Tag Archives: night

Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

Congratulations to Hollywood for taking back the weekend from pop stars extant, dead or otherwise and shattering the record for Valentine’s Day weekend movie attendance. What a great time to be alive! Ahem. Your Weekend Receipts are here. 1. The Vow Gross: $41.700,000 (new) Screens: 2,958 (PSA $14,097) Weeks: 1 If we learned anything over the last few days, it’s never to underestimate America’s love for a very handsome steak . 2. Safe House Gross: $39,300,000 (new) Screens: 3,119 (PSA $12,600) Weeks: 1 Whatever obscure spell or human sacrifice Ryan Reynolds and his agents used to stabilize the star’s track record appears to have worked! Or maybe it was just a matter of getting Denzel Washington to co-star. All right, never mind. 3. Journey 2: The Mysterious Island Gross: $27,550,000 (new) Screens: 3,470 (PSA $7,939) Weeks: 1 I’ve been sitting here for the last 10 minutes thinking of anything at all to say about this, and it all comes back to Whitney Houston and some variation of “Everyone mourns differently,” so perhaps it’s best to just skip it. 4. Star Wars Episode 1: The Phantom Menace 3-D Gross: $23,000,000 (new) Screens: 2,655 (PSA $8,663) Weeks: 1 Underwhelming fourth place for a blatant 3-D cash-grab should be enough to brighten any Monday — at least until you realize there are five more of these things coming your way. (Sorry.) 5. Chronicle Gross: $12,300,000 ($40,167,000) Screens: 2,908 (PSA 4,230) Weeks: 2 (change: -44.1%) Well, it looks like we just bought ourselves a sequel. Great? [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

See the rest here:
Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

In Movie Memoriam: Whitney Houston and The Bodyguard

Despite having acted in only a handful of movies before her death on Saturday at the age of 48, Whitney Houston left a lasting legacy with the few film projects she did release during her reign as arguably the best-known female pop singer of her generation. 1995’s Waiting to Exhale earned her a NAACP Image Award nomination, and 1996’s The Preacher’s Wife won her the award (and made her the highest-earning African American actress in Hollywood at the time); this year’s Sparkle was set to be Houston’s comeback after a well-documented and public period of substance abuse and personal decline. But no film is as indelibly linked to Houston’s legacy as her debut in 1992’s The Bodyguard , and the record-breaking soundtrack it spawned. After Houston’s debut album Whitney Houston and her sophomore effort Whitney made her a global, award-winning recording star, the singer selected her first foray into film, signing on to director Mick Jackson’s romantic drama-thriller-musical The Bodyguard . Sure, she was nominated for a Razzie for her turn as Rachael Marron, an internationally renowned pop star/actress who falls for her stoic bodyguard (Kevin Costner) — and critics widely panned the film, citing the cold chemistry between Houston and Costner and the fact that the character didn’t seem much of a stretch for Houston. But The Bodyguard ‘s heavy musical element, and the potency of its chart-topping soundtrack, went a long way in enhancing Houston’s screen performance and turning it into something of a phenomenon. Released in the fall of 1992, The Bodyguard went on to gross $410.9 million worldwide owing largely to Houston’s popularity and the soundtrack to which she contributed six songs; buoyed by the Dolly Parton-penned powerhouse ballad cover “I Will Always Love You,” its soundtrack became the bestselling soundtrack album of all time, and with good reason. With “I Will Always Love You” Houston recorded a defining song of the decade, one that meshed her soulful chops, extraordinary voice, and the R&B-inflected mainstream appeal that had already made her a breakout star across genre lines. Where Parton’s original version carried a sweet country lilt, Houston added power and a bombastic sense for drama that not only fit her character’s storyline and explained the film’s bittersweet ending, it also showcased her strengths as a singer and performer. I always loved the way the song’s opening lines wafted in over Rachael and Frank’s farewell scene, beginning as Rachael’s plaintive inner voice then swelling as she sings her feelings so urgently she has to stop the plane just to run out to give him one last smooch. Cut to some time later, as he’s moved on to his next job and she’s onstage performing “I Will Always Love You” — thinking of him, we know, every time she performs it. Who can care that Houston and Costner’s flirtation is stiff for the first half of the movie when you have a love ballad like this, roiling with bittersweet emotion, giving you closure and catharsis? In addition to “I Will Always Love You,” two other Bodyguard singles (“I’m Every Woman” and “Queen of the Night”) peaked at number one on the U.S. Dance charts. But for my money the better songs on the album were “I Have Nothing” (which hit number one on the Adult Contemporary charts) and “Run to You,” both original ballads that went on to nab Oscar nominations for Best Song. More importantly: as with “I Will Always Love You,” it’s in the familiar environs of the music videos for these singles where Houston’s expressiveness as an actress really came alive. The video for “I Will Always Love You” featured a fierce, confident Whitney in a power suit singing to an empty theater while looking far more comfortable emoting to her music than she did opposite her co-star; one could imagine she was Rachael Barron, years removed from her relationship with Frank Farmer, sitting with her memories while rehearsing for her latest tour. Similarly, the music video for “I Have Nothing” also allowed Houston to channel the character through her music. Placing Houston as Rachael in performance in a nightclub set, director Steve Barron ( Teenage Mutant Ninja Turtles , Michael Jackson’s “Billie Jean”) evokes a rich atmosphere while drawing real nuance and emotion out of Houston in close-up, a performance of a performance, and probably the most glamorous and gorgeous of the soundtrack’s videos. “Run to You,” meanwhile, featured Houston as Rachael in dreamy, heavenly white, declaring her love and longing so passionately that Frank, watching it on television late one night in the film, feels a flutter. If you had trouble buying Houston’s character in the film, these supplemental videos gave her the chance to demonstrate a much more vivid inner life — and everyone of a certain generation watched the hell out them back in the day. Houston also contributed popular soundtrack singles to her later films, the Grammy-winning “Waiting to Exhale (Shoop Shoop)” from Waiting to Exhale and the Grammy-nominated “I Believe in You and Me” from The Preacher’s Wife , but neither achieved the confluence of movie and music that drove The Bodyguard to its successes. Following 1997’s musical telefilm Rodgers and Hammerstein’s Cinderella (opposite Brandy), Houston’s next film project was to be a remake of the 1976 R&B melodrama Sparkle , to star Houston and Aaliyah. Back on track and recast almost a decade later with Jordin Sparks playing the lead role, the musical was filmed last fall and will be released this summer, marking Houston’s final screen performance. Share your favorite Houston performances, scenes, or songs below. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

More here:
In Movie Memoriam: Whitney Houston and The Bodyguard

Grammy Night Winners And Losers

Adele, Jennifer Hudson, LL Cool J nail it, while Nicki Minaj stumbles. By Gil Kaufman Adele wins at the 54th Annual Grammy Awards Photo: Robyn Beck/ AFP/ Getty Images Any way you cut it, Sunday night’s Grammys were huge for Adele , the Foo Fighters and Kanye West . All three artists came away with an armload of golden gramophones at a ceremony that artfully managed to celebrate the vibrancy of contemporary music while finding just the right way to pay tribute to fallen diva Whitney Houston . Adele swept the night’s major categories , taking Song, Record and Album of the Year on the way to putting a check beside all six of her nominations, with the Foos just behind with five wins and an absent Kanye nabbing four. But who really stole the spotlight at the show and who managed to win without nabbing any hardware? Let’s take a look at the true winners and losers at the ceremony. Winner: LL Cool J Not only did Uncle L get some serious prime-time exposure and represent for hip-hop on music’s biggest night, but he opened the show with a thoughtful, perfectly measured prayer for Houston that set the tone for the entire evening. Winner: Jennifer Hudson Note to any singer thinking about tackling “I Will Always Love You” ever again: Don’t bother. Hudson ‘s spine-tingling, perfectly pitched tribute to Whitney was a show-stopping cover of the trickiest, biggest song in the late singer’s repertoire that nearly stole the night. It was made all the more dramatic by the feeling that avowed superfan Hudson was legitimately on the verge of tears throughout the performance. Loser: Nicki Minaj Though it had plenty of energy, Nicki’s confusing, all-over-the-place “Exorcist”-meets-sexy-gothic/horror religious allegory was Grammy night’s most polarizing performance . Parts of “Roman’s Holiday” felt ripped right from the Madonna and Lady Gaga handbook of outrage — fitting, since Gaga’s former right-hand woman/choreographer, Laurieann Gibson, was Nicki’s collaborator — but some hip-hop purists felt she was reaching for the pop brass ring too hard. Loser: Anyone who thought they were going to win a major award As if there had been any question going into the night who would take the three biggies, it became clear, despite some tough competition from Best New Artist Bon Iver, Bruno Mars, the Foo Fighters, Gaga and Kanye, that this would be Adele’s night. Winner: Adele See above. Her comeback performance and well-deserved win were a shot in the arm to the recording industry and a win for the Academy for recognizing new talent. Winner: Foo Fighters The nice-guy Grammy-bait band had a big night and two high-energy performances that cemented their status as their generation’s most consistent, hard-working rock act. Plus, they pulled off that mashup with deadmau5 while totally keeping their dignity intact. Winner: EDM/Skrillex As if the millions of rave-happy kids across the planet needed the validation, Sunday night was the global coming-out party for the electronic dance music genre. Skrillex nabbed three awards , and the tribute segment featuring deadmau5 and David Guetta was one of the night’s most unexpected surprises. Loser: Lady Gaga Used to being the center of attention, Gaga kept her seat all night as she tried to look comfortable in a netted mask, metallic outfit and oversized golden cane. Winner: Chris Brown Making his return to the show three years after he scratched following his assault on then-girlfriend Rihanna , > link type=”content” id=”1679084″> Brown commanded the stage with an acrobatic performance. More importantly, while accepting the Best R&B Album award for F.A.M.E., he kept it brief and thanked the two constituencies that paved his road to redemption: his fans and the Recording Academy. Stick with MTV News all for all the Grammy red-carpet fashion , Grammy winners and performance recaps until the hangover wears off! Related Videos 2012 Grammy Awards Show Highlights 2012 Grammy Awards Red Carpet Highlights Grammys 2012: Experts React! Related Photos 2012 Grammy Awards: Backstage And Audience 2012 Grammy Awards: Main Show Related Artists Adele LL Cool J Jennifer Hudson Nicki Minaj

See the original post here:
Grammy Night Winners And Losers

Foo Fighters Gush Over Grammy Wins, ‘Un-Us’ EDM Performance

Dave Grohl especially excited about Best Hard Rock/Metal win for ‘White Limo’: ‘That’s kind of the coolest song we’ve ever written.’ By Kara Warner, with reporting by James Montgomery Foo Fighters win Best Rock Performance at the 2012 Grammy Awards Photo: Getty Images Music’s biggest night has come and gone , with Adele and the Foo Fighters walking away with the most Grammy loot. Although Adele bested the Foos with her six Grammy wins compared to their five, the rockers owned the night in their own way, including their part in a tribute to electronic music that also featured David Guetta, Lil Wayne, Chris Brown and deadmau5 . When MTV News caught up with the band on the Grammy red carpet — when they had already won four trophies, including Best Hard Rock/Metal Performance for “White Limo,” Best Rock Song for “Walk,” Best Rock Album for Wasting Light and Best Long Form Music Video for “Foo Fighters: Back and Forth” — we chatted them up about their pre-show wins, specifically the Best Hard Rock/Metal Performance trophy, which frontman Dave Grohl had expressed earlier was the one he wanted most. “We got it!” Grohl said. “I feel so bad for the Dream Theater guy, because they actually had a metal performance, we didn’t, but it’s awesome. That’s kind of the coolest song we’ve ever written,” he said of the edgy “White Limo.” Producer Butch Vig fondly recalls his Wasting Light sessions with the Foos to MTV News. The bandmembers were very relaxed and unaffected by their wins. When we mentioned that their fourth win for Best Rock Album is now the most any rock band has won, they were completely surprised, but grateful nonetheless that they could sit back and focus more on their own performance and the EDM tribute versus the awards. “It’s kind of nice. Now we can just sit there and play and not worry about Grammys anymore,” Grohl said. “I think if we win them all, we look like di–s.” Video: Watch Highlights From The 2012 Grammy Awards Grohl said the band was amped up for their EDM performance with deadmau5 not only because he made a really “clever” remix of their hit “Rope,” but because the onstage collaboration was so unexpected. “We’re going to begin with our [version of ‘Rope’] and kind of mash up and transition into his,” Grohl said. “It’s so un-us, though, when you hear it that it’s awesome,” drummer Taylor Hawkins chimed in. Stick with MTV News for all the news on Whitney Houston’s tribute, the Grammy red-carpet fashion , Grammy winners and more until the hangover wears off! Related Videos 2012 Grammy Awards Show Highlights 2012 Grammy Awards Red Carpet Highlights Related Photos 2012 Grammy Awards: Backstage And Audience 2012 Grammy Awards: Main Show Related Artists Foo Fighters

Read more:
Foo Fighters Gush Over Grammy Wins, ‘Un-Us’ EDM Performance

Bon Iver: Who Is Best New Artist Grammy Winner?

Justin Vernon and company also took home Best Alternative Album Grammy for self-titled album Sunday night. By Zachary Swickey Bon Iver wins Best New Artist at the 2012 Grammy Awards Photo: Kevin Winter/ Getty Images Like Arcade Fire ‘s surprise Album of the Year win at last year’s Grammys , Bon Iver taking home Best New Artist on Sunday night (February 12) over more established artists like Nicki Minaj was bound to raise a few eyebrows. And when you asked “Who are Arcade Fire?” in 2012, we had you covered, and we’ve been following Wisconsin singer Justin Vernon (the man behind Bon Iver) for quite some time — long before he snagged BNA and Best Alternative Album at this year’s ceremony. Quite the pleasant surprise for the under-the-radar folk singer, who recently became the face of a Bushmills whiskey ad to boot. Bon Iver’s second, self-titled disc was released in early 2011 but is still clearly getting the attention it deserves. He may have made a few public derogatory comments about the Grammy Awards ceremony itself, but that didn’t sway the voters or the singer from showing up. To put his “underground” status into perspective: Bon Iver debuted at #2 in June 2011 on sales of just under 104,000, but their total album sales to date (just over 357,000) are nothing compared to a powerhouse-seller like Adele’s 21 . A helpful primer on Justin Vernon/ Bon Iver: The former All-State high school football star and World Religion college major began his career playing in the jazzy party band Mount Vernon, which transitioned into DeYarmond Edison, formed with some old high school pals who all moved to North Carolina in 2005 to spread their musical wings. A year later, things fell apart with his band and his girlfriend, just as he was laid low by a vicious bout of mono, driving Vernon back to Eau Claire for some physical and psychic healing. He holed up in isolation in a deer-hunting log cabin built by his dad in the woods in northwestern Wisconsin and began writing the high and lonesome songs that would become For Emma. After months spent drinking and watching “Northern Exposure” DVDs, he alighted on the name Bon Iver, which is a French phrase used as a greeting in the show that translates to “good winter.” The tunes he recorded were intended as a demo, but once they got some blog love, he was signed to indie Jagjaguwar, and For Emma was released in May 2008. The album became an indie sensation, and its mix of acoustic folk and manipulated, Auto-Tuned vocals not only landed him on the “The Twilight Saga: New Moon” soundtrack, but also on a number of songs from Kanye West’s Grammy-nominated My Beautiful Dark Twisted Fantasy. Video: Watch Highlights From The 2012 Grammy Awards Even as his star was rising, Vernon kept collaborating with a number of other artists, lending his voice to the indie supergroup Gayngs, playing in the side project Volcano Choir and hooking up with English singer James Blake recently on the song “Fall Creek Boys Choir.” Bon Iver continued to be his main focus, so Vernon built his own cabin to record his self-titled project, again just outside of Eau Claire, turning what used to be an indoor pool into a recording studio where he tracked the songs mostly by himself. (The live version of the band includes a drummer, guitarist and bassist.) The denser, 10-track album featured help from a number of collaborators, including renowned session player and pedal steel maestro Greg Leisz, as well as a number of percussionists and horn and string players. Stick with MTV News for all the news on Whitney Houston’s tribute, the Grammy red-carpet fashion , Grammy winners and more until the hangover wears off! Related Videos 2012 Grammy Awards Red Carpet Highlights 2012 Grammy Awards Show Highlights Related Photos 2012 Grammy Awards: Backstage And Audience 2012 Grammys Red Carpet Photos Related Artists Bon Iver

View post:
Bon Iver: Who Is Best New Artist Grammy Winner?

Nicki Minaj Resurrects Spooky Roman Zolanski At Grammys

MC’s rap alter ego levitates and speaks in tongues against a fiery backdrop at Sunday’s show. By Tomika L. Anderson Nicki Minaj performs at the 2012 Grammy Awards Photo: Robyn Beck/ AFP/ Getty Images Nicki Minaj may have walked away Grammy -less on Sunday (February 12), but she still managed to deliver one of the most talked-about performances of the night. In the show’s final act the animated rap star — who lost out to Bon Iver for “Best New Artist” — channeled her infamous alter ego Roman Zolanski onstage, leading the audience through a rap exorcism of sorts. At one point, she even levitated, while speaking in tongues and jumping around against a fiery backdrop. Minaj caused a Twitter frenzy earlier in the night when she hit the red carpet wearing a blood-red, hooded robe accompanied by a man dressed like the Pope, and she continued her spirited church-act onstage. Minaj marched out sporting a brown ball gown and long, bleached-blond locks, and performed a skit before launching into her new single, “Roman Holiday,” from her upcoming sophomore album, Pink Friday: Roman Reloaded. It was a show that Lady Gaga (who was also missed by the Grammy fairy this go-round) would have been proud of. In a pre-taped skit, Minaj was surrounded by stained glass and other religious imagery, eerily putting on lipstick, singing “I Feel Pretty.” She then climbed a wall to have an exchange with the strange Pope-like figure, a man who’s real identity remains unknown. After being strapped to a leather lab table onstage, she rapped backed by a goth-looking church choir that sang a haunting version of “Come All Ye Faithful.” At the crescendo, she was lifted by an invisible rope into the Grammy sky. Shooting flames helped to complete the fiery, head-scratching number. Stick with MTV News for all the news on Whitney Houston’s tribute, the Grammy red-carpet fashion , Grammy winners and more until the hangover wears off! Related Videos 2012 Grammy Awards Red Carpet Highlights 2012 Grammy Awards Show Highlights Related Photos 2012 Grammys Red Carpet Photos 2012 Grammy Awards: Backstage And Audience Related Artists Nicki Minaj

Read this article:
Nicki Minaj Resurrects Spooky Roman Zolanski At Grammys

Grammys Behind The Scenes: What You Didn’t See

MTV News had a prime spot on the red carpet and inside Staples Center — here’s what you missed if you were watching on TV. By MTV News staff Paul McCartney and Lady Gaga backstage at the 2012 Grammy Awards Photo: WireImage MTV News spent hours interviewing artists and stars on the Grammy red carpet . After everyone was inside Los Angeles’ Staples Center, some of the news team made their way backstage while the rest made their way to their seats. Here are some observations that anyone watching from their couch would never have seen: Pretty Please, More Pink : Inside Staples Center, they play highlights from past shows during commercial breaks. Pink’s performance of “Glitter in the Air” captivated the audience so much that when they cut back to the show, the entire crowd groaned. Mother Monster’s Security Detail : Lady Gaga moved through the arena flanked by two bodyguards in order to make it safely to her seat in time for Recording Industry President Neil Portnoy’s speech. Gaga was also safer than the Beatle in the house. Sir Paul McCartney had no protection during his dual-performance night. Get Up, Stand Up : The audience inside Staples Center seemed unsure of when to stand up and sit down all night. The minute Paul McCartney appeared onstage, all that uncertainty disappeared. One Step Behind? : While Chris Brown’s footwork looked quite impressive on air, our source told us the vibe inside Staples was lukewarm after his physical performance. Join the Band : Many audience members were given arm bands with a Coldplay logo on it and told to put them on during the band’s performance with Rihanna. The Standing O You Missed : When Tony Bennett won a Grammy for Best Pop Performance by a Duo or Group for his duet with Amy Winehouse during the pre-televised ceremony, the crowd rose to its feet. “We shouldn’t be here. Our darling daughter should be here,” Winehouse’s father Mitch said after embracing Bennett. On the Bubble : The night’s big winner, Adele, was chewing gum backstage after her triumphant performance of “Rolling in the Deep.” That applause you heard on TV was no joke. The crowd inside Staples was blown away. What was your favorite show moment? Tell us on Facebook! Stick with MTV News all for all the Grammy red-carpet fashion , Grammy winners and Grammy news until the hangover wears off! Related Videos 2012 Grammy Awards Show Highlights 2012 Grammy Awards Red Carpet Highlights Related Photos 2012 Grammy Awards: Main Show 2012 Grammys Red Carpet Photos Related Artists Lady Gaga Paul McCartney

Read more from the original source:
Grammys Behind The Scenes: What You Didn’t See

Grammy Night Belongs To Adele, Foo Fighters

The night’s most-nominated artist, Kanye West, takes home four awards. By Gil Kaufman Adele accepts the award for Best Pop Solo at the 2012 Grammy Awards Photo: Robyn Beck/ AFP/ Getty Images The 54th annual Grammys were supposed to be all about the expected sweep by a titanic soul diva with pain in her heart and a voice for the ages. And while it was most certainly a good night for six-time winner Adele , the death of R&B superstar Whitney Houston on Saturday at the age of 48 cast an unmistakable shadow on the night’s events. “There is no way around this, we’ve had a death in our family,” host LL Cool J said at the top of the show, asking for a prayer in honor of Houston . “Heavenly father, we thank you for sharing our sister Whitney with us … and although she is gone too soon, we remain truly blessed to have been touched by her beautiful spirit.” With that, though, the rapper said it was time to celebrate music. Adele got the night started early with a win before the show for Best Pop Vocal Album, then quickly got in the game on the broadcast with a Best Pop Solo Performance win for “Someone Like You.” Dressed in a glittering black dress, the long-muted diva broke her silence by saying, “My life changed when I wrote this song,” then thanking her doctors for the vocal cord surgery that saved her golden instrument. Her “Rolling in the Deep” also won for Best Short Form Video. Adele’s seat didn’t get cold, as she was back up for Song of the Year for “Rolling.” She took the stage with co-writer Paul Epworth, whom she called the best producer in the world. “He brought me out of my skin to write this record,” said Adele, still chomping on gum, likely to keep her throat loose. On her way to a sweep, she also won Record of the Year for “Deep,” saying, “This is ridiculous!” and thanking radio programmers for helping make her song a major smash. In one of the most anticipated performances of the night, Adele tried to show she was (almost) all the way back by singing the intro to “Deep” a cappella in a voice as strong and resonant as we all remembered. Seemingly pushing the needle to red, she held nothing back, swooping down and rising to the peak of her abilities to offer proof, as if it were needed, that she deserved everything that came her way Sunday night. The topper was the Album of the Year honor for 21, the multiplatinum disc that made Adele a global superstar. “Thank you so much, thank you,” the weeping, ecstatic singer said, holding up the trophy and telling her absent mom, “Mum, girl did good! … This record is inspired by something that is really normal when everyone’s been through it, just a rubbish relationship … it’s been the most life-changing year.” The night’s biggest nominee, Kanye West , was a no-show at the event but took four hip-hop honors, snatching Best Rap Album, Best Rap Song and Best Rap Collaboration for “All of the Lights” from his My Beautiful Dark Twisted Fantasy and sharing Best Rap Performance with Jay-Z for “Otis.” Though he missed out on the Best New Artist award, Skrillex scooped up a trio of pre-tel gramophones , including Best Dance Recording, Best Dance/Electronica Album and Best Remixed Recording, Non-Classical. The Foo Fighters were rewarded early as well, nabbing four Grammys, including Best Hard Rock/Metal Performance for “White Limo,” Best Rock Song for “Walk,” Best Rock Album for Wasting Light and Best Long Form Music Video for “Foo Fighters: Back and Forth.” They also got some main-stage action with a Best Rock Performance win for “Walk.” Singer Dave Grohl said it was a great honor to win for a record tracked in his garage on analog tape. “It shows that the human element of making music is what’s most important. … It’s not about being perfect … it’s not about what goes on in a computer.” In addition to a standout performance, Chris Brown celebrated a major win when he snagged Best R&B Album for F.A.M.E. “We got one,” Brown said, thanking the Grammys for inviting him back to the show three years after a Grammy-eve assault on his ex-girlfriend Rihanna sent him into exile. Bon Iver’s Justin Vernon scored the biggest shocker of the night, besting Nicki Minaj, J. Cole, Skrillex and the Band Perry for Best New Artist. “It’s really hard to accept this award,” Vernon, who had already taken Best Alternative Music Album for his self-titled second release, said about besting the wealth of talent in the room. “When I started to make songs, I did it for the inherent reward of making songs, so I’m a little bit uncomfortable up here. But with that discomfort, I do have a sense of gratitude.” Taylor Swift is used to winning, and Sunday night was no different, as the revenge track “Mean” from Speak Now took Best Country Solo Performance and Best Country Song hours before she played a Depression-era themed version of the song. On a night when attention was turned to a treasure lost, another recently passed soul diva, Amy Winehouse , won a posthumous Grammy for Best Pop Duo/Group Performance for her duet with Tony Bennett on “Body and Soul.” Jennifer Hudson paid dramatic tribute to Houston late in the show, singing a soul-stirring, gospel-tinged version of Whitney’s showstopper “I Will Always Love You,” accompanied only by piano, ending with the shout-out, “Whitney we love, we love you.” It was just one of the many standout performances during the broadcast, kicking off with rock legend Bruce Springsteen , backed by the E Street Band and a full orchestra for his new recession anthem “We Take Care of Our Own.” Bruno Mars pulled out his gold lam

Bobby Brown ‘Deeply Saddened’ After Whitney Houston’s Death

Singer’s ex-husband and the Houston family release statements just before daughter Bobby Kristina Brown is hospitalized. By Jason Kaufman Bobby Brown and Whitney Houston Photo: Ron Galella/ Ron Galella Collection As details of Whitney Houston’s death emerged, both the singer’s ex-husband, Bobby Brown, and her family officially addressed the media for the first time. “I am deeply saddened at the passing of my ex-wife, Whitney Houston,” Brown said in a statement to MTV News. “At this time, we ask for privacy, especially for my daughter, Bobbi Kristina. I appreciate all of the condolences that have been directed towards my family and I at this most difficult time.” The statement appears to have been made before Brown and Houston’s 18-year-old daughter, “Bobbi Kristina, was admitted to Cedars-Sinai hospital . According to TMZ, the teen was spotted being taken out of the Beverly Hilton on a stretcher less than 24 hours after her mother’s body was taken from the same hotel. The Houston family also released a statement to MTV News in what appears to be the hours before Bobbi Kristina’s hospitalization. “We are devastated by the loss of our beloved Whitney. This is an unimaginable tragedy and we will miss her terribly,” the statement read. “We appreciate the outpouring of love and support from her fans and friends.” Before his statement, the most the world had heard from Brown was during a New Edition concert in Mississippi Saturday night. After being comforted by the other members of New Edition, Brown took the stage and addressed the crowd . “First of all, I want to tell you that I love you all. Second, I would like to say, ‘I love you Whitney.’ The hardest thing for me to do is come on this stage.” Brown then told the fans that their support for New Edition over the years was the only thing that allowed him to get through the show. Brown broke down several times through the show and left the stage near the end of the set when he appeared too shaken to perform. MTV News’ Sway and James Montgomery will be live from the Grammys red carpet all evening to get reactions from music’s biggest stars on the death of Whitney Houston. Watch reactions and remembrances at MTV.com. Share your condolences with Whitney’s family and friends on our Facebook page. Related Videos Whitney Houston: Life And Music Of An Icon Related Artists Whitney Houston Bobby Brown

Read more:
Bobby Brown ‘Deeply Saddened’ After Whitney Houston’s Death

Kanye West Sweeps Three Early Grammys

The most nominated artist of the night, West wins Best Rap Album, Best Rap Song and Best Rap Collaboration. By Gil Kaufman Kanye West Photo: Don Arnold/ WireImage It didn’t look like Kanye West, the most nominated man at Sunday (February 12) night’s Grammys , was going to make an appearance at the show, but even before the curtain came up, he was already a big winner. West came into the night with a leading seven nominations, and though he was controversially shut out of the Album of the Year race, he pulled off a near clean sweep in hip-hop categories handed out before the show. ‘Ye scored a win in the Best Rap Album race, taking the award for My Beautiful Dark Twisted Fantasy, beating out his collabo with Jay-Z on Watch the Throne, Lil Wayne’s Tha Carter IV, Lupe Fiasco’s Lasers and Nicki Minaj’s Pink Friday. “Everybody’s working hard and he’s definitely another big artist in the game,” Tyga told MTV News’ Sway on the Grammy red carpet when news broke about the West wins. With 17 nominations for the YMCMB crew, label boss Baby didn’t have much to add about West’s win, though Weezy had plenty to say in a pre-Grammy freestyle in which he took shots at West and Jigga . West also scooped up Best Rap Song for “All of the Lights” and Best Rap Song Collaboration for that song’s hook-up with Rihanna, Fergie and Kid Cudi. In that category he beat out some other major players, including Beyonc