it came to some of the effects in his Prometheus saga, which the forthcoming DVD/Blu-ray release (and its reportedly sprawling bonus features menu ) should handily reveal for hungry fans. Newly unveiled unused effects shots of a pivotal action scene in the film involving a certain crewmember are so drastically different than what’s seen in the theatrical version it actually is making my brain hurt more trying to figure out how this alterna-design would have made any sense. Spoilers! The character at hand is Fifield, played by Sean Harris, the mohawked geologist who gets mutated by the black goo and then spider-walks his way back to the ship where he zombie-attacks his old crew mates in one of the film’s least sense-making sequences. In the theatrical version, this was one of the first scenes that prompted SO MANY QUESTIONS . Like: Why did the goo mutate Fifield into a hulking undead killer-thingy in the first place? If you recall, Fifield looked like this pre-mutation: Then post-goo was transformed into this charming look, achieved with practical make-up: However, new effects images debuted by Cinefex show a CG design that makes Fifield look much more alien. More gelatinous. More Mars Attacks , if you will. From Cinefex via Bloody Disgusting : “To mutate Fifield beyond what was possible using practical makeup effects, Weta Digital generated a digital character with elongated limbs and an engorged, transluscent head, incorporating a semblance of Harris’ face. Scott filmed the sequence both with the actor in makeup and without, providing clean plates that would allow for the insertion of the digital character. The final cut featured mostly makeup effects, which Weta enhanced with digital wire removal, bullet hits, and one shot of the digital creature’s body blended to the actor.” The alternate design is more terrifying in its own way, but doesn’t necessarily seem to fit the world of Prometheus . For starters, I’d have had even less of an idea who the heck Fifield-Zombie was during his undead attack if he looked like this. So, good call? Now, if there’s a CG version of Old Guy Pearce out there floating around in the WETA digital trash bins, I’d be curious… [ Cinefex via Bloody Disgusting , Movies.com ]

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Here’s A Look At Prometheus Alternate CG Character Design That Doesn’t Make Any More Sense

Passion Trailer: Rachel McAdams And Noomi Rapace Get Down And Get Weird In SCTV-esque Clip

Watching the trailer for Brian De Palma’s upcoming film Passion ,  I get the feeling that he could be a fan of SCTV ‘s classic Whispers of the Wolf   Ingmar Bergman parody.  Yes, I know that De Palma’s erotic thriller is based on the late Alain Corneau’s final film Love Crime (2010 ), about two international business women locked in a power struggle —  but there’s something about Noomi Rapace’s vacant stare in the first scenes of the trailer that reminds me of the great Andrea Martin’s performance in the SCTV  comedy gem. (You can see both videos after the jump.)  And Rapace’s co-star Rachel McAdams strikes me as a more vulpine version of the also-great Catherine O’Hara. I couldn’t help but notice that both clips feature masks, by the way, although based on the contents of the sex drawer that gets opened in the Passion trailer, De Palma’s movie is going to be way kinkier than anything that ever ran on Count Floyd’s Monster Chiller Horror Theater. Here’s the trailer for  Passion , which is going to premiere at the Venice Film Festival in September and screen that same month at the Toronto Film Festival: Watch It on YouTube. Now check out Whispers of the Wolf .  Enjoy! Follow Frank DiGiacomo on Twitter.  Follow Movieline on Twitter. 

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Passion Trailer: Rachel McAdams And Noomi Rapace Get Down And Get Weird In SCTV-esque Clip

Bad Movies We Love, Bike Messenger Edition: Kevin Bacon in Quicksilver (1986)

Don’t shoot the messenger!  This week’s wide release of the Joseph Gordon-Levitt bike courier film Premium Rush  inspired Movieline to deliver this cinematic parcel to your doorstep. Once each generation, Hollywood pushes a product centered on the travails of these municipal nomads; back in the 1970s there was a love story with Tom Berenger in Rush It ; CBS tried out the courier-based sitcom Double Rush with Robert Pastorelli and David Arquette; Jessica Alba played an urban biker in Dark Angel ; and, most recently, came the Chinese import Beijing Bicycle . The desire to portray the world of bike messenger-ing is understandably tempting — the close-knit society, rebellious personalities, and high-risk action of the work beg for a dramatic treatment. But one title rises seat and handlebars above all the others in this micro-sub-genre: 1986’s Kevin Bacon vehicle Quicksilver . Nestled perfectly in the middle of the decade, this film typifies a 1980s offering, so light in actual content you could fit it in your shoulder bag. Characters are revealed less via action than by name – Apache, Cha-Cha, Airborne, Spider, and Shorty. Even the main characters are communion-wafer thin when it comes to complexity. Curiously, Quicksilver features a preponderance of comedians in the cast: Paul Rodriguez has a major part, Saturday Night Live writer Andrew Smith appears, and Louie Anderson is, theoretically, a messenger named Tiny. (I say “theoretically” because the corpulent stand-up never once straddles a bike seat, possibly because he couldn’t.) The synth-heavy score comes courtesy of Genesis keyboardist Tony Banks, and it immerses you in the era — so much so it feels like more energy went into crafting the soundtrack than the script. Roger Daltrey had a slight hit with the Giorgio Moroder song, “Quicksilver Lightning”, and other ’80s soundtrack regulars, including Ray Parker Jr., and John Parr appear as well. To go along with multiple extended chase scenes, that other ’80s cinema staple — the musical montage — gets heavy usage. No fewer than three of these occur within the first 30 minutes while we await an actual story. One of these vital plot breaks involves Kevin Bacon at home with his modern-dance/ballerina girlfriend. Despite being destitute, Jack and his leggy lovely somehow San Francisco loft that is roughly the size of a parade float manufacturing center. Behold its size as you watch the couple interact, like all lovers do, silently professing mutual love by incorporating their dance and biking professions: It becomes the job of the viewer to find the plot amid these interludes. We begin with Bacon riding in a taxi. A bike messenger cruises beside his cab, and for no reason we can understand, Jack tells the driver he’ll pay him 50 bucks if he beats the bike rider to his destination. The bike dodges obstructions and the cab skids to a halt as the courier loses his beret. Jack races over and clutches the abandoned headpiece, and we are supposed to grasp that an unspoken bond has been forged by these two. Revel in a feeling of revulsion as Jack grips a stranger’s sweaty, grime-coated hat! At the start of Quicksilver , Bacon wears glasses and sports the facial hair of a sexual sadist, looking every bit like the serial killer that neighbors are always surprised to learn has a softball team buried in the back yard. (This is the same look Bacon sported in his recent commercials for Logitech, by the way.) Jack works as a hot shot trader at the San Francisco Commodities Exchange. He and his partner Gabe try to corner the market on a stock only to have its price move on them, causing the pair to lose millions, including the life savings of Jack’s parents. He is so distraught that next we see him opt for street urchin fashions, ditch the glasses, shave off the pedophile moustache, and grow his mullet out to its Footloose splendor. He is now working for Quicksilver Courier Service. Jami Gertz plays Terri, a new hire, and this allows us to be introduced to the United Nations staff. When asked where she’s from Terri tells Hector (Paul Rodriguez) she moved around a lot because her father was a jet pilot. (Apparently the Air Force has military bases in Chicago and Detroit.) She meets Jack, but there is also a dark undercurrent to their profession: When after a meal at a diner, Terri cannot find her money, a suspicious man ominously offers to pay for her meal. The top rider at Quicksilver is Voodoo (Lawrence Fishburne), who augments his salary by making runs of contraband for a local hood named Gypsy. He happens to be the guy who bought Terri’s waffles. As villains go, Gypsy is not the most intimidating. He motors around the Bay Area in a sad, rundown Ford LTD, perhaps waiting for MTV’s Pimp My Ride to be invented.  Gypsy and Voodoo have a professional disagreement, and ,later, when Jack and Voodoo challenge each other to a race that is the focus of another montage, Gypsy runs Voodoo down in the street. This means Jack Casey is now the top rider at the service. I guess it also means he needs to get a new goofy name. Soon enough, the plot gets yanked forward by the aspirations of the riders. Hector has a pregnant girlfriend and dreams of one day owning a hot dog cart. Gypsy orders Terri to take over Voodoo’s duties. (Somehow she has become indentured to a criminal over a $5 breakfast tab.) Meanwhile, Jack is getting lured back to his brokerage life by his former partner. Initially, he resists, explaining his new lifestyle to Gabe: “When I’m on the street I feel good – I feel good, I feel exhilarated. I go as fast as I like, faster than anyone. The street sign says one-way-east [CLAP] I go west. They can’t touch me! When I’m on the bike I forget about . . . I dunno – I dunno.” Okay, so it’s not the Henry the V battlefield speech, but you feel his passion . . . I guess. The financial pressures on Jack and his friends inspire him to revisit his past for the finale. After weeks of studying the Wall Street Journal he’s convinced he’s found a surefire stock choice, so he takes his shot. At the exchange Jack gets a VISITOR pass, strides onto the floor and begins buying call options instantly. And — SPOILER ALERT — after a few tense hours, his stock leaps two points in a matter of minutes! He pockets around $50,000 for a few hours’ work, everything is resolved and everyone, including his parents, get their share of the profits. I had to resort to an expert opinion as this felt more than ridiculous. Writer Brad Laidman, who had actually worked on that very options floor, assessed Quicksilver ‘s realism factor. Laidman actually recognized people on screen as legitimate exchange workers, so he knew the details. “While I could see him getting the pass and visiting the floor,” he explained, “there was no way in hell he’d be able to walk out and start trading that day. It’d take a month of paper work to get a trader’s badge, and he’d have to establish an account with the exchange.” “What they showed was like buying a ticket to a Chicago Bulls game, and somehow you found yourself on the court, taking the winning shot. Then later, he goes in the back and they start printing out checks, like he was at the race track. The whole thing was a fantasy.” As I suspected. But hey, this wouldn’t be Hollywood without a Hollywood ending. Jack sort of separates from his girlfriend and sort of gets together with Terri (after barely interacting with her up to that point). They happily amble up to their friend Hector, who’s doling out his dream dogs — the movie’s way of telling us that everyone lives happily ever after. Studios love lecturing on the venal capitalist undercurrent in this country, and yet look what they were selling audiences circa 1986: For a white guy studying the newspaper and wearing a tie, one afternoon if enterprise would net you tens of thousands of dollars. Meanwhile, if you were ethnic, applied yourself and worked extremely hard, you got the a shot at hustling tube steaks from a cart on a street corner — provided you had a smart white guy to help you out. Thanks, Quicksilver ! Read more in the Bad Movies We Love archives! Brad Slager has written about movies and entertainment for Film Threat, Mediaite, and is a columnist at CHUD.com . His less insightful impressions on entertainment can be found on Twitter .

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Bad Movies We Love, Bike Messenger Edition: Kevin Bacon in Quicksilver (1986)

Actor Vivek Shah Arrested In Harvey Weinstein Extortion Plot: Where You’ve Seen Him Before (VIDEO)

Aspiring actors are a dime a dozen in L.A., but few would go as far as attempting to extort one of Hollywood’s most powerful movie moguls for their big payday. (One would hope… but we all know a few kooky actors, don’t we?) Not so for Vivek Shah of suburban Illinois by way of West Hollywood, who was arrested this week for allegedly threatening Harvey Weinstein and his family if the superproducer didn’t pay him millions. The Smoking Gun has the affidavit naming Shah, a 25-year-old bit actor seen on a 2012 episode of “Bones” and in Christopher Nolan’s The Dark Knight (per his IMDb page), as the alleged extortionist who contacted Weinstein and four other high profile figures threatening their safety and that of their families. Although Weinstein is named only as “A Connecticut resident and co-founder of a film studio,” Deadline’s Nikki Finke confirmed Weinstein was the targeted victim. Above: Shah (right) posing with actor Donald Faison and Relativity Media CEO Ryan Kavanaugh at the Anti-Defamation League Entertainment Industry Awards Dinner at The Beverly Hilton hotel on October 11, 2011. It’s an exhaustive document detailing the authorities’ investigation of Shah, who bought prepaid phone cards and debit cards, used multiple false identities, and set up foreign bank accounts apparently to receive the extortion moneys in locations all over the familiar turf of L.A. actors — the West Hollywood Rite-Aid! The Gelson’s on Santa Monica! — in what the affidavit refers to as “The Scheme.” Most concerning is the bit at the end, which reveals that authorities who had been tailing Shah discovered that he was “scheduled for training in handgun shooting” at a local gun range after his return to the Los Angeles area earlier this month. Shah was arrested outside of Chicago and charged with “two counts of interference with commerce by threats, and two counts of transmitting threatening communications in interstate commerce” and could face as many as 20 years in prison. [ The Smoking Gun , Deadline ]

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Actor Vivek Shah Arrested In Harvey Weinstein Extortion Plot: Where You’ve Seen Him Before (VIDEO)

Anna Karenina Teases High Society Sexual Scandal

Fittingly lavish, new images from Anna Karenina , the splendor of imperial Russia is merely the backdrop for a scandalous love affair. But strict rules and mores adhered to (and then broken) by high society have long been enticing setting for 99 per centers (and their friends) throughout the ages to witness aristocratic crash and burns through fleshly indulgences. And the screen version of Leo Tolstoy’s novel appears to not hold back. Keira Knightley , Jude Law , and Aaron Taylor-Johnson (aka Aaron Johnson) star in the 19th century epic, directed by Joe Wright ( Atonement , Pride & Prejudice ) and adapted by Oscar-winner Tom Stoppard ( Shakespeare in Love ). Oscar is undoubtedly on filmmakers’ minds not to mention distributor Focus Features, which will debut Anna Karenina at the upcoming Toronto International Film Festival, the annual September event that is the virtual launch-pad of the annual awards race. Anna Karenina has graced the big screen and small screen throughout the decades. Greta Garbo played the titular Russian aristocrat who falls in love with the dashing Count Vronsky, jeopardizing her social standing and not to mention her aristocratic husband’s displeasure. Jude Law plays the wronged husband in the latest Anna Karenina and Aaron Johnson’s Count Vronsky is the object of desire. [ GALLERY: Check out the latest photos from Anna Karenina ] ( Anna Karenina trailer is below along with the film’s official log-line) Acclaimed director Joe Wright’s bold, theatrical new vision of the epic story of love is stirringly adapted from Leo Tolstoy’s great novel by Academy Award winner Tom Stoppard (“Shakespeare in Love”). The film marks the third collaboration of the director with Academy Award-nominated actress Keira Knightley and Academy Award-nominated producers Tim Bevan, Eric Fellner, and Paul Webster, following their award-winning box office successes “Pride & Prejudice” and “Atonement.” The creative team also includes cinematographer Seamus McGarvey (“The Avengers”), three-time Academy Award-nominated production designer Sarah Greenwood (“Sherlock Holmes”), film editor Melanie Ann Oliver (“Jane Eyre”), hair and make-up designer Ivana Primorac (“Hanna”), Academy Award-winning composer Dario Marianelli (“Atonement”), and two-time Academy Award-nominated costume designer Jacqueline Durran (“Pride & Prejudice”). The timeless story powerfully explores the capacity for love that surges through the human heart while illuminating the lavish society that was imperial Russia. The time is 1874. Vibrant and beautiful, Anna Karenina (Ms. Knightley) has what any of her contemporaries would aspire to; she is the wife of Karenin (Jude Law), a high-ranking government official to whom she has borne a son, and her social standing in St. Petersburg could scarcely be higher. She journeys to Moscow after a letter from her philandering brother Oblonsky (Matthew Macfadyen) arrives, asking for Anna to come and help save his marriage to Dolly (Kelly Macdonald). En route, Anna makes the acquaintance of Countess Vronsky (Olivia Williams), who is then met at the train station by her son, the dashing cavalry officer Vronsky (Aaron Taylor-Johnson). When Anna is introduced to Vronsky, there is a mutual spark of instant attraction that cannot – and will not – be ignored. The Moscow household is also visited by Oblonsky’s best friend Levin (Domhnall Gleeson), an overly sensitive and compassionate landowner. Levin is in love with Dolly’s younger sister Kitty (Alicia Vikander). Inopportunely, he proposes to Kitty but she is infatuated with Vronsky. Devastated, Levin returns to his Pokrovskoe estate and throws himself into farm work. Kitty herself is heartbroken when, at a grand ball, Vronsky only has eyes for Anna and the married woman reciprocates the younger man’s interest. Anna struggles to regain her equilibrium by rushing home to St. Petersburg, where Vronsky follows her. She attempts to resume her familial routine, but is consumed by thoughts of Vronsky. A passionate affair ensues, which scandalizes St. Petersburg society. Karenin is placed in an untenable position and is forced to give his wife an ultimatum. In attempting to attain happiness, the decisions Anna makes pierce the veneer of an image-obsessed society, reverberating with romantic and tragic consequences that dramatically change her and the lives of all around her. Director: Joe Wright (“Atonement,” “Pride & Prejudice,” “Hanna”) Writer: Tom Stoppard (“Shakespeare in Love”); Based on the novel by Leo Tolstoy Cast: Keira Knightley, Jude Law, Aaron Taylor-Johnson, Kelly Macdonald, Matthew Macfadyen, Domhnall Gleeson, Ruth Wilson, Alicia Vikander, Olivia Williams, Emily Watson MPAA Rating: R 

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Anna Karenina Teases High Society Sexual Scandal

Golden Globes Set Dates; Pontius Pilate Is Headed To The Big Screen: Biz Break

Also in Tuesday afternoon’s round-up of news briefs, Dimension Films goes for a psychological thriller. Sundance and SXSW doc winners head for release. Kick-Ass 2 gets a “Night Bitch,” while the next Thor picks a return character. Angry Little God to Thrill U.S. Audiences Dimension Films has acquired U.S. distribution rights to Daniel Stamm’s psychological thriller Angry Little God . Stamm and his writing partner David Birke adapted the script from the original film which follows a bright but meek individual drowning in debt and desperate as he’s about to be married.  He receives a mysterious phone call informing him that he’s on a hidden camera game show where he must execute 13 tasks to receive a cash prize of over $6 million.  He accepts the challenge, but even with thousands of dollars suddenly appearing in his bank account, he realizes he’s in over his head. IM Global will finance and produce the film. Golden Globes Set Dates “The Hollywood Foreign Press Association (HFPA) and producer dick clark productions (dcp) will present “The 70th Annual Golden Globe Awards” live on Sunday, January 13, 2013. Next year’s show will air live on NBC coast-to-coast from 5-8 p.m (PT) and 8-11 p.m. (ET) from the Beverly Hilton in Beverly Hills. Nominations for the 70th Annual Golden Globe Awards will be announced at 8 a.m. (ET) on Thursday, December 13. This year’s Cecil B. DeMille Award , honoring the lifetime achievements of actors and filmmakers, will be announced on November 1.” Sundance & SXSW Doc Winners Head for Distribution SnagFilms will handle domestic distribution rights for Sundance Grand Jury Prize winner The House I Live In and SXSW Film Festival Grand Jury Prize winner Beware of Mr. Baker . House centers on America’s war on drugs, while Mr. Baker takes a look at drummer Ginger Baker who worked with Eric Clapton, Cream and Blind Faith. Digital distribution is expected to cover “key pay platforms and eventual ad-supported release” on snagfilms.com. Around the ‘net… Warner Bros. Stakes Out Pontius Pilate The studio has picked up a script by Woman On Top writer Vera Blasi that centers on the Biblical figure who became the Roman governor over Judea and oversaw the fateful decision to crucify Jesus, Deadline reports . Lindy Booth Eyes Kick-Ass 2 Booth is in talks to be cast in the super-hero sequel as Night Bitch. Aaron Johnson and Chloe Moretz are reprising their respective roles of Kick-Ass and Hit-Girl in the second installment, Kick-Ass 2: Balls to the Wall , directed by Jeff Wadlow, THR reports . Kat Dennings Eyes Thor 2 2 Broke Girls star Kat Dennings will again play techie Darcy Lewis in Marvel Studios’ sequel Thor: The Dark World , Deadline reports .

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Golden Globes Set Dates; Pontius Pilate Is Headed To The Big Screen: Biz Break

WATCH: New Trailer For The Master Teases San Francisco Screening

Every frame of this simple but mesmerizing snippet of P.T. Anderson’s The Master throbs with an unnatural hum – in this case, punctuated by the animalistic grunting of Joaquin Phoenix as he books it down a pier in the San Francisco Bay, a panting so odd and startling it jarred my cat out of his sleep, the strangest look on his face. Is there something in Phoenix’s by all accounts bravura performance that vibrates on some feline, feral frequency? The new trailer teases another surprise screening of the film, tomorrow in San Francisco at the Castro Theater (which is, incidentally, where I first saw There Will Be Blood when it similarly sneak-debuted five years ago). The Master debuts on September 12. If anyone happens to make it to the Castro screening, do come back and share your thoughts. Follow Jen Yamato on Twitter.   Follow Movieline on Twitter.

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WATCH: New Trailer For The Master Teases San Francisco Screening

The Hunger Games Lures The Masses For DVD Sale; James Gunn To Direct Marvel’s Guardians Of The Galaxy: Biz Break

Also in Monday morning’s round-up of news briefs, Cosmopolis lead a weekend of specialty release titles in the box office. Samuel L. Jackson is joining an upcoming Spike Lee project. And remembering Gregory Peck’s widow who has passed away. Huge Crowds to Buy Hunger Games DVD Fans turned out in droves for the weekend release of The Hunger Games DVD. Cast members made appearances at select Walmarts in various cities, signing DVDs and Blu-rays, Deadline reports . Cronenberg’s Cosmopolis Strong in Deubt, Robot & Frank Solid: Specialty Box Office Cosmopolis launched its run in the U.S. and qualified as a master of the specialty universe – at least this weekend. After a blitz of media coverage worthy of a studio blockbuster, the David Cronenberg-directed, Robert Pattinson-starrer averaged a fairly impressive $24K-plus in three locations Stateside, Deadline reports . Samuel L. Jackson Boards Spike Lee’s Oldboy After a 21 year gap, Jackson will play a small but important part in Lee’s adaptation of the second part of Korean filmmaker Park Chan-wook’s trilogy Oldboy . He’ll play a man who is tortured by the film’s hero, played by Josh Brolin in a key revenge scene, the Playlist reports via The Los Angeles Times . James Gunn Eyes Marvel’s Guardians of the Galaxy Gunn is Marvel Studios’ choice to direct its upcoming space superhero saga Guardians of the Galaxy . The official log line for the film says it is centered on a “U.S. pilot who ends up in space in the middle of a universal conflict and goes on the run with futuristic ex-cons who have something everyone wants,” THR reports . Gregory Peck’s Widow Dies at 80 Veronique Passani, widow of Oscar-winning actor Gregory Peck, died of heart failure at her home in Los Angeles. Born in Paris, Passani met the actor when he was traveling to star in Roman Holiday and interviewed him for French paper, France Soir , THR reports .

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The Hunger Games Lures The Masses For DVD Sale; James Gunn To Direct Marvel’s Guardians Of The Galaxy: Biz Break

The Hunger Games Lures The Masses For DVD Sale; James Gunn To Direct Marvel’s Guardians Of The Galaxy: Biz Break

Also in Monday morning’s round-up of news briefs, Cosmopolis lead a weekend of specialty release titles in the box office. Samuel L. Jackson is joining an upcoming Spike Lee project. And remembering Gregory Peck’s widow who has passed away. Huge Crowds to Buy Hunger Games DVD Fans turned out in droves for the weekend release of The Hunger Games DVD. Cast members made appearances at select Walmarts in various cities, signing DVDs and Blu-rays, Deadline reports . Cronenberg’s Cosmopolis Strong in Deubt, Robot & Frank Solid: Specialty Box Office Cosmopolis launched its run in the U.S. and qualified as a master of the specialty universe – at least this weekend. After a blitz of media coverage worthy of a studio blockbuster, the David Cronenberg-directed, Robert Pattinson-starrer averaged a fairly impressive $24K-plus in three locations Stateside, Deadline reports . Samuel L. Jackson Boards Spike Lee’s Oldboy After a 21 year gap, Jackson will play a small but important part in Lee’s adaptation of the second part of Korean filmmaker Park Chan-wook’s trilogy Oldboy . He’ll play a man who is tortured by the film’s hero, played by Josh Brolin in a key revenge scene, the Playlist reports via The Los Angeles Times . James Gunn Eyes Marvel’s Guardians of the Galaxy Gunn is Marvel Studios’ choice to direct its upcoming space superhero saga Guardians of the Galaxy . The official log line for the film says it is centered on a “U.S. pilot who ends up in space in the middle of a universal conflict and goes on the run with futuristic ex-cons who have something everyone wants,” THR reports . Gregory Peck’s Widow Dies at 80 Veronique Passani, widow of Oscar-winning actor Gregory Peck, died of heart failure at her home in Los Angeles. Born in Paris, Passani met the actor when he was traveling to star in Roman Holiday and interviewed him for French paper, France Soir , THR reports .

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The Hunger Games Lures The Masses For DVD Sale; James Gunn To Direct Marvel’s Guardians Of The Galaxy: Biz Break