Tag Archives: management

Mindless Behavior Break Down Ode To Texting, ‘My Girl’

‘We text, our parents text, the song could relate to everyone,’ 13-year-old Ray Ray tells MTV News about boy band’s catchy debut single. By Jocelyn Vena Mindless Behavior Photo: MTV News Mindless Behavior have been burning up teen girls’ iPods with their catchy debut single, “My Girl,” a track about a girl who texts her boyfriend constantly. It’s a topic the up-and-coming boy band — Ray Ray, Princeton, Prodigy and Roc Royal — told MTV News they could relate to. “Well, ‘My Girl’ is about, we’re talking to each other, talking to our friends or whoever you hang out with, that our girls text us a lot,” Ray Ray explained. “And everyone texts. We text, our parents text, the song could relate to everyone.” Ray Ray’s bandmate Princeton added that the song not only appealed to them lyrically, but its funky, techno/R&B beat also won them over. “First, when we heard the beat it was just catchy and then our management team made the lyrics,” he said. “So it went perfectly.” The four 13-year-olds are also stoked about the video for “My Girl,” which serves not only as an intro to the new pop group, but also an eye-catching spectacle of smooth dance moves. “It was exciting. We were all happy. We had a lot of fun on the set,” Ray Ray said. Princeton noted that although the daylong shoot could have been grueling, it was in fact a good time. “It was an all-day shoot. We started at 5 o’clock in the morning and ended at 10 o’clock at night, so it was fun. We saw the different outfits and the crew was amazing too,” he recalled. “[The video] starts off with us walking out of a concert and girls are screaming. It’s basically just us at a concert performing in different outfits and different scenes.” What do you think of Mindless Behavior’s “My Girl” video? Tell us in the comments! Related Artists Mindless Behavior

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Mindless Behavior Break Down Ode To Texting, ‘My Girl’

Footballs To Be Made from Feral Camel Leather

Photo: World of Sport Australia has a feral camel problem. The Australian Feral Camel Management Project estimates that 1 million of rogue dromedaries roam outback Australia, annually causing over $14 million AUD worth of damage to infrastructure and livelihoods across more than 3 million km2 (1.1 million m2). As well as immeasurable damage to the natural environment and aboriginal cultural values.

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Footballs To Be Made from Feral Camel Leather

NewsBusters Sparks PolitiFact Examination of Bill Clinton Remark

A NewsBusters article about misstatements made by former President Bill Clinton on “Meet the Press” sparked a fact-checking examination by the St. Petersburg Times’ PolitiFact. As reported Sunday, Clinton bragged to host David Gregory that his administration had “paid down the debt for four years, paid down $600 billion on the national debt.” This of course was quite incorrect as the debt didn’t decline one year while Clinton was in the White House and actually increased by $394 billion in the four years in question. PolitiFact staff writer Lou Jacobson contacted a number folks on this issue including me to reach what I consider a “politically correct” conclusion : It depends on what the definition of “national debt” is. There are actually a few ways of tabulating the debt. One is public debt, which includes all debt borrowed by the federal government and held by investors through Treasury notes and other securities. Another is gross federal debt, which includes public debt plus debt held by the government. The most notable forms of debt held by the government are the trust funds for Social Security and Medicare, money which is owed to beneficiaries in the future. The Office of Management and Budget estimates that the public debt will reach $9.3 trillion by the end of fiscal year 2010. Add in the $4.5 trillion in debt held by the government, and you come up with a gross federal debt of $13.8 trillion. Now let’s look at Clinton’s tenure. Using the public debt figures, we see that the debt rose year by year during the first four fiscal years of Clinton’s stewardship, then fell during each of the following four fiscal years, from a 1997 peak to a 2001 trough. So using this measurement, Clinton is correct that “we paid down the debt for four years,” though he did overestimate the amount that was paid down when he said it was $600 billion. The actual amount was $452 billion — which was equal to about 12 percent of the existing public debt in 1997. But what about gross federal debt? On this score, NewsBusters is correct: In each fiscal year from 1993 to 2001, the gross federal debt increased, because the increase in money in government trust funds exceeded the annual decreases in the federal budget deficit. So by one of these measures, Clinton is correct, and by another, he’s wrong. After citing a number of economists on either side of the aisle, PF quoted one of my e-mail messages concerning the subject: “If the public debt during those years was bought with other debt — meaning by the Social Security trust and the Federal Reserve — we didn’t actually pay down any debt, did we? If you take out an equity line of credit on your home to pay off your car loan, your debt didn’t decrease. Furthermore, if you take out an equity line of credit to pay off your car loan and buy a boat, it would be deceitful on your part to say you reduced your debt, right? This is what happened those four years: We did retire some debt held by the public, but we did so by increasing debt held by the government and the (Federal Reserve). That’s not retiring debt. That’s just shifting it from one lender to another.” Despite this seemingly incontravertible logic, PF concluded: We see merit in using both public debt and gross debt, so we are reluctant to declare that Clinton is definitively right or definitively wrong in citing statistics supported by the public debt figure. Clinton’s phrasing — talking about “the debt” and “the national debt” — strikes us as vague enough to refer to either the public debt or the gross federal debt. So we are left with a statement that’s correct using one measurement and incorrect using another measurement. In addition, Clinton overestimated by about 25 percent the dollar amount by which the public debt declined from its peak during his term, though he also correctly characterized the changes in the debt under Republican presidents. So on balance, we rule Clinton’s statement Half True. As readers likely predict, I feel Clinton’s statement should have gotten either a “False” or a “Pants on Fire.” Looking at exclusively public debt would be like a lender only considering your mortgage balance in determining your credit-worthiness while completely ignoring your car loans and your credit cards.  Don’t you wish that were the case? The reality is the Treasury includes moneys owed to Social Security and Medicare in its gross debt figures because they are part of our nation’s total debt. Even the National Debt Clock tabulates gross federal debt and not just what is held by the public. In this instance as it pertains to Clinton’s claim, here are the pertinent facts. Debt held by the public did decline by $452 billion from the end of FY 97 to the end of FY 01. However, the amount held by government accounts – which mostly means Social Security and Medicare trusts – increased by $853 billion. Yet the surpluses in Social Security and Medicare only totalled $534 billion. This means these trust accounts purchased $319 billion more Treasury paper those four years than their actual surplus. That represents most of the $394 billion increase in gross federal debt during this period. Remember, we were told at the time that this debt buyback was as a result of the surpluses. Quite the contrary, what happened was debt held by the public was largely converted into debt owned by the Social Security and Medicare trusts as well as the Federal Reserve.  As our budgets are “unified,” it is therefore ludicrous to only look at public debt when referring to what the nation owes. Let me explain. Since 1969, we calculate what’s called “unified” budgets meaning they include receipts and expenditures associated with Social Security and Medicare. When the Clinton administration was reporting budget surpluses from 1998 on, and the CBO was projecting “surpluses as far as the eye can see,” they were including projected surpluses in Social Security and Medicare. Without these “trust fund” surpluses, we actually showed what’s called “on-budget” deficits in FY 98 and FY 01. In fact, in the four years that we showed unified budget surpluses of a combined $559 billion, fully $534 billion of that came from surpluses in Social Security and Medicare. Our actual “on-budget” surplus those four years was only $25 billion, a far cry from what was advertised and celebrated. With this in mind, if we’re going to report budget figures that include Social Security and Medicare surpluses – and even brag about our performance – we should certainly include what we owe these programs when we talk about national debt. Failing this is allowing political figures to have their cake and eat it too.  Something else to consider is media outlets look at the gross debt and not just what’s held by the public. When the gross debt past the $13 trillion mark earlier this year, these were some of the headlines: ABCNews.com reported on May 26, “National Debt Soars Past $13 Trillion”     Bloomberg.com reported on May 26, “U.S.’s $13 Trillion Debt Poised to Overtake GDP”  CBSNews.com reported on June 2, “National Debt Tops $13 Trillion for First Time” Once again, please recall that Clinton said “national debt.” As such, it appears our friends at PolitiFact were being generous in their ruling, at least in my opinion. That said, Jacobson was tremendously cordial in his e-mail discussion with me, and appears to have done a nice job of soliticiting varied opinions for this piece. Also of note, and in case your assumption was that this group always defends anyone named Clinton, this is not the case. Mr. Clinton has had twelve of his previous comments examined by PF resulting in four “Trues,” three “Half Trues,” one “Barely True,” two “Falses” and two “Pants on Fires.” Maybe this means that the next time the gang at PF is led to examine someone’s statements as a result of something I wrote, I’m going to need to plead my case a little better. To quote the late Ed Hart, we will know in the fullness of time.

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NewsBusters Sparks PolitiFact Examination of Bill Clinton Remark

UNION: MSNBC Calls for Fashion Industry ‘Norma Rae’

MSNBC is very upset about one “highly-unregulated industry” and its “questionable and even abusive” working conditions. What industry? Coal mining or perhaps sewage treatment? No. Keli Goff, an author and political analyst who has a “Daily Rant” on MSNBC’s “Dylan Ratigan Show,” was complaining about the working conditions of models. That’s right, models. The people paid to walk down runways in designer clothing and be photographed for magazines and advertisements that as Goff put it, essentially are “paid for being beautiful.” Every industry has its own problems and accidents, but is the modeling industry really a “human rights” issue as MSNBC would have its viewers believe? Goff detailed “disturbing” complaints from models and promoted regulation and unionization of the industry. She even called for a “home-grown supermodel” to become the “Norma Rae of the fashion industry.” “Union! As Norma Rae said,” Goff declared. Norma Rae was a movie starring Sallie Field about a minimum-wage cotton mill worker, based on the life of an actual textile worker who battled to unionize her mill. But some of the conditions Goff mentioned cannot compare to the tough working conditions of many other industries. She complained about the lack of health insurance and worker’s comp for a model that had been burned by a photographers’ bulb, but didn’t mention whether or not the model could afford her own health care. According to San Diego Model Management, in most markets models make an hourly rate of $150 and usually have minimum number of hours (3-4) for print modeling. In bigger markets like New York City ” it’s not unusual for a model to make 5 or 6 thousand a day ,” the company’s website states. True, there are agency fees but the models definitely aren’t exactly scraping by on minimum wage. But it was the obsession with too thin models that really upset Goff and prompted her call for regulation of the U.S. fashion industry. “After being discovered walking down the street, [Gerren] Taylor walked in her first fashion show at the age of 12 and was strutting for high profile designers like Tommy Hilfiger by age 13. Her career however was over by age 14, having been told she’d become ‘too obese’ for runways. Taylor’s measurements: Six feet tall and a size 4,” Goff said. Goff continued: “Taylor’s story reinforces a reason the fashion industry needs regulation. Fashion’s developed a sick obsession with looking sickly thin in recent years.” Certainly, many designers are obsessed with thin but that problem shouldn’t be solved by regulation. Designers are in a business, and they sell a product. So if their product, in this case clothing promoted by very thin women, won’t sell, then they’ll have to change or lose business. Despite Goff’s support for Madrid and London regulations about size and age of models, the U.S. government should not be in the business of telling designers what size models they can hire to show off their clothing lines. Additionally, Goff cited concern about the fact that many models work long before they turn 18, but she didn’t mention anything in her “rant” about parental responsibility or involvement. It wasn’t until Dylan Ratigan asked about parents in his final question that she said they have often “relinquished” [control] and there isn’t much oversight “in the field.” Perhaps, Goff should have complained about the lack of parental involvement and called on models’ parents to be in control of protection their children instead of asking for the government to step in as nanny.

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UNION: MSNBC Calls for Fashion Industry ‘Norma Rae’

Trey Songz Says Passion, Pain & Pleasure Scales ‘New Heights’

Passion, Pain & Pleasure is propelled by 2009 ‘defining album,’ Ready, Trigger tells MTV News. By Jayson Rodriguez, with reporting by Sway Calloway Trey Songz Photo: Atlantic Records Trey Songz has established himself as a beloved R&B artist , but the singer said it wasn’t until his last project, Ready, that he began to feel like he had ascended to star status. “I definitely feel that that album was what I thought it was. Before even the masses got it or anybody heard it, I felt like it was a defining album in an artist’s career,” he told MTV News. “Because even before that album, I had a couple hits, I had top 10 records, but those were songs. I had hit songs but I wasn’t a hit artist. But right now people know my name and right now I feel like with Ready being so successful, I felt that was me only scratching the surface of my potential. That was almost the beginning of my career, if you will. With his latest release, Passion, Pain & Pleasure, Trey takes another big leap forward. Songz’ first two offerings are already heating up at radio and on the charts. “Bottoms Up,” featuring Nicki Minaj, sits in the top 20 on Billboard ‘s Hot 100 and “Unusual,” featuring Drake , appears primed to follow suit. “With Passion, Pain & Pleasure, I feel like I’m taking it to new heights,” Songz said of his fourth studio album. After dropping Ready in summer 2009, the singer upgraded his management team to include former Warner Music and Def Jam executive Kevin Liles. The move, Songz said, was just another example of him taking greater control of his career. “As far as what I can attribute my success to, you know, taking charge of my career,” he said. “Taking full control — from the music I make to the pictures I take.” What do you think of Trey Songz’ new album? Share your reviews with us in the comments! Related Videos MTV News Extended Play: Trey Songz Related Artists Trey Songz

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Trey Songz Says Passion, Pain & Pleasure Scales ‘New Heights’

30 Seconds To Mars Caught In ‘Glitter Bomb’ On Way To VMAs

Best Rock Video winners found themselves strewn in glitter when arriving at the VMAs Sunday night. By Jocelyn Vena, with reporting by James Montgomery 30 Seconds to Mars arrives at the 2010 MTV Video Music Awards Photo: Kevin Mazur/WireImage If anyone thought that 30 Seconds to Mars ‘ partial re-creation of their VMA-winning video, “Kings and Queens,” when they entered the big show’s white carpet would prove to be the most dangerous part of the band’s appearance on Sunday night, they were wrong. When MTV News caught up with the band as they hit the white carpet, frontman Jared Leto explained that they had not only braved L.A. traffic for their entrance, they also endured an explosion of sorts. “We were in the middle of a glitter bomb. The entrance was fun and chaotic and crazy.”

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30 Seconds To Mars Caught In ‘Glitter Bomb’ On Way To VMAs

30 Seconds To Mars ‘Amazed’ By VMA Best Rock Video Win

30STM score Moonman for ‘Kings and Queens,’ beating out Florence and the Machine and Paramore. By James Dinh 30 Seconds to Mars at the 2010 VMAs Photo: Kevin Mazur/ WireImage The presenters of the Best Rock Video may not have known what it’s like to be rockers, but they sure met a few when they awarded 30 Seconds to Mars with their win at the 2010 Video Music Awards . The California band’s video for “Kings and Queens” earned them their first Moonman of the night, beating out Florence and the Machine, MGMT, Muse and Paramore. “Thank you. This is amazing. This award really doesn’t so much belong to us. It belongs to the most amazing family of friends and fans around the world that we could’ve have ever imagined,” frontman Jared Leto said while accepting the award. “We’re happy to accept it on their behalf. Thank you to MTV. Thank you to our label, to our management company. We’re really proud to be here, proud to share it with all the other artists. It’s been an amazing adventure, so thank you,” they continued. Immediately after walking offstage, the band posed for a photo with “Jackass” star Chris Pontius … who was trying to fit his penis into a mouse costume. Then, they told MTV News how it felt to win. “I am so grateful … I truly didn’t think we would get it,” Jared Leto beamed. “When I heard Paramore’s name, I thought we wouldn’t get it for sure,” guitarist Tomo Milicevic added. “Honestly,” Leto continued, “right now I feel so humble and so grateful.” Their Bartholomew Cubbins-directed clip features a legion of bikers making their way through the streets of Los Angeles at night. In addition to their Best Rock Video win, the group is also nominated for Best Art Direction, Best Direction and the night’s coveted Video of the Year award . The band previously snagged the MTV2 Award for their video “The Kill” in 2006. 30 Seconds to Mars arrived to this year’s ceremony like no other, riding up on bikes in a fashion similar to their “Kings and Queens” video. What do you think of 30 Seconds to Mars’ Moonman win? Share your thoughts below! The 27th annual MTV Video Music Awards are happening live, right now at the Nokia Theatre in Los Angeles! Keep it locked on MTVNews.com for the latest behind-the-scenes scoop, red-carpet interviews, photos, winner reactions and more. Related Videos VMA 2010: Red Carpet Report Related Photos VMA 2010: Show Highlights Related Artists 30 Seconds To Mars

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30 Seconds To Mars ‘Amazed’ By VMA Best Rock Video Win

Deadmau5 Marvels At ‘Scope’ Of VMA House-Artist Gig

Jason Der

Eminem And Jay-Z Aren’t First Megastar Concert Pairing

Guns N’ Roses and Metallica, Justin Timberlake and Christina Aguilera, more paved the way By Gil Kaufman Eminem and Jay-Z Photo: Kristian Dowling/ Getty Images When Jay-Z and Eminem take the stage in Detroit at Comerica Park on Thursday and Friday and again in New York at Yankee Stadium on September 13 and 14, it be a meeting of two of the biggest names in rap, who between them have sold more than 120 million albums. But their pairing is just the latest mega-coupling in the history of tours that promised to bring together the best of both worlds (sorry, Jay and R. Kelly , we tried not to bring that one up). Among our favorites: Guns N’ Roses and Metallica This volcanic 1992 outing featuring the biggest rock band in the world and the thrash legends who would soon snatch that crown was every bit as explosive as anticipated. With unpredictable act Faith No More in the opening slot (after Nirvana reportedly declined), the three-month stadium tour featured plenty of drama, including Metallica singer James Hetfield suffering second- and third-degree pyro burns during a show in Montreal, which turned into a riot after Guns singer Axl Rose left the stage complaining of a sore throat. Wu-Tang Clan and Rage Against the Machine At the height of their powers in 1997, bomb-throwing Los Angeles rockers Rage teamed up with the equally incendiary rap crew for what was slated to be a triumphant tour of amphitheaters and arenas. But in a sign of how shook Rage had the authorities, police in a number of cities tried to get the shows canceled fearing Rage’s alleged “anti-law-enforcement” stance, to no avail. Due to internal pressure within the sometimes-fractious Wu-Tang, some missed shows and an alleged assault, the Clan dropped off after less than two weeks of shows, replaced by the Roots and Foo Fighters. Justin Timberlake and Christina Aguilera The Justified / Stripped Tour may go down as the last hurrah of the teen-pop era. The 2003 joint tour between the former ‘NSYNC legend and the pop diva was a high-tech, big-budget extravaganza that found both singers at the peak of their powers. Eminem, 50 Cent, Lil Jon, G-Unit and D12 It was a rap monster, with the Slim Shady and 50 headlining the Anger Management 3 amphitheater outing that would mark the last full-fledged tour by Eminem in the past five years. Marshall Mathers would end up canceling the European leg of the tour in order to check into rehab for a prescription-medicine addiction. There are plenty of others, too, many of them on the classic-rock tip, including the unlikely pairing of two former Van Halen singers, David Lee Roth and Sammy Hagar , in 2002; the 1995 pairing of Neil Young and Pearl Jam; and the ongoing collaboration between the world’s leading piano men, Elton John and Billy Joel. History is also filled with tours that never happened that were as exciting on paper as some of the ones that have, including the scotched dual-headlining Fame Kills extravaganza promised by Lady Gaga and Kanye West last year. That eye-popping spectacle was grounded after West went into hiding following his bum-rush of Taylor Swift at the MTV Video Music Awards. Then there was the Big Four Tour featuring Metallica, Megadeth, Slayer and Anthrax that has reportedly been brewing for two years but has yet to happen. Instead, it turned into this year’s American Carnage Tour with Slayer, Megadeth and Testament. What is your favorite superstar bill? Let us know in the comments below! Related Photos MCs And Their Hometown Stadiums Jay-Z And The Yankees Team-Up To Represent New York Related Artists Eminem Jay-Z

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Eminem And Jay-Z Aren’t First Megastar Concert Pairing

Kanye West, Justin Bieber Fans Split On ‘Runaway Love’ Remix

Remix featuring Raekwon has some pop and hip-hop purists on the fence. By Peter de Saint Phalle Justin Bieber Photo: George Pimentel/ WireImage Kanye West forced fanbases to collide on Monday, when he released his Justin Bieber “Runaway Love” remix , featuring Raekwon. What began as a mere social-networking brainstorm, not only utilizes the contemporary pop-chart topping talents of both West and the Beebs, but also features some of Raekwon’s vintage verses from “Wu-Tang Clan Ain’t Nuthing Ta F— Wit.” So how do loyal fans react when a teen pop sensation, a master producer-turned-rapper and a hip-hop legend combine forces? For the answers, we’ve looked across different blog sites and MTVNews.com to see fan comments and reactions to the new record. While the remix seemed acceptable to most listeners, others thought the blend of Bieber with the two MCs went together like oil and water. McShanful wrote on the hip-hop blog 2dopeboyz.com : “I thought this turned out pretty dope. But judging by the comments, this remix is a fail because Wu-Tang fans don’t want to hear JB on a classic beat. And JB fans don’t know or even care who Raekwon is, nor do they appreciate this classic beat. Nice try, ‘Ye.” Readers on both pop and hip-hop websites couldn’t see the benefit of including Bieber’s song in the collaboration, stating that the current prince of bubble gum discredited the rappers’ integrity. “I’m a hard-core fan of Kanye’s earlier music, but now I honestly think he will do anything if it gives him some fraction of publicity or money,” Leni wrote on JustJared.com . “Justin Bieber? I mean really?” Legacye wrote on on PerezHilton.com : “Oh … dear … lord. That was awful. Kanye’s part of the track sounded fine, but Justin’s music is just TOO tweeny-pop to fit in well with adult R and B. 1/5 from me.” And though Bieber’s collaboration with Ludacris on “Baby” has been a huge hit with his followers, some were less than pleased by this much less pop-flavored track. “OMG !! That is just horrible,” KT wrote on on Popeater.com . “Justin is the only good thing on the song, but you have to sit thru that no talent thug mumbling and talking his way thru the verses before Justin sprinkles his magic on the song. PLEASE Justin don’t team up with these no talent thug rappers because your management says so. All it shows is how much talent you have and how little talent the rappers have. No wonder they all want a piece of Justin’s genius. YAYYY JUSTIN!!” But there were also many positive comments about the new musical frontiers embarked upon by the unlikely trio. “The song actually wasn’t that bad, and as much as I hate to say it, Bieber sounded a little like Michael Jackson,” Ericarbo436 wrote on MTVNews.com. “A young youth, rockin’ the gold tooth!” B