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RZA Recalls Being Challenged To Stop Sampling

‘I hadn’t paid my dues to music, and so I went and started studying theory,’ Wu-Tang beatmaker tells Mixtape Daily. By Rob Markman, with reporting by Adam Murphy RZA Photo: MTV News Behind the Beats: RZA RZA can chop a sample with the best of them. The chief Wu-Tang producer has flipped samples from Isaac Hayes and Gladys Knight to make classic hip-hop records like “C.R.E.A.M.” and “Can It Be All So Simple,” but it was a random encounter while buying music equipment that changed the Abbot’s entire perspective on sampling music. “The first thing happened was that I was at a music store buying equipment,” RZA told Mixtape Daily. “I went platinum, I became a millionaire, I was probably feeling myself egotistically, going to Sam Ash to buy a whole bunch of equipment, and a regular musician stopped me because people were giving me attention, ‘That’s RZA, that’s RZA.’ And this guy said, ‘You’re ruining music.’ ” Of course, a young RZA was taken aback at first. “He’s a musician, but because of sampling, he can’t get a job. Because of drum machines, his drummer can’t get no work. He said, ‘You’re not a real musician.’ I said, ‘What you mean I’m not a real musician? I got a platinum album.’ He said, ‘You’re not a real musician. You don’t know nothing about music.’ ” It was at that point that RZA’s outlook began to change. “He was right. I couldn’t tell him what a C note was. So he challenged me, basically,” he said. Feeling inspired, the Wu-beat banger started to study music theory and began to craft sample-free tracks. That, coupled with multiple lawsuits that he faced for reworking compositions from others, led to RZA’s growth. “It’s unfair sometimes for us to have success on things when we haven’t paid our dues,” he said. “So even though I paid my dues to hip-hop, I hadn’t paid my dues to music, and so I went and started studying theory.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists RZA Wu-Tang Clan

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RZA Recalls Being Challenged To Stop Sampling

Big Sean Is ‘The Next Generation Of Hip-Hop’

Industry vet Kevin Liles downplays his role in Kanye West prot

Dee-1 Has A Message For Jay-Z, 50 and Lil Wayne

‘I wasn’t gonna write it as a dis song to try to go at their necks,’ Dee-1 tells Mixtape Daily of his breakout single. By Rob Markman Dee-1 Photo: MTV News Fire Starter: Dee-1 Dee-1 is no dummy. The New Orleans native and Louisiana State University grad picked up rapping as a hobby in his college dorm room and devised a plan to get paid. It may have taken a little longer than expected but the former middle-school teacher left the classroom and has learned a new hustle through hip-hop. “I first started wanting to rap as just a hobby when I first started college. I didn’t really have anything better to do with my time, so I was like, ‘Let me just freestyle around my dorm room with my boys,’ ” Dee-1 told Mixtape Daily. “But once I realized I was good at it, I started to take it more serious. I was like, ‘You know what? I have a voice that can be used to entertain people but also to inspire change, in a good way.’ ” Dee-1 took his yearning for change and applied it to his 2010 outspoken single “Jay, 50 & Weezy.” In the song, the young MC holds an imaginary conversation with Hov, 50 Cent and Lil Wayne, questioning their subject matter. The track helped put him on the map partly because of the sheer audacity that he displayed by calling out three of the game’s biggest rappers, but mostly because of the song’s strong message. “I wrote that record when I was still teaching middle school, so every single day, I’m face to face with the kids who are influenced by these brothers. I see how much they want to walk like them, talk like them, just be like them,” he explained. Through his experience as a teacher, Dee-1 saw firsthand that rappers are in fact role models. Bold? Yes, but Dee stops short of labeling the track a dis record. “I don’t know if you can tell by looking at me but I’m not an intimidating type of guy or violent dude, so I wasn’t gonna write it as a dis song to try to go at their necks,” he said. “But I’m also not a scary man; I’m very bold and very confident in the person that God made me.” That confidence has translated to his work. In March, Dee-1 dropped his fifth mixtape, I Hope They Hear Me, Vol. 2, to much online fanfare and he recently toured with Killer Mike, Young Dro and Pac Div. The grind is paying off so far, and the N.O. representative has already taken meetings with Universal, Jive and Atlantic, though he’s in no rush to sign. “The patience comes from having a purpose, and my purpose is to have longevity in the game,” he said. “If I was desperate for a check right now, like if I just wanted a $100,000 to put in my pocket, I might have signed by this time. But I’m not that desperate and I’m not hurting for money.” Smart man! For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos Mixtape Daily: Dee-1, CyHi The Prynce, Yung Joc, Related Artists Dee-1 Lil Wayne 50 Cent Jay-Z

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Dee-1 Has A Message For Jay-Z, 50 and Lil Wayne

Trae Tha Truth ‘Goes Way Back’ With DJ Kool Herc

Houston rapper reveals his connection to the hip-hop pioneer, in Mixtape Daily. By Rob Markman Trae Tha Truth Photo: MTV News Celebrity Favorites: Trae Tha Truth Trae Tha Truth doesn’t care about hip-hop acceptance; he has a co-sign from the inventor of hip-hop. DJ Kool Herc is widely credited as hip-hop’s originator, after using two turntables to elongate record breaks during his parties in the Bronx, New York, in the late 19070s. Herc surprised many this past Monday when he attended Trae’s first headlining NYC show at SOBs in Manhattan, where he was promoting his upcoming album, Street King. “It was amazing, man. I came into SOBs not knowing what it was gonna be like, but it was packed front to back,” Trae told Mixtape Daily. “I got a lot of support from just New York City as a whole with the fans and then Kool Herc came out, Jadakiss, Styles P, French Montana, Fred the Godson, Maino.” While, some of NY’s finest artists rolled out the red carpet, it was the rap pioneer’s presence that stood out most for Trae. The Southern rap veteran clued us in on his relationship with Herc. “Little do they know that me and Kool Herc go back for years,” the Houston rapper revealed. “I got old videos in vaults at home of just me, Kool Herc, MC Hammer and a gang of people onstage. So it goes way back with me and him.” Though revered among hard-core hip-hop circles, Trae hasn’t had an easy career path. After a shooting incident following his 2009 Trae Day charity event, the rapper was criticized by a local radio disc jock at Houston’s KBXX 97.9 “The Box” for the incident. After Trae responded with a dis record, his music was banned from the station. It’s incidents like that that makes Herc’s support special to Trae. “He always accepted me, and plus he told me, ‘Man, I don’t care if they accept you in hip-hop or not, I accept you, so it is what it is, man. You’re raw,’ ” Trae recalled. “That’s my homey, man.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Trae Tha Truth Kool Herc

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Trae Tha Truth ‘Goes Way Back’ With DJ Kool Herc

Stevie Stone Talks Signing With Tech N9ne’s Label

‘It was a move that was in my heart,’ rapper tells Mixtape Daily. By Rob Markman Stevie Stone Photo: MTV News Fire Starter: Stevie Stone Some things were just meant to be. In the case of St. Louis, Missouri, rapper Stevie Stone , signing with Tech N9ne ‘s Strange Music label was well in the works before the up-and-coming rapper signed his name on the dotted line. After opening for Tech with a 10-minute set in a Fulton, Missouri, show as a high school student in 2000, Stone knew that he wanted to pursue music full-time. “That 10 minutes gave me the bug,” Stevie told Mixtape Daily at a recent Independence, Missouri, album signing event for Tech’s All 6’s and 7’s. Through the years the young MC kept in close contact, doing shows with Tech even though he signed his initial deal with Ruthless Records, the label co-founded by the late Eazy-E. In 2009 Stone dropped his debut album, New Kid Comin. Tech appeared on the LP on a song called “Midwest Explosion.” “A lot of his fans — Technicians, Juggalos — all of them adapted to it,” Stone said of the song. “My name started buzzing around here, especially in the Midwest on the underground scene.” Though he and Tech had formed a bond, Stevie was contractually obligated to Ruthless and couldn’t sign to Strange. Still, he joined Tecca Nina on his K.O.D. tour in 2009, his Ruthless contract expired the next year and he ended up officially signing with Strange in March. Stone is currently on Tech’s 82-city All 6’s and 7’s tour as an opening act. In between shows, the new addition is prepping his Strange Music debut, Rolling Stone, for an early 2012 release. “It was a move that was in my heart. I knew it was the move to make, and I guess they felt the same way. And when the time presented itself, we inked,” said Stevie, holding up his Strange Music chain with pride. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Stevie Stone Tech N9ne

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Stevie Stone Talks Signing With Tech N9ne’s Label

Young Jeezy, DJ Drama Reunite On The Real Is Back

‘I’m trying to do what I did in the beginning: go hard,’ Jeezy tells Mixtape Daily. By Rob Markman Young Jeezy Photo: USDA Don’t Sleep: Necessary Notables Headliner : Young Jeezy Mixtape : The Real Is Back Key cameo : Lil Wayne on “Ballin’ ” With his oft-delayed fourth solo album, TM 103, in label limbo, Young Jeezy took it back to basics and reunited with DJ Drama on his latest mixtape, The Real Is Back. “Jeezy and Drama together, that’s a clear win-win, man,” Drama told Mixtape Daily. “N—as gonna stop actin’ like we ain’t built this. You like our style, you watch our style, we still own our style.” As self-serving as his boasts may seem, Drama and Jeezy are credited with popularizing a unique brand of trap music that has dominated Southern rap since the early 2000s. At first, the rap/DJ tandem were inseparable, starting with their 2004 tape Tha Streetz Iz Watchin’ and their 2005 classic Trap or Die. A rift then started to grow between the two, but in December 2009 Jeezy appeared on Drama’s “Gangsta Grillz Radio” show on Atlanta’s 107.9 and they buried the hatchet. Now the duo are back to work, returning to grace on The Real Is Back. “Me and Drama had a couple of conversations. When I came through the station, we chopped it up. We was talkin’ about doin’ another tape because we had so much history as far as The Streets Is Watching, Trap or Die, the list goes on and on,” Jeezy said. “It just was time, the streets needed it. So I had to get in the studio, had to do my whole one, two thing. As usual, he was on point.” The tape is filled with street-centered anthems like the kinetic “How U Want It.” The track features a menacing instrumental on which Jeezy employs his patented slow flow and trap-raps. “How you want it, hard or soft/ Get ’em in, get ’em off,” the Snowman spits. Lil Wayne appears on “Ballin’,” while Fabolous helps out on “Rollin’.” Still, Jeezy keeps his ear to the street and also collaborates with underground ATL spitter Alley Boy as well as CTE’s new signee Freddie Gibbs on “Run DMC” and “Do It for You.” There are no attempts at big radio singles here, just hard-edged street-hop. “We invented the wheel when it comes to that type of music and that type of tape so we just did what we did,” Jeezy said of his reunion with Drama. “I felt like I wanted to take it back to what I do. Young Jeezy, nothing else. I’m not trying to sell this to nobody, I’m trying to do what I did in the beginning: go hard.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines .

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Young Jeezy, DJ Drama Reunite On The Real Is Back

Trae Tha Truth Reaches For The Crown On Undisputed

Houston MC talks to Mixtape Daily about teaming with host Don Cannon and a gang of rap faves like Wiz Khalifa on latest tape. By Rob Markman Trae The Truth Photo: A.B.N. Don’t Sleep: Necessary Notables Headliner : Trae Tha Truth Mixtape : Undisputed Key Cameo : “Getting Paid,” featuring Wiz Khalifa Essential Info : A lot of MCs claim to be your favorite rapper’s favorite rapper, but judging from the amount of love that Houston’s Trae Tha Truth has been receiving lately, he may have sole claim to that crown. Just check the track list on his latest mixtape, Undisputed, which includes appearances by Young Jeezy, Pusha T, Rick Ross and Wiz Khalifa. It’s clear that Trae gets his respect. Undisputed comes as Trae is putting the finishing touches on his new studio album, Street King. The tape is hosted by DJ Don Cannon, and for Trae, the union between he and Cannon, is significant. “It was kinda something that was overdue with me and Cannon’s career. We’ve been in the talks of it for a minute but we both was real tied up,” he told Mixtape Daily. “Cannon actually hit me maybe two to three weeks before we put it out and was like, ‘It’s time.’ When he told me it was time, I came back into Houston , kinda stopped what I was doing, and got it going.” Despite being well-respected in the industry, Trae still feels that he and Cannon have a long way to go in terms of mainstream notice. “We were doing the tape just off the strength of us, just because we feel a lot of people overlook me for what I do on the music and a lot of people overlook him as far as what he do on the DJ game,” Trae explained. “We’re both household names, but we still gotta show a lot of people what it is.” Driven by hard-core street cuts like “Gettin Paid,” featuring Wiz Khalifa, Trae continues to reign as underground rap royalty, his stock rising with each release. On “Inkredible (Remix),” producer StreetRunner adds a new beat to Trae’s 2010 single, while Jadakiss adds a new verse. Now that the tape has dropped, Trae seems to have picked up the right momentum as he prepares the release of his full-length Street King on June 28. A week before the album’s release date, Trae will touch down in New York City for a rare headlining performance at SOB’s. Fred the Godson and French Montana are already confirmed guests, but Trae promised Mixtape Daily that there’ll be some surprises. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Videos Mixtape Daily: Trae The Truth

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Trae Tha Truth Reaches For The Crown On Undisputed

Lucky Don Says Maino Inspired Him To Leave Streets For The Studio

Brooklyn spitter tells Mixtape Daily success of onetime fellow inmate Maino proved he still ‘had a chance.’ By Rob Markman, with reporting by Ade Mangum Lucky Don Photo: MTV News Fire Starter: Lucky Don Brooklyn spitter Lucky Don had dreams that not even his 10-year jail bid could derail. “I knew how to rap before I went to jail,” he tells Mixtape Daily. “I always knew how to rap.” With the chips stacked against him, Luck found inspiration in BK rapper Maino , whom he met while the two were locked up in New York’s Gowanda Correctional Facility. (Luck was found guilty of shooting at a police officer.) “Me seeing him grow made me feel like I had a chance,” he said. With his mixtape grind in full swing after dropping last year’s DJ Self-hosted The Voice, Don linked up with his friend Maino, as well as Bronx rapper Fred the Godson on the TY Fyffe-produced “Let’s Go (Remix).” The original version of the song featured Luck by himself, and, at first, he set out to deliver his hardest raps over the bouncy club beat. But then he received a bit of friendly advice from the “Hi Hater” MC. “We met up on Atlantic and Bedford [in Brooklyn], I pulled up, put the CD in the car and we were just sitting in his car just listening to the beat over and over again,” Luck recalled. “He was like, ‘Nah, my dude; nah, son. This ain’t one of those beats — later for all that rap stuff right now.’ ” At Maino’s urging, Luck switched up his flow to something that matched the beat. The song soon became so big on New York’s underground that Maino agreed to jump on the remix. Now Don, who’s set to release his second mixtape, The Difference, in June, is finally seeing his dreams come to fruition. “I can’t even lie, I love music, I always loved music. I ain’t gonna sit here and front like, ‘I’m a street n—a and I never really wanted to do this.’ This is what I wanted to do. That other Luck that was locked up and all that, I left him back there. I came home to do music.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Maino

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Lucky Don Says Maino Inspired Him To Leave Streets For The Studio

Eminem On Odd Future: ‘The Dudes Can Rhyme’

“It feels like they’re pushing boundaries and buttons,” Eminem tells MTV News. By Rob Markman, with reporting by Sway Calloway Eminem Eminem has been known to cause a stir or two. From rapping about killing his daughter’s mother on ” ’97 Bonnie & Clyde” to being deemed homophobic by the Gay & Lesbian Alliance Against Defamation, Slim Shady has courted his share of controversy over the years. Lately, L.A. collective Odd Future Wolf Gang Kill Them All and their profanity-flinging frontman, Tyler, the Creator, have been drawing comparisons to Marshall, but what does Slim think of OFWGKTA? “I think that from the stuff that I’ve heard — I haven’t heard a lot from them, I still have to go check out everything that they’re doing — but I’ve heard enough to know that it feels like they’re pushing boundaries and buttons, and that’s definitely one of the things that I’m familiar with, especially when I first came out,” Eminem told Sway on the set of Bad Meets Evil’s “Fast Lane” video in Detroit. “I love it, I love the fact that they’re doing that. And the dudes can rhyme.” Eminem’s Bad Meets Evil partner Royce Da 5’9″ is a fan as well, particularly of OF’s R&B portion. “I’m a big Frank Ocean fan,” he said. “I’m feelin’ the whole group. I’m with Em, though — I haven’t heard enough of them. I heard more Frank Ocean, for some reason. It seems like he’s standing out, for some reason.” When in his creative zone, as he has been lately, Em finds it hard to keep up with rap’s newcomers. “If somebody has got a buzz and somebody is making noise, I’ll go check ’em out. Sometimes I’m late getting to the party, sometimes I’m right on top of it as it’s happening. It’s hard, I think, when you’re creating music and you’re in the lab like me and him are a lot.” Related Videos The Wonderful Adventures Of Odd Future At SXSW 2011 ‘RapFix Live’ With Eminem And Royce Da 5’9″ Related Artists Eminem Odd Future Wolf Gang Kill Them All

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Eminem On Odd Future: ‘The Dudes Can Rhyme’

Mobb Deep Slept On Notorious B.I.G., Lost Boyz

Prodigy and Havoc tell Mixtape Daily they ‘had tunnel vision.’ By Rob Markman Mobb Deep Photo: MTV News Celebrity Favorites: Mobb Deep Hip-hop is super competitive, and sometimes rappers spend so much time trying to outdo each other that they miss out on good music. For instance, in his book, the Queens rapper talks about turning down the chance to collaborate with the Notorious B.I.G. on his 1997 Havoc-produced track “Last Day.” Back then, Pee just wasn’t a fan, but hindsight is 20/20. “A lot of the people were coming on the block back in the days when Biggie had ‘Party and Bullsh–,’ his first record, and they would play it. I wasn’t into it,” Prodigy told Mixtape Daily . “I was focused on Mobb Deep. I had tunnel vision: I really didn’t give a f— what anybody was doin’ in rap music, except for Mobb Deep and Nas and our little circle. Everything else was irrelevant to me.” So irrelevant that when Havoc was enlisted to produce on Big’s 1997 sophomore LP, Life After Death , his partner-in-rhyme wanted no part of it. “I told Hav I just really didn’t want to do that. That was my opinion at that time,” Prodigy recalled. However, the H.N.I.C. eventually decided to give the Brooklyn legend one more chance. “I started liking Biggie. After he started heating up, I started re-listening to it. I was like, ‘This kid is alright. I like, son,’ ” Prodigy explained. “Sometimes that happens in life though.” Havoc attested to a similar situation: “I definitely wasn’t checking for other people. I missed a lot of stuff in the ’90s that I like now. I just had tunnel vision,” he said. “There was a lot of dope acts that was out back in the ’90s, like the Lost Boyz. I never paid attention to their stuff.” The Lost Boyz — a rap group from South Jamaica, Queens, New York — broke out in 1995 with their hit record “Jeeps, Lex Coups, Bimaz & Benz,” and though they were known for high-powered party anthems, Hav wasn’t a fan in their heyday. He is today, though. “Now, when I look back on it and I listen to their stuff now, it’s like, ‘Yo, they had that sh–.’ They always kept the party poppin’. I really appreciate their music, and I’m glad that they made it,” he said. “That’s ill that they are even a part of the era that we came from.” For other artists featured in Mixtape Daily, check out . Related Videos Mixtape Daily: Mobb Deep, Tity Boi Related Artists Mobb Deep Prodigy of Mobb Deep

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Mobb Deep Slept On Notorious B.I.G., Lost Boyz