Can something be considered fan fiction if it’s also an official, canonical studio product? I’m going to argue yes, absolutely, because with The Muppets , Jason Segel has crafted what can only be described as the most extravagant work of fan fiction ever, Mary Sue-ing himself into the Muppet universe as a character who helps reunite the gang in order to save their old theater and the day. Segel, who co-wrote the film with Nicholas Stoller, even leaves his own tentative mark on Jim Henson’s beloved ensemble by inserting a personal addition in the form of alter ego Walter (voiced by Peter Linz), his character’s Muppet brother and the group’s most devoted fan even when the rest of the world seems to have forgotten about them. Fandom can be a precarious thing — someone’s devotion to the source material he or she is adapting to screen can sometimes lead to being too cautious with it, too respectful to do what’s best for the movie instead of only for the hardcore supporters. But the love Segel has for the Muppets is a genuine, perceivable and positive quality that suffuses this good-hearted revitalization of the franchise, and if some wish fulfillment sneaks in there too, it seldom gets in the way of the enjoyment to be had.
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REVIEW: When Humans Aren’t On-Screen, The Muppets Achieves Pure, Distilled Joy
