Tag Archives: french

Why Scientist Don’t Believe In A Fiery Hell After Death. (What Is Fire) ?

BREAKING NEWS: Hell is not real. You are not going to burn after you die. If we go anywhere after death, we go there without our atoms, and when the religious crooks and liars try hard to keep the fear in you, it's like a test. Is your mind strong enough to see through it ? If someone tells you that you are going to burn in hell, then you demonstrate that you understand exactly what fire is, I guarantee that they will then tell you that the fire in hell is not like real fire. The flames need no fuel or oxygen, electrons or protons, but it burns the same way. In other words they're telling you that the fire in hell is like….MAGIC FIRE ! Religion only exist because all children believe in magic and all adults were once children. Learn and be free. It's your mind. Fight for it. added by: keithponder

Africans have ‘child rape gene’: Sweden Democrat

A blog post by a local Sweden Democrat politician, Per T K Wahlberg, in which he claims that black Africans are genetically programmed to rape children, has raised questions about the party's attempts to distance itself from open racism. Wahlberg occupies 26th place on the Sweden Democrats list for municipal elections in Landskrona in southern Sweden and he currently sits on the culture committee and election commission. The party claimed 11 seats in Landskrona municipality at the last election in 2006. On his blog “Landskronabackspegel” (Literally: Landskrona rearview mirror) Wahlberg, a 76-year-old retiree and one of the party's more experienced members, published a post on the genetic characteristics of black Africans: “For many thousands of years, the Negro could chill out in the heat, eat some bananas, rape some passing woman or child, fight with other negro males and eat them up, play the drums a little, run around a bit, catch an antelope, eat a few bananas, love a bit, get drunk on fermented fruits or herbs, and so on. This has been going on for millennia without any evolutionary pressure in the form of environmental factors forcing the negro to develop in another direction.” Wahlberg told The Local on Friday that the quotes are all taken from the provocative Swedish political and media discussion forum Flashback, and are written “ironically”. Nevertheless, he declined to distance himself from the broad content of the post. “You could say that some parts have some truth to them. But generally speaking it is written with irony,” he said. In a prior recent interview with the local Helsingborgs Dagblad (HD) daily, Wahlberg was more forthright over his personal views. “I think that it was quite an accurate description. If we look at history, then humanity began in Africa once upon a time, and then there were some who emigrated to Europe and Asia. But at what level are they now? Not much has happened over these thousands of years,” he told the newspaper. Wahlberg's blog furthermore includes several recent posts critical of Islam and Muslims. Despite the nature of his blog, Wahlberg told The Local late Friday morning that he has not received any internal criticism from the party hierarchy. However, in the wake of the attention given to Wahlberg's blog by Sweden's mainstream media, he has since left the party. Sweden Democrat party secretary Bj

Rosie Huntington-Whiteley biography

Biography for Rosie Huntington-Whiteley Birth name Rosie Alice Huntington-Whiteley Date of birth 18 April 1987 (1987-04-18) Place of birth Plymouth, Devon, England Height 1.75 m (5 ft 9 in) Hair colour Brown Eye colour Blue Measurements 86-63-89 cm (34-25-35 in) Dress size 34 (EU), 4 (US) Agency Models 1 Huntington-Whiteley dated Tyrone Wood, the youngest son of Ronnie Wood, from August 2007 until October 2009,before beginning a relationship with 44-year-old French actor Olivier Martin

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Bozell Column: See How Low We Must Go

The pop-music world is turning into a caricature of shamelessness, childishness and even spoiled-brattiness. To get attention quickly, some pop stars will try absolutely anything. The soul singer Cee-Lo Green has a new album coming out. How’s this for art: His first desperate single is titled “F—- You.” The shock value is already working. A video was posted Aug. 19, and within four days, it had grabbed 1.4 million views on YouTube — another sign that YouTube is not a safe website for children. On Aug. 23, YouTube began requiring visitors to sign in to view the video, saying it “may contain content that is inappropriate for some users.” That’s quite an understatement. But it’s also meaningless: it’s unrestricted on Cee-Lo’s personal website. Clicking on his MySpace page brings the song up automatically. The entire song is obscene. It’s stuffed with 16 uses of the F-bomb in under four minutes, erupting on average once every 14 seconds. It also has 10 uses of the S-word, and even two uses of “nigga.” (Don’t tell Dr. Laura Schlessinger.) Green’s producer, Bruno Mars, told MTV the whole production was “a dream session come true … Everyone was just putting their minds together and (we came) up with one of our favorite tracks we’ve ever done. Cee-Lo came in and we started singing it for him. And he’s just, ‘I love that, man. That’s beautiful.'” This scenario of allegedly unfolding genius dodges the little reality that the supposed high concept is just a musical middle finger. The singer is cursing out his ex-girlfriend, who apparently left him for a richer man. The fact that the song is catchy and bright only heightens the offense. It’s a Motown melody inserted into a manure pile. But, as usual, the Wanna Be Hip critics love it, even with that manure attached. The Wall Street Journal cooed it “may be the best rock and pop single of the year.” Just a few years ago, we could be certain that a song this stuffed with profanity would never be aired on the radio. In fact, it never would be produced. But the federal judiciary has now made it acceptable to air the worst obscenities at all hours of the day, claiming any attempt to restrict obscene content is a violation of “free speech.” The ban on seven dirty words was shredded and the libertines get where they wanted. What new low will an “artist” stoop to for commercial gain when the ground has suddenly opened, presenting an endless chasm below? Team Cee-Lo claims they’re going to prepare a radio edit called “Forget You” to avoid alienating too many station managers. How thoughtful. But that only raises the obvious question: Why not call it “Forget You” from the very beginning? The answer is the calculation that millions of teenagers will buy the original dirty version as the official version and put it on their iPods. Any radio edit is just a lame Band-Aid for a pus-filled boil. The pressure will only build for more and dirtier musical obscenity, just as almost every aspiring stand-up comedian finds it necessary to pepper his and her act with lots of curse words. Comedians can’t just be funny, as singers can’t just sing. This is not the first time pop stars have played games with the F-bomb. A few years ago, Britney Spears offered a single very thinly disguised as “If U Seek Amy.” Spears boasted, “All of the boys and all of the girls are begging to if you seek Amy,” which only made sense if it was obscene. The British chanteuse Lily Allen offered her own “F—- You” song last year, but it wasn’t a big hit here, with its 25 gratuitous F-bombs. It was only a gold record in France, Australia and Belgium. Right there on YouTube, you can see a video of Allen singing her brightly toned song with its ugly, profane chorus — “F—- you, f—- you very, very much” — live on French television. The audience claps and claps. Once again, the future beams out at us.

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Bozell Column: See How Low We Must Go

Help Find an Oscar-Winner With Movieline’s Exclusive Jean-Luc Godard ‘Missing’ Poster

So if you bet “yes” in yesterday’s poll of whether or not Jean-Luc Godard would personally accept his honorary Oscar at this fall’s Governors Awards, things aren’t looking good for you. A report late Wednesday notes that the Academy has yet to even find Godard to notify him — let alone invite the 79-year-old French New Wave legend to collect his winnings in person in Los Angeles. Godard’s absence persists as of this writing, a development that requires significant measures. Click through to join the hunt with Movieline’s official “missing” poster.

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Help Find an Oscar-Winner With Movieline’s Exclusive Jean-Luc Godard ‘Missing’ Poster

Le Pliable. French for Folding Bike Concept

All images: Saul Maret Over the past half dozen years we’ve had more folding bikes cross our screens at TreeHugger than a rear bicycle wheel has spokes. And they keep on coming. The latest one is courtesy of Saul Maret, a French designer, currently based in Boston, Massachusetts. He has shipped images of his Le Pliable folding bike around to various websites the past few weeks. And as best we can make out the bike is still at the concept stage, with the pix only showing CAD renderings. But still, it is an interesting idea for a compact bike…. Read the full story on TreeHugger

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Le Pliable. French for Folding Bike Concept

The Real Housewives of New Jersey: Family Reunions, Investigations

Has Danielle Staub really been fired from The Real Housewives of New Jersey ? As viewers consider this strong possibility, they were treated to a new episode of the hilarious/nauseating Bravo series last night. Our THG correspondent has every detail covered. Follow along now… It struck me tonight:

2nd Game

Welcome to round 2 of Acrowar. The category is: French People The letters are: ALTF You have 5 minutes… BEGIN added by: KSirys

‘Disappearance Of Alice Creed’ Was ‘Demanding,’ Gemma Arterton Says

‘I didn’t know if I was going to be able to achieve the level of terror and angst,’ actress tells MTV News of brutal new film. By Eric Ditzian Gemma Arterton Photo: mtv news In 2010, we’ve seen Gemma Arterton battling gods in ancient Greece in “Clash of the Titans” and galloping on horses across the sands of time in “Prince of Persia.” But American audiences have never seen the 24-year-old British actress as we do in “The Disappearance of Alice Creed.” From her very first moment onscreen in this taut thriller of an indie flick, she’s physically and emotionally stripped bare. Arterton plays the title character, a woman from a wealthy family who’s kidnapped and held hostage in an anonymous room. She spends a great deal of the film tied to a bed, a ball gag stuffed in her mouth as she’s routinely stripped naked and forced into one humiliating act after another. Yet as the film evolves, Alice strikes a plan of her own, beginning to snatch back power from her two male captors. With secrets revealed in a piecemeal fashion, you start to realize exactly how she came to be in this utterly dysfunctional dynamic. With the movie now in theaters, Arterton sat down with MTV News to talk about the difficulties of the shoot, how filming nude scenes is no big deal and why “Alice Creed” has given her the opportunity to embrace smaller movies rather than those big-budget action flicks. MTV : On behalf of the moviegoing public, I’d like to say congratulations for delivering the most dysfunctional love triangle of the year! Gemma Arterton : It is! It is! But let’s not reveal too much. MTV : That’s all we’ll say. It is a difficult and often brutal movie from the very first scene, when you’re abducted, stripped naked and tied up. How do you get into that mind-set on set? Arterton : You just do it. We shot in sequence, which is really unusual. So from the first day, I was filming that stuff. It was the stuff, physically, that I wasn’t looking forward to, because it was really demanding, and I was exhausted at the end of it. But actually, I was more intimidated and nervous about the rest of the film, which, psychologically and emotionally, is so dramatic. I didn’t know if I was going to be able to achieve the level of terror and angst. You just go for it. When I read the script, I just loved it. I hadn’t read anything that held me like that before. All of the physical things that happen, I went, “Yeah, it’s not great to have to do those things, but it’s part of this wonderful film, and I’m not going to complain about it. I’m just going to do it.” MTV : Speaking of those difficult things, there are some brutal nude scenes. The night before, are you dreading filming that stuff, or is it just another day at the office? Arterton : Honestly, it is just another day at the office. I know it’s really hard to believe, [but] I was thinking so much about all the other stuff I had to do, all of the crying and the fear, that that was just the easy bit, in a way. I didn’t have to worry about anything. I think it’s good to treat it like that. I remember when we were on set, everyone is always so respectful and they really make a fuss out of you. I remember just trying to make everybody laugh in those scenes, because then the tension is broken and everyone can just get on with the job. A lot of a hoo-ha is made out of [nudity]. Also, I’m a really big fan of French cinema, and it’s not a big deal for French actors and French moviemakers. It’s just another part of the movie. If it’s relevant, it should be like that. MTV : Also, the ball gag you always have to wear. By the end of it, my jaw was hurting. How long did you have to suffer? Arterton : Oh, the ball gag! For the first week, I was really like the overzealous actor going, “Put it on really tight. I want to feel it, and the handcuffs and all that.” And then I started actually hurting myself, and I had these cuts at the side of my mouth and my wrists were bruised, so we worked out a way I could fake it. But it was just, take after take, just pop the ball gag in. If I was talking too much, they’d pop the ball gag back in. Actually, they used to disinfect it every day with mouthwash. So now with mouthwash, I get that kind of memory of the ball gag. MTV : “Alice Creed” is very different from what American audiences have seen from you after “Clash” and “Prince of Persia.” What is more your sweet spot? Is it the big blockbuster or the indie flicks? Arterton : This sort of movie is the type of thing I see that I will buy on DVD and will read about and be excited about. I do like blockbusters, but for me, it’s a very different style of acting. The reason I wanted to do this film is, I just wanted to do something that was focused on the story and the acting. It’s really exciting making the big movies, because it’s what you imagine, when you’re a kid, moviemaking is like. As an actor, this film is the most satisfying type of work. Since making this movie, my career has changed. It’s done me more favors than anything else I’ve done, although it’s probably been seen by less people. MTV : What are the types of roles that are coming your way? Arterton : Whereas before it was usually the girl role, it’s now movies where the girl is leading the movie. Also, more quirky indie films. Before, people make an assumption of you based on the pop side of the work you do. I’m so pleased, because now I can do both! MTV : So what’s next for you? Anything you’d like to reveal? Arterton : I’d love to tell you, because they’re so cool. But they’re not fully financed, so I don’t want to jinx it. I just can’t wait to tell everybody! Check out everything we’ve got on “The Disappearance of Alice Creed.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Disappearance Of Alice Creed’ Was ‘Demanding,’ Gemma Arterton Says

Fat Joe Wants To End 50 Cent Beef With Bathroom Brawl

‘I would love to be in an airport … we go in the men’s room, best man wins, that’s it,’ Joe says on MTV’s ‘RapFix Live.’ By Mawuse Ziegbe Fat Joe Photo: MTV News Fat Joe and 50 Cent have been throwing jabs at each other on records and in the press for more than five years. Even though half a decade has passed since their beef first erupted, it appears that when it comes to the NYC MCs, some things never change. Earlier this week, the ever-combative 50 Cent sent out a viral video crackin’ on the album sales of Joey Crack’s recent release, The Darkside, Vol. 1. When a Fat Joe fan broached the subject via Twitter during the Bronx rapper’s appearance on “RapFix Live” on Friday (August 6), Joe responded that 50’s swipes were way off the mark. “There’s nothing I really believe about 50 Cent,” Joe told MTV News’ Sway. The Terror Squad MC said the 50’s infamous claims about Joe’s lack of influence on the international hip-hop scene were untrue. “When he did that first interview dissing Fat Joe with you [Sway], with the candlelights and all that, he lied,” Joe said. “When he said no one knows Fat Joe in Africa, I saw that interview from Africa and I had 70,000 people out there. There isn’t a country I ain’t touch in Africa. I just came back from South of France, I toured China, Japan, wherever you name, 60,000 people come out to see Fat Joe.” Fat Joe, who has been making noise as a respected MC since the ’90s, said 50 should focus on sustaining a long-term hip-hop career. “I been in the game 16 years. He gotta try having longevity in this game,” Joe said, adding that 50’s once-robust album numbers have fallen off in recent years. “You talk about album sales — he went from selling 10 million albums to not even going gold this last album. So, he lost nine-and-a-half-million fans in four years. I don’t really trip off him,” Joe said. Crack dubbed himself “an ambassador for peace” in hip-hop, a title earned he said as a result of his amicable relationships with many MCs and typically beef-averse approach to making records. 50, on the other hand, goes after anyone who does it big in NYC rap, Joe said. “The latest one he’s going at: Puff Daddy. He has beef with Jadakiss, he has beef with Cam’ron. Anybody we consider dope in New York, he has went at them. There ain’t nobody he ain’t touch,” Joe said. “Fat Joe ain’t out here trying to battle-rap everybody in the world. That’s not what I’m about. What I am is a man, and when you disrespect my family and you disrespect me like that, there’s gotta be answers to the questions.” Joe admitted that while he’s all about keeping the peace, he’s open to deading the years-long drama between him and Fif — with a man-to-man confrontation. “The day 50 Cent want to lock up with me in a bathroom and do this like men, we can hug each other and keep it moving the day after that,” Joe said. The MC later mused, “I would love to be in an airport, we bump into each other, we go in the men’s room, best man wins, that’s it.” Joey also cleared up rumors about some unrelated drama that recently went down in the NYC hip-hop scene. The night before his “RapFix Live” appearance, Joe hit the stage at legendary spinner Funkmaster Flex’s bash at Manhattan’s Webster Hall, where he brought underground MC French Montana onstage. Later, of what appeared to be Harlem’s Jim Jones and his crew throwing ice at French, hit the Web. Hip-hop fans have been rumbling about the footage, which suggests that Jones was taking out his anger toward former Dipset associate Max B on French, who is cool with the jailed rapper. “They was throwing it at each other, be clear on that. Once again, Fat Joe, ambassador for peace in hip-hop. This kid French Montana is killing the streets; all the young boys love him to death. French is like, ‘Yo, Joe, let me come out, introduce me.’ So I introduce him, the crowd is going crazy and then they start throwing stuff at each other. I understand Jimmy’s point of view. French used to be cool with Max B and they disrespected [Jim Jones’] wife and family,” Joe said. “I tried to bring peace towards that but who knows where that’ll go.” Do you think 50 and Fat Joe should bring an end to their beef once and for all? Share your thoughts in the comments. Related Videos ‘RapFix Live’ With Fat Joe Related Artists Fat Joe 50 Cent

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Fat Joe Wants To End 50 Cent Beef With Bathroom Brawl