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Last week, Diddy was all proud that his heavy promo convinced 100,000 people to go pick up Last Train To Nowhere. This week? Not so much, we think. The album dropped from number 7 to number 44 on the Billboard Hot 200 charts, after moving roughly 30,000 copies in week two. It’s gonna be a slow crawl to Platinum for Dirty Money. But it’s not all bad news for Urban music. The week’s highest new entry comes from Jamie Foxx’s “Best Night Of My Life,” which parties it up at No. 6 with 144,000. It’s Foxx’s third straight set to see a late December release, following “Unpredictable” (issued on Dec. 20, 2005) and “Intuition” (Dec. 16, 2008). The latter set opened at No. 3 with 265,000 while the earlier album climbed in at No. 2 with 598,000 (before hitting No. 1 the week following). Eminem’s “Recovery” is right behind Foxx, flying 15 rungs to No. 7 with 137,000 (up 100%). It benefits from sale pricing in the iTunes Store and also zips 15-1 on the Digital Albums chart with a whopping 513% jump in sales. Nicki Minaj’s “Pink Friday” stands at No. 8 for a second week, selling 133,000 (up 36%). Keyshia Cole’s “Calling All Hearts” is the list’s second biggest debut, starting at No. 9 with 128,000. Her last album, “A Different Me,” was released, coincidentally enough, on the same day as Foxx’s last effort, on Dec. 16, 2008. “Different” launched at No. 2 with 322,000, one step ahead of “Intuition’s” 265,000. Both albums were blocked from No. 1 that week by the woman who reigns this week: Taylor Swift. Her “Fearless” set was in its third non-consecutive week atop the list, selling 330,000. Closing out the top 10 on the Billboard 200 is Rihanna’s “Loud,” climbing one spot to No. 10 with 111,000 (up 33%). Right behind her at No. 11 is the debut of Keri Hilson’s sophomore effort “No Boys Allowed” with 102,000. Hilson’s first release, “In a Perfect World,” debuted and peaked at No. 4 in April of 2009 with 94,000. We definitely didn’t expect Keri to break 100,000 copies her first week. Guess the ho sh*t paid off. Source

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“Last Train To Paris” Isn’t Exactly Raking In That Dirty Money