Tag Archives: needs-moms

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

What’s to Blame For Mars Needs Moms Bombing? (Hint: Everything)

Looking for one reason why audiences failed to connect with the Robert Zemeckis-produced Mars Needs Moms over the weekend? The New York Times has figured it all out: the 3-D ticket prices were too high. Wait, no: there are too many family films in the current marketplace. Er, actually, it was probably because of the uncanny valley. Maybe. Or the storyline, because “what child wants to see a movie about his mom being taken away from him?” One of those four reasons. Or, because the theater was too cold. Or, because popcorn prices were too high… [ NYT ]

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What’s to Blame For Mars Needs Moms Bombing? (Hint: Everything)

Battle: Los Angeles Tops the US Weekend Box Office

The Aliens movie Battle: Los Angeles starring Aaron Eckhart and Ramon Rodriguez tops the US weekend box office. ’Battle: Los Angeles’ movie, has topped the US weekend box office by overtaking the number one of last week ‘Rango’ with $36 million in 3,417 locations. The $70 million budget movie bettered ‘Rango’ with 36% in its 3-day-screening. The movie is now the second biggest weekend box office debut in 2011. Johnny Depp’s ‘Rango’ stood second with $23 million in its second week. It grossed $38 million in its 3-day-opening in its first week. It grossed $68.6 million till now. ‘Red Riding Hood’ with Amanda Seyfried in the lead occupied third place with an impressive gross of $14.1 million. It is a horror and action/fantasy movie directed by Catherine Hardewick of ‘Twilight’. The budget of the movie is $42 million. ’Adjustment Bureau’ with Matt Damon and Emily Blunt in the lead earned $11.45 million and adding its total to $38.45 million. ‘Mars Needs Moms’ failed to impress, as it grossed only $6.8 million at weekend box office. Check out the top 10 movies at weekend box office: 1. Battle: Los Angeles – $36 million 2. Rango – $23 million 3. Red Riding Hood – $14.1 million 4. The Adjustment Bureau – $11.45 million 5. Mars Needs Moms – $6.8 million 6. Hall Pass – $5.1 million 7. Beastly – $5 million 8. Just Go With It – $4 million 9. The King’s Speech – $3.6 million 10. Gnomeo & Juliet – $3.5 million

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Battle: Los Angeles Tops the US Weekend Box Office

Who Scored Big in Week 17 of SNL’s Relevancy Poll?

This week was the most difficult Saturday Night Live relevancy poll of the season to tabulate. No one cast member dominated the airtime, and with few exceptions, the cast was spread pretty thin throughout the evening. Put it this way: At one point I was thinking, Wow, Abby Elliott is getting a lot of play this week; it sure will be nice to see her finally near the top of the poll. But that faded as it became clear that pretty much everyone got a significant amount of play this week.

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Who Scored Big in Week 17 of SNL’s Relevancy Poll?

Mars Needs Ticket Buyers: 9 of the Biggest Box Office Bombs in Hollywood History

Let’s hear it for Mars Needs Moms ! The Robert Zemeckis-produced animated film crashed into the uncanny valley over the weekend with an estimated gross of just $6.8 million — which would be bad enough if Moms didn’t cost Disney a reported $150 million to make. ( Replacing Seth Green’s voice costs Benjamins , yo.) With Mars Needs Moms well on its way to becoming one of the biggest Hollywood debacles ever, what better time to remember some of Hollywood’s other biggest debacles? Ahead, nine of the worst bombs to ever detonate at a theater near you.

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Mars Needs Ticket Buyers: 9 of the Biggest Box Office Bombs in Hollywood History

‘Battle: Los Angeles’ Tops Friday Box Office

Alien invasion flick bests ‘Red Riding Hood’ and ‘Rango’ to claim top spot, while animated ‘Mars Needs Moms’ tanks. By Shawn Adler Michelle Rodriguez in “Battle: Los Angeles” Photo: Sony Pictures It showcases an epic battle between aliens and humans, but it turns out that the biggest winner of the weekend isn’t going to be Aaron Eckhart or the extra-terrestrials he faces in “Battle: Los Angeles,” but an entirely different, third combatant: the film itself. Led by an all-star cast headlined by the “Thank You For Smoking” star, “Battle: Los Angeles” topped all comers at the Friday night box office with an estimated $13.5 million from 3,417 theaters. The story of a surprise war waged by aliens for control of Earth, the flick should eek out approximately $40 for the weekend and another number one opening for the star of “The Dark Knight” in his first return to big budget action. The secret to the film’s success? Not treating an alien invasion movie like an alien invasion movie, director Jonathan Liebesman told MTV News . “This is a more down and dirty alien movie,” Liebesman said. “This is like if [‘Bourne Supremacy’ director] Paul Greengrass got a camera, saw some aliens, and shot it from the point of view of a platoon. It’s literally like ‘Black Hawk Down,’ if there were aliens in there. Like Iraqi war footage, but with aliens running around.” You’d be forgiven, meanwhile, for saying of the second place film, “My, what a big gross you have,” as the Brothers Grimm by way of Stephanie Meyer revisionist fairy tale “Red Riding Hood” scared up $5.7 million to claw its way near the top. The Catherine Hardwick directed and Amanda Seyfried starring film may seem to be similar to that little Kristen Stewart movie, but that doesn’t mean it’s just “Twilight” with a cape, Seyfried told MTV. “It’s a bummer that that’s what’s happening,” Seyfried told us . “I mean, it does surround a girl coming of age in a love triangle, but that’s a lot of movies. The truth is, it’s an entirely different story.” In third place, last weekend’s winner “Rango” managed a very healthy $5.5 million. The Johnny Depp starring flick about a chameleon who finds himself leading a small desert town as sheriff should bring its total to approximately $70 million by weekend’s close. In fourth place, “The Adjustment Bureau” starring Matt Damon and Emily Blunt managed a $3.4 million Friday. The biggest disappointment of the week was “Mars Needs Moms,” the newest animated film from Disney. Using motion capture technology and based on a story from Pulitzer Prize winner Berkeley Breathed, the reportedly expensive film managed just $1.8 million Friday and a fifth place finish. Among other films, “Beastly” scored $1.6 million for a sixth place finish, while “Just Go With It” managed an eighth place finish and $1.2 million. The Adam Sandler led comedy should pass $100 million sometime early next week. Rounding out the rest of the top ten, “Hall Pass” earned $1.5 million to come in seventh, “The King’s Speech” grabbed $1 million to finish ninth, and “Unknown” ran away with $975,000 to land in tenth.

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‘Battle: Los Angeles’ Tops Friday Box Office