Clip previews video for Teenage Dream single featuring Kanye West. By Jocelyn Vena Katy Perry’s “E.T.” teaser video Photo: Capitol Wondering what Katy Perry’s new music video for “E.T.” will look like? Well, fans still might be wondering after they check out the clip Perry shared Monday (March 21), but at least they’ll know what this extraterrestrial’s spacecraft looks like. She tweeted a teaser to the video, which will feature a cameo from Kanye West , who drops a few bars on the song. Her message on the tweet simply reads: “EXTRATRESSTRIALS ARE COMING.” In the 19-second teaser , an orb-shaped UFO drops from the sky. Then the clip, which features the booming opening beats of the spacey dance track, tells fans the video will be “Landing March 31.” This is the second look Perry has shared with fans from the video, steered by Floria Sigismondi, who has directed videos for Christina Aguilera, Marilyn Manson and the White Stripes, and directed Kristen Stewart in “The Runaways.” In the previously released photo , West appears in street clothes while Perry is dressed up perhaps as the alien character she sings about in the song, complete with pastel-colored makeup and a giant braided headpiece. In fact, the look harks back to some of the costumes former Sigismondi collaborator Bj
‘I took a little break to get my production right,’ the ‘Sexy Lady’ MC tells MTV News about his new mixtape. By Jayson Rodriguez Yung Berg Photo: MTV News Yung Berg’s been a big hit on the blogs during his career, but not always for having big records (though he has more than a couple of those on his musical r
America said “adios” to Karen Rodriguez on birth-year songs week. By Jim Cantiello Haley Reinhart Photo: FOX This week’s “American Idol” in 60 Seconds video recap, embedded below, deals with all the missed opportunities and crushing disappointments our nation faced while watching season 10’s “Birth Year Songs” episode. Casey Abrams’ underwhelming “Smells Like a Bad Imitation” Nirvana cover hardly seemed worth the pomp and circumstance it received. The Nirvana on “Idol” seal has been broken, yes, but it was done in an unfortunately inept way. The only thing that would have been more misguided was Scotty McCreery warbling “Rape Me” with his signature smirk. Instead, Scotty sang his first love song to any teenage girl who has a deep-voice fetish, while Haley Reinhart channeled Miss Yvonne’s makeup meltdown with a deranged Whitney Houston cover that ended with Seacrest rubbing his saliva all over her face. (Haley’s diabolical plan to steal Seacrest DNA worked.) Jacob Lusk rubbed his “stank” all over Heart’s “Alone,” meaning he sang in a register that drove cats in the greater Los Angeles area wild. James Durbin’s tail grew back but it was his cajones, that were truly enlarged this week, when he somehow convinced Steven Tyler to rock with him at the finale. No wonder Tyler cursed live on the air. He’d been hoodwinked! Paul McDonald continued his headlining “Shake and Baked” tour with a sickly “I Guess That’s Why They Call It the Blues” that was so confounding, even he shrugged afterwards. Naima also retreated with a generic and pitchy “What’s Love Got to Do With It?” And Thia Megia sang that “Pocahontas” song. Obviously. Pia Toscano and Stefano Langone proved that Italians do it better. “It” referring to singing power-ballads really loudly and dramatically. In a results show that included duets with Lee DeWyze and his facial hair, Pia Toscano and her s—zu, as well as will.i.am and his cockapoo, Fergie. Then America said, “No me gusta” to Karen Rodriguez. See you on MySpace, K-Rod! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos ‘American Idol’ In 60 Seconds Watch ‘Idol Party Live’ With MTV News’ Jim Cantiello Related Photos ‘American Idol’ Season 10 Performances
Show raked in $7.1 million per half hour in 2010, while ‘Two and a Half Men’ comes in at #2. By Gil Kaufman Ryan Seacrest, Jennifer Lopez, Steven Tyler and Randy Jackson Photo: Tony Duran/ FOX Last year was a rocky one for “American Idol.” From the turmoil on the judging panel with uncomfortable short-timer Ellen DeGeneres (and the firing of Kara DioGuardi) to lackluster winner Lee DeWyze and the eventual departure of lead judge Simon Cowell, you’d think “Idol” would have suffered as a result. But, according to Forbes magazine, not only did “Idol” retain its ratings crown in 2010, it was also the biggest moneymaker on TV. The show brought in an astounding $7.11 million per half hour for the Fox network according to estimates tallied by the financial magazine. As big a number as that is, the figure was actually a 12 percent drop from 2009, but still enough to top the Forbes list of TV cash cows. Despite fears that the nearly wholesale changes on the judging panel and the debut of untested TV stars Steven Tyler and Jennifer Lopez at the desk might throw the ratings for “Idol” off this season, so far the show is holding steady. After initial ratings slumps in the audition episodes, the show is now down just 1 percent for the season and appears to be rebounding to its former heights. “Idol” was far-and-away the list leader on the Forbes tally, followed by the troubled “Two and a Half Men,” whose 2010 shows earned $2.89 million per half hour in what will now be remembered as former star Charlie Sheen’s final full season. Forbes predicted it will be hard to keep those numbers up without polarizing star Sheen, whom producers are reportedly looking to replace. The rest of the list includes: “Desperate Housewives” ($2.74 million), “Grey’s Anatomy” ($2.67 million), “Dancing With the Stars” ($2.67 million), “Lost” ($2.60 million), “The Big Bang Theory” ($2.50 million), “24” ($2.45 million), “Private Practice” ($2.32 million) and “Mike & Molly” ($2.11 million). Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances
Naima Adedapo and Haley Reinhart join her in the bottom three, while Black Eyed Peas and Lee DeWyze perform. By Adam Graham Karen Rodriguez Photo: FOX “Love Will Lead You Back” paved a path straight to elimination for Karen Rodriguez, who was shown the door on Thursday’s (March 17) elimination episode of “American Idol.” The 21-year-old bilingual-singing New Yorker, who was praised by Steven Tyler for her “ethnic what-it-is-ness” on Wednesday’s performance episode , pleaded her case before the judges when asking them to use the season’s one save to spare her another week. “I know I can do so much better, and I know you guys believe in me,” she said, fighting back tears, after a Hail Mary rendition of Mariah Carey’s “Hero.” But it wasn’t enough: While Randy Jackson said the decision was not unanimous, the judges decided not to let Rodriguez sing another day in the competition. It was Rodriguez’s second straight trip to the bottom three, real estate she shared this week with Naima Adedapo and Haley Reinhart. Adedapo was the first to be shown mercy by host Ryan Seacrest, leaving Reinhart and Rodriguez behind to face the music. Ultimately it was Rodriguez — who performed Taylor Dayne’s 1990 hit “Love Will Lead You Back” on Wednesday’s show, while wearing a sci-fi silver miniskirt and a Snooki-like pouf atop her head — that came up on the short end of America’s votes. During the teary goodbye, Rodriguez was consoled by the three judges, as well as her fellow contestants. When they were sent to the bottom three earlier in the show, neither Reinhart nor Adedapo seemed very surprised with their fates. Reinhart, who in a winding speech explained that she ultimately sees herself combining “rock and funk and blues” into one style (note: she sang Whitney Houston’s “I’m Your Baby Tonight” this week), gave a sighing “yippee!” when Seacrest told her she might be in the bottom three. Later, she mock dusted off her chair before sitting down in the same seat she held the week prior. Adedapo, who mouthed “wonder who?” when she was told it was either her or the week-winning Stefano Langone in the bottom three, practically marched to her seat before Seacrest even read the results. Call it the curse of the ladies: So far this season, a male has yet to land in the bottom of the bunch. Thia Megia thought she was going to see the wrath of the bottom three and explained to the judges that she’s got more in her than she’s shown thus far. “If you guys put me through, I’ll do so much better,” she said. “I can show so much more.” She survived another week, but she should be held to her promise to step things up a notch beyond the bland balladry she’s shown to date. Everyone else was safe to sit back and watch the show, which squeezed in performances by the Black Eyed Peas (who dedicated their new single “Just Can’t Get Enough” to “our friends in Japan”) and “American Idol” season-nine winner Lee DeWyze, who performed the sleepy, John Mayer-like ballad “Beautiful Like You” from his album Live It Up. The show opened with a medley of Steppenwolf’s “Born to be Wild” (sang by the guys) and Lady Gaga’s “Born This Way” (the girls), a cheeky homage to the week’s songs-from-your-birth-year theme. Were you surprised to see Karen go? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.
Naima Adedapo and Haley Reinhart join her in the bottom three, while Black Eyed Peas and Lee DeWyze perform. By Adam Graham Karen Rodriguez Photo: FOX “Love Will Lead You Back” paved a path straight to elimination for Karen Rodriguez, who was shown the door on Thursday’s (March 17) elimination episode of “American Idol.” The 21-year-old bilingual-singing New Yorker, who was praised by Steven Tyler for her “ethnic what-it-is-ness” on Wednesday’s performance episode , pleaded her case before the judges when asking them to use the season’s one save to spare her another week. “I know I can do so much better, and I know you guys believe in me,” she said, fighting back tears, after a Hail Mary rendition of Mariah Carey’s “Hero.” But it wasn’t enough: While Randy Jackson said the decision was not unanimous, the judges decided not to let Rodriguez sing another day in the competition. It was Rodriguez’s second straight trip to the bottom three, real estate she shared this week with Naima Adedapo and Haley Reinhart. Adedapo was the first to be shown mercy by host Ryan Seacrest, leaving Reinhart and Rodriguez behind to face the music. Ultimately it was Rodriguez — who performed Taylor Dayne’s 1990 hit “Love Will Lead You Back” on Wednesday’s show, while wearing a sci-fi silver miniskirt and a Snooki-like pouf atop her head — that came up on the short end of America’s votes. During the teary goodbye, Rodriguez was consoled by the three judges, as well as her fellow contestants. When they were sent to the bottom three earlier in the show, neither Reinhart nor Adedapo seemed very surprised with their fates. Reinhart, who in a winding speech explained that she ultimately sees herself combining “rock and funk and blues” into one style (note: she sang Whitney Houston’s “I’m Your Baby Tonight” this week), gave a sighing “yippee!” when Seacrest told her she might be in the bottom three. Later, she mock dusted off her chair before sitting down in the same seat she held the week prior. Adedapo, who mouthed “wonder who?” when she was told it was either her or the week-winning Stefano Langone in the bottom three, practically marched to her seat before Seacrest even read the results. Call it the curse of the ladies: So far this season, a male has yet to land in the bottom of the bunch. Thia Megia thought she was going to see the wrath of the bottom three and explained to the judges that she’s got more in her than she’s shown thus far. “If you guys put me through, I’ll do so much better,” she said. “I can show so much more.” She survived another week, but she should be held to her promise to step things up a notch beyond the bland balladry she’s shown to date. Everyone else was safe to sit back and watch the show, which squeezed in performances by the Black Eyed Peas (who dedicated their new single “Just Can’t Get Enough” to “our friends in Japan”) and “American Idol” season-nine winner Lee DeWyze, who performed the sleepy, John Mayer-like ballad “Beautiful Like You” from his album Live It Up. The show opened with a medley of Steppenwolf’s “Born to be Wild” (sang by the guys) and Lady Gaga’s “Born This Way” (the girls), a cheeky homage to the week’s songs-from-your-birth-year theme. Were you surprised to see Karen go? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.
‘This song is about love and strength and is dedicated to our friends in Japan,’ will.i.am says before performance. By Kelley L. Carter Black Eyed Peas’ will.i.am and Fergie Photo: FOX On Thursday night’s (March 17) “American Idol” results show, Ryan Seacrest teased that the winner of this season could soon go head-to-head on the charts with the Black Eyed Peas, who hit the stage to perform their new single, “Just Can’t Get Enough,” for the first time. “This song is about love and strength and is dedicated to our friends in Japan,” will.i.am said from behind a piano before the dance track kicked in. Fergie opened the song, sitting atop the all-white piano and wearing a white halter dress, singing the first few notes of the new track. Eventually will, dressed in a white suit, stood up from behind the piano and joined her onstage to sing, while the other Peas members, apl.de.ap and Taboo, also dressed in white, danced, sang and rapped alongside them. Behind them onstage, string players performed, dancers twirled about and couples acted out skits. They ended the performance by jumping around and encouraging the audience to leap to their feet and clap along. BEP have been doing their best to help relief efforts in Japan. The song’s video, which premiered on Wednesday, was also dedicated to the embattled island nation, where the group shot the clip just one week before the earthquake and tsunami struck. At the beginning of the video, this message runs across the screen: “Our thoughts and prayers go out to all the people of Japan. We love you.” This wasn’t the first “American Idol” appearance for the Black Eyed Peas. They performed “Boom Boom Pow” during the season-eight finale , when Kris Allen was crowned the winner, and they’ve also helped out during the show’s “Idol Gives Back” special. What did you think of the Peas’ “Idol” performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists Black Eyed Peas
‘This song is about love and strength and is dedicated to our friends in Japan,’ will.i.am says before performance. By Kelley L. Carter Black Eyed Peas’ will.i.am and Fergie Photo: FOX On Thursday night’s (March 17) “American Idol” results show, Ryan Seacrest teased that the winner of this season could soon go head-to-head on the charts with the Black Eyed Peas, who hit the stage to perform their new single, “Just Can’t Get Enough,” for the first time. “This song is about love and strength and is dedicated to our friends in Japan,” will.i.am said from behind a piano before the dance track kicked in. Fergie opened the song, sitting atop the all-white piano and wearing a white halter dress, singing the first few notes of the new track. Eventually will, dressed in a white suit, stood up from behind the piano and joined her onstage to sing, while the other Peas members, apl.de.ap and Taboo, also dressed in white, danced, sang and rapped alongside them. Behind them onstage, string players performed, dancers twirled about and couples acted out skits. They ended the performance by jumping around and encouraging the audience to leap to their feet and clap along. BEP have been doing their best to help relief efforts in Japan. The song’s video, which premiered on Wednesday, was also dedicated to the embattled island nation, where the group shot the clip just one week before the earthquake and tsunami struck. At the beginning of the video, this message runs across the screen: “Our thoughts and prayers go out to all the people of Japan. We love you.” This wasn’t the first “American Idol” appearance for the Black Eyed Peas. They performed “Boom Boom Pow” during the season-eight finale , when Kris Allen was crowned the winner, and they’ve also helped out during the show’s “Idol Gives Back” special. What did you think of the Peas’ “Idol” performance? Let us know in the comments! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists Black Eyed Peas
Lauren Alaina, Casey Abrams and Scotty McCreery also get great notes from the judges singing songs from their birth years. By Gil Kaufman “American Idol” top 12 Photo: FOX It was an evening of surprises on “American Idol” Wednesday night (March 16). From the first song by grunge icons Nirvana to a show-closing gospel throw-down on a tune by Heart, leading contenders Pia Toscano, Jacob Lusk and Casey Abrams continued their winning ways, while teen Lauren Alaina appeared to get back in the groove after an off week. The theme this week was songs from the year you were born, and first up was Naima Adedapo, who worked up Tina Turner’s comeback hit “What’s Love Got to do With It.” Slinking down the steps in one of her signature colorful getups, Adedapo struggled a bit to find the melody over the rocked-up, percussive track produced by Rodney Jerkins. The performance had plenty of attitude but failed to really show off Naima’s range. In his first attempt at live feedback , Steven Tyler blasted off, whooping it up and telling the singer she had a “sorcerer’s grasp for melody.” Jennifer Lopez admitted that she gave Naima a pass last week on her pitchiness, but said she was starting to worry it was not a one-time thing and encouraged Adedapo to kick it up a notch. Randy Jackson agreed, saying it was just kind of a mess and all over the place. Another 1984 baby, bearded rocker Paul McDonald , went with Elton John’s subtle ballad “I Guess That’s Why They Call It the Blues.” Sounding even more hoarse than usual, McDonald tried to get the crowd behind him while he did his rag-doll dance and croaked his way through a bland version of the song, always seemingly half a beat behind the tempo. Lopez could sense Paul’s struggle with a cold, but said his star quality overwhelmed it, though Randy was not as charitable, saying Paul was pitchy but still found a way to put his unique spin on the song. “But get the notes right!” Randy added, as Steven opined that McD defines “a cool dude in a loose mood.” Thia Megia is one of the babies of the bunch, born in 1995, the same year the Disney movie “Pocahontas” was released, featuring “Colors of the Wind” by Vanessa Williams. Backed by a gently plucked acoustic guitar and a string quartet, Megia came off a bit pageanty with her long, golden dress as she sang the song’s corny lyrics, but once again her vocals were incredibly clear and precise for someone her age. For Randy, the singing was just OK, but his real problem was the predictable, safe nature of her song choices from week to week. Though he praised her vocals, Steven wondered, “Is that song who you think you are?” Resident rocker James Durbin , born in 1989, went with Bon Jovi’s “I’ll Be There for You,” not exactly the Jersey band’s most notable hit. Doing his best Axl Rose-meets-Jon Bon snarl, Durbin worked the stage like an arena-rock veteran, swinging his mic stand, leaning in for some shoulder-to-shoulder with the guitar player, doling out audience high-fives and ending it all with a rock jump and what host Ryan Seacrest referred to as “JV pyro.” You knew Tyler was gonna dig it. “I got leftover sandwiches under my bed older than that, how do you do that?” he marveled at Durbin’s young talent, while warning him to avoid getting too poppy. Jennifer said a great performer makes you want to sing along with them, and she said JD is definitely one of those singers. Haley Reinhart was born in 1990 into a musical family, and she paid homage by getting back in her R&B groove with a swing at “I’m Your Baby Tonight” by Whitney Houston. Producer Ron Fair’s funked-up, new-wave arrangement seemed to throw her at first, but then Haley laid into a Christina Aguilera-like groove, growling and emoting her way through the song, which fit her style way better than last week’s detour into country territory. In what is emerging as her signature sweet putdown, J.Lo told Haley she looked beautiful and has a beautiful voice but that she seems tense and unsure onstage. “Do what you feel, don’t force anything, do what comes naturally,” she counseled. Jackson said Haley’s hopscotching from style to style is making it hard to pin her musical personality down. Stefano Langone (1989) was right in the pocket with Simply Red’s soul-stirring “If You Don’t Know Me by Now.” He confidently sang the goopy ballad as if working the crowd at a wedding (or office karaoke party), showing off the range, emotion and vocal clarity that earned him a wild-card berth. “The best performance of the night so far!” Randy raved, handing out an Olympic-gymnastics-style 10-10-10 rating. Steven loved the phrasing, and Lopez said it was the perfect song choice that could win him the whole thing — as long as he locked eyes with her a bit more while he performed. After emerging as a potential winner a few weeks ago, Pia Toscano (1988) also knows what works, which is why she chose Houston’s “Where Do Broken Hearts Go.” Working her magic over the thumping disco-lite track, Toscano gave it her glitter-ball best, tossing up emotion and solid vocals but falling a bit short in the stagecraft department. “You are why this show is called ‘American Idol,’ ” Tyler said, clearly impressed with Pia despite what he referred to as a “retro” arrangement. Jennifer was psyched to hear PT try out an uptempo song for once, and Randy put the other 11 singers on notice that Toscano is in it to win it. Bullfrog-voiced country crooner Scotty McCreery (1993) stayed firmly in his lane with Travis Tritt’s “Can I Trust You With My Heart.” He was, once again, spot-on, coming off as a seasoned country veteran with all the right shading and phrasing to deliver the song’s emotion. But you have to wonder: How many weeks can he essentially do the same thing and still advance? It felt to Lopez like he pushed his vocal range out a bit more with this song, and the panel agreed that he’d shown enough growth to justify another week in the game. Born in 1989, Karen Rodriguez went diva with Taylor Dayne’s other hit, “Love Will Lead You Back.” Wearing a kind of “Austin Powers” silver space miniskirt, Rodriguez had passion and again threw in some Spanish lyrics, but in the words of ex-judge Simon Cowell, it all felt a bit louche hotel lounge. It started rough for Randy, who said it was better than last week but still not all that. Jennifer sensed some fear at first, but praised Rodriguez for sticking to her guns and attacking the song. “If you are nervous about certain notes, don’t go there,” she said. “As a professional, you never have to. Never expose your weaknesses; play to your strengths.” After a second trip this season to the hospital , unlikely hirsute sex symbol Casey Abrams (1991) notched a couple of milestones on Wednesday night when he played electric bass while performing the first-ever song by grunge gods Nirvana on the show. He transformed the nearly untouchable “Smells Like Teen Spirit” into a dark-funk rave-up, busting out his best crazy eyes and screeching and screaming a bit more than usual, while putting lots of energy into the bizarre, horn-laden cover of the modern-rock classic. “You’re so crazy and you’re so talented,” said Tyler, who knows of what he speaks. “That’s the goop that great stuff is made of, and you got it.” Randy said he appreciated Abrams’ willingness to take risks and put art before commerce and always switch things up. The other 16-year-old finalist, Lauren Alaina (1994), was also battling the flu and a poor performance last week. She dug into “I’m the Only One” by Melissa Etheridge, putting some of her deep-voiced country sass on the tune and putting up some powerful, nuanced vocals, despite her illness. After singing along during the performance, Lopez gave Alaina props for sticking to the frame of the song while putting her own imprint on it, and Randy said if that’s how she sounds with a cold, she should have one every week. The final slot of the night belonged to Jacob Lusk (1987), who went way off the path by choosing the ballad “Alone” by female rock duo Heart. After a tentative opening, he exploded into the chorus, throwing down his gospel power and vibrato into the tune, which got a bit frantic at times but definitely highlighted his intensity. Randy appreciated the attempt to step out of his comfort zone, even if the vocals went a bit wobbly in the middle and nodded to Jacob’s decision to go subtle instead of bombastic at the end. The show opened with Tyler, Lopez and Jackson announcing that proceeds from the sale of the second weekly “Idol” download album would go to the Red Cross’ efforts to help the people of Japan in the wake of last week’s devastating earthquake and tsunami . Thursday night’s results show will feature the return of last year’s winner, Lee DeWyze, who will be on hand to sing his new single, “Beautiful Like You,” along with the Black Eyed Peas, who will perform their latest, “Just Can’t Get Enough.” Who did you think killed it Wednesday night? Let us know in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances
Lauren Alaina, Casey Abrams and Scotty McCreery also get great notes from the judges singing songs from their birth years. By Gil Kaufman “American Idol” top 12 Photo: FOX It was an evening of surprises on “American Idol” Wednesday night (March 16). From the first song by grunge icons Nirvana to a show-closing gospel throw-down on a tune by Heart, leading contenders Pia Toscano, Jacob Lusk and Casey Abrams continued their winning ways, while teen Lauren Alaina appeared to get back in the groove after an off week. The theme this week was songs from the year you were born, and first up was Naima Adedapo, who worked up Tina Turner’s comeback hit “What’s Love Got to do With It.” Slinking down the steps in one of her signature colorful getups, Adedapo struggled a bit to find the melody over the rocked-up, percussive track produced by Rodney Jerkins. The performance had plenty of attitude but failed to really show off Naima’s range. In his first attempt at live feedback , Steven Tyler blasted off, whooping it up and telling the singer she had a “sorcerer’s grasp for melody.” Jennifer Lopez admitted that she gave Naima a pass last week on her pitchiness, but said she was starting to worry it was not a one-time thing and encouraged Adedapo to kick it up a notch. Randy Jackson agreed, saying it was just kind of a mess and all over the place. Another 1984 baby, bearded rocker Paul McDonald , went with Elton John’s subtle ballad “I Guess That’s Why They Call It the Blues.” Sounding even more hoarse than usual, McDonald tried to get the crowd behind him while he did his rag-doll dance and croaked his way through a bland version of the song, always seemingly half a beat behind the tempo. Lopez could sense Paul’s struggle with a cold, but said his star quality overwhelmed it, though Randy was not as charitable, saying Paul was pitchy but still found a way to put his unique spin on the song. “But get the notes right!” Randy added, as Steven opined that McD defines “a cool dude in a loose mood.” Thia Megia is one of the babies of the bunch, born in 1995, the same year the Disney movie “Pocahontas” was released, featuring “Colors of the Wind” by Vanessa Williams. Backed by a gently plucked acoustic guitar and a string quartet, Megia came off a bit pageanty with her long, golden dress as she sang the song’s corny lyrics, but once again her vocals were incredibly clear and precise for someone her age. For Randy, the singing was just OK, but his real problem was the predictable, safe nature of her song choices from week to week. Though he praised her vocals, Steven wondered, “Is that song who you think you are?” Resident rocker James Durbin , born in 1989, went with Bon Jovi’s “I’ll Be There for You,” not exactly the Jersey band’s most notable hit. Doing his best Axl Rose-meets-Jon Bon snarl, Durbin worked the stage like an arena-rock veteran, swinging his mic stand, leaning in for some shoulder-to-shoulder with the guitar player, doling out audience high-fives and ending it all with a rock jump and what host Ryan Seacrest referred to as “JV pyro.” You knew Tyler was gonna dig it. “I got leftover sandwiches under my bed older than that, how do you do that?” he marveled at Durbin’s young talent, while warning him to avoid getting too poppy. Jennifer said a great performer makes you want to sing along with them, and she said JD is definitely one of those singers. Haley Reinhart was born in 1990 into a musical family, and she paid homage by getting back in her R&B groove with a swing at “I’m Your Baby Tonight” by Whitney Houston. Producer Ron Fair’s funked-up, new-wave arrangement seemed to throw her at first, but then Haley laid into a Christina Aguilera-like groove, growling and emoting her way through the song, which fit her style way better than last week’s detour into country territory. In what is emerging as her signature sweet putdown, J.Lo told Haley she looked beautiful and has a beautiful voice but that she seems tense and unsure onstage. “Do what you feel, don’t force anything, do what comes naturally,” she counseled. Jackson said Haley’s hopscotching from style to style is making it hard to pin her musical personality down. Stefano Langone (1989) was right in the pocket with Simply Red’s soul-stirring “If You Don’t Know Me by Now.” He confidently sang the goopy ballad as if working the crowd at a wedding (or office karaoke party), showing off the range, emotion and vocal clarity that earned him a wild-card berth. “The best performance of the night so far!” Randy raved, handing out an Olympic-gymnastics-style 10-10-10 rating. Steven loved the phrasing, and Lopez said it was the perfect song choice that could win him the whole thing — as long as he locked eyes with her a bit more while he performed. After emerging as a potential winner a few weeks ago, Pia Toscano (1988) also knows what works, which is why she chose Houston’s “Where Do Broken Hearts Go.” Working her magic over the thumping disco-lite track, Toscano gave it her glitter-ball best, tossing up emotion and solid vocals but falling a bit short in the stagecraft department. “You are why this show is called ‘American Idol,’ ” Tyler said, clearly impressed with Pia despite what he referred to as a “retro” arrangement. Jennifer was psyched to hear PT try out an uptempo song for once, and Randy put the other 11 singers on notice that Toscano is in it to win it. Bullfrog-voiced country crooner Scotty McCreery (1993) stayed firmly in his lane with Travis Tritt’s “Can I Trust You With My Heart.” He was, once again, spot-on, coming off as a seasoned country veteran with all the right shading and phrasing to deliver the song’s emotion. But you have to wonder: How many weeks can he essentially do the same thing and still advance? It felt to Lopez like he pushed his vocal range out a bit more with this song, and the panel agreed that he’d shown enough growth to justify another week in the game. Born in 1989, Karen Rodriguez went diva with Taylor Dayne’s other hit, “Love Will Lead You Back.” Wearing a kind of “Austin Powers” silver space miniskirt, Rodriguez had passion and again threw in some Spanish lyrics, but in the words of ex-judge Simon Cowell, it all felt a bit louche hotel lounge. It started rough for Randy, who said it was better than last week but still not all that. Jennifer sensed some fear at first, but praised Rodriguez for sticking to her guns and attacking the song. “If you are nervous about certain notes, don’t go there,” she said. “As a professional, you never have to. Never expose your weaknesses; play to your strengths.” After a second trip this season to the hospital , unlikely hirsute sex symbol Casey Abrams (1991) notched a couple of milestones on Wednesday night when he played electric bass while performing the first-ever song by grunge gods Nirvana on the show. He transformed the nearly untouchable “Smells Like Teen Spirit” into a dark-funk rave-up, busting out his best crazy eyes and screeching and screaming a bit more than usual, while putting lots of energy into the bizarre, horn-laden cover of the modern-rock classic. “You’re so crazy and you’re so talented,” said Tyler, who knows of what he speaks. “That’s the goop that great stuff is made of, and you got it.” Randy said he appreciated Abrams’ willingness to take risks and put art before commerce and always switch things up. The other 16-year-old finalist, Lauren Alaina (1994), was also battling the flu and a poor performance last week. She dug into “I’m the Only One” by Melissa Etheridge, putting some of her deep-voiced country sass on the tune and putting up some powerful, nuanced vocals, despite her illness. After singing along during the performance, Lopez gave Alaina props for sticking to the frame of the song while putting her own imprint on it, and Randy said if that’s how she sounds with a cold, she should have one every week. The final slot of the night belonged to Jacob Lusk (1987), who went way off the path by choosing the ballad “Alone” by female rock duo Heart. After a tentative opening, he exploded into the chorus, throwing down his gospel power and vibrato into the tune, which got a bit frantic at times but definitely highlighted his intensity. Randy appreciated the attempt to step out of his comfort zone, even if the vocals went a bit wobbly in the middle and nodded to Jacob’s decision to go subtle instead of bombastic at the end. The show opened with Tyler, Lopez and Jackson announcing that proceeds from the sale of the second weekly “Idol” download album would go to the Red Cross’ efforts to help the people of Japan in the wake of last week’s devastating earthquake and tsunami . Thursday night’s results show will feature the return of last year’s winner, Lee DeWyze, who will be on hand to sing his new single, “Beautiful Like You,” along with the Black Eyed Peas, who will perform their latest, “Just Can’t Get Enough.” Who did you think killed it Wednesday night? Let us know in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 10 Performances
Breaking Sports Video
