Tag Archives: freedom

Picture Painting Chimp Earns Fame, But Not Freedom

Photo: O Globo For most of his 27 years, Jimmy the chimpanzee has been kept under lock and key, allowed only to dream of the world beyond the confines of his enclosure at a small zoo in Rio de Janeiro. With no companion and little to do to pass the time, Jimmy had become understandably depressed — that is, until he discovered the joy of painting. But despite receiving national acclaim for his artistic ability, and becoming a household name in Brazil, the results of Jimmy’s latest … Read the full story on TreeHugger

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Picture Painting Chimp Earns Fame, But Not Freedom

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I have lost count of the politicians and opinion formers of an authoritarian bent warning of the dreadful damage done by the WikiLeaks dump of diplomatic cables, and in the very next breath dismissing the content as frivolous tittle-tattle. To seek simultaneous advantage from opposing arguments is not a new gambit, but to be wrong in both is quite an achievement. Publication of the cables has caused no loss of life; troops are not being mobilised; and the only real diplomatic crisis is merely one of discomfort. The idea that the past two weeks have been a disaster is self-evidently preposterous. Yet the leaks are of unprecedented importance because, at a stroke, they have enlightened the masses about what is being done in their name and have shown the corruption, incompetence – and sometimes wisdom – of our politicians, corporations and diplomats. More significantly, we have been given a snapshot of the world as it is, rather than the edited account agreed upon by diverse elites, whose only common interest is the maintenance of their power and our ignorance. The world has changed, not simply because governments find they are just as vulnerable to the acquisition, copying and distribution of huge amounts of data as the music, publishing and film businesses were, but because we are unlikely to return to the happy ignorance of the past. Knowing Saudi Arabia has urged the bombing of Iran, that Shell maintains an iron grip on the government of Nigeria, that Pfizer hired investigators to disrupt investigations into drugs trials on children, also in Nigeria, that the Pakistan intelligence service, the ISI, is swinging both ways on the Taliban, that China launched a cyber attack on Google, that North Korean has provided nuclear scientists to Burma, that Russia is a virtual mafia state in which security services and gangsters are joined at the hip – and knowing all this in some detail – means we are far more likely to treat the accounts of events we are given in the future with much greater scepticism. Never mind the self-serving politicians who waffle on about the need for diplomatic confidentiality when they themselves order the bugging of diplomats and hacking of diplomatic communications. What is astonishing is the number of journalists out there who argue that it is better not to know these things, that the world is safer if the public is kept in ignorance. In their swooning infatuation with practically any power elite that comes to hand, some writers for the Murdoch press and Telegraph titles argue in essence for the Chinese or Russian models of deceit and obscurantism. They advocate the continued infantilising of the public. Nothing is new. In 1771, that great lover of liberty, John Wilkes, and a number of printers challenged the law that prohibited the reporting of Parliamentary debates and speeches, kept secret because those in power argued that the information was too sensitive and would disrupt the life of the country if made public. Using the arcane laws of the City of London, Alderman Wilkes arranged for the interception of the Parliamentary messengers sent to arrest the printers who had published debates, and in doing so successfully blocked Parliament. By 1774, a contemporary was able to write: “The debates in both houses have been constantly printed in the London papers.” From that moment, the freedom of the press was born. It took a libertine to prove that information enriched the functioning of British society, a brave maverick who was constantly moving house – and sometimes country – to avoid arrest; whose epic sexual adventures had been used by the authorities as a means of entrapping and imprisoning him. The London mob came out in his favour and, supplemented by shopkeepers and members of the gentry on horseback, finally persuaded the establishment of the time to accept that publication was inevitable. And the kingdom did not fall. Over the past few weeks, there have been similarly dire predictions from sanctimonious men and women of affairs about the likely impacts of publication, and of course Julian Assange finds himself banged up in Wandsworth nick, having neither been formally charged with, nor found guilty of, the sex crimes he is alleged to have committed in Sweden. Making no comment about his guilt or innocence, or the possibility of his entrapment, I limit myself to saying that we have been here before with John Wilkes; and the reason for this is that authorities the world over and through history react the same way when there is a challenge to a monopoly of information. It is all about power and who has access to information. Nothing more. When those who want society to operate on the basis of the parent-child relationship because it is obviously easier to manage, shut the door and say “not in front of the children”, they are usually looking after their interests, not ours. I don't argue for a free-for-all, regardless of the consequences. In the WikiLeaks cables, knowledge and the editing and reporting skills found in the old media, combined with the new ability to locate and seize enormous amounts of information on the web, has actually resulted in responsible publication, with names, sources, locations and dates redacted to protect people's identities and their lives. America is sore and naturally feels exposed, but the state department would have had much less cause for regret if it had listened to Ross Anderson, the Cambridge professor often quoted here in relation to Labour's obsession with huge databases of personal information. His rule states that it is a mathematical impossibility to maintain a large and functional database that is also secure. Hillary Clinton must rue the day that the Bush administration built a great silo of cables that could be accessed by three million staff. The Chinese and Russians would never have been so trusting. There has been more than a hint that China and Russia have empathised with the Americans. The unseen affinities of the powerful may also be responsible for the unforgivable behaviour by Amazon, which pulled the plug on hosting WikiLeaks, and PayPal, Visa and MasterCard, which unilaterally stopped customers making donations to WikiLeaks. There was not the slightest consideration of principles about free information or the freedom of their customers to make up their own minds. What next? Will these corporate giants be blocking payment to the New York Times and the Guardian? It is hard to feel much regret over the cyber attacks on their websites because, in the end, they did not seem much better than Shell and Pfizer, the companies that appear to be running so much of Nigeria like the worst type of imperial powers. Nothing but good can come from revelations about these companies, and in this brief moment when we have a glimpse of how things really are, we should relish the fact that publication of the cables, as well as the shameful reactions to it, have brought light, not fire. http://bit.ly/eYBsaU added by: ras_menelik

Ke$ha’s ‘We R Who We R’ Video Is ‘Hot And Dangerous’

Cannibal singer throws sexy, dark dance party in just-released clip. By Jocelyn Vena Ke$ha in her video for “We R Who We R” Photo: RCA Records / Sony Music Entertainment In the video for her first Cannibal single, Ke$ha wants everyone to know “We R Who We R.” . Flashing lights open the video as Ke$ha, in a high ponytail and body-hugging sparkly leotard, and her crew roll through a tunnel as a fire burns in the background. The singer promised explosions , and she delivered. As she makes her way through the tunnel, a close-up shot of the singer reveals another eye-catching look: eyebrows complete with actual studs, and her makeup as glittery as ever. Cars zoom by as the crew hangs in the tunnel, continuing on their way to a party. When they arrive, Revolucion tequila is on full display at a post-apocalyptic rave. Apparently, Ke$ha has now hit the product-placement stage of her career, a move made by Lady Gaga in several of her most-recent clips, notably, “Telephone.” Ke$ha parties it up with her people while the two female DJs scope out dating site Plenty of Fish, which also made an appearance in Gaga’s “Bad Romance” clip around this time last year. Mid-party, Ke$ha changes her garb. She is now draped in an American-flag top and sparkly hot-pink hot pants, and is partying so hard, she stage dives off a roof. Luckily, the crowd below catches her. The video closes with a smiling Ke$ha dancing her heart out, proclaiming proudly that “We R Who We R.” While Ke$ha has relied on comedy in many of her past clips, her latest is darker and sexier than the girl who flipped off her parents in the “Tik Tok” video, something she shared with MTV News a few weeks ago. “This video is a little bit ‘sexy time.’ I’m not gonna lie: It may induce a boner or two,” Ke$ha said, laughing. “I’m not sure, [you’ll have to] report back. But I’m hoping for at least one.” She tweeted Wednesday about the video’s premiere, writing, “Hot and dangerous!!! Brand spankin new videoooooo for We R Who We R!!!” Which Ke$ha video is your favorite so far? Chime in below! Related Artists Ke$ha

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Ke$ha’s ‘We R Who We R’ Video Is ‘Hot And Dangerous’

Grammy Hits And Misses: Ke$ha Shut Out, Bruno Mars Cleans Up

Big Boi and Alicia Keys are also left out, but Florence and the Machine and Ray LaMontagne get some much-deserved love. By Gil Kaufman Ke$ha Photo: Kristian Dowling / PictureGroup What would the annual Grammy nominations announcement be without the next-day quarterbacking and bellyaching about who got dissed and who got just the right amount of Academy love? While this year’s batch of contenders is mostly devoid of the WTF factor of past nomination seasons, when veteran acts such as Steely Dan, Robert Plant and Herbie Hancock sucked most of the air out of the room, there were still plenty of surprises, omissions and flat-out questionable choices to go around. The one most people were buzzing about Thursday (December 2) was the blank delivered to Ke$ha, who earned a grand total of zero nominations for her debut, Animal, despite launching several hits and earning a major spot in the pop-culture universe in 2010. The snub was even more noticeable because one of her producers, Dr. Luke, was nominated in the producer category and four of the eight songs that earned him that spot were from Ke$ha’s debut. We spoke to Entertainment Weekly music critic Leah Greenblatt about that oversight and many others in this year’s nominations. She said the Ke$ha situation was surprising, especially considering the love that the similarly poptastic Katy Perry got for Teenage Dream, which has sold well but, like Animal, was not critically adored upon release. “But I think it’s really cool to see Florence [and the Machine] get that nomination [for Best New Artist], and I think it’s awesome that Esperanza Spalding also got nominated [in that category],” she said of the little-known jazz singer who likely sent many people to Google on Wednesday night. Greenblatt was also excited that raspy-voiced singer Ray LaMontagne snagged a spot in the Song of the Year category for “Beg Steal or Borrow” and another in the Best Contemporary Folk Album category. “As fogie-ish as the Grammys are, it seems like this year they went more towards a Teen Choice Awards direction with a noticeably younger group of nominees,” she said, wondering if it was a conscious decision to try and make the show hipper or if it’s a signal of the changing demographic of Grammy voters. “And I think Bruno Mars deserves all of his nominations,” she added about the singer/songwriter/producer who scored seven nods . “He only had one hit, but he really shaped popular music this year with the songs he did for Travie McCoy, B.o.B and Cee Lo. He brought so much musicality to R&B and pop. He’s making music and playing instruments and he’s insanely melodic. He’s not just jacking samples.” As for how Eminem ended up with the most nominations at 10 , she chalked it up to the “Sandra Bullock factor,” speculating that Grammy voters might have just thought it was Marshall Mathers’ time to shine again. “He’s not universally liked for his sparkling personality, but it seems like it’s his time,” she said of the rapper, who had the year’s best-selling album with Recovery and stormed back with some of the most melodic, accessible music of his decade-plus career. “It almost seemed like he was deemed safe enough for the Grammys this year … and the album is so incredibly commercial. It’s as safe as Eminem gets.” As for who got left off, Greenblatt said she was surprised at the lack of “American Idol” names on the list, with season-eight winner Kris Allen getting shut out and that season’s runner-up, Adam Lambert, only getting a bid for Best Male Pop Vocal Performance for “Whataya Want From Me.” And for a song that was one of the best-selling singles of the year, it was surprising that Train’s “Hey, Soul Sister,” Grammy bait if there ever was, managed only one nod for Best Pop Performance by a Duo or Group With Vocals — for a live version of the tune. There were other glaring omissions to be sure: no love for rappers Rick Ross and Big Boi, just a pair of nominations for last year’s big winners Kings of Leon, a shutout for Lady Gaga’s smash “Bad Romance” in the Record and Song of the Year categories (it did show up in Best Female Pop Vocal Performance) as well as for B.o.B and Hayley Williams’ mega-hit “Airplanes,” which scored only a Best Pop Collaboration With Vocals acknowledgment. Greenblatt was also disappointed that Alicia Keys’ The Element of Freedom got blanked, despite the handfuls of Grammys the singer has taken home in the past. And considering its major impact on the pop-culture landscape, “Glee” only got noticed in the Best Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media category and Best Pop Performance by a Duo or Group With Vocals for “Don’t Stop Believin’,” which Greenblatt said may have had something to do with the fact that the songs on the show are covers and not original compositions. In the end, though, she said this year’s Grammys were mostly devoid of the giant head-smacking omissions and inclusions of past years and with the strong recognition to a new generation of singers, another potential sign that the show might be inching in a new direction. Which artists or albums do you think got too much (or not enough love) this year? Share your thoughts in the comments! Related Videos 2011 Grammy Nomination Reactions Related Photos 2011 Grammy Awards Nominees: Hits And Misses The 2011 Grammy Nominations Concert The GRAMMY Nominations Concert Live!! Related Artists Ke$ha Bruno Mars

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Grammy Hits And Misses: Ke$ha Shut Out, Bruno Mars Cleans Up

WATCH: Comedian Mr. Bruse Hits Carolines On Broadway This Monday Nov.29th

Mr. Bruse who ?? Mr. Bruse.. Musician/Comedian/Actor Hits Carolines On Broadway This Monday night November. 29th for their 7:30pm Show.. Make sure you come check him out and get your laugh on. Bruse who performs his comedy under the moniker Mr. Bruse is fairly new to the comedy world but is quickly turning heads and being noticed. He was recently featured on The Urban Daily website in reference to his upcoming Carolines Comedy Club engagement… As for influence he states and the greats, Pryor, Murphy, Rock, Garlin etc.. “After being hesitant for years I decide to take the plunge. comedy can crosses all color lines and prejudice, and be inflammatory. In a world were everyone hangs on your every word ready to pounce. I love the freedom Pass”. Carolines Comedy Club Located At 1626 Broadway NY, NY. Showtime 7:30pm Call 212-757-4100 And Tell Them You Are Coming To See Mr. Bruse To Reserve, And Get Reduced Admission… added by: Wizzane

Tyranny is coming to the United States- Rollback of First Amendment Rights?

An RT crew was recently arrested by US police while filming protests near the Fort Benning military base in the US state of Georgia. Correspondent Kaelyn Forde’s and her cameraman Jon Conway were detained while covering a rally protesting the School of the Americas. They were arrested after the demonstration was over and everybody, including correspondents, was leaving the area. The arrests were rough and included the use of hard plastic hand cuffs, the same type commonly used by US soldiers in Iraq and Afghanistan, injuring Kaelyn Forde’s wrists. At the time of their arrests the correspondents were not told what crime they were being charged with. They were held as protestors even though they presented valid press credentials to the court. Currently out on bail after 32 hours in custody, Forde and Conway were eventually charged with partaking in an illegal protest and disobeying the orders of law enforcement officers. Davis Swanson, author of the newly released book, “War is a Lie” said this case is a disturbing trend in America, and the constitutional rights of both the press and the activists were violated by the police. He explained the rights of a free press and free assembly seem to be thrown out when it comes to coverage of the US government, military, congressional campaigns and political parties. “There is the freedom of assembly as well as the freedom of the press in our First Amendment, and it is being attacked,” Swanson said. “This is something that has been growing in recent years.” There is a growing police presence at peaceful rallies and events, explained Swanson. Police are increasing their efforts and hostility at non-violent rallies. The event was a Christian protest, made up of activists that included priests, nuns, elderly individuals and minors. “It is a growing problem that ought to concern all of us,” he said. Swanson argued there was no justification for the police to violate the people’s first amendment rights. Increasing arrests, hostility and preemptive targeting of activists is unjust. “There seems to be a crack down on people protesting even as the protests diminish in size,” he added. The US military targets the media. The uses intimidation and releases tailored stories to the media, and most US media simply bend to the power and intimidation of the government, Swanson argued. “We have a campaign of intimidation that is very very successful,” he said. “There are two disgraceful things that happened here. One,an arrest of journalists and activists, and two, most US media outlets not there, not risking arrests, complying withthe desires of those in power or successfully intimidated.” Radio host Alex Jones said the arrests are a frightening sign and an attempt by the government to further curb American freedoms. Having been arrested in the past as a member of the press, Jones said Forde’s story is all too familiar. First, the police force you to move, and then move you again, and when you comply they arrest you anyway, he explained. “This is part of an ongoing program to persecute protestors and the press,” he said. “Now they’re trying to pass legislation where the Justice Department can shut down any website they want without a judge or jury. Tyranny is coming to the United States.” “This is really US tactics that are increasingly used against journalist around the world now coming back here to the United States,” she said. “We’ve seen time and again in war zones the journalists who are independent journalists who are targeted and then it’s labeled an accident. So, some o those same tactics come back here in an effort to shut down peaceful protests which is entirely legal, this was a permitted demonstration, and yet both the demonstrators and members of the media who were covering it were arrested for no reason whatsoever except an act of intimidation. Flounders argued that the military and the media are tied to one another. Thus US media rarely covers these events. She contended that the roll of the US media is shaped by the government, both in content and in how stories are covered. Blogger David Lindorff from ThisCantBeHappening.net argued police are using peaceful protests to study and intimidate activists. added by: MotherForTruth

Farmageddon, the movie: Protect your right to food sovereignty!

The choice of healthy food and to grow food as you see fit is a human right. Access to food is a human right. I am a firm believer in food sovereignty and the right to farm sustainably and am appalled to see how it is slipping away in America, a land that claims to be about freedom. FOOD RAIDS? When we have bankers and government agencies robbing us blind daily in collusion with companies like Monsanto that toxify this planet with disease and death going scott free? As you celebrate your Thanksgiving this year in whatever way you do, not only be thankful for your food, but aware that the freedom to grow, process, distribute, and eat what you want is being sacrificed to industrial agriculture and factory farms in collusion with food chains looking to make big money from eroding the very principles that made this country what it once was. Farmageddon is hopefully going to be released next year. It is a 90 minute documentary on the dwindling food sovereignty we see in America and the extreme measures being implemented to attack farmers who are growing healthy food. All I can say about this is: What the hell happened to our country? added by: JanforGore

Kanye West’s My Beautiful Dark Twisted Fantasy: A Track-By-Track Guide

Check out an in-depth examination of Yeezy’s new masterwork. By Jayson Rodriguez Kanye West Photo: Shirlaine Forrest/ Getty Images Kanye West’s new album, My Beautiful Dark Twisted Fantasy , is a return to form of sorts for the mercurial star on the most basic of levels — as a producer and an MC — following a departure with his last project, 2008’s 808s & Heartbreak , a soul-baring effort soaked in personal pain and filtered through AutoTune. With My Beautiful Dark Twisted Fantasy , the Chicago artist injects who he once was — a hyperactive musician, moody celebrity and gifted rapper — with the imprints of who he has become after his seclusion and re-emergence following the infamous Taylor Swift incident: an unwavering talent tarnished by controversy but resurgent in his refusal to be defined by anything other than himself. The set, Kanye’s fifth studio album, is an arrogant, remorseful, refreshing probe of perhaps the most complicated figure in pop culture today. The fact that West is the one examining himself makes it all the more brilliant and transparent. Here, MTV News delivers song-by-song crib notes to ‘Ye’s deep dive into his psyche. 1. “Dark Fantasy” On the leadoff number, West reasserts the lyrical acumen he displayed on his first three albums but doesn’t surrender the demonstrative narrative he uncorked on 808s & Heartbreak . Over the robust production of No I.D., Mike Dean and the RZA, which includes a driving organ, tickling keys and feathery choir, West bridges the storyline from his 2009 VMAs incident to his resilient return. And like that, he’s off. Illuminating Rhymes: “The plan was to drink until the pain over, but what’s worse the pain or the hangover?” 2. “Gorgeous” (featuring Kid Cudi and Raekwon) Yeezy is as boastful as he’s ever been on “Gorgeous,” but while his lyrics are razor sharp, the production here is softer, resulting in a melodic finger wag to his naysayers rather than searing jabs. Illuminating Rhymes: “But this pimp is at the top of Mount Olympus/ Ready for the world’s games/ This is my Olympics/ We make ’em say ‘ho’ cause the game is so pimpish/ Choke a ‘South Park’ writer with a fish stick.” 3. “Power” The track that started ‘Ye’s comeback is as stirring months later here as it was when it first leaked to the Web. “Power” is one of the few previously released gems that the producer didn’t tweak for the album version. The record is unflinching, uncompromising, and undoubtedly ‘Ye’s mantra for more than just the current year. Illuminating Rhymes: “I just needed time alone with my own thoughts, got treasures in my mind/ But couldn’t open up my vaults … Reality is catching up with me/ Taking my inner child/ I’m fighting for custody.” 4. “All of the Lights (Interlude)”/ 5. “All of the Lights” A smattering of a song with upward of 10 additional singers, “All of the Lights” is as fearless a track as West has ever made. The rapper is hardly the most present vocalist on this percolating storytelling number, sharing the spotlight with Rihanna, among others. But as a producer he’s front and center — his orchestration is the driving force behind this sonic train. Illuminating Rhymes: “Restraining order, can’t see my daughter/ Her mother, brother, grandmother hate me in that order.” 6. “Monster” (featuring Rick Ross, Jay-Z, Nicki Minaj and Bon Iver) A booming collaboration where each MC pushes the other beyond the brink of one-upmanship until Minaj obliterates the track with a hodgepodge of styling — from her flow to her vocal inflection and varied tonal cadences. Illuminating Rhymes: “Yeah, I’m in that Tonka the color of Willy Wonka/ You could be the king but watch the queen conquer.” 7. “So Appalled” (featuring Jay-Z, Pusha T, CyHi the Prynce, Swizz Beatz and the RZA) This all-star cipher is a backpackers dream as ‘Ye’s G.O.O.D. Music soldiers fire away with resolve. But the Brooklyn icon, Jay-Z, steals the show with an edgy verse dismissing his critics with a 16 that’s as pushy as a New Yorker during rush hour. Please, Hammer, stop replying. Illuminating Rhymes: “I’m so appalled, I might buy the mall/ Just to show niggas how much I have in store.” 8. “Runaway” (featuring Pusha T) The emotional centerpiece of My Beautiful Dark Twisted Fantasy , “Runaway” gets a face-lift from the radio version with West returning the MP samples he blasted onto the track during his memorable 2010 MTV Video Music Awards performance. Pusha’s sneering guest spot remains the same, but in addition to the sampled tics that begin the track, the Clipse MC’s verse is sandwiched on the back end with an elongated outro. Illuminating Rhymes: “Never was much of a romantic, I could never take the intimacy/ And I know I did damage, ’cause the look in your eyes is killing me.” 10. “Hell of a Life” A brooding number with synth-heavy production and frenetic keys strokes. Here, West is all bravado in his hedonistic pursuits. Illuminating Rhymes: “One day I’m gonna marry a porn star/ We’ll have a big-ass crib and a long yard.” 11. “Blame Game” (featuring John Legend) The most melancholy track on the album, “Blame Game” finds West turning inward as he pensively dissects a deteriorating relationship — doling out blame between himself and his lady before ultimately assigning fault to their fading connection. Illuminating Rhymes: “I know that you were somewhere doing your thing/ And when the phone called, it just rang and rang/ You ain’t pick up but the phone accidentally called me back and I heard the whole thing.” 12. “Lost in the World” (featuring Bon Iver) / 13. “Who Will Survive in America” The denouement of Fantasy is a rollicking effort, thundering in its production and chock-full of proclamations from West that lead to more questions than answers after an hour of listening. The track caps off an exhilarating audio experience that’s sonically groundbreaking and lyrically thrilling. The final selection, a Gil Scott-Heron spoken-word excerpt, slowly punctuates the artful track with a stunning statement that seeks to leave West’s fantasy ride open for more life to be lived rather than bringing it to a conclusion. Illuminating Rhymes: “You’re my devil, you’re my angel/ You’re my heaven, you’re my hell/ You’re my now, you’re my forever/ You’re my freedom, you’re my jail/ You’re my lies, you’re my truth/ You’re my war, you’re my truce/ You’re my question, you’re my proof/ You’re my stress, you’re my masseuse.” Related Videos MTV News Extended Play: Kanye West Related Photos Pop Culture References In Kanye West’s ‘Runaway’ Related Artists Kanye West

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Kanye West’s My Beautiful Dark Twisted Fantasy: A Track-By-Track Guide

Joe Jonas Says Relationship With Demi Lovato Was ‘Friendly’

JoBro was interviewed by InStyle before Lovato left tour to seek treatment. By Jocelyn Vena Joe Jonas and Demi Lovato Photo: Dimitrios Kambouris/ WireImage While there has been speculation that Demi Lovato ‘s split from Joe Jonas may have been one of the reasons she left their tour to seek treatment, in a new interview, the Jonas brother insists that life on the road with his ex had been drama-free. “With Demi, it’s been friendly,” he told InStyle, in an interview that took place before Lovato decided to seek treatment for her physical and emotional issues. “There hasn’t been any drama.” On Wednesday, Lovato’s rep confirmed to MTV News that she would stay in treatment next week, contrary to reports that she would be out by Thanksgiving. In the issue, Jonas opens up about his love life, noting that he looks for a “great girl” in a potential love interest. “I’ve been able to meet some really nice girls and some not-so-nice girls,” he said about his famous love life. “I always try to be cool and still be friends, but sometimes it’s better not to.” Jonas, who is now romantically linked to “Twilight” actress Ashley Greene , said he’s willing to use his relationships as potential musical inspiration, just like another ex, Taylor Swift . “People say, ‘Are you mad that somebody writes a song about you?’ and I say, ‘No, that means I have the freedom to write a song about her,’ ” he explained of Swift. Joe also dished a bit about what fans might hear on his solo album . “I began writing with a Michael

What the FDA doesn’t want you to know about GE salmon

One of the arguments against expanding the FDA's powers over food safety is that the agency has repeatedly shown an unwillingness to enforce existing laws and to regulate aggressively in the face of corporate lobbying. Unfortunately, we now have more evidence that the FDA may indeed be a bad-faith regulator. The Center for Food Safety has unearthed convincing evidence that the FDA is attempting to freeze out marine and fisheries experts from the U.S. Fish and Wildlife Service and National Oceanic and Atmospheric Administration in its rush to approve biotech company AquaBounty's genetically modified salmon for human consumption. According to documents obtained by the consumer group via a Freedom of Information Act request, the FDA has held only “preliminary” discussions with these agencies regarding AquaBounty's product and has not allowed government scientists to review some of the company's “confidential” data. According to an email sent between staffers at Fish and Wildlife and NOAA, they've been kept out of the loop for some time: Shortly after the Atlantic salmon was listed as endangered, several of us from USFWS and NMFS spent 2 days down in Maryland meeting with AquaBounty and FDA about development of genetically modified salmon and discussion around the need for FDA to engage in Section 7 consultation with the Services. We never heard a peep out of FDA or AquaBounty after that. It's ironic that the FDA, an agency so bureaucratically unprepared to regulate GE foods that it considers AquaBounty's salmon the same way it would a “veterinary drug” has decided that this process has no place for scientists who actually understand fish biology and marine ecosystems. Specifically, the Center for Food Safety accuses the FDA of having “knowingly withheld a Federal Biological Opinion by the U.S. Fish and Wildlife Service (FWS) and National Oceanic and Atmospheric Administration (NOAA) prohibiting the use of transgenic salmon in open-water net pens pursuant to the U.S. Endangered Species Act.” cont. added by: JanforGore