Tag Archives: mostly-positive

Marsha Ambrosius Is Glad ‘Far Away’ Video ‘Got People Talking’

‘I’m glad it’s got people talking,’ songstress tells MTV News of same-sex romance in anti-bullying clip. By Mawuse Ziegbe, with reporting by Rebecca Thomas Marsha Ambrosius Photo: MTV News Marsha Ambrosius ‘ video for “Far Away” portrays the ill-fated romance between two passionate lovers — a well-worn arc that has powered narratives from Shakespearean literature to sunny rom-coms. Yet Ambrosius’ visual is distinctly of the moment because it touches on an array of hot-button topics, including bullying, suicide and gay rights. In the clip, which premiered in January, Ambrosius hangs out with a handsome guy who can charm kids and grown men alike. But when the same guy openly holds hands in the park with his male lover, the kids’ mom won’t let her children go near him, and the once jovial fellas in the park advance on him. Ambrosius’ formerly carefree and happy pal ends up swallowing a bottle of pills after the deluge of taunts. While Ambrosius readily puts the spotlight on headline-making issues, for her, the clip wasn’t just about adding her voice to the public conversation, but also sharing the consequences of anti-gay bullying that she’s witnessed firsthand. “The concept for ‘Far Away’ definitely wasn’t unexpected for me as it was a personal experience that I’d had in writing the song. It came from a personal experience I was going through ’round about the time I wrote it, which is 2008, [when] a friend of mine attempted to commit suicide,” she recently told MTV News. “Being a friend of someone that is in such a dark place, you can’t be there for them as a friend because it’s one of the most heart-wrenching things you can go through, not being able to help someone.” For the former Floetry songstress, crafting “Far Away,” from her forthcoming solo debut, Late Nights & Early Mornings, was a chance to empower people like her friend who are struggling with abusive situations related to their sexuality. “So a couple years later I get to do ‘Far Away’ for my album, and it felt only right to portray the story as it was in such an honest form. And I think many people that go through the same circumstance don’t get to tell their story. And I think that’s where, I guess, people are getting with the shock value; that I’m attacking a subject matter that’s often shunned upon and overlooked. But it’s happening to real people — it happened to a friend of mine — and I wanted to give that to those that don’t have that voice,” she said. Ambrosius’ video also unambiguously features an affectionate, healthy same-sex relationship — including a loving lip-lock — which isn’t a typical music-video story line. The songstress conceded that she’s received a range of feedback (mostly positive) about the visual, but was more amped that her work has sparked a dialogue instead of just landing a blanket stamp of approval. “Overall, I’m glad it’s got people talking, and the overwhelming positive response definitely outweighs anything negative that had been said. Anything negative is always summed up with, ‘I still understand where you’re coming from, but it’s just not my thing.’ But the overall message isn’t overlooked, so overall … it’s opened a floor for people that weren’t speaking before. It’s getting people talking to one another that wouldn’t have said ‘Hello’ in the street. So it’s getting true feelings out there on the table as honest and open as you can be,” she said. “So I’m kind of glad that regardless if you disagree or agree, I’m not here to change your mind, I’m here to show what’s happening to real people.” What do you think of Marsha Ambrosius’ “Far Away” video? Share your thoughts in the comments. Related Artists Marsha Ambrosius

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Marsha Ambrosius Is Glad ‘Far Away’ Video ‘Got People Talking’

‘American Idol’ Ratings Down Again, But Show Still Tops The Night

Ratings down 12 percent from last year. By Gil Kaufman Steven Tyler and Jennifer Lopez on “American Idol” Photo: FOX There was a bit of good news/ bad news for “American Idol” on Friday morning (January 21). When the ratings came in for Thursday night’s second audition episode of season 10 , the numbers were once again down from last year, but on its new night, the show also notched the highest Thursday night ratings in more than 15 years for the Fox network. The Hollywood Reporter reported that the show averaged 22.9 million viewers and a 7.8 rating in the crucial 18-49 demographic, easily winning the night and more than doubling the numbers put up by the next-highest-rated show, NBC’s “The Office” (8.3 million viewers, 4.5 rating). The show was down 9 percent overall among total viewers and down 15 percent in the 18-49 demo compared to the first hour of Wednesday night’s season premiere . It also took a dive from last season’s second audition show, which rang up 26.4 million viewers and a 10 rating in the demo. The show moved back a night this year, switching from its Tuesday/Wednesday schedule, where it faced less competition, to Wednesday/Thursday this year. Overall, the first two shows are down 12 percent from last year’s opening episodes. Another good sign is that “Idol” beat CBS’ “Big Bang Theory,” one of the leading comedies on TV, which still put up strong numbers (13.6 million viewers/4.2 share). The other positive is that the move to Thursday gave Fox its highest-rated night of regular programming since 1995. While ratings have slid, so far audience and expert reaction to the new judging panel has been mostly positive and bodes well for greater tune-in once the show goes live in the first week of March. Are you watching the new season of “Idol”? Share your reviews in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Before Steven Tyler Was An ‘American Idol’ Judge … Jennifer Lopez: From The Block To ‘American Idol’

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‘American Idol’ Ratings Down Again, But Show Still Tops The Night

Blaming the victim of rape is wrong. Don’t do it. Make sure others don’t do it.

I wanted to post this because I saw a lot of rape apologists on a recent thread on here. Maybe this will raise some awareness. And it's written by a guy, so maybe other dudes will have an easier time grasping it. -AL http://www.dailykos.com/story/2010/7/8/882464/-Blaming-the-victim-of-rape-is-wro… ___ I meant to write this diary a long time ago—in fact, I meant it as a followup diary to my On Rape and Men (Brace Yourself), which I still receive mail for (mostly positive). I have received a few stories that have prompted me to finally write a follow-up diary. So here it is. I will be addressing this issue largely as a women's issue—uh, because it is—but I will also cover male victims of rape because they are a feminist issue as well. To put the thesis of this diary simply, the victim of rape is never at fault. I. Why We Blame and Why It's Wrong Before we get into why it's wrong to blame the victim of rape, I think it's important to examine why many people feel inclined to blame the victim. Ellen Friedrichs shares a compelling theory: Another study done by researchers in Israel found that people blame rape victims in order to maintain a sense of control over their own lives. As they write, In general, the results show that subjects attribute blame to the rape victim. Attribution of blame helps to reinforce the casual observer’s belief that the world is a safe, protected place, and that occurrences such as rape can be controlled…Blame reflects the way in which people organize data regarding events and behaviors that have actual or potential adverse consequences. It is possible that, given the perception that women are vulnerable, exposed, and more aware of their vulnerability, they are expected to act with extra caution to avoid rape, and are therefore judged more harshly when actually victimized. These results can explain victim blaming more as a self-defense mechanism than a callous act of judgment or misogyny. When you believe that victims are to blame for their assaults, you can ensure you won't make the same mistakes. I understand the thought process here—we want to believe the bad things that happen to others are their fault because we want to believe we have a disproportionate level of control over what happens to our persons—but it's still wrong. The fact that women are regarded as more vulnerable and exposed should be a cause for us to blame the people who assert their power over them unjustly, NOT the women themselves. This debate is one that boils down to a debate of agency: how much control do men have over their own actions? As a male feminist, I believe that men have a good degree of control over their actions, especially when it comes to their decision to rape somebody or not. Blaming the victim of rape implicitly suggests that men are incapable of exerting control over this particular decision, which is ridiculous. Victim-blamers point to different things in order to justify their mentality and one of the most popular is “She was drunk. She shouldn't have been drinking in such a place. She knew what could have happened!” Here's one of the worst examples of victim-blaming I've seen, which to my chagrin was written by a female Princeton student: Did she have the right to accuse the boy of rape? Before you say yes, think about this for a minute: Should the fact that she willingly got herself into an advanced state of inebriation prevent her from complaining about anything that happened to her while she was in that state? She knew what would happen if she started drinking. We all know that the more people drink, the less likely they are to make wise decisions. It is common sense. Therefore, the girl willingly got herself into a state in which she could not act rationally. This, in my opinion, is equivalent to agreeing to anything that might happen to her while in this state. In the case of our girl, this happened to be sex with a stranger. Sorry, but if you agree with this reasoning, there's something really wrong with you: inebriation in an environment with men implies consent to anything? That's disgusting. This view is probably more common than I would like, though the reasoning for it is usually not explicitly stated like it is here. But when it comes to rape involving the woman consuming alcohol, you see a lot of people focus on that factor, even though it was the man who perpetrated the rape. It reflects a mentality that views women as these delicate creatures who must take steps to avoid the autonomic impulses of men. On the contrary, the societal onus should be on men to not fucking rape, namely because the decision to rape or not is voluntary. Another factor that people point to is what the woman was wearing at the time of the rape. Obviously what the woman was wearing does not make her rape any more or less justifiable: it's unjustified regardless of what she was wearing. But this particular factor obfuscates the debate because it implies that rape is about lusting after a female body. Feminists know that rape is about power and can present evidence that it's not about lust or provocative behaviour: Myth: Rape victims provoke the attach by wearing provocative clothing * Most convicted rapists do not remember what their victims were wearing. * Victims range in age from days old to those in their nineties, hardly provocative dressers. * A Federal Commission on Crime of Violence Study found that only 4.4% of all reported rapes involved provocative behavior on the part of the victim. In murder cases 22% involved such behavior (as simple as a glance). This, and flirtatious behavior preceding the rape, are usually the excuses for remarks like “she had it coming”. But as with dressing provocatively, flirtatious behavior is not explicit consent to sex, nor is it justifiable grounds for blaming the victim of rape. Blaming the victim on a personal level also leads to unnecessary feelings of revictimization and contributes to a stigma that makes it hard for other victims to come forward. II. Addressing Attacks on the Last Diary My previous diary set off a firestorm of straw men and male apprehension at the notion that their gender is largely responsible for the problem. A few commenters pointed to male victims of rape in order to “distribute blame” and put an irrational focus on the false accusations of rape. On the subject of male victims of rape, either by male or female assailants, it is a horrible trauma regardless of who it happens to. But invoking male victims of rape to try and trivialize a systemic problem that overwhelmingly affects women is something I consider to be unconscionable and in effect also trivializes what male victims experienced. And yes, of the reported rape cases, women overwhelmingly make up the cases: 1 out of every 6 American women has been the victim of an attempted or completed rape in her lifetime (14.8% completed rape; 2.8% attempted rape). 17.7 million American women have been victims of attempted or completed rape. 9 of every 10 rape victims were female in 2003. Stating that fact though doesn't mean we have to treat male victims of rape in a trivialized fashion, but again, one shouldn't invoke male victims to make it look like it happens to both genders equally in an attempt “distribute blame.” …full article at link added by: animalia_libero

How Did Kenneth Branagh Get ‘Thor’ Job? Marvel Chief Explains

‘He chased it pretty hard,’ Kevin Feige tells MTV News at Comic-Con. By Kara Warner, with reporting by Josh Horowitz Chris Hemsworth in “Thor” Photo: Paramount Pictures When Marvel Studios announced it was making a live-action movie about its god of thunder, “Thor,” fans of the comic books were mostly excited. But when the studio revealed its choice of director, seasoned Shakespearian thespian Kenneth Branagh, the reactions were surprised, and decidedly mixed. Now that the trailer is out and the cast and crew have made the rounds at San Diego Comic-Con, however, it seems the buzz is mostly positive for Branagh. When MTV News caught up with Marvel chief Kevin Feige during our live-stream show at Comic-Con, he revealed how Branagh landed the gig. “He chased it pretty hard,” Feige said. “We had a number of good meetings. He flew himself over to meet with me. We had a number of phone calls, a number of sessions — more meetings than I’ve ever had with a director before we’d brought them on.” Feige added that through those first meetings with Branagh, he quickly learned that the actor had a lot more invested in the character than Feige originally realized. “He’s a big, giant ‘Thor’ fan,” Feige said. “He clearly is a very literate guy when it comes to Shakespeare, and when it comes to almost anything, including Marvel’s ‘Thor,’ which was a surprise to us. “Also, just talking about movies,” he continued. “We love the same kind of movies, we love the same kind of things, and when you have someone who’s as talented as Ken is in one arena and bring him into another one, he is going to succeed.” Feige went on to say that Marvel was fully behind Branagh in every step of his filmmaking process. “We have the department heads, we have the great resources to help him,” he said. “What he brings to us is bringing our characters to life in a big way.” For breaking comic book movie news, columns and more — updated around the clock — visit SplashPage.MTV.com .

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How Did Kenneth Branagh Get ‘Thor’ Job? Marvel Chief Explains

Jessica Stroup Pulls a Janet Jackson

Jessica Stroup has gone all Janet Jackson has us. Earlier this week, the singer debuted a vastly short haircut , one that’s been met with mostly positive reaction around the celebrity gossip universe. Will this 90210 cast member receive the same praise for her newly chopped-off locks? You decide! Which is your favorite Jessica Stroup hairstyle?

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Jessica Stroup Pulls a Janet Jackson

Ellen DeGeneres’ ‘American Idol’ Debut: The Experts Weigh In

New judge receives mostly positive reviews, although one critic complains she said ‘nothing of consequence.’ By Gil Kaufman Simon Cowell, Ellen DeGeneres, Kara DioGuardi and Randy Jackson on Tuesday’s show Photo: Michael Becker/ FOX Taking the place of a beloved character on a long-running TV show is never easy. But on Tuesday night, talk-show host Ellen DeGeneres appeared to easily slide into the memorial Paula Abdul seat on “American Idol” without disrupting the show’s flow, pleasantly surprising many of the “Idol” faithful who spent months fretting over how the Emmy-winning comedian would fit into the mix. After questioning how DeGeneres would do once the show went live, one of the leading “Idol” bloggers, MJ Santilli, who runs mjsbigblog.com , had high marks for the debut on the first night of Hollywood Week. “Ellen’s perfect bon mots from tonight’s show were plucked from hours and hours of footage,” she wrote. “Obviously, [the producers] want to set her in the best light. However, if she can live up to her best sound bites, she’s going to be great.” Santilli praised DeGeneres’ knack for zeroing in on singers’ specific strengths and weaknesses and offering “constructive critiques that are both humor-laced, and pithy. … Ellen’s long experience in front of the camera is definitely helping her.” Veteran “Idol” watcher Michael Slezak of Entertainment Weekly opined, “Ellen DeGeneres may not have years of experience in the music industry, but who cares? Her ability to sit still, be quiet and … actually pay attention to what’s happening on the stage in front of her could set an exciting new precedent for ‘American Idol’ ‘s generally frustrating judges’ panel. Yes indeed, the show is actually about discovering the next generation of music superstars, not watching four nimrods at a table drawing mustaches on each other, misstating pertinent facts about music history and finding new and annoying ways to make the phrase ‘you gave it 100 percent’ their own.” Despite his early fears that DeGeneres would be more focused on tossing out punch lines than critiques, Slezak said she filled the Abdul chair with “a level of dignity and purpose that it had never before experienced.” Over at the Los Angeles Times, critic Ann Powers was less enthusiastic, writing, “Hollywood Week’s big news turned out a fizzle Tuesday night — not because Ellen DeGeneres was bad, or offensive, or much of anything, as a judge, but because she seamlessly fit into the patter and often meaningless ‘critique’ at the judges’ table, the way a bottle of San Pellegrino fits in on a Beverly Hills brunch table. Quietly bubbly and refreshing enough, DeGeneres said nothing of consequence.” Though she was lukewarm, Powers predicted we’ll be thankful for DeGeneres when the show goes live. “Her calm demeanor and deadpan wit have already exerted a calming influence on Randy and Kara, if not Simon (who seemed disconnected tonight), and the judges’-panel schtick that had turned into a bunch of tics last year might actually regain its rhythm,” she said. Not so on the fence was Dave Della Terza, founder of “Idol” spoiler site www.votefortheworst.com . “The first Hollywood episode was a bit underwhelming, because most of it was taken up by Ellen DeGeneres trying to be funny and failing miserably,” he wrote in one of his kinder comments. “At least Kara DioGuardi can finally give away the title of Most Contrived Idol Judge.” MTV’s own “Idol” expert, Jim Cantiello, also overcame his initial fears about DeGeneres, admitting , “Although I initially thought she was a terrible choice (based on her spotlight-hogging star power, her conflict of interest and one astoundingly painful guest judge appearance on ‘So You Think You Can Dance’), I can now say that Ellen DeGeneres is exactly what’s been missing from the judge’s table since the fourth season: passion.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Ellen DeGeneres’ ‘American Idol’ Debut: The Experts Weigh In

Adam Lambert Talks Simon Cowell’s Exit From ‘American Idol’ With Oprah

‘He makes you step your game up,’ Adam Lambert says of departing ‘American Idol’ judge.

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Adam Lambert Talks Simon Cowell’s Exit From ‘American Idol’ With Oprah