Tag Archives: Madonna

Jamar Rogers Ends ‘The Voice’ On A High Note

Teams Adam and Cee Lo hit the stage to sing for America’s votes. By John Mitchell Jamar Rogers on “The Voice” Photo: NBC Last week on “The Voice,” Teams Blake and Christina hit the live stage and saw their numbers dwindle by two contestants each after all was said and done. On Monday night (April 9), it was Team Cee Lo and Team Adam’s turn to sing for their survival in the competition and secure a spot in the quarterfinals. Levine and Green, out of his Elvis clown costume from last week but sporting the bright red he’s been rocking all season, seemed in good spirits at the top of the show, even joking with Blake about how underdressed he was. Remember: The top three vote-getters from each team will move on automatically, while the bottom three will perform for their respective coach (and America, duh!) Tuesday night, hoping to secure Cee Lo or Adam’s lone “save” to stay in the hunt to be the next “Voice.” Away we go! Up first was Team Adam’s Katrina Parker, singing the Smashing Pumpkins’ “Tonight, Tonight.” Adam’s big advice for Katrina was to stay away from belting too hard to avoid comparisons to Adele. She did what he said but drew mixed reviews from the judges, who felt the song wasn’t a good showcase for Parker’s talents. Team Cee Lo’s first contestant to take the stage was Cheesa, whose play on the ’70s classic “Don’t Leave Me This Way” was brimming with coach Cee Lo’s signature Technicolor swagger and had the judges championing her showmanship. “That was like watching ‘Solid Gold,’ ” Blake said. “That had Cee Lo written all over it.” Team Adam’s Tony Lucca has become an early favorite for one big reason: He used to share the TV screen with coach Christina Aguilera — who’s been looking better than ever with toned-down makeup and hair since the live shows began — on Disney’s “The Mickey Mouse Club.” Sensing what Aguilera ultimately called out — that he can be a “one-dimensional” performer, who has been helped along by his connection to her — Adam pushed Lucca to go more pop with Peter Gabriel’s “In Your Eyes,” but Lucca’s rocker growl struggled through the song’s falsetto moments. Kim Yarbrough was reliably strong if imperfect singing Adele, but when are we going to put a moratorium on tackling Adele? In its relatively short life, “Rolling in the Deep” has been pillaged by reality-TV singing contestants almost as much as, well, Christina’s “Beautiful” circa 2004-ish “American Idol.” Boston mechanic James Massone from Team Cee Lo got tossed a curveball with Norah Jones’ “Don’t Know Why” and proved himself both a chameleon with a killer falsetto (take lessons, Tony Lucca) and quite a lady’s man. Blake was his most enthusiastic supporter, declaring, “I almost threw my panties on the stage just now.” (And here we thought he only got worked up like that when his best bro hit the stage. Hope Adam doesn’t get jealous!) Meanwhile, the night’s next two performers, gravel-voiced rocker Juliet Simms and unique-voiced Mathai, played right to their strengths with Sting’s “Roxanne” and a jazzy remix of John Legend’s “Ordinary People,” respectively, and earned the expected raves. “You did the best of anyone who’s performed so far,” Adam said of Simms. “Your voice is dope, ” Xtina concurred. Ultra-confident rocker Tony Vincent was up next, singing “Everybody Wants to Rule the World.” If the Broadway-meets-dictator-podium stage setup was strange, his vocal performance was anything but. He reeled it in from previous performances and proved he could control his powerful voice. Simms, Mathai and Vincent were definitely tough acts to follow, but subdued Karla Davis, singing “Airplanes,” and Team Cee Lo’s former model Erin Martin were picked for the task. Christina called Karla the “biggest surprise of the night,” while Blake criticized the song choice, and even Adam commented that Davis did a stronger job when she was less nervous while they were practicing in the rehearsal space. Martin certainly brought serious production values to her take on the Bangles’ “Walk Like an Egyptian” (with her chariot and man dancers, she was giving us Madonna at the Super Bowl vibes, albeit in a much smaller way) but forgot to bring much aggression to her actual performance. “Here we go again with the male strippers,” Blake commented. “I think Blake just bought a one-way ticket to Boner Town,” Adam quipped in response. “And it’s not refundable,” he hit back. It’s never a great sign when the judges are more consumed by the production than the performance when you’re on a show called “The Voice,” is it? The folks behind the scenes wisely chose two of the show’s best-known showstoppers for the end of the night, saving Team Adam’s preppy Pip and Team Cee Lo’s Jamar Rogers for last. Adam wanted Pip to break out of his shell and gave him the chance to show off his rock-star bona fides with “When You Were Young.” Pip brought flash, but Christina wasn’t loving it, saying she didn’t feel like he was connected to the song and had early pitch issues. Adam agreed; Pip’s got the voice, but he’s missing the grit and, should he move forward, that is something they will have to work on. Closing out the night, Rogers hit the stage in his best Michael Jackson jacket for Lenny Kravitz’s “Are You Gonna Go My Way.” The audience loved it and so did the judges, and Jamar, with his unstoppable stage presence and dramatic backstory of overcoming drug addiction and living with HIV, continues to seem like a front-runner in the competition. Who do you think gave the best performance tonight on “The Voice”? Let us know in the comments below! Related Artists Adam Levine Cee Lo Green Blake Shelton Christina Aguilera

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Jamar Rogers Ends ‘The Voice’ On A High Note

My Heart Will Go On — But Not For These 9 Other Unbearable Theme Songs

Kate Winslet broke a PR commandment earlier this week while promoting the release of Titanic 3D : She dismissed the movie’s Oscar-winning theme song, claiming that Celine Dion’s overplayed ballad “My Heart Will Go On” makes her ” feel like throwing up .” Citing the inescapability of fans serenading her with the massive hit wherever she goes, Winslet’s sentiments are understandable. Frankly, I heard that song enough times 15 years ago to never hear it again, no matter how riveting and powerful Dion’s vocals are. To say that song never once gave you chills is probably a lie. But be that as it may, the song hasn’t given anyone chills since post-Oscars April 1998, when we’d all had just about enough of it. All we have left for it now is just a reflexive groan of antipathy. When it comes to much maligned movie theme songs inducing cringing during the end credits, we’re generally more than familiar with such usual suspects as Bette Midler and Bryan Adams. As such, consider this alternative list of nine musical offenders whose disastrous contributions to soundtracks deserve “a massive internal eye roll” from Kate Winslet — or anyone else with discerning musical taste. 9. “Too Close to Paradise” by Sylvester Stallone, Paradise Alley Sylvester Stallone set out in 1978 to become a quadruple threat: After his success with Rocky in 1976, Stallone wrote, directed, and starred in the period film Paradise Alley about blue-collar brothers who turn to professional wrestling to make something of themselves in New York. Stallone also sang the theme song, “Too Close to Paradise,” and thus accomplished his goal — in that this little Neil Diamond-like ditty was a threatening assault upon the ears. Most nauseating : All of it. 8. “Batdance” by Prince, Batman In 2004, Simon Pegg and Nick Frost approved Prince’s Batman soundtrack for use as a weapon against zombies, because what other use can you get out of it? Although “Partyman” is a true musical highlight, Prince’s most offensive contribution to the album is the “Batdance” track, which blends house music with a funked-up version of the 1966 Batman theme. Ultimately a mash-up of several existing pieces of music written for the soundtrack, the “song” is 90 percent movie dialogue samples — including Jack Nicholson exclaiming that “this town needs an enema” and Kim Basinger repeating her character’s name, “Vicky Vale.” Inexplicably, this messy hodgepodge of music styles and Joker one-liners made it to number one in the U.S in 1989. Most nauseating lyric : The repeated 1966-style chant of “Bat-maaaan” throughout. 7. “The Morning After” by Maureen McGovern, The Poseidon Adventure On first listen, this Oscar-winning theme strikes tedious, AMPAS-approved notes of inspiration and hope that match the film’s messages of perseverance and communal survival aboard a foundering cruise liner. On second listen, McGovern’s schmaltzy folk vocals help distinguish the song as a true product of its time, with possible subtextual reflections on the Vietnam War and the political upheaval of the times. On third listen, the repetitive lyrics set your mind adrift and thinking about the morning-after pill. On fourth listen, you suspect Amnesty International opposes this song for its usefulness as a form of torture. Most nauseating lyric : “It’s not too late, we should be giving / Only with love can we climb” 6. “Brothers” by Patrick Swayze and Larry Gatlin, Next of Kin Patrick Swayze always got a lot of flak for having the time of his life with Jennifer Grey and suggesting “she’s like the wind” in the power ballad of the same name on the Dirty Dancing soundtrack. But that’s hardly a misdemeanor compared to Swayze’s collaboration with Larry Gatlin on the 1989 country-styled song “Brothers” featured in Next of Kin . Liam Neeson, one of Swayze’s kin in the film, was into punching things early in his career just as much as he is today, but it’s a shame he didn’t knock some sense into Swayze to avoid such a syrupy theme as “Brothers.” Most nauseating lyric : “No one will ever keep us from standing / Shoulder to shoulder against all others” 5. “Will You Be There” by Michael Jackson, Free Willy It’s a dreadful fact that I was born in 1988, and was thus eventually introduced to the King of Pop late through the bombastic, toothless theme song to Free Willy . Early memories of the “Will You Be There” music video on MTV amount to flashes of Jackson’s outstretched arms with his white shirt billowing grandly behind him in the breeze onstage. Gaudy stuff. Jackson preaches a positive message about cooperation and compassion, and needs a full choir to do so, but the song is undone by a lyrical hollowness that doesn’t come close to matching the emotional oomph of the song’s instrumentals. Most nauseating lyric : “Hold me / Like the river Jordan” 4. “The Neverending Story” by Limahl and Beth Anderson with Kajagoogoo, The Neverending Story This classic movie theme, positively dripping with 1980s guitar, electro-pop and androgynous vocals from Kajagoogoo lead Limahl, is equal parts whimsy and monotony. More reminiscent of an obnoxious children’s television theme song than a sweeping soundtrack single, “The Neverending Story” is a form of parental torture. Most nauseating lyric : “And there upon the rainbow is the answer / To a neverending story” 3. “Can’t Fight the Moonlight” by LeAnn Rimes, Coyote Ugly You know when you’re drunk and you hear a song — or maybe you’re just young and impressionable — and you hear a song, and you think, “Yeah, that’s catchy, I like that”? And then years later when you’re sober and/or older and you have better taste in music, you hear that same song again, and suddenly you’re embarrassed you ever liked it? Well, that’s what I call “coyote ugly”: In 2000, LeAnn Rimes needed a poppier single to cross over from gospel and country into the mainstream, so she recorded this movie single penned by the reliably mainstream Diane Warren (writer of the odious Armageddon theme “I Don’t Want to Miss a Thing,” and multiple other pop hits). Most surprisingly, “Can’t Fight the Moonlight” has never been repackaged for a werewolf movie. Most nauseating lyric : “Deep in the dark / You’ll surrender your heart.” (This is code for sex, kids.) 2. “Die Another Day” by Madonna, Die Another Day There is writing a good song, and writing a good James Bond song, and Madonna failed at both tasks with this unmemorable electronic club remix masquerading as a Bond theme. Maybe Madonna thought she was making an innovative creative statement by bucking the system and writing a flat tune without any tangible thematic relation to the film it’s based on, but we all know Madonna hasn’t been associated with innovation in quite a while. Madonna’s disjointed auto-tuned vocals with bondage-y undertones and lack of storytelling in the chorus and verse writing make for a lifeless theme too restricted to a musical style of the time. Most nauseating lyric : The words “another day” repeated 27 times in absence of an actual melody hook. 1. “Not A Girl, Not Yet A Woman” by Britney Spears, Crossroads Since Spears’s long-forgotten and misguided 2002 starring vehicle Crossroads , the singer has recovered from a notorious nervous breakdown, hospitalization and baldness to reign as queen of the dance remixes. But long before she started auto-tuning the hell out of her vocal cords, Spears was a confused 21-year-old struggling with the same existential question every female asks: At what point do we stop being a girl and become a woman? For Spears, we’re thinking somewhere closer to 2009. Most nauseating lyric : “All I need is time / A moment that is mine / While I’m in between” Most truthful lyric : “But now I know / Life doesn’t always go my way, yeah…” Michelle Welch is a freelance writer who has also contributed at The A.V. Club and PopMatters . She tweets her pop culture ramblings as @stayfrostymw .

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My Heart Will Go On — But Not For These 9 Other Unbearable Theme Songs

Katy Perry’s ‘Part Of Me’ Film Inspired By Madonna

Perry says Madge’s ‘Truth or Dare’ is ‘amazing, because it caught her at a time when she was a bit more vulnerable.’ By James Dinh Katy Perry in the “Katy Perry: Part of Me 3D” trailer Photo: Paramount Much like her pop-star peers, Katy Perry cites Madonna as a big influence, especially on her “Part of Me” 3-D concert movie , which hits theaters July 5, which was partially inspired by the Queen of Pop’s 1991 film “Truth or Dare.” In a recent interview with Teen Vogue, the always-colorful starlet spoke about her upcoming big-screen adventure and how “Truth or Dare” led to its creation. “Madonna is everything to me, and that movie is amazing, because it caught her at a time when she was a bit more vulnerable,” Perry said of the film, which chronicled the icon’s Blond Ambition Tour. “I wanted to do that too, to capture a snapshot of who I am now so that I can remind myself what I’ve lost if I ever do become totally jaded.” The topics covered in “Part of Me” include the singer’s strict, religious upbringing, being dropped from her label early in her career and her candy-coated California Dreams Tour. Perry, who spent much of 2011 and early 2012 on the trek, explained that her interest in documenting her life began even before the tour started. “When we started to book these really big venues, I felt like I was going all in,” she said. “And I figured that by the end of it, I’d be bankrupt, or else I’d look like the smartest music businesswoman of my age, and I thought either outcome would be interesting.” More importantly, the chart-topper wanted the general public to see how the Katy Perry machine really works. On Tuesday, the trailer for the anticipated flick surfaced , appeasing Katy Cats for the time being. In the two-minute preview, Katy’s rise to stardom remains a key theme of the film as flashback footage and photos of the singer’s younger days is shown. Are you excited for Katy’s concert movie? Share your thoughts below! Related Artists Katy Perry Madonna

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Katy Perry’s ‘Part Of Me’ Film Inspired By Madonna

Kate Winslet’s Titanic Ta-Tas Float Again… in 3D

Titanic 3D sails into theaters this weekend, so be sure to experience Kate Winslet’s boobs all over again! Also in theaters, Ali Cobrin makes her topless nude debut in American Reunion, and on Blu-Ray, Madonna gets naked in Madonna: Truth or Dare.

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Kate Winslet’s Titanic Ta-Tas Float Again… in 3D

Exclusive: Electric Daisy Carnival 2012 Taps David Guetta, Knife Party, Tiesto

Afrojack, Steve Angello, Avicii and many others set to touch down in Las Vegas for three-day party kicking off June 8. By Akshay Bhansali David Guetta Photo: Larry Marano/ Getty Images What began as a modest event nearly two decades ago in California is now one of the biggest dance music experiences on the planet. Yes, we’re talking about Electric Daisy Carnival , which is gearing up for its return to Sin City on June 8, after a successful move last year to the Las Vegas Motor Speedway. And before you book your tickets, MTV News has the exclusive phase-one lineup! According to estimates, a whopping 300,000 carnival-goers (up from 240,000 in 2011) will walk through the gates during this year’s three-day EDC . They can expect to see heavy hitters like Ti

Madonna At #1 Again With MDNA

Madge’s 12th studio album sells 359,000 copies, giving singer her fifth straight #1. By Gil Kaufman Madonna Photo: Jeff Kravitz/ FilmMagic Madonna will retain her claim to the pop throne next week when her 12th studio album, MDNA, debuts at #1 on the Billboard 200 chart. This will be the singer’s fifth straight #1 album, and its sales of 359,000 were more than enough to outpace the #2 debut from fellow veteran Lionel Richie . Richie marks a return to the upper reaches of the charts with his hook-up with country artists on Tuskegee, which sold 199,000 copies, according to figures provided by Nielsen SoundScan. With her latest chart-topper, Madonna, 53, joins Barbra Streisand as the only woman to top the Billboard albums chart at least eight times; Streisand holds the record with a total of nine #1 albums. Two seasoned rock bands also debut in the top 10, with Shinedown hitting #4 with Amaryllis (106,000) and the Used returning to the charts at #8 with Vulnerable (32,000). The rest of the top 10: Adele , 21 (#3, 121,000), “Hunger Games” soundtrack (#5, 64,000), One Direction , Up All Night (#6, 46,000), the deluxe version of Katy Perry ‘s Teenage Dream (#7, 33,000), Bruce Springsteen , Wrecking Ball (#9, 28,000) and NOW 41 (#10, 25,000). The week after they debuted at #3, the Shins drop 11 spots to #14 as business for Port of Morrow dipped by 71 percent to 22,000. Meanwhile, noisemeisters the Mars Volta land at #15 with their latest, Noctourniquet (21,000). All-American Rejects bop in at #18 with Kids in the Street (18,000), and last season’s “American Idol” winner, Scotty McCreery , got a big boost after appearing on the show last week, sending his debut, Clear as Day, up 46 spots to #21 as sales picked up by 172 percent to 16,000. Look for a new #1 next week as Nicki Minaj ‘s Pink Friday: Roman Reloaded crashes the charts. Related Artists Madonna

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Madonna At #1 Again With MDNA

Madonna’s MDNA: Behind The ‘Eclectic’ #1 Album

Producer Martin Solveig opens up to MTV News about working with the Queen of Pop on her latest chart-topping opus. By Jocelyn Vena Madonna’s MDNA Photo: Interscope Madonna released her latest chart-topping album, MDNA, last week, and whatever special magic she cast in the studio seemed to work. The dance-heavy album sits pretty at #1 this week, selling a whopping 359,000 units, proving that Madonna still is the Queen of Pop. The album is full of dirty and chugging production, with Madge lamenting about her broken heart on some songs and seeking vengeance against a former lover on others. The album gets production assists from William Orbit , Benny Benassi and Martin Solveig , among others, but it’s the contributions from those three that stand as the highlights. Both Solveig and Benassi had a hand in the album’s first two singles, “Girl Gone Wild” (Benassi) and “Give Me All Your Luvin” (Solveig), while Orbit brings some emotional gravitas to the record, recalling their work on Ray of Light. Solveig recently stopped by MTV News and opened up about creating the chart-topping album with Madonna. “We were working with no limits. I think the only thing that she said when we started was ‘I just want people to be able to dance to my music and connect easily with my music,’ and also probably to take some risks at some point,” he explained. “Other than this, it was open to any kind of experimentation.” What Solveig wanted to focus on when it came to experimenting with her was rhythm. “This is why I explored mainly the BPM thing,” he said, referring to the beats per minute of his tracks. “You have slow BPM, very fast BMP songs, twisty and more four to the floor, and I thought it was interesting to explore this, because she hasn’t done that a lot on the past albums. And actually, William did a little of the same. It’s very eclectic. Every song has a little story. It’s a collection of songs that are very different, but you are excited to listen from beginning to end.” With a hit record on her hands, Madonna will have a moment to breathe before she kicks off her world tour later this year. The trek will begin May 29 in Tel Aviv, Israel. Madge will land Stateside August 28 in Philadelphia. Did you pick up Madonna’s latest album this week? Share your reviews in the comments! Related Artists Madonna Martin Solveig

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Madonna’s MDNA: Behind The ‘Eclectic’ #1 Album

Adele To Release New Single This Year

It may be a few years before a new album emerges, but there will be new music from Adele in 2012. By Gil Kaufman Adele Photo: Kevin Winter/ Getty Images Could Adele be the next Bond girl? Not, like, in the movie, but on the soundtrack at least? The singer said in a recent interview that she will release a new single in 2012, which set off speculation that she might join the impressive likes of past Bond movie singers Paul McCartney, Carly Simon, Shirley Bassey, Duran Duran, Madonna, Garbage and Jack White with Alicia keys as the sound of the upcoming 23rd 007 flick, “Skyfall.” Speaking to France’s NRJ radio, Adele said a “new song is coming out probably by the end of the year.” Though no news has been announced, British oddsmakers have been saying that Adele is the favorite to provide the all-important title tune to the next Bond adventure, which is due in theaters on November 9. In the meantime, the singer also revealed that she doesn’t expect to have a follow-up to her global smash 21 
 in stores for several years. “If I didn’t write my own songs, I’d be out next week with a new album,” she said. “I have to take time and live a little bit. There were a good two years between my first and second albums, so it’ll be the same this time.” With 21 still resting comfortably near the top of charts all around the world thanks to global sales in excess of 20 million, the singer said she’s not worried about capturing that same magic in a bottle the next time around. “I don’t think I’ll feel the pressure for the next album to be as big as the last one because I know that’s not really possible,” she said. “What’s happened with this album is very rare anyway.” Adele may have given a small preview of what the next album will sound like, though, when she revealed that her dream duet partner would be Beyonc

‘Dancing With The Stars’: Katherine Jenkins Rules Once More

Opera singer scored 29 out of 30 on night when contestants danced to music from their ‘most memorable years.’ By Kelley L. Carter Katherine Jenkins and Mark Ballas on “Dancing With the Stars” Photo: ABC Monday night’s “Dancing With the Stars” episode was an emotional one. No was one given the boot — that’ll happen Tuesday night (April 3) with the second elimination of the season — but the theme was “most memorable year,” and the celebrity contestants got deep and personal. And then some. At the top of the pack was singer Katherine Jenkins , who took us back to 1996 — the year she learned her dad had lung cancer. She and her partner Mark Ballas did the waltz, and by the end of the routine, she was in tears. And she wasn’t alone. Judge Carrie Ann Inaba cried with her and told her the dance was like magic. She scored the first pair of 10s of the season, earning 29/30 . Here’s how everyone else fared: William Levy and Cheryl Burke The sexy soap star picked 1995, which was the year he arrived in the U.S. from his native Cuba. He told the story of his stepdad, who was a political prisoner before finding asylum in the States. His salsa impressed the judges. “You put a whole new meaning into free Willy!” head judge Len Goodman told him. 28/30 Maria Menounos and Derek Hough The TV host picked 1988 as her most memorable year. That’s when she was 10 years old and realized just how hard her Greek-immigrant parents worked to make a better life for their children. She did the rumba to a slow version of Madonna’s “Material Girl,” and the judges loved her sensual routine. Hard-to-please Goodman told her the dance was “a mix of the ballroom with a touch of the bedroom.” 27/30 Donald Driver and Peta Murgatroyd The football star picked 2010, which was when his best friend died of cancer. In his video before he performed live, he became teary-eyed, saying, “I can never get it out of my mind because he died in my arms.” He danced the rumba, and Inaba said she was touched by his story and performance. Goodman thought the dance was top-notch. 26/30 Jaleel White and Kym Johnson The moment old-school TV nerds have been waiting for: White picked the year he got to play Stefan Urquelle, the alter ego to his longtime nerdy character Steve Urkel on “Family Matters.” He took on the rumba, and the judges said that he was back in the game and improved greatly from last week’s performance. Judge Bruno Tonioli called him cool and smooth. 25/30 Roshon Fegan’s and Chelsie Hightower The Disney kid picked 1996, which is the year that he saw his idol and legend Michael Jackson onstage. He danced the samba, and Goodman said he had flair, but Inaba took issue with his timing, saying it was off. 25/30 Melissa Gilbert and Maks Chmerkovskiy The actress picked 2010, the year that she fell and broke her back. She called the experience gut-wrenching and tearfully explained that following the accident, she could barely walk, much less dance. She danced the jive, and Goodman said she was back in the competition. 24/30 Gladys Knight and Tristan MacManus The soul legend picked 1957 because it was the year of her first tour and the year she met James Brown. She said it was the beginning of her career education and that it was a happy memory, not a sad one. She did the foxtrot to a Sam Cook song — noting that Cook taught her about performing back in the day — and Inaba thought the dance was sensuous and soulful. Tonioli said he thought she performed it with grace. 24/30 Sherri Shepard and Val Chmerkovskiy The talk-show co-host picked 2005, the year her son Jeffrey was born, weighing only 1 pound, 10 ounces. She cried, saying that she was so thankful, considering that the prognosis at the time was that he might have cerebral palsy and paralysis. She danced the rumba, with Goodman saying he appreciated the emotion she put into the dance. 24/30 Jack Wagner and Anna Trebunskaya The actor picked a more recent year: 2011. He said that was the year he met a daughter — she’s 23 now — that he never knew he had. He danced the samba, crying still. Goodman said he like the rhythm and said it was his best dance so far. 24/30 Gavin DeGraw and Karina Smirnoff The singer picked 1998 because he moved to New York City that year to give it a go as a musician. Inaba said her heart got all fluttery watching him. The judges overall thought he was progressing. 24/30 Which celebrity are you rooting for on “Dancing With the Stars”? Tell us in the comments!

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‘Dancing With The Stars’: Katherine Jenkins Rules Once More

Madonna’s T&A Deemed Too Hot for TV (Again) [PIC, VIDEO]

Still not convinced the ’90s are back ? Then how’s this for ya: the 20-year cultural cycle is in full effect over at ABC as Madonna ‘s racy new perfume ad stirs up controversy with censors. The 30-second clip sees the 53-year-old pop diva reviving one of her sexiest looks: the B&W T&A she sported in the nude documentary Truth or Dare (1991) and her softcore Sex book, which was released…exactly twenty years ago, actually. But just because she isn’t actually nude in the clip doesn’t mean it’s ready for primetime. ABC rejected the ad for broadcast, recalling MTV’s banning of her Justify My Love video back in 1991: “ABC viewed the ad [and] came back with a list of changes. They say they want her bra digitally made bigger, and to extend higher to cover more of her chest, and her corset longer to cover more of her bottom. ABC also wants to cut another suggestive scene where Madonna writhes around.” Madonna’s “Truth or Dare” ad is too hot for primetime, but not for Mr. Skin…watch it after the jump!

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Madonna’s T&A Deemed Too Hot for TV (Again) [PIC, VIDEO]