Tag Archives: performances

Watch American Idol Season 9 Episode 28 – The Top 9 Finalists Take The Stage Live!

Watch American Idol S9E28: The Top 9 Finalists Take The Stage Live! The remaining top 10 idol contestants who will be going on tour this summer will now be performing tonight with their R&B songs which is the theme of the night with our guest mentor, no other than R&B hit singer, User himself. The top 10 finalists are: Didi Benami, Tim Urban, Katie Stevens, Aaron Kelly, Crystal Bowersox, Siobhan Magnus, Lee Dewyze, Andrew Garcia, Casey James and Michael Lynch. See their performances live on stage to catch your favorite idol. The latest episode of American idol is the show’s 28th episode of the 9th season that aired last 04/06/2010 Tuesday at 8:00 PM on FOX. Watch American Idol 9×28 Free Online Streaming Full Episodes Replay of the Latest Season and Video Clip Download Link:

Read this article:
Watch American Idol Season 9 Episode 28 – The Top 9 Finalists Take The Stage Live!

‘American Idol’ Experts Predict The End For Didi Benami Or Tim Urban

‘Tim Urban’s performance last night was ridiculous and a little creepy,’ blogger MJ Santilli says. By Gil Kaufman Didi Benami performs on “American Idol” on Tuesday Photo: Fox Now that we’re down to the top 10 on “American Idol,” the competition is heating up and it becomes harder each week to predict who will be sent packing. But on Tuesday night, two performances stood out from the rest for our “Idol” experts as the likely swan song for a pair of finalists. ‘American Idol’ Season 9 Performances “Didi Benami’s ‘What Becomes of the Brokenhearted’ was uncomfortable television,” opined MTV News’ own “Idol” aficionado Jim Cantiello of the lounge jazz cover of the Jimmy Ruffin hit. “And not in an ‘Awww, I feel bad for her, I’m going to vote for her’ way.

Fergie Does the Tron Guy of the Day

Fergie is really pushing the boundaries of creative expression in her performances. She’s gone from dancing around half naked. To pretending she’s the fucking Tron Guy who was probably one of the original videos to go viral in the late 90s, but not because of his innovation, but because of his serious socially awkward nerd issues. You know like the immigrant kid you used to convince to do stupid dances at the high school assembly in front of everyone because he trusted you and believed you when you said it was cool, while really you just wanted to get him up there so everyone would laugh at him with you…. The only hot thing about these pictures is her thinking hair part…shit makes a great bral runway to fantasize about cumming down, like shit’s a fucking waterslide…if you know what I mean…. Pics via Fame

Read more here:
Fergie Does the Tron Guy of the Day

American Idol Season 9 Episode 26 The Top 10 Take The Stage Live

Watch your favorite Reality TV series “ American Idol ” with its new episode entitles “The Top 10 Take The Stage Live” that released March 30, 2010. It’s a best show that you gonna wish to watch all the time. Get it free through streaming online. Current show and replays are always available on the specified television online. Synopsis of the episode: The Top 10 finalists take the stage to perform live for the nation! After the performances, it is once again up to America to vote. Tune in to see who sizzles and who fizzles live. Tonight’s Mentor: Usher Tonight’s Theme Is: R&B songs Performing Tonight Are: Aaron Kelly Andrew Garcia Casey James Crystal Bowersox Didi Benami Katie Stevens Lee Dewyze Michael Lynche Siobhan Magnus Tim Urban. (from TV viewer) To get access, visit and watch it here: American Idol Season 9 Episode 26 The Top 10 Take The Stage Live Watch it also HERE . American Idol Season 9 Episode 26 The Top 10 Take The Stage Live is a post from: Daily World Buzz Continue reading

‘American Idol’ In 60 Seconds: Our Parents’ Hits Can’t Save Paige Miles

Miley Cyrus and the top 11’s take on Billboard hits make Jim bitter. By Jim Cantiello Miley Cyrus performs on “American Idol” on Wednesday Photo: Michael Becker / FOX “American Idol” in 60 Seconds has fast become an MTV News institution, but it goes by so fast that it’s not always easy to catch every golden nugget. So, here we present to you Jim Cantiello’s bite-size recap of this week’s “Idol” high jinks. This week’s “American Idol” was a lot like watching an episode of “Cops,” in that you needed to separate from the reality of the situation in order to fully enjoy its absurd pop-culture trashiness. (Unlike “Cops,” nobody was half naked and handcuffed; although it’s likely Kara has imagined such a scenario with Casey James.) First of all, we had mentor Miley Cyrus , who decided to give advice to the contestants pantless. (But don’t worry, she wore two crucifixes to balance out her bare bottom half.) All kidding aside, Miley turned out to be a perfectly respectable “Idol” guest. She warmly disapproved of contestants who fumbled lyrics (Andrew Garcia), urged front-runners to push themselves harder (Crystal Bowersox) and came up with a silly excuse to hug the cute boy (Tim Urban). And then there were the performances. … Oh, the performances. The week’s wide-open theme was Billboard #1 hits (shhhh, don’t tell anyone that Miley has never had a #1 song on the Hot 100 Chart). But almost all of the contestants picked songs that were popular when their parents were twenty-somethings. Aerosmith, Phil Collins, Linda Ronstadt, Percy Sledge, Marvin Gaye … wait, is this “The Big Chill” soundtrack? Ironically, 17-going-on-70-year-old Katie Stevens was the one contestant who picked a contemporary song (Fergie’s ode to blankets). The only performance worthy of any real praise was season-nine MVP Crystal Bowersox’s “Me and Bobby McGee.” Let’s just hope she starts bringing new things to the stage each week, other than plush carpets. Other moments of note: Siobhan had silly hair, Didi made funny faces, Michael Lynche is still a cheeseball, Lee Dewyze can do a Box Tops song without anyone acknowledging the recent passing of Alex Chilton , Casey James does a killer Huey Lewis impression and Tim Urban slid across the stage like he was stealing third base. On Wednesday night’s results show, the contestants slowly learned who made it into the top 10, and thus, the formally beloved, now dreaded American Idols Live summer tour. But first, there were two special musical guest performances to “enjoy!” Miley Cyrus tore into her current hit, “Not the Climb,” like a wolf rips into the carcass of a caribou. (One could argue it was about as pleasant to the listener, too!) Then Joe Jonas and Demi Lovato sang a song about pebbles with such a palpable intensity, I expected the Disney Sonny and Cher to rip off their purity rings and go at it live on television. During the results reveal, we learned that Siobhan’s friends are even weirder than she is (Stage blood! Shaving protests!), Didi Benami has difficulty standing upright while lip-synching (she totally fell during the group number), and Crystal Bowersox is such a beloved TV star, she’s able to mouth the words “holy s—” on prime-time television without the FCC threatening any fines. In the bottom three: Tim Urban and Paige Miles, not so shocking since Paige croaked one of the worst “Idol” vocals ever Tuesday night. More surprising was Katie Stevens’ inclusion on the chopping block, mostly because it meant Andrew Garcia was not in the bottom three, and as Simon would say, that guy “sucks … the life out of a song.” In the end, Paige was the one who had to sing for her life, but Simon murdered that idea when he told her she had a better chance of conceiving Clay Aiken’s second baby than performing well enough to justify using the judges’ save on her. Check out the latest (especially bitter) “American Idol” in 60 Seconds recap, embedded in this article. Let us know your take on this week’s “Idol” episodes by leaving a comment below. And if you want more of my “Idol” and pop culture ramblings, follow me on Twitter @jambajim ! Related Videos ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances Related Artists Miley Cyrus Joe Jonas

Continued here:
‘American Idol’ In 60 Seconds: Our Parents’ Hits Can’t Save Paige Miles

Lacey Brown Thinks Lack Of ‘Energy’ Led To ‘American Idol’ Exit

‘Even though I’m a bubbly, happy person, not every song that I sing is gonna be uptempo,’ she says. By Katie Byrne Lacey Brown Photo: FOX Lacey Brown had an “American Idol” Cinderella story. In season eight, she just missed the cut for the top 36 when the judges opted for another quirky singer, Megan Joy, instead. Well, this was her year. Not only did she get past Hollywood Week to the top 24, she even made it to the top 12 and the big stage. Unfortunately, her performance of the Rolling Stones’ “Ruby Tuesday” didn’t cut it, and she was the first finalist to get the boot . We caught up with the 24-year-old Texan on Thursday (March 18) to talk about why she decided to try out again this year, the judges’ conflicting advice and what’s next. Q : The judges have been offering a lot of conflicting advice this season. Do you think that made it harder to show America what kind of artist you want to be? A : It’s difficult with the criticism this year, because it has been a little bit confusing, and therefore I would change things week to week, which can leave the audience kind of questioning who I am. I would say I’m a very different artist. I have a very different voice that’s not suited for a lot of different genres, but I really see myself doing more of a pop/folk mix. I definitely can see myself making an album soon. I would love to do that, if I get the chance to. I just want to give people the chance to hear something that’s fresh and new and different. There’s not a lot of voices like mine right now on the radio, so I kind of take pride in the fact that I’m a lot different. I’ve always been a little bit more unique and individual, and I try to embrace that, and I tried to show that in my performances. Hopefully people can get that, and hopefully they like it. I’m looking forward to writing some new music that fits my voice and that people really like. Q : What made you come back this year after making it so far last season? A : I’m one of those people that gets very competitive. [ Laughs. ] And I decided that it’s way too much of an experience to not try again, to try to get further. If I would have made it into the top 36 last year, I wouldn’t have been able to come back this year. So I’m really glad I got a second chance. I’m really glad I decided to come back, because I needed to work on a couple things and come back and get further in the competition. That wasn’t a hard decision at all, because everybody that’s involved in this show — all the contestants, all the relationships — everything about this has just been a blast for me. So I just decided, “I’m gonna do it twice!” [ Laughs. ] Q : Can you pinpoint your downfall in the competition? A : I would probably have to say energy. They kept asking for energy in my songs, and I kept trying to give it, and they kept saying it was a sleepy performance. They wanted to see a little bit more energy, because [I have] a happy and bubbly type of personality, and they just wanted to see that transferred into my music. The issue that I was having is, I really love to sing ballads. I love telling a story with a song. I love the emotion of the song. I’m very artsy, so that side of me comes out when I sing. I think I kept picking songs that I really loved to sing and really felt, and maybe it didn’t transfer as well onstage. Maybe that was it. But I wouldn’t have changed any of it, because that’s who I am. Even though I’m a bubbly, happy person, not every song that I sing is gonna be uptempo. Q : Did you get a chance to talk to the judges after the results show? A : All the judges came up afterwards. I think they genuinely care about the contestants. Sometimes it’s hard to hear their critiques, but they’re there to help you. It’s a fine line between taking what they say personally and taking what they say and applying it to fix yourself and work things out that you need to work out. When they came up afterwards, they had nothing but nice things to say, things like, “This is just another step into your career. You have great vocals. You’re very unique.” They’re just full of compliments, because they want to see us succeed. And they don’t want us to feel like all hope is lost, because it’s not. I’m in the top 12 right now, and even though I got voted off, this is not the end-all for me. This is a great opportunity to jump-start my career. I think that’s the point they were trying to make. Q : Who are some of your musical influences, and would you ever like to work with them? A : I have a lot of influences right now. One of my biggest influences is Patsy Cline. Unfortunately, I won’t be able to work with her. I learned a lot from her performances, like how to tell a story in a song to make you feel like you’ve fallen in love again or make you feel like your heart’s broken. She was a great performer. … Also, there’s new and upcoming people who I’ve been following for a couple years like Pete Yorn, who’s just an amazing musician and singer that has a great vibe, and not a whole lot of people know who he is yet, but I think he’s an upcoming huge deal. I have a lot of indie bands that I like, and I got a couple country bands that I really like right now. I’m finding influence from everywhere. Were you sad to see Lacey go? Will you follow her post-“Idol” career? Let us know in the comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Videos Meet The ‘American Idol’ Top 12 ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Season Nine Performances ‘American Idol’ Top 12 Party

Read more:
Lacey Brown Thinks Lack Of ‘Energy’ Led To ‘American Idol’ Exit

‘American Idol’ Judge Kara DioGuardi Says Her First Season ‘Sucked’

‘It was freshman year. … I’d never been on television,’ DioGuardi told Jay Leno on ‘The Tonight Show.’ By Eric Ditzian Kara DioGuardi Photo: Alberto E. Rodriguez/ Getty Images On Monday night, the night before “American Idol” debuts its top 12 contestants , Kara DioGuardi stopped by Jay Leno’s “Tonight Show” couch to talk all things season nine. The “Idol” judge dished on her tableside flirtation with Simon Cowell, defended the performance of Ellen DeGeneres and admitted that her nerves got in the way of her commentary last season. ‘American Idol’ Season 8 Memorable Moments “It was freshman year,” DioGuardi explained about her first year behind the judges’ table. “It sucked. I’d never been on television. The 30-second sound bite — I’m Italian, that’s impossible! To shut up is difficult!” This year, she’s finally started to have fun on “Idol.” From a viewer’s perspective, there’s no doubting DioGuardi has become more comfortable on camera and has been able to deliver more insightful criticism . “I think this year, it’s more about the contestants because I’m not feeling as nervous, so I can zero in on them and what they’re feeling and what they’re going through,” she said. “It’s just a different experience and it feels way better.” Leno also made a point of questioning the ongoing coziness between Kara and Simon. The two judges seemed to be snuggling up to each other over the last few weeks — something that even Ryan Seacrest addressed at one point. DioGuardi is a newlywed, while Cowell recently got engaged . So what’s going on between the duo? “I’m trying to figure it out,” DioGuardi said with a laugh. “I don’t know if it’s because he’s got a girlfriend and he’s got separation anxiety and he needs to lean into me.” Before the segment wrapped up, DioGuardi came to the defense of DeGeneres, who has come under criticism for delivering kind words rather than accurate, constructive critiques from behind the judges’ table. Kara maintained that Ellen is “doing a great job.” “It’s scary,” she added. “She’s getting used to that. Sometimes it’s bad news and it ain’t fun to deliver.” Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos “American Idol” Season 8: Memorable Moments “American Idol” Season 8: Live Performances ‘American Idol’ Season Nine Performances

Excerpt from:
‘American Idol’ Judge Kara DioGuardi Says Her First Season ‘Sucked’

Remember Me Movie Reviews: Not Good

Well, there’s always Eclipse . While Robert Pattinson fans are excited over that movie’s first official trailer , we have some sobering news: movie critics have responded harshly to the actor’s first starring role as an actual human being. Most of the Remember Me reviews are more critical of the script and the story than of the performances by Pattinson and Emilie de Ravin, but the following excerpts can’t be what anyone associated with the film wishes to hear: A small, dense chamber study of unhappy people looking for hope in the darkness, often literally. – Houston Chronicle I hate the ending. I hate it. I hate it. I hate it. I hate it more than Kim Basinger hates Alec Baldwin. I hate more than Garfield hates Mondays.

‘American Idol’ Report Card: How Did The Men Do?

Michael ‘Big Mike’ Lynche shined, while Aaron Kelly gets an ‘unsatisfactory’ grade on this week’s ‘Idol’ report card. By Eric Ditzian Aaron Kelly performs on “American Idol” on Wednesday Photo: Frank Micelotta/ Getty Images Yesterday we gave “American Idol” producers props for reducing the show to one hour instead of two . Today we feel like tossing the judges in detention for their shenanigans this week, from Tuesday’s awkwardly forced lap-sitting incident between Simon Cowell and Ellen DeGeneres to Wednesday’s infantile Simon/Kara DioGuardi flirtation. But this is a singing competition, isn’t it? So on to the contestants. The evening took off with strong performances from Lee Dewyze and Alex Lambert and U-turned into Snoozeville at a certain point, before blissfully blasting away with an injection of Michael Lynche-provided power. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top eight men’s report card. (And don’t miss Jim Cantiello’s recap of their performances in the MTV Newsroom .) Excellent Michael Lynche : First things first. While Big Mike’s take on Maxwell’s version of Kate Bush’s “This Woman’s Work” was the highlight of the evening, it was nowhere near the waterworks-generating territory that Kara’s tears suggested. That being said, Lynche keeps surprising us. Last week he ditched the guitar and brought an ear-pleasing soul sound to the stage. This week he busted out a falsetto during a butter-smooth channeling of Maxwell that showed off an impressive vocal range and convinced us that Big Mike is in the upper tier of “Idol” contestants. Good Lee Dewyze : Owl City’s “Fireflies” was by far the smartest song choice Dewyze has made during these lives shows. The emo rock vibe seems to be a comfortable niche for him, and we were almost able to dismiss his rampant pitch problems. Almost. Dewyze is like a poor man’s David Cook. And when you consider that we’ve never had a very high opinion of the seventh-season “Idol” winner, you can imagine what we think of Dewyze’s long-term prospects. No matter, he did well for himself on Wednesday and is a lock to make the top 12. Alex Lambert : The kid keeps impressing. The judges seemed to think he’d reverted back to a jelly-legged newbie. Not us. His tone on Ray LaMontagne’s “Trouble” was compelling, his vocals generally soft yet powerful. We don’t buy for a second that the only thing standing in the way of his winning “Idol,” as Kara suggested, is his lack of confidence — ever heard of Crystal Bowersox? — but we’re digging Lambert’s growth from week to week. “Trouble been dogging my soul,” he sang, and ya know what? We believed him. Casey James : Has any contestant this year been so lovingly framed and lit on the “Idol” stage? The crooning cowboy’s rendition of Keith Urban’s “You’ll Think of Me” was a step up from last week’s sub-par Southern rock number and nowhere near as magical his take on Bryan Adams’ “Heaven.” James keeps delivering confident, calm, passionate performances and he’ll keep doing it for a long while. Todrick Hall : Todrick narrowly nabs a Good grade because of his sheer enthusiasm. It’s the most clich

Crystal Bowersox, Lilly Scott Top Our ‘American Idol’ Top 10 Women’s Report Card

Katelyn Epperly also shines on Wednesday night. By Eric Ditzian Crystal Bowersox performs on “American Idol” on Wednesday Photo: Frank Micelotta/ Getty Images Just when we started to get anxious that the ninth season of “American Idol” would really turn out to be the franchise’s worst, Crystal Bowersox, Lilly Scott and Katelyn Epperly arrived on Wednesday night to rescue the show. As Bowersox overcame illness , Scott embraced her soul side and Magnus unleashed the Note Heard Round The Reality Show World, “Idol” delivered its finest live show of the year. Who surprised us, who disappointed us and who’s in danger of going home? Let’s take a look at the top 10 women’s report card. (And don’t miss in the Newsroom.) Excellent Crystal Bowersox: Last week, Bowersox was accused of sounding exactly like a thousand buskers standing in a thousand subway stations. If true, that’s a commute we’d happily take twice a day, because her gospel-infused rendition of Creedence Clearwater’s “As Long As I See The Light” was as purely beautiful as anything we’ve heard in the show’s history. Earlier in the week, a hospital visit called into question whether the singer would even be able to continue in the competition. But not only will Bowersox be on the “Idol” stage to stay, she’s established herself as the season’s true front-runner. Lilly Scott: Two weeks, two strong performances. By choosing The Beatles’ “Fixing A Hole” and Sam Cooke’s “A Change is Gonna Come,” Scott proves that an “Idol” contestant doesn’t need to select a current top 40 song to prove her worth as a relevant, contemporary recording artist. What the hopefuls need to do, rather, is exactly what Scott has done: bring a current sensibility to your music — in her case, a quirky singer-songwriter vibe — and deliver ear-pleasing, toe-tapping tuneage. Katelyn Epperly: Too slow a reworking of Coldplay’s “The Scientist,” as Ellen and Randy complained? Who cares? Epperly sat down at the piano, showed off some gorgeous pipes and transported us with a lovely little lullaby of a pop song. She’s got to do some serious work on her interaction with the camera, but that will come in time. She’s gonna be a contender. Satisfactory Lacey Brown: After last week’s crash-and-burn performance of “Landside,” Brown wisely decided to give a performance that wasn’t so wearily serious. Sure, her performance of Sixpence None the Richer’s “Kiss Me” was fun, but it was fun in the way people enjoy drunken group-sings at karaoke bars. Nothing about her act communicated a take-me-seriously-as-a-recording-artist passion. Brown should be worried this week. ‘American Idol’ Season Nine Performances Katie Stevens: Like fellow contestant Aaron Kelly, Stevens suffers from a case of Benjamin Button syndrome. The two are teens who have grown old far before their time. As lovely a voice as she has, Stevens seems hamstrung by an octogenarian’s musical tastes. That she couldn’t even name a young recording artist when prompted by the judges speaks volumes. She still seems to be a fan favorite, and so she won’t be voted off just yet. But it ain’t looking good for the 17-year-old. Michelle Delamor: Bonus points for most creative song choice of the evening with Creed’s “With Arms Wide Open.” And some serious demerits for an off-kilter performance that was variously pitchy and perplexing. Following last week’s strong take on Alicia Keys’ “Fallin’, Delamor finds herself outside of the top tier of female contestants. But she’s in no danger of going home for a while. Paige Miles: She’s a cheery one, as evidenced by her performances of Free’s “All Right Now” and Kelly Clarkson’s “Walk Away.” Still, that cheeriness seems to come at the expense of a true emotional connection to the material. And admitting to the world that you enjoy coloring books doesn’t exactly scream, “Take me seriously, y’all!” Miles is still on the judges’ good side, which is a good place to be, and she’ll likely be around next week. Siobhan Magnus: Magnus almost made it into the Excellent category this week on the strength of that one long, high note she let loose during her take on Aretha Franklin’s “Think.” Truth is, the performance was extremely average until that climatic note. We’re digging Magnus and her anything-might-happen-when-I’m-up-stage eccentricity, but she still hasn’t made clear what kind of artist she really is. She’ll have a while to decide. She’s safe this week. Unsatisfactory Haeley Vaughn: We’re confused. We thought she wanted to be a country singer. Then last week she selected the Beatles, and this week Miley Cyrus. We’re confused, too, because she sounded like she had a gorgeous instrument in the weeks before the live broadcasts. What’s going on? The answer doesn’t matter, because Vaughn has given us two straight weeks of worst-of-the-bunch performances. After the judges’ evisceration on Wednesday night, Vaughn probably won’t be around next week to clear things up. Didi Benami: Oh, Didi! It’s not easy, week after week, to hear such brutal criticism, but her take on “Lean on Me” was painful for viewers. The 23-year-old is clearly confused and rapidly losing confidence, which explains why she ditched her jazzy-cool persona and went with what she hoped would be a crowd-pleaser. It was the very definition of playing it safe, rather than playing to win, and it’s likely going to result in a plane ticket back home. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances The ‘American Idol’ Season 9 Top 24

Go here to see the original:
Crystal Bowersox, Lilly Scott Top Our ‘American Idol’ Top 10 Women’s Report Card