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The Expendables 2 Opens Solid With The Bourne Legacy And Paranorman Ranking 2nd & 3rd

The Expendables 2 bumped last week’s number one film The Bourne Legacy to number two over the weekend. The latest installment of the action pic grossed over $28.7 million in its first roll out, averaging a solid $8,670 screens. Bourne dropped 55% in its second round, while Focus Features’ Paranorman rounded out the top three in its initial run. 1. The Expendables 2 Gross: $28,750,000 Screens: $3,316 (PSA: $8,670) Week: 1 The first round of The Expendables opened with $34,825,135 when it debuted in theaters in August 2010, averaging $10,650 in 3,270 theaters. The second round is decidedly less heavy-hitting in terms of box office, but nevertheless a solid start for the action title starring Sylvester Stallone, who gave the director’s chair over to Simon West for the latest installment. 2. The Bourne Legacy Gross: $17,019,855 (Cume: $69,580,935) Screens: 3,753 (PSA: $4,535) Week: 2 (Change – 55%) The Jeremy Renner starter added just eight theaters in the U.S. and its drop from its first weekend roll out was a fairly acceptable 55%, though the pic landed in the second spot in the overall box office. The Bourne Legacy debuted in 3,745 theaters, averaging $10,752. Internationally, Legacy added five international territories, bringing the title to 18 abroad. it’s worldwide gross is now at $97.7 million. 3. Paranorman (3-D, Animation) Gross: $14,008,498 Screens: 3,429 (PSA: $4,085) Week: 1 The stop-action animated feature landed in the third place in the overall box office with just over $14 million with a so-so $4,085 average in 3,429 screens. The pic was produced by Coraline creators Laika and their latest effort performed similarly, grossing $16.8 million in a third place bow in February, 2009. 4. The Campaign Gross: $13,385,000 (Cume: $51,694,000) Screens: 3,255 (PSA: $4,112) Week: 2 (Change: – 50%) The comedy added 50 locations in its second weekend and its 50% drop was in the realm of acceptable. Internationally, The Campaign has added another $2.1 million so far. 5. Sparkle Gross: $12 million Screens: 3,255 (PSA: $5,348) Week: 1 With a $14 million budget, the film had a solid debut, landing in the top five of the overall box office. 6. The Dark Knight Rises Gross: $11,140,000 (Cume: $409,916,000) Screens: 3,157 (PSA: $3,529) Week: 5 (Change: – 41%) TDKR hit the $400 million milestone on Friday after 29 days of release. Overseas, the pic has grossed nearly $489 million bringing its worldwide total to just under $900 million. 7. The Odd Life of Timothy Green (opened Wednesday) Gross: $10,909,000 (Cume: $15,187,000) Screens: 2,598 (PSA: $4,199) Week: 1 The feature debuted Wednesday in 2,551 theaters with a head-start total of $2.3 million ahead of the weekend. It is the weekend’s fourth debut in the top 10. 8. Hope Springs Gross: $9.1 million (Cume: $35,051,000) Screens: 2,361 (PSA: $3,854) Week: 2 (Change: -38%) The comedy opened in the fourth spot when it debuted in theaters last weekend. The title stayed in the same number of locations, averaging a decent $3,854 vs its $6,607 opener. 9. Diary of a Wimpy Kid: Dog Days Gross: $3,850,000 (Cume: $38,762,321) Screens: 2,737 (PSA: $1,407) Week: 3 (Change: – 52%) The title lost 664 locations in its third weekend, averaging $1,407 vs $2,411 in its second round last week when it placed fifth in the overall box office. 10. Total Recall Gross: $3.5 million (Cume: $51,782,000) Screens: 2,434 (Average: $1,438) Week: 3 (Change: – 56%) This is likely the final weekend for the title in the top ten. Total Recall lost 1,167 screens compared to its second round last week. Watch the full video on YouTube . [ Sources: Box Office Mojo , Hollywood.com ]

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The Expendables 2 Opens Solid With The Bourne Legacy And Paranorman Ranking 2nd & 3rd

The Expendables 2 Opens Solid With The Bourne Legacy And Paranorman Ranking 2nd & 3rd

The Expendables 2 bumped last week’s number one film The Bourne Legacy to number two over the weekend. The latest installment of the action pic grossed over $28.7 million in its first roll out, averaging a solid $8,670 screens. Bourne dropped 55% in its second round, while Focus Features’ Paranorman rounded out the top three in its initial run. 1. The Expendables 2 Gross: $28,750,000 Screens: $3,316 (PSA: $8,670) Week: 1 The first round of The Expendables opened with $34,825,135 when it debuted in theaters in August 2010, averaging $10,650 in 3,270 theaters. The second round is decidedly less heavy-hitting in terms of box office, but nevertheless a solid start for the action title starring Sylvester Stallone, who gave the director’s chair over to Simon West for the latest installment. 2. The Bourne Legacy Gross: $17,019,855 (Cume: $69,580,935) Screens: 3,753 (PSA: $4,535) Week: 2 (Change – 55%) The Jeremy Renner starter added just eight theaters in the U.S. and its drop from its first weekend roll out was a fairly acceptable 55%, though the pic landed in the second spot in the overall box office. The Bourne Legacy debuted in 3,745 theaters, averaging $10,752. Internationally, Legacy added five international territories, bringing the title to 18 abroad. it’s worldwide gross is now at $97.7 million. 3. Paranorman (3-D, Animation) Gross: $14,008,498 Screens: 3,429 (PSA: $4,085) Week: 1 The stop-action animated feature landed in the third place in the overall box office with just over $14 million with a so-so $4,085 average in 3,429 screens. The pic was produced by Coraline creators Laika and their latest effort performed similarly, grossing $16.8 million in a third place bow in February, 2009. 4. The Campaign Gross: $13,385,000 (Cume: $51,694,000) Screens: 3,255 (PSA: $4,112) Week: 2 (Change: – 50%) The comedy added 50 locations in its second weekend and its 50% drop was in the realm of acceptable. Internationally, The Campaign has added another $2.1 million so far. 5. Sparkle Gross: $12 million Screens: 3,255 (PSA: $5,348) Week: 1 With a $14 million budget, the film had a solid debut, landing in the top five of the overall box office. 6. The Dark Knight Rises Gross: $11,140,000 (Cume: $409,916,000) Screens: 3,157 (PSA: $3,529) Week: 5 (Change: – 41%) TDKR hit the $400 million milestone on Friday after 29 days of release. Overseas, the pic has grossed nearly $489 million bringing its worldwide total to just under $900 million. 7. The Odd Life of Timothy Green (opened Wednesday) Gross: $10,909,000 (Cume: $15,187,000) Screens: 2,598 (PSA: $4,199) Week: 1 The feature debuted Wednesday in 2,551 theaters with a head-start total of $2.3 million ahead of the weekend. It is the weekend’s fourth debut in the top 10. 8. Hope Springs Gross: $9.1 million (Cume: $35,051,000) Screens: 2,361 (PSA: $3,854) Week: 2 (Change: -38%) The comedy opened in the fourth spot when it debuted in theaters last weekend. The title stayed in the same number of locations, averaging a decent $3,854 vs its $6,607 opener. 9. Diary of a Wimpy Kid: Dog Days Gross: $3,850,000 (Cume: $38,762,321) Screens: 2,737 (PSA: $1,407) Week: 3 (Change: – 52%) The title lost 664 locations in its third weekend, averaging $1,407 vs $2,411 in its second round last week when it placed fifth in the overall box office. 10. Total Recall Gross: $3.5 million (Cume: $51,782,000) Screens: 2,434 (Average: $1,438) Week: 3 (Change: – 56%) This is likely the final weekend for the title in the top ten. Total Recall lost 1,167 screens compared to its second round last week. Watch the full video on YouTube . [ Sources: Box Office Mojo , Hollywood.com ]

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The Expendables 2 Opens Solid With The Bourne Legacy And Paranorman Ranking 2nd & 3rd

The Impossible Trailer: Ewan McGregor, Naomi Watts Get Emotional In True Tsunami Survival Story

Real talk, y’all: The first domestic trailer for Juan Antonio Bayona’s disaster drama The Impossible made me a little misty-eyed. Get ready to get your hearts touched by Ewan McGregor and Naomi Watts as parents on vacay with their children who get separated by the devastating 2004 tsunami and attempt to find their way back to each other amid the destruction and chaos. Sniff. The first Spanish language teaser and posters caught our eye with their startlingly frightening imagery, but Summit’s trailer takes a different route with effective results, focusing more on the human drama and bonds at the center of the film. The Impossible marks director Bayona’s English-language debut after impressing with 2007’s The Orphanage . [Trailer debut in HD at Apple .] Based on the true story of one family’s survival of the 2004 tsunami, THE IMPOSSIBLE stars Naomi Watts and Ewan McGregor and is directed by J.A. Bayona (THE ORPHANAGE). Maria (Naomi Watts), Henry (Ewan McGregor) and their three sons begin their winter vacation in Thailand, looking forward to a few days in tropical paradise. But on the morning of December 26th, as the family relaxes around the pool after their Christmas festivities the night before, a terrifying roar rises up from the center of the earth. As Maria freezes in fear, a huge wall of black water races across the hotel grounds toward her. THE IMPOSSIBLE is the powerful and unforgettable account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time. But the true-life terror is tempered by the unexpected displays of compassion, courage and simple kindness that Maria and her family encounter during the darkest hours of their lives. Both epic and intimate, devastating and uplifting, The Impossible is a journey to the core of the human heart. The Impossible will be released December 21. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Impossible Trailer: Ewan McGregor, Naomi Watts Get Emotional In True Tsunami Survival Story

The Impossible Trailer: Ewan McGregor, Naomi Watts Get Emotional In True Tsunami Survival Story

Real talk, y’all: The first domestic trailer for Juan Antonio Bayona’s disaster drama The Impossible made me a little misty-eyed. Get ready to get your hearts touched by Ewan McGregor and Naomi Watts as parents on vacay with their children who get separated by the devastating 2004 tsunami and attempt to find their way back to each other amid the destruction and chaos. Sniff. The first Spanish language teaser and posters caught our eye with their startlingly frightening imagery, but Summit’s trailer takes a different route with effective results, focusing more on the human drama and bonds at the center of the film. The Impossible marks director Bayona’s English-language debut after impressing with 2007’s The Orphanage . [Trailer debut in HD at Apple .] Based on the true story of one family’s survival of the 2004 tsunami, THE IMPOSSIBLE stars Naomi Watts and Ewan McGregor and is directed by J.A. Bayona (THE ORPHANAGE). Maria (Naomi Watts), Henry (Ewan McGregor) and their three sons begin their winter vacation in Thailand, looking forward to a few days in tropical paradise. But on the morning of December 26th, as the family relaxes around the pool after their Christmas festivities the night before, a terrifying roar rises up from the center of the earth. As Maria freezes in fear, a huge wall of black water races across the hotel grounds toward her. THE IMPOSSIBLE is the powerful and unforgettable account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time. But the true-life terror is tempered by the unexpected displays of compassion, courage and simple kindness that Maria and her family encounter during the darkest hours of their lives. Both epic and intimate, devastating and uplifting, The Impossible is a journey to the core of the human heart. The Impossible will be released December 21. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Impossible Trailer: Ewan McGregor, Naomi Watts Get Emotional In True Tsunami Survival Story

Hunger Games Book Trilogy Outsells Potter Series On Amazon; Bigfoot Is Back: Biz Break

Also in Friday afternoon’s round-up of news briefs, The New York Times Company’s new CEO will make considerably less than his predecessor, and IGN President Roy Bahat steps down via email. Hunger Games trilogy outsells Potter series Suzanne Collins’  Hunger Games  trilogy is now Amazon’s top-selling book series.  In just four years, the author’s fan-generating output has outsold J.K. Rowlings’ seven-book Harry Potter series, which was published over a more than 10-year span. The online retailer announced that the milestone takes into account sales of both e-books and print copies. Deadline reports. New New York Times CEO making much less than predecessor Mark Thompson, the newly minted CEO of The New York Times Company will make an annual salary of $1 million, plus a $3 million signing bonus. In contrast, the company’s previous chief executive Janet Robinson, who left in December, made $11.3 million last year alone.  Deadline reports. Bigfoot Gets Its Own County. Grindstone Entertainment has acquired North American rights to the found-footage thriller “Bigfoot County,” and is exploring releasing the film late this year. The $30,000 picture is described as Deliverance meets Bigfoot with a dash of The Blair Witch Project . The movie is built around footage supposedly taken by filmmakers who disappeared in Northern California’s Siskiyou County while tracking the fabled Sasquatch.   Variety reports. Game over for IGN head Roy Bahat, the president of News Corp’s gaming property IGN Entertainment announced in an email to employees on Friday that he is stepping down from his position but will remain on the company’s board.  Bahat announced his departure after News Corp.’s  attempts to bring in an outside investor to spin off the division — which it acquired for $680 million in 2005 — did not bear fruit.   The Los Angeles Times reports.  Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Hunger Games Book Trilogy Outsells Potter Series On Amazon; Bigfoot Is Back: Biz Break

POLL: Which Classic Scooby-Doo Villains Would Make Memorable WWE Wrestlers?

In what may be one of the most inspired cross-promotion deals of the year,   Deadline reports that Warner Bros. and WWE Studios will team up to produce a Scooby-Doo animated feature in which the Mystery Inc. team investigates strange goings-on at Wrestlemania.  (Now, that’s a loaded premise.) WWE personalities Triple H, John Cena,  Kane , The Miz and WWE CEO Vince McMahon will be among those lending their voices to the production, and it occurred to me that not only will their cartoonish on-air personalities lend themselves well to animation,. but that a number of the classic Scooby-Doo villains would make memorable WWE Wrestlers. Tell me that the Phantom Puppeteer was not a proto-Undertaker, or that Big Show and the Wax Phantom are not brothers from another mother.  With that in mind, I invite you Scooby lovers out there to choose which classic Scooby-Doo,Where Are You!  villain below would make the best WWE Wrestler. If you’re one of those meddling-kid types who thinks the best choice is not on the list, leave him or her in the comments section. Take Our Poll Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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POLL: Which Classic Scooby-Doo Villains Would Make Memorable WWE Wrestlers?

End Of Watch’s Red Band Trailer Doesn’t Keep It Subtle

Jake Gyllenhaal and Michael Peña are two Los Angeles cops on patrol, though they clearly see more action than most. The two are on a hit-list after they after they happen upon a drug kingpin’s stash of bling, guns and cash. The Toronto International Film Festival premiere just debuted its Red Band Trailer and a day-in-the-life of these policemen clearly does not involve traffic stops and jaywalkers – at least not that much. The trailer starts off with a violent bust in what looks like a back alley and a decent dose of expletives (so be warned). A smooth-skulled Gyllenhaal and Peña continue on with their rounds in what looks like a part of L.A. that makes headlines but not of the Hollywood glam sort (unless it becomes fodder for a movie of course). End of Watch also stars Anna Kendrick, Cody Horn and America Ferrera. End of Watch is directed by David Ayer, whose directorial debut Harsh Times also took place in South Central L.A. John Lesher produced the feature, which will be released September 28th in the U.S. Synopsis: Academy Award-nominee Jake Gyllenhaal and Michael Peña star in the action thriller End of Watch as young Los Angeles police officers Taylor and Zavala as they patrol the city’s meanest streets of south central Los Angeles. The film creates a riveting portrait of the city’s most dangerous corners, the cops who risk their lives there every day, and the price they and their families are forced to pay.

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End Of Watch’s Red Band Trailer Doesn’t Keep It Subtle

Schwarzenegger & Stallone Head for The Tomb; Interns Expand Lawsuit With Twentieth Century Fox: Biz Break

Also in Tuesday morning’s round-up of news briefs, John Travolta will receive honors at a Swiss festival this fall. Rebel Wilson heads for a new indie project. And Woody Allen ‘s next film is starting to take shape. Sylvester Stallone and Arnold Schwarzenegger in The Tomb Swedish filmmaker Mikael Håfström will direct Stallone and Schwarzenegger will star opposite in The Tomb centered on a professional on structural security who must then escape a prison of his own design, Deadline reports John Travolta to Receive Zurich Film Festival Honors The Zurich Film Festival will present John Travolta with its Lifetime Achievement Award – the Golden Eye – at its festival taking place September 20 – 30. He’ll receive the award opening night ahead of the gala premiere of Oliver Stone’s Savages , THR reports . Rebel Wilson Set for Unicorn Store Bachelorette star Rebel Wilson will star in indie feature Unicorn Store , which Miguel Arteta is set to direct, Variety reports . Interns Expand Law Suit Against Twentieth Century Fox Two interns who last year sued Fox Searchlight over unpaid work on the Oscar-winning film Black Swan are now expanding their legal action to include all internships at parent company Twentieth Century Fox. Alex Footman and Eric Glatt’s latest suit could have a major impact on working practices in Hollywood, where unpaid internships have risen in recent years. Fox itself says it changed its guidelines in July 2010 to ensure that all interns are paid at least $8 an hour, The Guardian reports via THR . Sales for Woody Allen’s Next Film to be Handled by Focus Woody Allen’s next untitled film starring Alec Baldwin, Cate Blachet, Louis C.K., Bobby Cannavale, Andrew Dice Clay, Michael Emerson, Sally Hawkins, Peter Sarsgaard, Max Casella and Alden Ehrenreich will be sold through Focus Features International. Principal photography begins in San Francisco and New York next month, Deadline reports .

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Schwarzenegger & Stallone Head for The Tomb; Interns Expand Lawsuit With Twentieth Century Fox: Biz Break

Lars Von Trier Wants You! Invites World To Submit Films Inspired By Albert Speer, Sammy Davis Jr.

Leave it to Lars von Trier to find a connection between Nazi architect Albert Speer and Rat Pack singer Sammy Davis Jr.  The controversy-courting Danish filmmaker has invited the public to reintrepret one or more of six great works of art for a community film project that will be unveiled at the Copenhagen Art Festival. The project is being called Gesamt , which translates to “coming together” or “a joint piece of work,” said director Jenle Hallund, who has the nerve-wracking challenge of creating a cohesive film from fragments of the submissions under some very tight time constraints.  The deadline for submissions is Sept. 6, and the finished film is slated to debuty Oct.12, 2012 at Kunsthal Charlottenborg in Copenhagen. Hallund, who was a script supervisor on Von Trier’s Melancholia as well as the co-director Limboland  (2010)  told us Gesamt has the potential to “be a testimony to the health and the soul of civilization. It should show how ordinary people appreciate and interpret big art,” she says. Make that big art that stirs the soul of Von Trier. Participants must base their submissions one or more of six different works of art, and Hallund said that the chosen few “are all pieces of art that [Von Trier] likes.” According to the announcement of the project — which was modestly titled “Lars Von Trier Challenges The People” — by the Danish Agency for Culture, prospective entrants must use as their muse(s):  James Joyce’s Ulysses , “which once was banned in the United States because it was seen as obscene and lewd”; August Strindberg’s play The Father , “which still stands as a striking example of a dysfunctional family”; Paul Gaugin’s painting Where Do We Come From? What Are We? Where Are We Going? French composer César Franck’s improvisations; or the music of the late Sammy Davis Jr., “who stepped himself into the hearts of people through song.” Also included among is the Zeppelin Field grandstand in Nuremberg, Germany that Hitler’s main architect Albert Speer created. The choice is sure to generate debate given comments Von Trier made during a press conference at the 2011 Cannes Film Festival, when he said: “I understand Hitler, but I think he did some wrong things, yes, absolutely. … He’s not what you would call a good guy, but I understand much about him, and I sympathize with him a little bit. But come on, I’m not for the Second World War, and I’m not against Jews.” When I asked Hallund if Von Trier, who likes to stir the pot, was referencing the Cannes controversy by including Speer, she replied: “I can’t speak on his behalf, but if you look at some of Speers’ art, it is phenomenal, and I would say that it is possible to appreciate his art independent of the ideology” to which it was attached during the reign of Hitler. “All art can be used toward elitism and propaganda,” Hallund continued, adding, “a lot of religious art has been used for that. Some people will say that the Bible and the Koran are works of art, but they have also been used toward mass murder and genocide and repression on the planet.” “We can’t just close our eyes and say we can never talk about Albert Speers or Nazism,” Hallund concluded. “We make ourselves more prone to repeat the past by ignoring it. Gesamt producer Nadia Claudi told me that six submissions have already been received. One arrived from Germany, she said, and the rest are from Denmark. All but one of the submissions are filmed, and Speers right now is leading the subject matter by a thin margin: Two submissions are based on his work at Zeppelin Field; one deals with Joyce, and another, with Gaugin. She said that one entry takes on all six subjects, while the content of another submission is a bit inconclusive. The deadline for entries is Sept. 6.  Everything you need to know about submitting your work can be found  at this link. “I just hope that  people will be very free in their interpretations of this and show us what they have in their hearts,” Hallund said.  “And I would love to hear from Americans.” You heard the lady. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Lars Von Trier Wants You! Invites World To Submit Films Inspired By Albert Speer, Sammy Davis Jr.

Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2

Some time after turning down a role in 2010’s Expendables (the part he was offered lacked substance, legend has it) Jean-Claude Van Damme thought better of opting out of the Sylvester Stallone throwback, which went onto become a hit. But perhaps things worked out for the best: In this week’s Expendables 2 , Van Damme steals away with the spotlight as the eccentric and hilariously disdainful uber-villain Jean Vilain (yes, really) with an over-the-top performance that called for full commitment to character on set. At least, Van Damme believed his turn as Vilain required cultivating an icy rapport with his fellow action veterans on set. And so as Stallone, Arnold Schwarzenegger , Bruce Willis and Co. chummed it up during filming , the Muscles from Brussels stayed in character so well he only made nice after the bulk of filming wrapped. “I said to [Sylvester] Stallone, ‘How do you want me as a villain? Do you want me, like, an extravagant villain, or do you want a guy who’s completely serious and believes in what he’s doing and why he’s doing that,'” Van Damme recalled to journalists recently in Los Angeles. “Then I said, ‘By the way — why am I doing that?’ and he said, ‘Because you love money.’ I said, ‘Fine.’ So, I became that type of villain.” So committed was Van Damme to Vilain’s persona, he even found himself sneering at the crew. “When I saw all those cameras around me, I said, ‘Who are those bunch of clowns looking at us with those lenses and the lights and everything?’ I was really into the atmosphere of Expendables .” When it came to treating his peers and personal heroes like enemies, Van Damme didn’t hold back. “I’ll tell you what, those guys were like role models for me, because we have to be honest, we need to look at something to have a goal,” he recalled. “I saw Rambo . I saw Rocky . I saw Conan . I saw Die Hard . So to me, they were like heroes. I was back in Belgium watching them on the screen, buying tickets and dreaming of becoming like them. I wanted to be an actor since I was eleven, twelve years old, and now here I am and they’re chasing me.” Van Damme credits his acting skills to having worked with directors like Ringo Lam ( City on Fire ), who directed him in Maximum Risk (1996), Replicant (2001), and In Hell (2003). He counts Kirk Douglas and Charles Bronson among his screen idols and emphasizes the importance of finding truth within a scene, though his proclivity for doing something different in each take gave producer Stallone and director Simon West a challenge and a boon in the editing room. “If you do a good take,” Van Damme said, “you cannot repeat the same one.” His chilly treatment of his on-screen rivals was an extension of that truth-seeking imperative. “When I came on the set I didn’t talk to nobody,” Van Damme remembered. “I didn’t want to see them because, you know, Arnold is like bop, bop, bop and I was talking more to Stallone about the part than anything else. So, I believe, and I felt when I was looking at them, it was like, ‘Who are you?’ Nothing [in] the eyes. I felt like I didn’t like them. I took it very seriously.” “Of course, when the movie was finished I was like, ‘Hey, guys, I really admire you, but I didn’t talk to you in the beginning because I wanted to have that type atmosphere, that type of tension.’ I think you can see that when you look at the lens, when I look at all them and I’m like, ‘Go down to the floor, guys, bark all of you like dogs.’ It’s hard for me to say that to my heroes, but it was the only way, and then when the movie was going to end, that’s when I started to knock on trailers and say hello to everybody. ‘Hey, Chuck [Norris], how are you?’” Stay tuned for more from The Expendables 2 , which hits theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Of Course Jean-Claude Van Damme Went Method On The Set Of Expendables 2