This week in SKINstant gratification, Netflix presents Laura Prepon ’s topless debut in the Lay the Favorite (2012). Hot Donna! Her lush lava-lamps are finally set free during a topless sunbathing scene 8-minutes in. Next up we get some foreign funbags from Mexican mamacita Elizabeth Cervantes in the drug drama El infierno (2010), and compelling Canadian cans from Sarah Mutch in Funkytown (2011). A duo of ‘80s action flick are rounding out the rear with retro rack and rug from Alexandra Paul in 8 Million Ways to Die (1986), and Bing Crosby ’s granddaughter Denise Crosby leading a bevy of babes stripping down in 48 Hrs. (1982). See pics after the jump!
Get a good grip on your remote, because a trio of Hall of Fame Nudity winners are hitting the Netflix streams this week! First up, Barbara Hershey gets sacriluscious for the Scorsese drama The Last Temptation of Christ (1988), and show off every tempting bit. Then, seductive senoritas Paz Vega and Elena Anaya hit new heights of gratuitous greatness in the aptly named Sex and Lucia (2001). Finally, Sissy Spacek and Nancy Allen strip down for one of the all-time greatest group showers scenes in Carrie (1976). If you have a hankering for more modern fare, tune in to Marin Ireland ‘s 3B baring role in 28 Hotel Rooms (2012), or Juno Temple ’s tata release in Little Birds (2012). See pics after the jump!
I was looking for a secondary monitor to use with my HTPC to use at the breakfast table when I didn#39;t want to turn on the big plasma, and thought this might be interesting because it#39;s LED backlit (edgelit really) and had Netflix and some other widgets. It turns out to be really cool… good picture quality – not as much contrast ratio as a much pricier, larger TV obviously, but decent for casual TV watching, good colors and viewing angles. The Netflix support works really well, streamed
This week in Netflix SKINstant gratification, Paz de la Huerta will test the limits of your control by staying completely naked throughout The Limits of Control (2009), and Juliette Lewis lets out her juglets in Picture Claire (2001). Then you’re in for more full-frontal since hard-bodied babe Patricia McKenzie takes it all off in David Cronenberg ‘s Cosmopolis (2012), and Hazel Ann Crawford does the same in Postmortem (1998). Finally, Kate Capshaw bares a little butt, and Carolyn Perry shows off the full enchilada in A Little Sex (1982). See pics after the jump!
Our Netflix queue is popping this week thanks to the inclusion of Deadfall (2012), Olivia Wilde ’s first topless scene since 2006’s Alpha Dog . Next up, the remake of a Hershell Gordon Lewis a cult classic, 2001 Maniacs (2005), has a whole host of B-movie screen queens baring boobage. The thriller Dog Watch (1996) has statuesque blonde Mimi Craven (former wife of horror master Wes Craven ) stripping down onstage, and The Iron Rose (1973) shows off every inch of Fran
Don’t waste your time on movies without nudity, because we’ve got brand spanking nude Netflix titles. First, Meg Ryan serves up her slice in In the Cut (2003), and Rose McGowan bares her blooms in The Doom Generation (1995). Four foxy international lasses get naughty in Au Pair Girls (1972), and Hungarian hottie Zita Gorog brings her perky pair to Den of Lions (2003). Finally, Sex and the Teenage Mind (2002) contains plenty of nudity, but it’s also the closest we’ve come to seeing some skin from The Wonder Years star Danica McKellar ! See pics after the jump!
Looking for something nude to watch on Netflix Instant? This week in SKINstant gratification we’ve got Juno Temple topless as a teenage lesbian in J ack and Diane (2012), and the plump pair of a young Angelina Jolie in Mojave Moon (1996). Heavenly Heather Graham won an Anatomy Award for her cantastic spanking scene in Adrift in Manhattan (2007), and Kelly LeBrock blew us away with full-frontal in the PG-13 rated The Woman in Red (1984). Finally, comely Canadian Natasha Henstridge bares it all as a man-eating alien in Species (1995), and brought her T&A back again for its sexy sequel Species II (1998). See pics after the jump!
Columbus, Tallahassee and Wichita are coming to a small screen near you. Reports confirm that Amazon is developing a television show based on the 2009 hit film Zombieland , which starred Woody Harrelson, Jesse Eisenberg and Emma Stone as survivors of a bloody apocalypse. As well as Bill Murray is what is likely the funniest cameo in movie history. Amazon is now competing with Netflix and Hulu in the originally programming space. The latter service is coming out with The Awesomes , an animated program with Kenan Thompson, Bill Hader, and Taran Killam; while the Netflix will soon make major waves with Arrested Development Season 4 . Elsewhere, read through these Zombieland quotes . They’re hilarious!
Even as it gears up for the launch of the Sundance Film Festival Thursday, the Sundance Institute unveiled 13 titles it is making available through a variety of platforms through its “Artist Services” program. Films include 2012 Sundance Film Festival titles Detropia , I Am Not A Hipster , The Atomic States of America and We’re Not Broke . Artist Services films are available on an array of online platforms including iTunes, Amazon Instant Video, Hulu, SnagFilms, Netflix, SundanceNOW, VUDU, YouTube and more. “With the proliferation of new digital outlets these days, Sundance Institute saw a real need to help filmmakers and producers easily access these platforms and to provide information on how best to navigate and take advantage of independent distribution,” commented Keri Putnam, Executive Director, Sundance Institute in a statement. “It’s exciting to see these filmmakers charting their own path towards finding audiences.” Sundance titles available starting January 15th: The American Astronaut (Director and Screenwriter: Cory McAbee) — Sundance Institute Screenwriter’s Lab Fellow Cory McAbee stars in his sci-fi feature film as an interplanetary trader. The film also stars 2012 Independent Spirit Award nominee James Ransone (Starlet, HBO’s Treme and The Wire) as Bodysuit. (2001 Sundance Film Festival) The Atomic States of America (Directors: Don Argott and Sheena M. Joyce) — Don Argott and Sheena M. Joyce’s provocative documentary takes viewers on a journey to nuclear reactor communities across the country. (2012 Sundance Film Festival) Budrus (Director: Julia Bachas) — Documentary filmmaker Julia Bacha’s award-winning 2009 documentary follows a Palestinian community organizer who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save the village of Budrus from destruction by Israel’s Separation Barrier. Budrus was produced by Just Vision, a nonprofit dedicated to increasing the power and legitimacy of Palestinians and Israelis working nonviolently to end the occupation and resolve the conflict. (2009 Sundance Documentary Film Grant) Detropia (Directors: Heidi Ewing and Rachel Grady) — Winner of the Best Documentary Editing Award at the 2012 Sundance Film Festival and nominated for Gotham and Cinema Eye awards, Detropia chronicles the lives of several Detroiters trying to survive and make sense of what is happening to their city – once an industrial utopia, now on the brink of bankruptcy. (2012 Sundance Documentary Film Grant, 2012 Sundance Film Festival) High School Record (Director and Screenwriter: Ben Wolfinsohn) — In Ben Wolfinsohn’s semi-improvised 2005 “mock doc,” four exceptionally awkward 17-year-olds struggle through their senior year as moments of humiliation and triumph are caught on tape in a documentary shot by fellow classmates at a performing arts high school. (2005 Sundance Film Festival) I Am Not A Hipster (Director and Screenwriter: Destin Daniel Cretton) — Featuring music by indie electronic band, Canines, and a break-out performance by Dominic Bogart (Flash Forward), Cretton’s music-focused drama premiered at sold-out screenings at the 2012 Sundance Film Festival. (2011 and 2012 Cinereach Project at Sundance Institute Grant, 2012 Sundance Film Festival) Primer (Director and Screenwriter: Shane Carruth) — Shane Carruth’s cult classic won the Grand Jury Prize and Alfred P. Sloan Prize at the 2004 Sundance Film Festival. Timed to the premiere of the director’s much-anticipated follow-up film, Upstream Color, at the 2013 Sundance Film Festival. (2004 Sundance Film Festival) Pursuit of Loneliness (Director and Screenwriter: Laurence Thrush) — Award-winning director Laurence Thrush’s (Left Handed) 2012 Sundance Film Festival premiere stars a cast of non-professional actors depicted in their own workplace roles. (2012 Sundance Film Festival) The Slaughter Rule (Directors: Alex Smith and Andrew Smith) — David Morse (Treme) and Ryan Gosling (Drive) star in Alex and Andrew Smith’s feature writing-directorial debut about a fatherless high-school quarterback. Nominated for the Independent Spirit Awards’ John Cassavetes Award.. (2002 Sundance Film Festival) Stingray Sam (Director and screenwriter: Cory McAbee) — Cory McAbee’s 2009 follow up to The American Astronaut features writer-director McAbee as Stingray Sam and “Crugie” as The Quasar Kid, two space convicts in a series of episodic adventures narrated by David Hyde Pierce (Frasier). (2009 Sundance Film Festival) to.get.her (Director and screenwriter: Erica Dunton) — Five teenage girls with a shared secret get together for a weekend of “no consequences” in this 2011 Sundance Film Festival premiere that won the Best of NEXT Audience Award. Actress-model Jazzy De Lisser stars in a “mystery” written and directed by Erica Dunton (The 27 Club). (2011 Sundance Film Festival) Wave Twisters (Directors: Eric Henry and Syd Garon) — Animators Syd Garon (Superheroes, Last Call at the Oasis) and Eric Henry’s “turntablism-based musical” won the 2001 Midnight Films Audience Award at the 2001 SXSW Film Festival. Scripted to a recording by “scratch” artist DJ Qbert, Wave Twisters follows a group of heroes traveling through inner-space on a quest to save the lost art of Hip Hop. (2001 Sundance Film Festival) We’re Not Broke (Directors: Karin Hayes and Victoria Bruce) — A timely exposé on how the government has allowed U.S. corporations to avoid paying taxes, and the growing wave of discontent that is has fostered. A 2012 Sundance Film Festival premiere from the filmmakers of The Kidnapping of Ingrid Betancourt. (2012 Sundance Film Festival)
