Tag Archives: Genius

How Certain Substances Affect the Aging Process

This Public Service Announcement is brought to you by a Drug Free THG. And the genius who created and posted this gem of a meme on Reddit: Let this comparison of Lindsay Lohan, 26 going on 50, and Patrick Stewart, 72 going on 50, serve as a cautionary tale – not that it’s the first of its kind. Exhibit B: Notable female Mean Girls cast members then and now. Exhibit C: Lindsay vs. Glee ‘s Dianna Agron , also born in 1986.

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How Certain Substances Affect the Aging Process

Lindsay Lohan Does Marilyn Monroe of the Day

This is the trailer of some movie called InAPPropriate Comedy that is produced, or written, or directed by the genius millionaire hooker beater Vince over at the Slap Chop….the concept is pretty simple…inappropriate jokes….you know just a pile of nonsense with obvious joke after obvious joke that I probably could have and should have written…because I want to make money too…and despite hating everything in Hollywood…this looks pretty alright….staring Rob Schneider, Adrien Brody and most importantly Lindsay Lohan has a cameo where she plays a little Marilyn Monroe with a little panty flash…and the only thing disappointing in this is that Lohan’s doing these stupid comedies and not more serious straight to DVD rolls where we get to see her tits…because that’s all she’s become…a host body for those awesome tits… TO SEE SOME PICS OF LOHAN MAKING WEIRD FACES IN LONDON FOLLOW THIS LINK

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Lindsay Lohan Does Marilyn Monroe of the Day

A Tale of Two Directors: Alfred Hitchcock, J. Edgar Hoover, And The FBI’s Eye On The Master Of Suspense

When he wasn’t rooting out Communists, cracking down on the mob and spying on civil rights leaders, FBI head J. Edgar Hoover  toiled as a one-man culture warrior battling Hollywood decadence. He prevented Charlie Chaplin from reentering the U.S. because of his leftist political views, and he condemned Frank Capra’s It’s a Wonderful Life for its “rather obvious attempt to discredit bankers.” So what did he have to say about  Alfred Hitchcock , who gave American moviegoers new and strange things to fear?  Not a bad word. The only questions anyone’s asking about Hitchcock these days are just how much and what kind of a creeper was he? The famed director’s wandering eye, his sexual obsessions, and less-than-decorous urges roil at the center of Hitchcock , the just-released biopic starring Anthony Hopkins and Helen Mirren , as well as last month’s The Girl , the HBO film with Toby Jones and Naomi Watts . As The Birds actress Tippi Hedren  claimed  earlier this fall , the Master of Suspense could be masterfully cruel and unforgiving. But as far as his popular image as an artiste-provocateur goes, there’s probably more than a little self-mythologizing — or branding, if you’d prefer — in that ironic Englishman persona, the casually sadistic remarks about actors, the pretensions to finding truth in nightmares. It’s that last detail that fuels Hitchcock , a tempting portrait of “Hitch” as a crowd-pleasing, truth-telling anti-hero — not unlike Howard Stern and Larry Flynt in their respective biopics — who shows moviegoers the dark things they didn’t know they wanted to see. But was his threat to the American psyche all smoke and mirrors? That’s certainly what Hitchcock’s FBI file, obtained via MuckRock.com , suggests. Hitchcock’s file doesn’t begin until October of 1960, four months after the successful release of Psycho , which casts serious doubt on Hitch’s claim that the FBI followed him for three months in 1945 after he discussed uranium with a Caltech professor as research for his next film, Notorious . (Donald Spoto, a four-time biographer of Hitchcock, also concluded in The Dark Side of Genius that the FBI investigation was likely apocryphal, declaring that the “extremely sensitive” director would have been “emotionally incapable” of making a film under government surveillance.) In fact, the contents of the FBI file have much more to do with Hoover’s obsessions than with Hitchcock’s. Whatever paranoia and “extreme sensitivities” Hitchcock suffered, Hoover suffered doubly so. The bulk of the file has to do with a seven-month surveillance on a single episode of Alfred Hitchcock Presents that illustrates the acute obsessiveness of the FBI’s fearsome but fearful director. Through unrelenting pressure and undeserved authority, the Bureau convinced Revue Studios, which produced A.H. Presents, to eliminate a minor character, an FBI agent who instructs a would-be kidnapper that abduction is illegal, from the episode “Coming, Mama.”

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A Tale of Two Directors: Alfred Hitchcock, J. Edgar Hoover, And The FBI’s Eye On The Master Of Suspense

‘Lincoln’ First Lady Sally Field On The Power And Passion Of Mary Todd Lincoln

The tumultuous America of Steven Spielberg ‘s Lincoln was undoubtedly a man’s world, but behind the legendary 16th President of the United States — one of the greatest figures in American history — stood a fascinatingly complex, shrewd, and passionate woman: Mary Todd Lincoln. “Without a Mary Todd,” asserts Oscar-winner Sally Field , who portrays the paradoxical First Lady opposite Daniel Day-Lewis , “there would not have been an Abraham Lincoln.” Spielberg’s Lincoln , adapted by Pulitzer Prize-winner Tony Kushner from Doris Kearns’ biography Team of Rivals: The Political Genius of Abraham Lincoln , brings the iconic Lincoln to life at the close of the Civil War, just prior to his 1865 assassination. Reenacting Lincoln’s precarious inter-party political dealings and dogged commitment to passing the Thirteenth Amendment, Lincoln depicts a pivotal, history-making period in the President’s career, taking care to highlight the impact made by his most under-acknowledged political partner — wife Mary Todd. And what indelible contributions did the emotionally volatile, smart, and savvy Mary Todd make to her husband’s legacy? Field sat down with Movieline to discuss the fantastically complicated First Lady of Lincoln — wife, mother, society figure, and trusted advisor — and why, as an actress “of age,” roles like these come along far too rarely. They say behind every great man is a great woman, perhaps especially so in Lincoln’s case, but the world in their time wasn’t quite up to speed with that thinking. Did you feel a certain responsibility to represent strong womanhood knowing that you were one of very few female characters in this cast? No. It wasn’t my task to do that. I could not feel that. That would have been absolutely in my way. I was given this great opportunity to portray the amazingly complicated, misjudged, misunderstood, maligned, and underexamined by history and certainly on the screen, Mary Todd Lincoln. Without a Mary Todd, there would not have been an Abraham Lincoln. Not what we saw. She was instrumental in his life, in helping him become who he ultimately became. From your perspective, knowing her this well, where do you feel her sense of moral justness came from and how did that affect Lincoln and his legacy? What she gave him was not in contributing to his moral justness; he got that on his own. That’s what she recognized in him, and he got that probably from his own upbringing and his survival, which was amazing. She saw his genius early on, when he was a bumpkin – he was gawky and everyone thought she was crazy because she was very popular. She was a society girl! She was pretty and popular and in her early 20s, and had her choice of suitors. Many of them later ran for President and lost, against him! The story about Mary Todd being courted by Douglas prior to marrying Lincoln, for example. Yes! She picked him, and she recognized his genius, his qualities. Some of them were what we later see in his great humanity, he’s able to connect with humanity. His speaking ability. She elevated him; she groomed him. She criticized his posture and what he wore and that he told too many jokes. He needed to elevate his language and speak out. She understood politics; she came from a powerful political family in Lexington, Kentucky; at that time Lexington was a very cutting-edge city. Her family, the Todds, really founded the city — she sat at the table with Henry Clay as a child and listened. Henry Clay was called The Great Compromiser; she was the one who brought young Lincoln to meet with Clay, and Clay became one of Mr. Lincoln’s heroes. He learned this world of politicking, and she got it — she got it more than he did, as you see in the film. She always was his coach, his confidante, and it was very difficult for her when he got to the White House, because she was pushed out of the center where she had been before. She was essentially his secretary of state — she ran his campaigns, she was his advisor. And when the cabinet was put into place she was kicked out. They didn’t want her there. They didn’t even want her to come downstairs at the White House! Well, by damned, she wasn’t going to stand for that — so she took it as her task to fix up the White House. It was a pig sty — literally, there were pigs and chickens in it, on the floor of the White House. It was treated with great disrespect and she felt it needed to be elevated because people needed to think of it as this place of power and great importance. She went about to do it and they tried to arrest her and cart her away. Thaddeus Stevens [played by Tommy Lee Jones in the film] tried to indict her several times — so she doesn’t like Thaddeus Stevens, needless to say. No, and that leads to one of the great scenes of Lincoln , in which you take Tommy Lee Jones’s Thaddeus Stevens to task. And that seems like a rare feat, generally speaking, because Tommy Lee Jones is so… Imposing? [Laughs] Yes! Take us into that scene, and what’s at stake for Mary Todd as we see her very publicly dressing down on behalf of her husband? Well, it was an absolutely eloquent and exquisitely-written monologue, and extremely hard to say and wrap your mouth around. We never rehearsed the scene; I think we kind of ran through it once, but Steven [Spielberg] would say, “Let’s just shoot it and see what happens.” That’s basically how Mary and Mr. Lincoln worked together — let’s just shoot it! So Tommy [Lee Jones] and I didn’t work on anything. He’s a wonderful actor as you know and see in the film, he knew his character, he knew their relationship and history, and so we just did it. Tell me more about this no-rehearsal process. Why opt for that, and is that a preference of yours? It was sort of decided, I think by both Steven and Daniel — it just was what it was, and we didn’t have weeks of rehearsal time prior. It just was what it was, and it brought about a different kind of energy. It was very interesting. Am I the only one talking about it? Certainly Daniel won’t, because he doesn’t talk about that kind of stuff. I’m the only blabbermouth!

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‘Lincoln’ First Lady Sally Field On The Power And Passion Of Mary Todd Lincoln

Will You Be Watching?? Spike Lee’s “Bad 25″ (The Making Of Michael Jackson’s “Bad” Album) Will Air Nationwide On Thanksgiving Day!

Shamone! Spike Lee’s Bad 25 will air on ABC Nationwide Thanksgiving Day Via IndieWire Following its Venice Film Festival and Toronto International Film Festival screenings, Spike Lee’s Michael Jackson documentary, made in collaboration with the estate of Michael Jackson and Sony Music, titled Bad 25, is already scheduled to air on ABC on Thanksgiving Day, in November. However, before that, as reported this morning, the feature documentary will be released theatrically for 1 week, beginning October 19, but, unfortunately, only in New York, and Los Angeles. If you live in the area here is where you can check it out in theaters early. New York: Oct. 19 to 26 at AMC Loews Theater; 66 Third Ave. Los Angeles: Oct. 26 to Nov. 2 at Chinese 6 Theaters; 6801 Hollywood Blvd. The rest of the USA will have to wait about another month, to see it on ABC on Thanksgiving night (November 22). Bad 25 shares fresh insights into the King of Pop’s creative vision that resulted in his landmark Bad album, marking its 25th anniversary this year. “This will be a very special Thanksgiving for all families to enjoy the genius of Michael Jackson… Big thanks to ABC for allowing people to witness the making of Michael Jackson’s ‘BAD’ album. Shamon,” said Spike Lee in a statement. The film promises rare and never-before-seen footage, and the first ever in-depth, behind-the-scenes film project to chronicle a Michael Jackson album and tour. Included will be numerous interviews conducted by Spike Lee, including Jackson’s confidants, choreographers, musicians and collaborators. This better be good Spike, you can’t fawk around with “The King Of Pop”. That said, we will be glued to the TV with “the itis” Thanksgiving night! Peep the trailer below.

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Will You Be Watching?? Spike Lee’s “Bad 25″ (The Making Of Michael Jackson’s “Bad” Album) Will Air Nationwide On Thanksgiving Day!

Will You Be Watching?? Spike Lee’s “Bad 25″ (The Making Of Michael Jackson’s “Bad” Album) Will Air Nationwide On Thanksgiving Day!

Shamone! Spike Lee’s Bad 25 will air on ABC Nationwide Thanksgiving Day Via IndieWire Following its Venice Film Festival and Toronto International Film Festival screenings, Spike Lee’s Michael Jackson documentary, made in collaboration with the estate of Michael Jackson and Sony Music, titled Bad 25, is already scheduled to air on ABC on Thanksgiving Day, in November. However, before that, as reported this morning, the feature documentary will be released theatrically for 1 week, beginning October 19, but, unfortunately, only in New York, and Los Angeles. If you live in the area here is where you can check it out in theaters early. New York: Oct. 19 to 26 at AMC Loews Theater; 66 Third Ave. Los Angeles: Oct. 26 to Nov. 2 at Chinese 6 Theaters; 6801 Hollywood Blvd. The rest of the USA will have to wait about another month, to see it on ABC on Thanksgiving night (November 22). Bad 25 shares fresh insights into the King of Pop’s creative vision that resulted in his landmark Bad album, marking its 25th anniversary this year. “This will be a very special Thanksgiving for all families to enjoy the genius of Michael Jackson… Big thanks to ABC for allowing people to witness the making of Michael Jackson’s ‘BAD’ album. Shamon,” said Spike Lee in a statement. The film promises rare and never-before-seen footage, and the first ever in-depth, behind-the-scenes film project to chronicle a Michael Jackson album and tour. Included will be numerous interviews conducted by Spike Lee, including Jackson’s confidants, choreographers, musicians and collaborators. This better be good Spike, you can’t fawk around with “The King Of Pop”. That said, we will be glued to the TV with “the itis” Thanksgiving night! Peep the trailer below.

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Will You Be Watching?? Spike Lee’s “Bad 25″ (The Making Of Michael Jackson’s “Bad” Album) Will Air Nationwide On Thanksgiving Day!

REVIEW: Madagascar 3: Europe’s Most Wanted Coasts on Goofy Charm

Both of the trailers that preceded the screening I attended of Madagascar 3: Europe’s Most Wanted featured burps as punchlines. Like, each one built to and then peaked with a bug-eyed animated creature’s belch. After the first burp the little kids a few rows ahead of me erupted in jubilant, little kid laughter; the second was met with bored silence. If even your short-limbed target audience doesn’t like being played for a chump, how to keep them entertained across two previews, much less two sequels? The Madagascar franchise offers a unique response to this problem in that it consistently borrows enough from the modern children’s movie playbook to get your guard up (or your eyes glazed), and yet it just as consistently manages to surprise with a charm and wit all its own. Which is to say: Nobody burps in Europe’s Most Wanted . I felt pretty sure nobody would, having been drawn into the first movie, which I watched on a babysitting assignment back in 2005, despite myself. That movie had the shamelessly Shrek -derivative zebra voiced by Chris Rock and the reliance on pop-dance montages to fill the gaps, but there was also sharp writing, an actual storyline, and clean, distinctive computer animation. For its third installment, in addition to going 3-D, DreamWorks added Conrad Vernon ( Shrek 2 , Monsters Vs. Aliens ) to the franchise’s directing team of Eric Darnell and Tom McGrath, and Noah Baumbach, of all cats, was brought in to co-write the script with Darnell. The result is almost exactly as good as it needs to be – no better and no worse. Where the norm is grimly assembled factory line products, that counts as a success. Structured more explicitly as a serial than most franchises, Europe’s Most Wanted begins right where the second film ended – with Alex the congenial lion (Ben Stiller) and his posse of Central Park zoo refugees re-installed in Africa, and the penguins and chimps headed to Monte Carlo with a windfall of loot. Alex soon becomes wistful about New York, and he and Marty the zebra (Rock), Melman the giraffe (David Schwimmer), Gloria the hippo (Jada Pinkett Smith), and the trio of lemurs (Sacha Baron Cohen, Andy Richter, and Cedric the Entertainer) plan to head to follow the others and re-group for a voyage “home.” The first twenty minutes or so don’t bode well: Action and kids’ movies that lead with an elaborate chase tend to feel a little desperate, even if, as in this case, they serve to introduce an unkillable gendarme deliciously voiced by Frances McDormand. Captain Chantal DuBois is a nightmarish villain, from her rocket boobs and Gallic sneer to her ghoulishly sharp nose. Once Alex and Co. attract the wrong kind of attention in a Monte Carlo casino, DuBois and her crew (whom she rallies at one point, quite hilariously, with a quivering rendition of “Non, Je Ne Regrette Rien”) are on their scent for the rest of the film. Once the enervating pace lets up a little, Europe’s Most Wanted settles into the engaging silliness that keeps ‘em coming back for more. In a clutch, Alex and Co. take refuge on a circus train, where they try to pass as performing animals. Vitaly the Siberian tiger (Bryan Cranston playing the proud, damaged Russian), Gia the cheetah (Jessica Chastain in a silky, indeterminately European accent), and Stefano the Italian sea lion (the genius Martin Short with a touch of Topo Gigio) lead a circus stuck licking old wounds and adhering to old ways. Circumstance leads Alex to take over the circus, with the hope that it might take him back to New York, and there ensues a solid stretch of involving character work (Vitaly, devastated by an old injury, needs to regain confidence; Stefano and Marty bond over finding their bliss) and an intriguing (if slightly outdated) storyline that challenges the group to re-inject passion into the same old song and dance and pits the liberating, American way of doing things against constraining European tradition. But it’s the details that wind up sustaining adults through these things: The sequence in which Cohen’s King Julien strikes up a romance with a massive bear in a tutu is so silly it hurts, and all along there are little gifts – throwaway lines involving a borscht dependence, fleeting sight gags, and consistently inspired line readings – to keep you feeling goofy. Were it to calm down even half a notch, the moments in Europe’s Most Wanted that threaten to make it more than a fun way to suck back a soda might have room to bust a few moves of their own. Follow Michelle Orange on Twitter . Follow Movieline on Twitter .

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REVIEW: Madagascar 3: Europe’s Most Wanted Coasts on Goofy Charm

Today’s News Brought to You by The Game of Thrones Rap

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Reeeemix. Yeesh Luka Rocco Magnotta, the guy who filmed himself stabbing a guy 50 times with an ice pick, then having sex with his corpse, then dismembering his body, eating the flesh and mailing the foot to Canada’s Conservative Party, has finally been caught in Berlin. Woman awarded $900,000 after suing a man for knowingly giving her herpes. I’m slightly disgusted, … Broadcasting platform : YouTube Source : The Blemish Discovery Date : 05/06/2012 13:35 Number of articles : 2

Today’s News Brought to You by The Game of Thrones Rap

Microsoft’s on{x} pushes mobile automation to new heights, but only for Android users [video]

http://www.youtube.com/v/qfLMTsIJsoo

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Microsoft on Tuesday unveiled a new app and set of APIs called on{x}, which pushes smartphone automation to new heights. The app allows users to write custom scripts that automate various smartphone functions based on time, location and a number of parameters similar software does not currently support. On{x} opens the door to a wide range of functionality that isn’t widely available anywhere else,… Broadcasting platform : YouTube Source : The Boy Genius Report Discovery Date : 05/06/2012 15:11 Number of articles : 2

Microsoft’s on{x} pushes mobile automation to new heights, but only for Android users

Kim Kardashian Fat for Instagram of the Day

Kim Kardashian posted these pictures on Instagram and I think she may have censored my wonderful captions….because I went back to the pic this morning and they were gone… I wrote such lovely things like “Fat tits can’t compensate for a fat gut” and “Wow, It is true what they say about horizontal stripes” and shit my favorite “thank god for black men….they’ll eat anything”….but she censored me….she has that power… At least I have a website no one reads for it to live forever…you see that’s why I hate social networks…my genius gets deleted…never to be found again….and if I die a legend…think of all the gold facebook and its members destroyed like idiots… Here she is cockteasing….seeing her choked out is hotter than her porn career…..but knowing her jealous sister won’t go through with it…makes it pretty fucking sad….you see I don’t normally get hard for dead girls, I don’t want you thinking I’m weird or anything…I just get excited when the devil is slaughtered, you know it is for the good of all humanity… No, I don’t like documenting Kim Kardashians’ life, I just anxiously await for it to end….

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Kim Kardashian Fat for Instagram of the Day