Tag Archives: lionsgate

The Hunger Games Sequel: Gary Ross Out as Director

Gary Ross and The Hunger Games have parted ways. Ross’ exit was all but confirmed last week, but he’s released a statement explaining why he decided to discontinue his work with the famous trilogy: “Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct Catching Fire ,” said Ross (below, right). “As a writer and a director, I simply don’t have the time I need to write and prep the movie I would want to make because of the fixed and tight production schedule.” “I loved making The Hunger Games. It was the happiest experience of my professional life. Lionsgate was supportive in a manner that few directors ever experience.” “They empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results.” “And contrary to what has been reported, negotiations with Lionsgate have not been problematic. They have also been very understanding of this difficult decision.” “I also cannot say enough about the people I worked with: Producer Nina Jacobson, a great collaborator and a true friend; the brilliant Suzanne Collins, who entrusted us with her most amazing and important story; the remarkable Jennifer Lawrence whose performance exceeded my wildest expectations, and the rest of the incredible cast, whom I am proud to call my friends.” “To the fans I want to say thank you for your support your faith, your enthusiasm and your trust. Hard as this may be to understand I am trying to keep that trust with you. Thank you all. It’s been a wonderful experience.” The studio also released a statement addressing the news , saying, “We’re very sorry that Gary Ross has chosen not to direct Catching Fire.” “We were really looking forward to making the movie with him. He did an incredible job on the first film and we are grateful for his work. This will not be the end of our relationship, as we consider Ross to be part of the Lionsgate family.” Sad news, but inevitable from the sound of it. And now, the search for the new director begins. Any thoughts on who should direct Catching Fire ? [Photo: Fame/Flynet]

Read more from the original source:
The Hunger Games Sequel: Gary Ross Out as Director

Gary Ross Has the Josh Hutcherson Vote for Hunger Games Sequel Catching Fire (UPDATED)

Promoting his indie genre-bender Detention today in Los Angeles (in theaters Friday), Hunger Games star Josh Hutcherson found himself in the line of questioning about the much-discussed ambiguity surrounding director Gary Ross ‘s potential return to the franchise. “I think Gary’s the man,” he diplomatically told The Hollywood Reporter . “Gary is in my mind is the only one that could ever direct the second one. That’s what I’m sticking to.” ( UPDATE : Looks like Hutcherson’ll have to readjust his thinking – Ross is officially out of the running for Catching Fire .) Also speaking with ComingSoon , the erstwhile Peeta Mellark stood his ground on Team Ross. “He killed the first one, absolutely knocked it out of the park. Everyone loved him. Myself, Jennifer and the others loved him. I couldn’t imagine making another movie without him, so that’s what I have to say about that.” Ross is still reportedly hashing out the Catching Fire gig with Lionsgate despite suggestions that the two had reached an impasse in negotiations. For the time being, the studio isn’t quite ready to pull a Catherine Hardwicke and announce the search for a new franchise director. But the clock is still ticking, especially if the next book in Suzanne Collins’ bestselling Hunger Games series is set to begin filming later this summer… [ THR , ComingSoon ]

More:
Gary Ross Has the Josh Hutcherson Vote for Hunger Games Sequel Catching Fire (UPDATED)

BREAKING: Citing Scheduling Constraints, Gary Ross Officially Not Directing Hunger Games Sequel

Well, that was fast: Just hours after Josh Hutcherson gamely threw his support behind Hunger Games director Gary Ross , Ross has officially announced he’s not directing the franchise sequel, Catching Fire . “I simply don’t have the time I need to write and prep the movie I would have wanted to make,” wrote Ross in a statement. More after the jump. Whatever happened behind the scenes, Ross and Lionsgate’s joint statements make a point to emphasize that not directing Catching Fire was Ross’s decision, not the studio’s — a nicety that conveys good terms whether or not tough negotiations over salary and the like were had. Similar sentiments were expressed back in 2008 when, after opening the first Twilight film at number 1 on the way to a $392 million global take, director Catherine Hardwicke and Summit parted ways. Back then, the reason given was that Hardwicke’s desired amount of time to properly develop the sequel was longer than what the studio wanted to allot. “I am sorry that due to timing I will not have the opportunity to direct New Moon ,” Hardwicke said in December 2008 . “Directing Twilight has been one of the great experiences of my life, and I am grateful to the fans for their passionate support of the film. I wish everyone at Summit the best with the sequel — it is a great story. Compare that with Ross’s statement and let the wild speculation roll as to why Ross is truly out — and, more importantly, who’ll step in to fill his director’s chair on the rapidly approaching Catching Fire , said to be slated to begin filming as early as this August. Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct Catching Fire . As a writer and a director, I simply don’t have the time I need to write and prep the movie I would have wanted to make because of the fixed and tight production schedule. I loved making The Hunger Games – it was the happiest experience of my professional life. Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results. And contrary to what has been reported, negotiations with Lionsgate have not been problematic. They have also been very understanding of me through this difficult decision. I also cannot say enough about the people I worked with: Producer Nina Jacobson, a great collaborator and a true friend; the brilliant Suzanne Collins, who entrusted us with her most amazing and important story; the gifted and remarkable Jennifer Lawrence whose performance exceeded my wildest expectations, and the rest of the incredible cast, whom I am proud to call my friends. To the fans I want to say thank you for your support your faith, your enthusiasm and your trust. Hard as this may be to understand I am trying to keep that trust with you. Thank you all. It’s been a wonderful experience. Statement from Lionsgate: We’re very sorry that Gary Ross has chosen not to direct Catching Fire . We were really looking forward to making the movie with him. He did an incredible job on the first film and we are grateful for his work. This will not be the end of our relationship, as we consider Ross to be part of the Lionsgate family and look forward to working with him in the future. [via Deadline ]

View post:
BREAKING: Citing Scheduling Constraints, Gary Ross Officially Not Directing Hunger Games Sequel

‘Hunger Games’ Director Gary Ross Out For Sequel

‘After difficult but sincere consideration, I have decided not to direct ‘Catching Fire,’ ‘ Ross says in a statement. By Katie Byrne and Kara Warner Gary Ross Photo: Dimitrios Kambouris/ Getty Images A roller-coaster week for “The Hunger Games” just got even bumpier: Director Gary Ross has officially announced he won’t direct the sequel, “Catching Fire.” The week began positively enough, with “The Hunger Games” topping the box office for the third weekend in a row, earning nearly $303 million since its debut. But that news was quickly followed Monday with a surprising Playlist story claiming Ross wouldn’t return for the movie adaptation of “Catching Fire,” a report that has now been confirmed via statements from Ross himself and “Games” studio Lionsgate. “Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct ‘Catching Fire,’ ” Ross said in his statement. “As a writer and a director, I simply don’t have the time I need to write and prep the movie I would have wanted to make because of the fixed and tight production schedule. “I loved making ‘The Hunger Games’ — it was the happiest experience of my professional life,” the statement continued. “Lionsgate was supportive of me in a manner that few directors ever experience in a franchise: they empowered me to make the film I wanted to make and backed the movie in a way that requires no explanation beyond the remarkable results. And contrary to what has been reported, negotiations with Lionsgate have not been problematic. They have also been very understanding of me through this difficult decision.” Lionsgate echoed Ross’ disappointment in the ended “Games” partnership: “We’re very sorry that Gary Ross has chosen not to direct Catching Fire. We were really looking forward to making the movie with him. He did an incredible job on the first film and we are grateful for his work. This will not be the end of our relationship, as we consider Ross to be part of the Lionsgate family and look forward to working with him in the future.” Ross’ heartfelt sentiments did not end with his thanks to the studio. “I also cannot say enough about the people I worked with: Producer Nina Jacobson, a great collaborator and a true friend; the brilliant Suzanne Collins, who entrusted us with her most amazing and important story; the gifted and remarkable Jennifer Lawrence whose performance exceeded my wildest expectations, and the rest of the incredible cast, whom I am proud to call my friends,” he added in his statement. “To the fans I want to say thank you for your support your faith, your enthusiasm and your trust. Hard as this may be to understand I am trying to keep that trust with you. Thank you all. It’s been a wonderful experience.” There will likely be a long list of directors gunning to fill Ross’ shoes, but until we receive word of an official list of names, we have a very well-thought-out list of our own we hope Lionsgate considers. Check out everything we’ve got on “The Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: Gary Ross Related Photos The Hunger Games

More here:
‘Hunger Games’ Director Gary Ross Out For Sequel

Looper Poster: Bruce Willis, Joseph Gordon-Levitt Flip Out

Sony debuted the first poster for Rian Johnson’s Looper , which feels like its been in the works for something close to ever but nevertheless has nearly six months remaining before it comes to theaters on Sept. 28. In the meantime, here are its stars doing their best playing-card imitation. Jack of hearts? King of clubs? Enh, forget it. Also: Wouldn’t What to Expect When You’re Expecting benefit from this kind of more… painterly Photoshop? Just throwing that out there. [ /film ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

Read the original:
Looper Poster: Bruce Willis, Joseph Gordon-Levitt Flip Out

Who Should Direct the Hunger Games Sequel?

Because despite all indications otherwise , Gary Ross has reportedly walked away from Lionsgate’s blockbuster sequel Catching Fire . Let’s come up with plan B! Via The Playlist : Though recent trade reports have spun the story as being an issue mostly about money, that’s pretty much a small part of the motivation. Ross has never been a filmmaker that repeats himself (going from satire in Pleasantville to horse racing drama in Seabiscuit and action in Hunger Games ) and we’re told the burning desire simply isn’t there to spend another couple of years with Katniss in the Capitol (evidently, he also liked the first book best). And while the lowball salary offer probably didn’t help, Ross already has a fairly lucrative career as a screenwriter (and rewriter) and money isn’t really the issue. Simply put, the filmmaker is looking to change things up for this next effort. Mazel tov, Gary Ross. But damn this creative vacuum. Who to call on as his replacement? What’s that guy who made Safe House up to next? My money’s on him. Or Paul Greengrass. The shakier the camera, the better. Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

Read the rest here:
Who Should Direct the Hunger Games Sequel?

‘Hunger Games’ Postmortem: Five Lessons For ‘Catching Fire’

In this week’s Hobnobbing, we take a look at how Gary Ross’ sequel can build upon the success of the first. By Amy Wilkinson Jennifer Lawrence in “The Hunger Games” Photo: Lionsgate To no one’s surprise, the highly anticipated “Hunger Games” opened last week to boffo box-office numbers , all but guaranteeing the second installment in Suzanne Collins’ series, “Catching Fire,” will set theaters ablaze come November 22, 2013. Director Gary Ross, who will also helm the follow-up, has already begun formulating his vision for the 75th annual Hunger Games, telling MTV News, “I have some ideas about how to do ‘Catching Fire’ slightly differently, but I don’t want to share them yet. Not because I’m being evasive, but just because they’re not fully baked. But yes, I think it will look and feel slightly different from the first.” With its jungle-like setting, the next arena will be a much different beast than the forested first, so it’s no wonder Ross is re-jiggering his approach. We can only speculate that some of his sequel planning will include reviewing “The Hunger Games” in great detail — what worked and what didn’t. To that end, we’ve compiled a list of five “Hunger Games” lessons that can and should inform “Catching Fire.” DO keep the arena underwraps This one isn’t so much for Ross as it is for the Gamemakers at Lionsgate, but we have to recognize the studio’s smart decision to use only pre-Games footage in their aggressive marketing campaign for the film. In fact, I’d go so far as to say my favorite parts of the movie were from the arena, largely because they were fresh and unexpected. With the Quarter Quell’s intriguing new venue, Lionsgate would be wise to build anticipation by keeping the tropical death trap shrouded in mystery. DON’T skimp on the CGI If there was a consistent complaint I heard from “Hunger Games” fans following the film’s release, it was that the Girl on Fire scene — in which Katniss and Peeta introduce themselves to the Capitol, riding atop a chariot and flaunting flame-licked jumpsuits representative of their coal-mining home — was … underwhelming. The flame effect just didn’t look real enough. With a slew of new sci-fi aspects introduced in “Catching Fire,” including mutated monkeys, we hope Ross can invest a bit more in the film’s digital technology. DO capitalize on Stanley Tucci Say what you will about Jennifer Lawrence’s gripping, gritty performance as Katniss Everdeen, but if anyone could be categorized as the film’s scene-stealer, it was most certainly Stanley Tucci, whose blue-haired, big-teethed Caesar Flickerman was nothing short of mesmerizing (and a handy exposition device to boot!). Heck, I’d pay to watch a Caesar Flickerman spin-off once all three (four?) “Hunger Games” films debut. “Caesar Flickerman: Not So Blue.” Think about it, Lionsgate. DON’T downplay the dangers of the arena Between her 23 fellow tributes, tracker jackers and muttations, Katniss had plenty to contend with in the arena. But, as my roommate so astutely pointed out to me long after I watched the film and didn’t notice, we never really see Katniss hungry or thirsty. Limiting the violence for a PG-13 rating is an understandable edit, but why dull down the deadliness of the Games otherwise? In “Catching Fire,” we need to see Katniss and her fellow tributes truly struggle, not simply limp along. DO make artful additions (especially if they’re directed by Steven Soderbergh) By shifting the viewpoint of the film from Katniss’ first-person perspective, Ross was able to open up the world of Panem in a way we hadn’t experienced before. The addition of the control room, Seneca Crane’s implied death by berries and, most notably, the District 11 riot only added to the film. What do you think “Catching Fire” can learn from “The Hunger Games”? Sound off in the comments below and tweet me @amymwilk with your thoughts and suggestions for future columns! Check out everything we’ve got on “Hunger Games.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos The Hunger Games Inside ‘The Hunger Games’ Capitol

Go here to read the rest:
‘Hunger Games’ Postmortem: Five Lessons For ‘Catching Fire’

Report: Hunger Games Could Hit $140 Million Opening Weekend

Forget comparisons to Twilight — will Lionsgate’s The Hunger Games hit Dark Knight -level opening weekend success? So sayeth some experts who peg the PG-13 action pic’s tracking in the $85 million – $115 million range on par with Iron Man , Spider-Man , and franchise sequels usually featuring wizards or robots. What’s more, The Hollywood Reporter cites “insiders” who think those figures are conservative and say the Suzanne Collins YA adaptation could even bank as much as $140 million thanks to its four-quadrant appeal, which would propel it not only ahead of all but one Twilight sequel in the record books, but into the Top 5 weekend openings of all time . [ THR ]

Link:
Report: Hunger Games Could Hit $140 Million Opening Weekend

Exec Stalking and Fan Docs: How Gary Ross Lobbied For (And Won) the Hunger Games Gig

Gary Ross may have been an unexpected choice to direct The Hunger Games , but his quest for the gig was no less obsessive than the fervor of the novels’ fans; it took him exec-stalking across the Atlantic, involved elaborate custom-made storyboards, and inspired him to make a video of actual Hunger Games fans and their love for Suzanne Collins’s sci-fi series. (Besides, who else could’ve brought on Steven Soderbergh to direct second unit on one of the film’s big scenes?) Sure, Ross had been Oscar-nominated four times before (for writing Big , Dave , and Seabiscuit , which he also co-produced), but his resume was so far removed from the realm of dystopian teen science fiction that some fans were wary of what he’d do to the beloved franchise. He learned about the books from his children, both teenagers, pored over the first book himself, and decided at 1:30 a.m. that he needed to be the one to direct the big-screen adaptation. So what was his first move? Stalking, of course. “When we met directors, before I had met hardly anybody, he came to London – I was there working on another movie – and he pretended he was there for Wimbledon,” recalled producer Nina Jacobson, who optioned Collins book in 2009 before ultimately taking it to Lionsgate after fielding offers from multiple studio suitors. “We went out for breakfast and had an amazing conversation and it was very clear that what he loved about the book, and what mattered about the book, were the characters and the themes, and that he really got it. He got it at the most fundamental level. I had known him for a long time, but from that point on I was very mindful of how insightful he was about the material and how much he understood what it was really about.” Ross had never before had to audition for a directing job, he told Movieline earlier this month, so he went all out in his official pitch presentation. Commissioning multiple concept artists (“More than I’d had on the actual movie,” he quipped), Ross constructed elaborate storyboards depicting the look and feel of dystopian Panem, which he and production designer Philip Messina describe as “retro-futuristic.” But at the centerpiece of his presentation was a video he’d shot consulting young fans of the books discussing what themes spoke to them most in The Hunger Games . That video helped sell Jacobson. “He had this video that he had done of his kids and their friends, and what those kids loved about the book,” she recalled. “He could really appreciate from a fan point of view what it is that makes these books so moving – the idea, which was even inside his original conversations, that Katniss’s relationship with Rue is the thing that opens her up to the possibility of trusting Peeta. The deeper character and thematic lines in the material, he understood from the beginning, but he also had a sensitivity to what spoke to kids.” Once he landed the job, Ross pulled in notables in many fields to help achieve his vision, including composers James Newton Howard and T Bone Burnett, Clint Eastwood’s DP Tom Stern, and editors Stephen Mirrione (a Steven Soderbergh regular) and Juliette Welfling ( The Diving Bell and the Butterfly ). He also tapped an old friend to help out with one brief, but key, scene that he couldn’t shoot himself. Enter Soderbergh, who stepped in on second-unit duties and operated the camera himself on [SPOILERS] a riot scene that breaks out in District 11 during the Games. [END SPOILERS] Judge for yourself if Ross was the director for the job when The Hunger Games hits theaters March 23. Meanwhile, Ross is set to direct the sequel, Catching Fire , with Simon Beaufoy scripting. Read more on The Hunger Games . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

Read the original here:
Exec Stalking and Fan Docs: How Gary Ross Lobbied For (And Won) the Hunger Games Gig

Hunger Games Online Advance Ticket Sales Bigger Than Twilight

First day advance ticket sales (i.e. sales on the first day tickets are made available) for The Twilight Saga: Eclipse had held the number one spot in Fandango history until this week, when the YA adaptation The Hunger Games took the crown . You hear that? It’s the sound of Lionsgate execs exhaling a month ahead of their franchise-starter’s March 23 debut. The Hunger Games could still drop off considerably after its first week of release, but this is a great early sign for Katniss & Co. [ Deadline ]

Read the original:
Hunger Games Online Advance Ticket Sales Bigger Than Twilight