Tag Archives: jennifer-lopez

Jennifer Lopez Features Lil Wayne On Next Single

‘I’m Into You’ will be next single off Love? album, which still has no release date. By Gil Kaufman Lil Wayne Photo: Kevin Winter/Getty Images Steven Tyler isn’t the only “American Idol” judge trying to make the most of a double dose of weekly prime-time exposure on TV’s biggest reality show. While Aerosmith’s back catalog has gotten a boost thanks to its prominent placement on “Idol,” fellow judge Jennifer Lopez has parlayed her spot on the program into the highest-charting single of her career with “On the Floor.” And over the weekend, she revealed that she’s got a strong follow-up single ready to go. Speaking with fans during an online chat , on Saturday, Lopez said she’s finished a song called “I’m Into You” with Lil Wayne that will be the next single from her still unscheduled Love? album. “My next single I believe will be a song called ‘I’m Into You’ and it’s going to feature Lil Wayne, so look out for that,” she said. Asked to name her favorite rapper, Lopez said it used to be Nas, but that these days she’s really feeling Weezy, whom she called a “very unique” and “fresh” voice. “Plus he’s on my single!” And though J.Lo did not have a specific release date to announce for the album, she said it would “probably” come out in late May, once two or three singles have hit radio. That would be perfect timing, of course, since “Idol” wraps in mid-May. Lopez, who has toured sporadically during her music career, also said that she planned to launch a world tour in support of Love? . Over the course of the two years she worked on the new album, Lopez said she also recorded Spanish-language versions of some of the songs, and plans to release a full-length Spanish album next. Asked what the hardest part of being a judge on “Idol” this season has been so far, Lopez said, “I didn’t expect that it would be such an emotional roller coaster for me.” She also admitted that saying goodbye to the departing contestants has been very difficult for her. Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists Jennifer Lopez Lil Wayne

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Jennifer Lopez Features Lil Wayne On Next Single

Thia Megia Tries to Make Viewers Smile

Thia Megia kept it simple on American Idol last night. The young singer took to the stage and covered “Smile” on this week’s performance show, earning a comparison to Michael Jackson and Adele from Randy Jackson. But Steven Tyler found the rendition “a little pitchy,” while Jennifer Lopez said she found the arrangement “interesting.” That’s code for: I disliked it. What did you think of Thia’s audition? Thia Megia – Smile

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Thia Megia Tries to Make Viewers Smile

Ashthon Jones Eliminated From ‘American Idol’

Show also featured performances from Adam Lambert and Diddy-Dirty Money. By Gil Kaufman Ashthon Jones Photo: FOX There wasn’t much drama on Thursday night’s (March 10) “American Idol” elimination show. A number of this year’s top 13 stumbled on Wednesday night, and for once, host Ryan Seacrest didn’t torture the contestants by making them wait until the show’s final moments to find out the bottom three. In the end, it was curtains for wild card Ashthon Jones, who stumbled on Wednesday night with a limp cover of Diana Ross’ “When You Tell Me That You Love Me.” Earlier in the night, after slogging through the Ford video and a trip to the “Red Riding Hood” premiere, Seacrest finally got to the business of building that bottom three, calling out Jacob Lusk, Stefano Langone and Karen Rodriguez to center stage. He pulled a bit of rope-a-dope by telling all three they were safe, then adding an “except,” and it was Rodriguez who made season 10’s first long walk to the bottom three, landing there after her messy cover of Selena’s “I Could Fall in Love.” The next group featured teen Lauren Alaina, Haley Reinhart and Jones, with the latter an almost unanimous pick by our “Idol” experts to land in the bottom three . After tearfully admitting that the harsh criticism she got Wednesday night, well, “sucked,” Alaina was waved over to safety. In a shock, though, Seacrest then announced that after 30 million votes, both Jones and Reinhart were in the bottom three as well, ending the suspense early. Jones sang for her life one more time near show’s end, but her thin, reedy vocals were not much better than the night before, despite her clear attempt to go out with a bang. Ash broke down in tears, the judges deliberated, but it was a no-go. “Not this time, baby, I’m sorry,” Jennifer Lopez said after a long exhale, revealing that it was a unanimous no. Jones’ trip to “Idol” ended with a montage keyed to this year’s goodbye song, former “Idol” champ David Cook’s cover of Simple Minds’ “Don’t You Forget About Me.” The only real drama in the show was that for the second time this season, bearded hunk of love Casey Abrams was in the hospital on Thursday night, reportedly due to stress-induced stomach problems. He made a similar trip for treatment more than a week ago. At press time a spokesperson for “Idol” said there was no additional information available about Abrams’ condition. Though it wasn’t pulled out Thursday night, Seacrest announced that the show will once again give the judges a single save this season, which they must use before the top five. Viewers also got a look at the gigantic Beverly Hills mansion the contestants will be living in this year, complete with a star-worthy swimming pool, grand piano, Ford car-shaped pool table and a kitchen that’s bigger than most New York apartments. Looking remarkably tame in a T-shirt, jeans and a black jacket, former “Idol” runner-up Adam Lambert dropped in for an acoustic run through his single “Aftermath,” which mixed his signature power high notes with some nuanced balladeering. Proceeds of the sales of a dance-remix version of the single will go to the anti-bullying Trevor Project. Also dropping in was Diddy-Dirty Money to perform “Coming Home,” complete with a dramatic piano assist from Skylar Grey . The top 12 will do it all again next week. Check out the Newsroom blog on Friday to see how our “Idol” experts did on their predictions. Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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Ashthon Jones Eliminated From ‘American Idol’

Ashthon Jones Eliminated From ‘American Idol’

Show also featured performances from Adam Lambert and Diddy-Dirty Money. By Gil Kaufman Ashthon Jones Photo: FOX There wasn’t much drama on Thursday night’s (March 10) “American Idol” elimination show. A number of this year’s top 13 stumbled on Wednesday night, and for once, host Ryan Seacrest didn’t torture the contestants by making them wait until the show’s final moments to find out the bottom three. In the end, it was curtains for wild card Ashthon Jones, who stumbled on Wednesday night with a limp cover of Diana Ross’ “When You Tell Me That You Love Me.” Earlier in the night, after slogging through the Ford video and a trip to the “Red Riding Hood” premiere, Seacrest finally got to the business of building that bottom three, calling out Jacob Lusk, Stefano Langone and Karen Rodriguez to center stage. He pulled a bit of rope-a-dope by telling all three they were safe, then adding an “except,” and it was Rodriguez who made season 10’s first long walk to the bottom three, landing there after her messy cover of Selena’s “I Could Fall in Love.” The next group featured teen Lauren Alaina, Haley Reinhart and Jones, with the latter an almost unanimous pick by our “Idol” experts to land in the bottom three . After tearfully admitting that the harsh criticism she got Wednesday night, well, “sucked,” Alaina was waved over to safety. In a shock, though, Seacrest then announced that after 30 million votes, both Jones and Reinhart were in the bottom three as well, ending the suspense early. Jones sang for her life one more time near show’s end, but her thin, reedy vocals were not much better than the night before, despite her clear attempt to go out with a bang. Ash broke down in tears, the judges deliberated, but it was a no-go. “Not this time, baby, I’m sorry,” Jennifer Lopez said after a long exhale, revealing that it was a unanimous no. Jones’ trip to “Idol” ended with a montage keyed to this year’s goodbye song, former “Idol” champ David Cook’s cover of Simple Minds’ “Don’t You Forget About Me.” The only real drama in the show was that for the second time this season, bearded hunk of love Casey Abrams was in the hospital on Thursday night, reportedly due to stress-induced stomach problems. He made a similar trip for treatment more than a week ago. At press time a spokesperson for “Idol” said there was no additional information available about Abrams’ condition. Though it wasn’t pulled out Thursday night, Seacrest announced that the show will once again give the judges a single save this season, which they must use before the top five. Viewers also got a look at the gigantic Beverly Hills mansion the contestants will be living in this year, complete with a star-worthy swimming pool, grand piano, Ford car-shaped pool table and a kitchen that’s bigger than most New York apartments. Looking remarkably tame in a T-shirt, jeans and a black jacket, former “Idol” runner-up Adam Lambert dropped in for an acoustic run through his single “Aftermath,” which mixed his signature power high notes with some nuanced balladeering. Proceeds of the sales of a dance-remix version of the single will go to the anti-bullying Trevor Project. Also dropping in was Diddy-Dirty Money to perform “Coming Home,” complete with a dramatic piano assist from Skylar Grey . The top 12 will do it all again next week. Check out the Newsroom blog on Friday to see how our “Idol” experts did on their predictions. Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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Ashthon Jones Eliminated From ‘American Idol’

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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James Durbin Soars With Paul McCartney Cover On ‘American Idol’

James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘Dangerous’ Durbin surprises judges with his rendition of the Wings staple ‘Maybe I’m Amazed.’ By Adam Graham James Durbin performs on “American Idol” Wednesday Photo: FOX James Durbin has one of those big, overpowering voices that can be difficult to rein in. But on Wednesday’s (March 9) episode of “American Idol,” he was able to keep it in check, and turned in one of the evening’s standout performances. After tearing through Judas Priest’s heavy metal classic “You’ve Got Another Thing Comin’ ” on last week’s show, one may have expected Durbin to go back to the metal playbook this week, when contestants were asked to sing a song by one of their personal idols. Instead, Durbin threw a curveball and opted to sing Paul McCartney’s “Maybe I’m Amazed,” which was recorded by Wings in 1976 (and may be familiar to fans of “The O.C.” as the song played at Julie Cooper’s wedding in the season-one finale). Durbin said he admired McCartney for his versatility and for being one of the best musicians, writers and singers in rock history, and said he one day also hopes to be remembered in those terms. In the studio, Durbin teamed up with producer Jim Jonsin (Lil Wayne’s “Lollipop,” T.I.’s “Whatever You Like”) to work on the song’s arrangement, and Jonsin pumped up the song with a bit of a hip-hop backbeat. Interscope Records head honcho Jimmy Iovine praised Durbin’s mighty pipes, saying “Idol” is a perfect vehicle for a voice like Durbin ‘s to be discovered. “You don’t hear many voices like that,” he said. “I didn’t even know kids were out there singin’ like that!” On the “Idol” stage, Durbin — flaunting a fresh haircut, a clean-shaven face and without the scarf “tail” he wore last week — did justice to “Amazed,” and didn’t drive it over a cliff with his over-the-top vocal wails. Instead, he held back and showed a more reserved side of himself, and displayed a range, both vocally and emotionally, that proved he was more than the one-trick-pony/ Adam Lambert clone as his detractors had him pegged. The judges dug the way he changed things up and managed to “slay” it, in Randy Jackson’s words. “I was like, ‘Yo, this dude can do anything, man!” the Dawg told him. “James Durbin is dangerous, America. This guy can sing!” Steven Tyler followed suit, saying Durbin took everything he ever felt and “kicked it into the middle of next week” — apparently that’s a good thing — and Jennifer Lopez complimented his vocal skills. “The truth is you have what the greatest rock singers have, which is a melodic quality to your voice,” she said. And it appears as though we’re going to hear plenty more of that voice in the weeks to come. What did you think of James Durbin’s performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances

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James Durbin Soars With Paul McCartney Cover On ‘American Idol’

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

‘American Idol’ Top 13 Perform Spirited Tributes To Personal Idols

Casey Abrams shouts, James Durbin croons and Naima Adedapo puts some dancehall into Rihanna’s Umbrella on Wednesday night. By Gil Kaufman “American Idol” top 13 Photo: Michael Becker / FOX It may not have been live , but Wednesday night’s (March 9) pre-taped “American Idol” top-13 performance show was lively, with plenty of surprises as this year’s baker’s dozen sought to solidify their onstage personalities off the bat. That meant that bearded lad-killer Casey Abrams served up some more gritty soul, Naima Adedapo showed off her reggae flair and Scott McCreery, well, let’s just say he stuck with the “good ol’ boy” songbook. But first up on “Your Personal Idol” night was precocious teen Lauren Alaina, who sang a song by her musical inspiration, country/pop superstar Shania Twain. Sounding a bit out of breath, Alaina swiveled her hips to “Any Man of Mine” and used all her considerable 16-year-old hair-flipping charm and reedy country twang to win over the crowd. Showing his tough side, Steven Tyler said he loved the song, but just wished it had been “a little more kickass” and Jennifer Lopez said it was time to shift into a higher gear. Randy Jackson said it was good, but didn’t allow Alaina to unleash her big, versatile voice. Abrams was right in the pocket with Joe Cocker’s cover of the Beatles’ “With a Little Help From My Friends,” and mentor Jimmy Iovine encouraged him to feel the song with every inch of his body. Starting off sitting on the steps and singing in a soft, cuddly voice, Abrams did a slow walk down-stage as a group of gospel backup singers joined him, and his voice climbed into a high, raspy wail. Though it took a bit to warm up, by the end, Abrams was throwing in some bluesy improvisational howls that showed off his gritty side. Lopez said she was beside herself, telling a smiling Abrams, “[You] blew me away,” with Randy chiming in that he can always count on Casey to hit the notes and provide a show. “You are a rainbow of talent, man … and you are a plethora of passion,” Tyler tossed in. After scooting in as a wild card, Ashthon Jones went with Randy’s suggestion to sing Diana Ross’ “When You Tell Me That You Love Me.” She opened a bit shaky with some flat, breathy notes and never seemed to really find the right groove, singing a competent, but not stellar version of the tune. Randy deemed it safe, but complimented her for recognizing when she was going off key and pulling it back. Lopez said she also saw some budding professionalism in Jones’ stagecraft, but encouraged her to find more popular songs that the audience can sing along to. Speaking of somewhat obscure songs, resident quirky guy Paul McDonald chose indie singer/songwriter Ryan Adams’ “Come Pick Me Up.” Wearing a military jacket, McDonald seduced the crowed with a whispery delivery, building up and bouncing all around the stage like Coldplay’s Chris Martin, mixing arena stagecraft with an intimate, understated delivery. It was a bit pitchy for Tyler, who said he still loves anything Paul sings, praising his unique character. Jennifer said McDonald’s infectious smile translated into some grins in the crowd, but she wondered whether the song was too obscure. Sudden frontrunner Pia Toscano tried to solidify her status with Celine Dion’s version of the big weeper “All By Myself.” Wearing a skintight golden mini-dress, Toscano looked the part and hit he kind of showy notes a diva has to have in her pocket. Saying she topped even last week’s Pretenders showstopper, Lopez called it simply beautiful and Randy said despite taking on one of the dreaded big-three female singers, Pia nailed it. The last person you could imagine rocker James Durbin working with is hip-hopper Jim Jonsin, but the Lil Wayne producer put a thick beat to Paul McCartney’s “Maybe I’m Amazed” and Durbin showed his sensitive side while showcasing his contemporary potential. “Yo, this dude can do anything man. … James Durbin is dangerous!” Randy gushed, saying he was impressed with JD’s versatility. Tyler heaped on some of his twisted praise as well, adding, “James, you have taken everything you’ve ever felt and kicked it into the middle of next week,” whatever that means. Haley Reinhart has been singing LeAnn Rimes’ “Blue” for most of her life, so she set aside the R&B sass for some hip-swaying yodeling and country-gal charm. Tyler was blown away and said Reinhart nailed it as Lopez gave her props for the versatility of her vocals. Randy? He said it was a bit sleepy, like being at a boring luau. It was R. Kelly’s uplifting “I Believe I Can Fly” for former spa concierge Jacob Lusk, who slowed it down into a vibrato-filled pop/gospel skyscraper, complete with a crazy falsetto run in the middle. “Pure passion, pure music, I can’t even judge ya, that’s how good you are,” Tyler said, kicking off a three-judge love-fest. After getting King of Pop comparisons last week, 16-year-old Thia Megia chose Michael Jackson’s (via Charlie Chaplin) “Smile,” bringing an old-school, jazz-diva class to the gentle ballad before a corny hip-hop-lite beat broke in and she kicked it up a notch. Randy loved the soft, Adele-like acoustic intro, but he and Steven thought it went a bit pitchy and wobbly in the second half. Talk about staying in your lane: Wild card Stefano Langone chose Stevie Wonder’s “Lately” and Karen Rodriguez kept tapping into her Latin background with Selena’s “I Could Fall in Love,” while resident country boy McCreery opted for Garth Brooks’ very trad “The River.” Langone over-emoted a bit and producer Polow Da Don’s thumping beat overwhelmed him at times, forcing Stefano to rush to keep up and keep the spotlight on his often-crystalline vocals. Selena superfan Rodriguez got a Beyonc

Adele Makes It Two In A Row Atop Billboard 200

Former Floetry member Marsha Ambrosius lands at #2 with solo debut. By Gil Kaufman Adele’s 21 Photo: Columbia Records Cracking the American market has always been a challenge for British acts, but U.K. soul singer Adele is making it look easy. After her second album, 21, topped the Billboard 200 chart last week, she will do it again next week, holding onto the top spot with sales just shy of 168,000. According to figures provided by Nielsen SoundScan, sales were down 52 percent, but that was still enough to beat out the #2 album, the solo debut by former Floetry member Marsha Ambrosius , Late Nights & Early Mornings, which had a good showing thanks to 96,000 units moved. The only other newcomers in the top 10 are the latest from Irish rockers Dropkick Murphys , Going Out in Style, which comes in at #6 (43,000), and Staind singer Aaron Lewis ‘ solo effort, Town Line, which is just behind at #7 (38,000). The rest of the top 10: Mumford & Sons , Sigh No More (#3, 54,000), Justin Bieber , Never Say Never – The Remixes (#4, 53,000), NOW 37 (#5, 44,000), Bieber’s My World 2.0 (#8, 33,000), Bruno Mars , Doo-Wops & Hooligans (#9, 32,000) and Pink , Greatest Hits So Far!!! (#10, 31,000). The latest sales totals for Mumford make them the first English band since 2009 (Coldplay, Viva La Vida or Death and All His Friends ) to sell 1 million copies of an album in both the U.K. and U.S. One of the most notable chart climbs belongs to the left-for-dead soundtrack to the Christina Aguilera/ Cher big-screen flop “Burlesque,” which rockets up 122 spots in the wake of Aguilera’s arrest for public intoxication , the movie’s release on DVD and the announcement that Aguilera will join the judging panel of “The Voice.” Also getting a boost following its Oscar win is the soundtrack to “The Social Network” by Nine Inch Nails leader Trent Reznor and Atticus Ross , which climbs 66 slots to #59 (9,000). Further down the line, Different Gear, Still Speeding, the debut from former Oasis singer Liam Gallagher’s new band, Beady Eye , lands at #31 on modest sales of 13,000, and Swedish singer Lykke Li ‘s second album, Wounded Rhymes, debuts at #36 (12,000). Lady Gaga still rules the singles chart on iTunes, topping the list with “Born This Way,” followed by “American Idol” judge Jennifer Lopez ‘s smash dance hit “On the Floor,” Cee Lo Green ‘s “Forget You,” Rihanna ‘s “S&M,” Ke$ha ‘s “Blow” and Dr. Dre ‘s “I Need a Doctor.” The tally is rounded out with #7 hit “F—in’ Perfect” by Pink , Katy Perry ‘s “E.T.,” Adele’s “Rolling in the Deep” and Britney Spears ‘ “Till the World Ends.” Adele continued her winning ways on the iTunes albums chart, holding down the #1 spot, followed by Ambrosius, Mumford, Luke Bryan ‘s Spring Break 3 … It’s a Shore Thing, the Murphys, Lewis, Pink, Bieber’s 2.0, Beady Eye and pre-orders for Foo Fighters ‘ Wasting Light. Look for chart debuts next week from Lupe Fiasco , Avril Lavigne , R.E.M. , Raekwon and the latest “Glee” soundtrack. Related Artists Adele

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Adele Makes It Two In A Row Atop Billboard 200

Jennifer Lopez Gets Standing Ovation on Mario Lopez Show

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It’s a tale of two Lopez’s today … as Jennifer appears on Mario’s show filmed on location at popular Hollywood shopping center The Grove. Jennifer even gets a standing ovation — wow!

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Jennifer Lopez Gets Standing Ovation on Mario Lopez Show