Tag Archives: Princess

Who Looked More Bangin?? Alicia Keys Vs. Halle Berry

Halle Berry was seen at the Toronto Film Festival and Alicia Keys attended some shows at New York’s Fashion Week. Out of these two lovely ladies… Who Looked More Bangin??? WENN/SplashNews

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Who Looked More Bangin?? Alicia Keys Vs. Halle Berry

Vivienne Jolie-Pitt to Make Film Debut in Maleficent

Angelina Jolie’s adorable daughter Vivienne will soon make her film debut alongside her famous mother in Maleficent , according to reports. The four-year-old will have a small role in the project, a re-telling of the tale of Sleeping Beauty from the point of view of her horned, evil nemesis. Vivienne will play a younger version of Princess Aurora, played by Elle Fanning. Walt Disney studios confirmed the casting of Viv this week. For more on Maleficent , and for all the latest movie news , quotes, reviews, interviews and commentary, visit our partners at Movie Fanatic! UPDATE: Now featuring an actual picture of Viv (at far right) along with Angelina, Knox, Zahara and Shiloh. Thanks for the catch, readers! [Photo: WENN.com]

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Vivienne Jolie-Pitt to Make Film Debut in Maleficent

Angelina Jolie’s Daughter Vivienne To Make Movie Debut In ‘Maleficent’

4-year-old will play the child version of Princess Aurora opposite her mother. By Kara Warner Angelina Jolie in “Maleficent” Photo: Disney

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Angelina Jolie’s Daughter Vivienne To Make Movie Debut In ‘Maleficent’

Gabriel Aubry Warns Judge: Halle Berry Could Die!

Halle Berry is engaged to Olivier Martinez and hopes to make her permanent residence in her fiance’s native country of France . But Gabriel Aubry does not want his ex-girlfriend taking his daughter so far away, and the model’s attorney made a convincing argument in court today in an attempt to force Berry to remain in the United States: She might die abroad!!! Seriously. Aubry’s lawyer cited the 1997 car accident that took Princess Diana’s life – which resulted from a paparazzi chase – as an example that the country is no place for celebrities and argued that Berry would be placing the life of four-year old Nahla in danger. However, Berry’s lawyer responded with testimony from several French officials, all of whom verified that France is especially strict when it comes to the paparazzi; it’s illegal to snap photos of stars against their will, under any circumstance, in that country. The actress is already on the hook for $20,000 per month to Aubry in child support, but the actual issue of custody and living arrangement isn’t expected to be settled any time soon. [Photos: WENN.com]

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Gabriel Aubry Warns Judge: Halle Berry Could Die!

Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

A long time ago in a culture far removed from this one — 1987 to be exact — cinematic satirist Mel Brooks took on box-office game changer George Lucas’ Star Wars franchise and didn’t end up in the Hollywood equivalent of a Sarlacc Pit. Substituting the Schwartz for the Force,  Yogurt for Yoda and Pizza The Hutt for Jabba, Brooks gave us Spaceballs and made us laugh harder (intentionally) than Jar Jar Binks ever did. To celebrate the movie’s 25th anniversary, Sony has released a commemorative Blu-Ray edition that mostly does justice to this comedy gem. The Film: Spaceballs (1987) Why It’s An Inessential Essential: Although Life Stinks (1991) was Mel Brooks’ last sturdy feature, the often gut-bustingly funny Spaceballs  was his last really inspired comedy. Like many of Brooks’ earlier films, Spaceballs spoofs generic and genre cliches. In this case, the director aimed his blaster at science fiction and fantasy films, Star Wars in particular. Viewed 25 years after its theatrical release, Spaceballs  suffers from lopsided structure and occasional laziness, but the movie repeatedly breaks down the fourth wall with such zeal and absurd charm that it’s impossible to resist. (It’s worth noting that the movie was released during the heyday of the Bruce Willis/Cybill Shepherd ABC comedy series Moonlighting , which was heralded for doing the same.) A large part of  the movie’s giddy appeal is its game cast, led by SCTV Jedi the late John Candy and Rick Moranis.  Candy plays the Wookiee-like Barf and Moranis is particularly hilarious as the clutzy, over-compensating Darth Vader spoof, Dark Helmet — a puny man topped by enormous circumcised headgear. As ringmaster of this circus, Brooks (who also appears in the movie as both President Skroob and  Yogurt)  is at a point in his career where he’s starting to toss things against the wall out of sheer desperation. And because he’s working with talented comedians and co-writers, most of what he throws sticks. The move is a collection of blisteringly strange and funny sketches, such as the one where Helmet fantasizes about seducing Princess Vespa (Daphne Zuniga) while playing with a set of action figures that includes an even tinier facsimile of himself and the Druish princess. Brooks’ wise-ass, Brecht-by-way-of-Vaudeville sensibility is at the core of the movie’s cantankerous, Yiddish sensibility, and though some of the yucks feel a tad musty, the movie is never tedious. Riffs on cash-in sequels, “Moichandizing” and “turning off the movie” demonstrate that, at that point in his career, Brooks’ cultural comedy mojo was still working. Indeed, Spaceballs doesn’t just hold up as a laugh riot. It’s still highly quotable right down to the characters’ names. (Yogurt! Pizza The Hutt!).  “May the Schwartz be with you” still provokes laughter after all these years,  as does Barf’s “Funny, she doesn’t look Druish” comment about Princess Vespa.  And when the Spaceballs and Dark Helmet land on the Planet of the Apes, one of its denizens grouses; “Oh shit, there goes the planet.” How the Blu-Ray Edition Makes the Case for the Film:   The best special features on Sony’s25th anniversary release are the least serious ones. New interviews with a doddering and-haughty Brooks don’t contribute much. (“We were looking for a new genre to destroy,” he exclaims at one point). Much more satisfying is a very funny list of continuity errors in the film, including, a scene in which Dot Matrix (Joan Rivers playing a droid even bitchier than Anthony Daniels’ C-3P0) appears to stop leaving a trail behind her in one desert scene. The film’s gag audio commentary tracks are also suitably ridiculous. One is in “Mawgese,” presumably the native language of Barf, another, in “Dinkese,” the mother tongue of the Jawa-esque Dink Dinks. Unfortunately, the Blu-Ray edition does not markedly improve the picture quality that was found on the 2005 DVD release of Spaceballs .  There are still notable visual blemishes, including artifacts that resulted from poor video compression. Still, the dual Blu-Ray/DVD package is worth buying if only because the menus included on the new DVD release are more interactive and the features they include are more impressive than the last time around. Other Trivia: The new 25th anniversary Spaceballs Blu-Ray is loaded with new special features. If you’re a dedicated Mel Brooks fan — even one who lost faith or interest after Robin Hood: Men in Tights and Dracula: Dead and Loving It — you’ll probably get a big kick out of the jokey introduction he recorded to the film’s original trailer. Brooks’ audio commentary track is also worthy, even if he is more than a little full of himself after the wild (and not entirely deserved) multi-platform success of The Producers . Compared to the meager 2005 DVD release, which came with a making-of featurette and a skimpy souvenir booklet, Sony’s 25th anniversary Blu-Ray release is a much more comprehensive presentation of the film. Simon Abrams is a NY-based freelance film critic whose work has appeared in The Village Voice, Time Out New York , Vulture and Esquire . Additionally, some people like his writing, which he collects a t Extended Cut . Follow Movieline on Twitter .

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Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

A long time ago in a culture far removed from this one — 1987 to be exact — cinematic satirist Mel Brooks took on box-office game changer George Lucas’ Star Wars franchise and didn’t end up in the Hollywood equivalent of a Sarlacc Pit. Substituting the Schwartz for the Force,  Yogurt for Yoda and Pizza The Hutt for Jabba, Brooks gave us Spaceballs and made us laugh harder (intentionally) than Jar Jar Binks ever did. To celebrate the movie’s 25th anniversary, Sony has released a commemorative Blu-Ray edition that mostly does justice to this comedy gem. The Film: Spaceballs (1987) Why It’s An Inessential Essential: Although Life Stinks (1991) was Mel Brooks’ last sturdy feature, the often gut-bustingly funny Spaceballs  was his last really inspired comedy. Like many of Brooks’ earlier films, Spaceballs spoofs generic and genre cliches. In this case, the director aimed his blaster at science fiction and fantasy films, Star Wars in particular. Viewed 25 years after its theatrical release, Spaceballs  suffers from lopsided structure and occasional laziness, but the movie repeatedly breaks down the fourth wall with such zeal and absurd charm that it’s impossible to resist. (It’s worth noting that the movie was released during the heyday of the Bruce Willis/Cybill Shepherd ABC comedy series Moonlighting , which was heralded for doing the same.) A large part of  the movie’s giddy appeal is its game cast, led by SCTV Jedi the late John Candy and Rick Moranis.  Candy plays the Wookiee-like Barf and Moranis is particularly hilarious as the clutzy, over-compensating Darth Vader spoof, Dark Helmet — a puny man topped by enormous circumcised headgear. As ringmaster of this circus, Brooks (who also appears in the movie as both President Skroob and  Yogurt)  is at a point in his career where he’s starting to toss things against the wall out of sheer desperation. And because he’s working with talented comedians and co-writers, most of what he throws sticks. The move is a collection of blisteringly strange and funny sketches, such as the one where Helmet fantasizes about seducing Princess Vespa (Daphne Zuniga) while playing with a set of action figures that includes an even tinier facsimile of himself and the Druish princess. Brooks’ wise-ass, Brecht-by-way-of-Vaudeville sensibility is at the core of the movie’s cantankerous, Yiddish sensibility, and though some of the yucks feel a tad musty, the movie is never tedious. Riffs on cash-in sequels, “Moichandizing” and “turning off the movie” demonstrate that, at that point in his career, Brooks’ cultural comedy mojo was still working. Indeed, Spaceballs doesn’t just hold up as a laugh riot. It’s still highly quotable right down to the characters’ names. (Yogurt! Pizza The Hutt!).  “May the Schwartz be with you” still provokes laughter after all these years,  as does Barf’s “Funny, she doesn’t look Druish” comment about Princess Vespa.  And when the Spaceballs and Dark Helmet land on the Planet of the Apes, one of its denizens grouses; “Oh shit, there goes the planet.” How the Blu-Ray Edition Makes the Case for the Film:   The best special features on Sony’s25th anniversary release are the least serious ones. New interviews with a doddering and-haughty Brooks don’t contribute much. (“We were looking for a new genre to destroy,” he exclaims at one point). Much more satisfying is a very funny list of continuity errors in the film, including, a scene in which Dot Matrix (Joan Rivers playing a droid even bitchier than Anthony Daniels’ C-3P0) appears to stop leaving a trail behind her in one desert scene. The film’s gag audio commentary tracks are also suitably ridiculous. One is in “Mawgese,” presumably the native language of Barf, another, in “Dinkese,” the mother tongue of the Jawa-esque Dink Dinks. Unfortunately, the Blu-Ray edition does not markedly improve the picture quality that was found on the 2005 DVD release of Spaceballs .  There are still notable visual blemishes, including artifacts that resulted from poor video compression. Still, the dual Blu-Ray/DVD package is worth buying if only because the menus included on the new DVD release are more interactive and the features they include are more impressive than the last time around. Other Trivia: The new 25th anniversary Spaceballs Blu-Ray is loaded with new special features. If you’re a dedicated Mel Brooks fan — even one who lost faith or interest after Robin Hood: Men in Tights and Dracula: Dead and Loving It — you’ll probably get a big kick out of the jokey introduction he recorded to the film’s original trailer. Brooks’ audio commentary track is also worthy, even if he is more than a little full of himself after the wild (and not entirely deserved) multi-platform success of The Producers . Compared to the meager 2005 DVD release, which came with a making-of featurette and a skimpy souvenir booklet, Sony’s 25th anniversary Blu-Ray release is a much more comprehensive presentation of the film. Simon Abrams is a NY-based freelance film critic whose work has appeared in The Village Voice, Time Out New York , Vulture and Esquire . Additionally, some people like his writing, which he collects a t Extended Cut . Follow Movieline on Twitter .

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Spaceballs On Blu-Ray: 25 Years Later, The Schwartz Is Still Strong In Mel Brooks’ Star Wars Spoof

Paulina Gretzky Flashes The Five Hole

I don’t know about you, but I’m liking that Paulina Gretzky is starting to get all kinds of hottie attention. I’m a little surprised that she’s this hot though. I mean her mom was a model, so that half makes sense, but her dad Wayne looked like Princess Diana when he was younger and kind of looks like an old woman now. I’m impressed she turned out this sexy. Here she is giving us a sweet look a her five hole while she gets out of a car. Look it up, it’s a hockey reference. Duh!

Hapless, Incoherent Gymkata Earns Gold for Unintentional Laughs

With the world in the thrall of another Olympiad, it’s time to dig up an appropriately athletic title from the vaults. And given the disastrous performance of U.S men’s gymnastics team in London, I will be doing my part to salve that psychic wound by drawing attention to an even bigger acrobatic disaster: the 1985 film Gymkata . The late, legendary Wide World of Sports anchor Jim McKay was renowned for bringing us what he called “the human drama of athletic competition,” and in that arena, the Olympics rarely disappoint. Gymkata , on the other hand, fails spectacularly. The drama is non-existent. The athletic display is jackhammered into the storyline, and the performances can be said to be many things, but human is not one of them. This is a gold-plated disaster, and it is one worthy of display. What exactly is Gymkata? The movie’s tag line describes it as “The skill of gymnastics. The kill of karate.” In reality, it was MGM’s unintentionally hilarious attempt to cash in on the excitement behind the gold-medal-winning U.S. Olympic Men’s gymnastics team of 1984 by building a clunky action/adventure movie around a buff gymnast and a fictional form of martial arts. To those ends, the studio cast a once-promising athlete Kurt Thomas, to star in the picture. Thomas had been expected to win gold at the 1980 games in Moscow, but the United States’ boycott of those games scuttled those chances. I’d love to know what Thomas considers more disappointing: being denied his Olympic dream or his appearance in this movie. Handsome athlete in hand, MGM grafted on the action/adventure angle by optioning a pulpy 1957 novel, The Terrible Game , by Dan Tyler Moore, hiring an unproven TV writer Charles Robert Carner to script it and a chop-sockey film director, Robert Clouse, to helm it. All that was left was to slap an action mullet on Thomas and yell, “Action!” The movie begins with slow-mo footage of Jonathon Cabot (Thomas) performing on the horizontal bar, intercut with shots of stampeding horsemen pursuing a lone individual. This man is chased to a ravine and as he tries to cross by suspended rope he is shot with an arrow and plunges to his death. We learn that this was Cabot’s father, and soon Jonathon is being recruited by the U.S. government to join a new fighting corps because he’s needed to infiltrate the country of Parmistan — an Eastern-bloc nation, possibly known for its hard cheese — where the government wants to establish our satellite defense shield. Jonathon is told that once he infiltrates Parmistan, he needs to compete in a centuries-old contest called “The Game”, where the winner is rewarded with his life, and one request. His training is overseen by Princess Rubali, who is said to be an expert at The Game. This designation is dubious at best given that nobody has won The Game in 900 years. Cabot’s training is even more unconvincing, although highly entertaining. Walking up staircases on his hands turns out to be a key form of training, if only so that the camera can linger on Thomas’ crotch as he repeatedly practices this skill. Predictably, Cabot and the mostly mute Princess hook up and once he’s fully trained, then head to Parmistan, where faster than you can say “freshly grated,” they encounter trouble. The Princess is kidnapped, and Cabot engages in the first of numerous skirmishes using his newfound Gymkata skills. Thomas is also given plenty of opportunities to elude danger using a combination of vaulting, floor exercises and other gymnastic skills. And yes, things get even more ri-damned-diculous: In one scene, Cabot uses a crude pommel horse that he just happens to come across to dispatch a crowd of attackers as they come at hi in take-a-number fashion. Once, the Game portion of this train wreck gets underway, Gymkata becomes even more incoherent and contradictory. Despite repeated claims that there are strict rules to the Game, they are repeatedly ignored. And, at one point, Thomas undercuts his stoic leading-man aura by whining about how other contestants are cheating. Late in picture, Cabot learns that his father did not die from the arrow that found him at the beginning of the movie — only to see his pops take another shaft. “Just win,” father tells son before he drops for a second time. A climactic battle follows where Jonathon eventually snaps his opponent’s neck with his thighs of steel. The victorious Cabot rides into town with his still-breathing father, who apparently is harder to kill than the dismembered Black Knight in Monty Python and the Holy Grail . Jonny wins the Game, gets the girl and is reunited with his now sieve-like father, but the filmmakers can’t leave well enough alone. A title card then states the Ronald Reaganesque reason that the ending is truly happy: “In 1985 The First Early Warning Earth Station Was Placed in Parmistan For The U.S. Star Wars Defense Program.” If watching athletes who are more fit, skilled and graceful than you’ll ever be leaves you with a feeling of inferiority, then Gymkata is your remedy. If the flailings of a onetime Olympic hopeful trapped in a hapless, incompetent production don’t make you feel superior, they will at least make you laugh like a champion. Follow Movieline on Twitte r.

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Hapless, Incoherent Gymkata Earns Gold for Unintentional Laughs

Pixie Geldof Topless in Ibizia of the Day

I don’t hate the Geldof sisters as much as I used to…mainly because I just don’t care to hate anything…it takes too much work… They are just harmless rich girls doing their thing and the UK media happens to love following them around….because the UK Media are passionate about their celebrities and their daughters….so passionate that they were paid to kill Princess Diana by the Royal Family…… I don’t find them hot…or deserving of any modeling campaigns they land just because their dad is Bob Geldoff and their mom killed herself in 2000 on her fucking birthday…. If anything I find it obnoxious and taking opportunity away from actual hot girls who need the money and exposure, cuz they don’t have a ridiculous trust fund to finance a ridiculous life like these Geldoff girls…. But I do appreciate any bitch topless on a beach in Europe, even if tits are just tits, and not worth celebrating, especially these fucking tits that need a bit of work, but even if tits are just tits, I still like em…. TO SEE THE REST OF THE PICS FOLLOW THIS LINK

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Pixie Geldof Topless in Ibizia of the Day

Quentin Tarantino Tackles Slavery: ‘You’re Going to Want to Talk After’ Django Unchained

Re-writing the fate of Hitler’s Nazi Germany was just the start for Quentin Tarantino , whose American South-set spaghetti western Django Unchained , his follow-up to the Oscar-winning Inglorious Basterds , tackles another ugly moment in world history: Institutionalized slavery. But are audiences ready to process the tough reminder of America’s regrettable past that lies not-so-deep beneath the surface of Tarantino’s revenge Western? Tarantino and stars Jamie Foxx, Kerry Washington, Christoph Waltz and Walton Goggins hit Comic-Con to share footage from Django Unchained , the tale of a slave (Foxx) freed by a bounty hunter (Waltz) who sets off to rescue his wife from a Southern plantation owner (Leonardo DiCaprio). While grindhouse-esque violence , a bright pop canvas, an oily and evil DiCaprio, and Tarantino’s encyclopedic affinity for the genre have already made Django one of the most anticipated films of the year, deeper reflections demanded by the s-word — slavery — could make Django a real socio-historical conversation-starter. “When I read this script the first time I thought, this was going to start a revolution,” recalled Goggins, who filmed his part as Billy Crash, Candie’s right hand man, during time off from TV’s Justified . “Not necessarily people in the streets, but an inward revolution. I think it’s going to play a significant part in race conversations. I keep saying this over and over again: Make your dinner reservations now, because you’re going to want to talk after this movie.” In the film, Foxx’s Django is freed from bondage on the condition that he help Waltz’s Dr. King Schultz hunt down a pair of sibling outlaws, a set-up that allows Django to literally cast off his shackles and start kicking ass in retribution. But while Foxx seems to acquit himself quite while in the first promos, he points to castmate Washington for her bravery in the face of some of the film’s most difficult scenes. Between takes of a scene in which Washington is lashed, Tarantino piped in a song by gospel singer Fred Hammond through on-set speakers per Foxx’s request. The actor recalled the emotional scene. “The song was, ‘No weapons formed against me shall prosper,’” he said, singing the melody. “When that song was playing, one black lady [extra] from New Orleans who had never been on a set before, I see her hands go up like this. And I see her rocking back and forth with the child that she was standing with… You’ll see it on screen. You’ll feel it.” Washington, meanwhile, found strength within the love story at the center of Django (which reunites her with Foxx, who played her onscreen husband in Ray ). “One of the things I loved about this character is that she exists in a time when historically, black women were of a necessity independently strong, and the breakdown of the black community in order to maintain slavery began with the breakdown of the black family,” she said. “I loved that this film is about two people who, even though they exist in a time when in our Constitution they’re only 3/5 a human being, they so believe in their own humanity and so believe in the love that they share and their illegal marriage that they risk life to find each other.” While Washington’s Broomhilda isn’t the kind of action-oriented leading lady of Tarantino’s previous films, she marks a different kind of cinematic milestone. “The fact that Broomhilda gets to be the princess in the tower that gets rescued by her man in a way that kind of reclaims black marriage and black love, to me, is a different kind of strength,” Washington said. “I felt like the black woman as the princess in the tower who’s rescued is an archetype we haven’t been able to enjoy.” Diving into the themes and world of the antebellum South was tough for everyone on set, Goggins admitted. His Billy Crash — a “mandingo fight trainer extraordinaire” on Candie’s plantation — serves as one of the film’s antagonists, and required Goggins to go to some particularly ugly places in character. “While liberal Walton didn’t have anything to apologize for, I began every take with an apology because these are my friends, outside of what it means to a race of people and to everybody,” he said. “It’s not easy. It’s awful to say these things, but you’re in the service of something much greater than yourself and you’re telling a piece of history that is the biggest blight on our history as a country, and it needs to be retold.” Django Unchained hits theaters this Christmas . Read more from Comic-Con 2012 here. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Quentin Tarantino Tackles Slavery: ‘You’re Going to Want to Talk After’ Django Unchained