Porky Ariel Winter took a picture of herself sucking the fuck in at 2 in the morning and tagged it FRIDAY – because the internet is a fucking lie and not only do these people post pre-shot selfies, they also photoshop the fuck out of the photos, and they also know how to pose on their tippy toes, holding their arm out, and pushing their stomach in to give a waist to hip ratio….all in a very spandex shirt that is tight as fuck to suck in all the disgusting….but apparently..there’s a thigh gap… That said, people like jerking off to her and her big rebuilt tits…and seeing her in an outfit that you wouldn’t want to wear to Junior High in case you get your period….something this one probably got at 7 thanks to the trauma of being sold off by your parents…is hardly exciting – but I’ll post it because she’s current, she’s trendy and thus I am for covering her every move as she makes the transition from sitcom child star to social media star… The post Suck it in Ariel Winter of the Day appeared first on DrunkenStepfather .
Aiste Krikstaponyte is pretty amazing, not because she’s a 5 foot 11 european model who apparently actually models…but because she’s got under 2000 followers on Instagram, unless I am looking at the wrong account, that I won’t link here because I want to keep her thirsty enough to do these nude beach shoots for attention…because I like when the model are virtually invisible, they need people like me more than those already established….and being needed isn’t really of interest to me, I am pretty good at disappointing people…but it is nice to know that they are less cunty… It’s also nice to know that they’ll bust out their nipples since they are just nipples…and nipples aren’t supposed to be sexualized…especially not on a euro chick…where nipples are like a shirt… The post Aiste Krikstaponyte Nipples in a Photoshoot of the Day appeared first on DrunkenStepfather .
The highlight of these paparazzi pics is not the Mert and Marcus homosex photogrpaher in the speedo taking pics of her…..or even Candice Swanepoel as a damaged mom with a shitty body that she’s destroyed due to childbirth but that she’s working on getting back and is confident enough to bringing it out for photoshoots so that she can stay relevant, in the mix, exist…as it gets her paid…even though her ass is far less substantial…as she’s old….a real fucking situation….aging…whether from South Africa with AIDS and Racist or not…but probably not because she’s holding the Scary Spice scary implant ravaged nipples…. It’s biology and she’s on the decline…and she’s riding that slippery slop in high waisted bottoms, because no one needs to see her ravaged stomach or battered pussy womb… However…the milk filled tits…those are ok… The post Candice Swanepoel’s Milk Filled Tits and Mom Body Do a Topless Enough Photoshoot of the Day appeared first on DrunkenStepfather .
Salma Hayek breastfeeds a stranger#39;s baby after he starts to get hungry. “That was amazing. I’m in Africa, in Sierra Leone, and I was able to feed an ill baby that was very hungry. I thought about it — am I being disloyal to my child by giving her milk away#x003f; And I actually think that my baby would be very proud to be able to share her milk. When she grows up I’m going to make sure that she continues to be a generous, caring person, and I think that’s the best thing I can give her as a
This is my kind of office employee, no only does she wear a hot slutty outfit to the job, but she also sabotages everyone’s coffee by squirting breast milk into the milk carton. I am going to assume this is a hidden camera fetish video, because I have a boner watching it, and not an actual behind the scenes security video of a crazy worker but maybe, they just work at the best office ever. This shit is HOT…
“On the face of it, this is a normal fashion shoot, with clothes from a Mademoiselle Chi Chi collection…but these soft fabrics are made from an unusual substance. Milk.” ‘Couture from cow’s milk’ was the brainchild of Anke Domaske, a 28-year old biologist and fashion designer from Germany, and the main ingredient is a protein Broadcasting platform : YouTube Source : The Next Web Discovery Date : 26/07/2011 15:44 Number of articles : 2
Chris Marrs Piliero explains the video’s ‘Half Baked’ and ‘Terminator’ homages, but what about those elusive seashells? By Kara Warner Britney Spears in her “I Wanna Go” music video Photo: Jive Britney Spears’ video for “I Wanna Go” — a dream-sequence-y, pop-culture-reference-packed tongue-in-cheek attack on the paparazzi — is so fun, it’s quickly becoming one of our favorites. And because we can’t get enough of it, MTV News sought out the vid’s creative mastermind, director Chris Marrs Piliero (who also directed Ke$ha’s “Blow”), to explain it to us, frame by frame. “This opening scene poked fun at the ridiculous rumors that surround Britney,” Piliero said of the clip’s opening press conference, during which Britney tells off a room of reporters. “That is our homage to ‘Half Baked.’ I was really stoked that we were able to include that little parody homage in the video and that Guillermo Diaz, who is the guy [in the scene] giving the thumbs up, is from the movie.” After strutting out of the press conference and squeezing the butt of an autograph-seeking fan (played by one of her dancers), Spears strolls down the street, passing by a baby in a stroller who whistles at her. “We were actually going to have three babies,” Piliero revealed. “But the other two were just crying and crying. and I was like ‘F— it, get ’em outta there,’ and the one baby, he ruled and was super cute, so we went with him.” Spears’ next saucy move is to flash a bunch of guys on the street: a young boy, his dad, a male driver getting a ticket and the cop writing it. “That little kid was awesome,” Piliero said of the young redheaded boy. “If you look closely, he’s actually squeezing his juice box all over this shirt. The cop is another one of Britney’s dancers. You might recognize him from the ‘Hold It Against Me’ video, he had blue hair.” Next up, Spears encounters a paparazzo on the street and grabs his camera and throws it to the ground. “That was a very genuine performance from Britney,” Piliero said of the scene. “I felt like she was letting out her inner emotion toward paparazzi. It was also really cold. I think she just went for it.” Cut to Spears on top of a taxi, microphone in hand with a long cord, which she uses to take out the various photographers who have surrounded her. “A lot of people think this was inspired by ‘Kill Bill,’ because I’m a huge Quentin Tarantino fan. I would totally own up to that if it was true,” he admitted. “But I actually intended for her to always having her performance with the microphone [throughout the video] for her performance setup, so I thought that was a good way to tie it all together and I didn’t want to give her a real weapon.” But Piliero was making an intentional pop-culture reference with the wording on the movie theater marquee in the background of the scene that reads “Crossroads 2: Cross Harder.” “I’ve always thought that ‘Die Hard 2: Die Harder’ is one of the most ridiculously awesome titles for a sequel ,” he said. “And I needed to put something in the marquee, and I thought it would be a really fun Easter egg for fans.” Now something odd happens with the paparazzi who’ve been hit by Spears’ microphone weapon — they are revealed to be robots or androids. “I love pop culture and this whole video is kind of a dream sequence,” Piliero said. “I think it’s natural to have fantasies and dreams with stuff inspired by pop culture, so that’s why the robot guys kind of have a ‘Terminator’-ish feel.” Before the “Terminator” ‘bots can move in on Spears, Diaz drives up in a sports car and whisks her away, where he celebrates by pouring a carton of milk all over himself. “Guillermo kills it in the scene with the milk, he’s hilarious,” Piliero enthused. “And I love Britney’s reaction there; both her reactions where she’s laughing are so good. A lot of people ask about the milk and what the deal with it is, a lot of people have theories too, I don’t need to say what the point is, because I love hearing what people say, so I’ll leave it at that. Same goes with the seashells too.” Cut to the final scene, where we realize that it was all a dream. Spears is at the press conference, shaken out of a daze when Guillermo steps in and tells the reporters, “No more questions,” then hands Spears a handful of those seashells that Piliero won’t explain. He looks back at the camera at the last moment and we see his eyes are robot red, an obvious nod to Michael Jackson’s zombie-green eyes in the last shot of “Thriller.” ” ‘Thriller is one of my favorite music videos ever,” Piliero said. “I remember watching it when I was five, that was what inspired me to become a music video director so I wanted to pay homage to it.” What do you think the milk and the seashells signify in “I Wanna Go”? Share your theories in the comments below. Related Videos Britney Spears’ ‘I Wanna Go’: Frame By Frame Pop References In Britney Spears’ ‘I Wanna Go’ Video Related Photos Britney Spears’ ‘I Wanna Go’ Video: Pop References Related Artists Britney Spears
Chris Marrs Piliero explains the video’s ‘Half Baked’ and ‘Terminator’ homages, but what about those elusive seashells? By Kara Warner Britney Spears in her “I Wanna Go” music video Photo: Jive Britney Spears’ video for “I Wanna Go” — a dream-sequence-y, pop-culture-reference-packed tongue-in-cheek attack on the paparazzi — is so fun, it’s quickly becoming one of our favorites. And because we can’t get enough of it, MTV News sought out the vid’s creative mastermind, director Chris Marrs Piliero (who also directed Ke$ha’s “Blow”), to explain it to us, frame by frame. “This opening scene poked fun at the ridiculous rumors that surround Britney,” Piliero said of the clip’s opening press conference, during which Britney tells off a room of reporters. “That is our homage to ‘Half Baked.’ I was really stoked that we were able to include that little parody homage in the video and that Guillermo Diaz, who is the guy [in the scene] giving the thumbs up, is from the movie.” After strutting out of the press conference and squeezing the butt of an autograph-seeking fan (played by one of her dancers), Spears strolls down the street, passing by a baby in a stroller who whistles at her. “We were actually going to have three babies,” Piliero revealed. “But the other two were just crying and crying. and I was like ‘F— it, get ’em outta there,’ and the one baby, he ruled and was super cute, so we went with him.” Spears’ next saucy move is to flash a bunch of guys on the street: a young boy, his dad, a male driver getting a ticket and the cop writing it. “That little kid was awesome,” Piliero said of the young redheaded boy. “If you look closely, he’s actually squeezing his juice box all over this shirt. The cop is another one of Britney’s dancers. You might recognize him from the ‘Hold It Against Me’ video, he had blue hair.” Next up, Spears encounters a paparazzo on the street and grabs his camera and throws it to the ground. “That was a very genuine performance from Britney,” Piliero said of the scene. “I felt like she was letting out her inner emotion toward paparazzi. It was also really cold. I think she just went for it.” Cut to Spears on top of a taxi, microphone in hand with a long cord, which she uses to take out the various photographers who have surrounded her. “A lot of people think this was inspired by ‘Kill Bill,’ because I’m a huge Quentin Tarantino fan. I would totally own up to that if it was true,” he admitted. “But I actually intended for her to always having her performance with the microphone [throughout the video] for her performance setup, so I thought that was a good way to tie it all together and I didn’t want to give her a real weapon.” But Piliero was making an intentional pop-culture reference with the wording on the movie theater marquee in the background of the scene that reads “Crossroads 2: Cross Harder.” “I’ve always thought that ‘Die Hard 2: Die Harder’ is one of the most ridiculously awesome titles for a sequel ,” he said. “And I needed to put something in the marquee, and I thought it would be a really fun Easter egg for fans.” Now something odd happens with the paparazzi who’ve been hit by Spears’ microphone weapon — they are revealed to be robots or androids. “I love pop culture and this whole video is kind of a dream sequence,” Piliero said. “I think it’s natural to have fantasies and dreams with stuff inspired by pop culture, so that’s why the robot guys kind of have a ‘Terminator’-ish feel.” Before the “Terminator” ‘bots can move in on Spears, Diaz drives up in a sports car and whisks her away, where he celebrates by pouring a carton of milk all over himself. “Guillermo kills it in the scene with the milk, he’s hilarious,” Piliero enthused. “And I love Britney’s reaction there; both her reactions where she’s laughing are so good. A lot of people ask about the milk and what the deal with it is, a lot of people have theories too, I don’t need to say what the point is, because I love hearing what people say, so I’ll leave it at that. Same goes with the seashells too.” Cut to the final scene, where we realize that it was all a dream. Spears is at the press conference, shaken out of a daze when Guillermo steps in and tells the reporters, “No more questions,” then hands Spears a handful of those seashells that Piliero won’t explain. He looks back at the camera at the last moment and we see his eyes are robot red, an obvious nod to Michael Jackson’s zombie-green eyes in the last shot of “Thriller.” ” ‘Thriller is one of my favorite music videos ever,” Piliero said. “I remember watching it when I was five, that was what inspired me to become a music video director so I wanted to pay homage to it.” What do you think the milk and the seashells signify in “I Wanna Go”? Share your theories in the comments below. Related Videos Britney Spears’ ‘I Wanna Go’: Frame By Frame Pop References In Britney Spears’ ‘I Wanna Go’ Video Related Photos Britney Spears’ ‘I Wanna Go’ Video: Pop References Related Artists Britney Spears
