I hate Nicki Minaj. Her music is shit. Her concept is shit. Her body is shit and her execution is shit. She’s some trained actor who wanted to be famous and who managed to use that shit in what is seemingly a comedy act that people take seriously….not an actual art or high concept thing she’s put together that comes from the depths of her soul…She’s the fucking equivalent of a hired clown at a shitty kids birthday party hall….all loud and stupid with an equally raped soul. She tries too fucking hard, looks fucking stupid in the process…She can’t be taken seriously….she must be put out of her misery….take her out back on Old Yeller the bitch….even if she’s showing panties I am too irritated by to remove with my mouth….so I know she’s bad news. TO SEE THE REST OF THE PICS FOLLOW THIS LINK
Ever have that feeling where you wish the flour in front of you was actually anthrax? Well, you will now. I’d like to believe that Kim Kardashian was attacked, because the world thinks she’s vapid, useless, materialistic, spoiled trash that is totally full of her fat self that happens to also be full of cake. You know becaue I’d think, finally, people are making moves like they would have years ago, to make shit the media feeds us disappear by humiliating them. But I know that these cunts, the entire family of cunts, are too into the getting attention game, all shameless as fuck, and willing to humiliate themselves in the process….pretending to be so hurt, disrespected, humiliated, when they don’t ever feel those emotions cuz they are too in love with themselves…. That said, if a real person did pull this off, and I doubt they would ever get that close to a celeb on a red carpet to pull this off, unless it was an inside job….I give them props….but next time use something more fatal…or debilitating….It’s not a good prank unless someone ends up in a coma…..especially if that person is the dreg of society. To See the Pics of her Crying Follow This Link
Welcome back to the Tournament of THG Couples Edition, where THG’s readers cast their votes and help us determine the best celebrity couple ever. The concept is simple: Pick your favorite pair in the poll below. Done. It’s all come down to the finals . Our #1 seeds, Robert Pattinson and Kristen Stewart, up against #7 seeds Miley Cyrus and Liam Hemsworth, for the crown. Robsten has yet to be seriously tested, while Miles and Liam have cruised since a tough first-round fight with two hot Vampire Diaries co-stars. Who will emerge as our top celebrity couple? Only time – and your votes – will tell. The winner will be announced at week’s end. Have at it!!
It’s totally on between… Jon Hamm and Kim Kardashian?!? The Mad Men star made headlines this week for telling Elle UK he was baffled by a society that rewards ” being a f-ckin idiot ,” specifically referencing Kim Kardashian and Paris Hilton in the process. Now, the reality star has responded via Twitter, writing: “Calling someone who runs their own businesses, is a part of a successful TV show, produces, writes, designs, and creates, ‘stupid,’ is in my opinion careless. “I respect Jon and I am a firm believer that everyone is entitled to their own opinion and that not everyone takes the same path in life. We’re all working hard and we all have to respect one another.” It should be noted that Kim posted this message not long after also posting the above photo of her cleavage. Choose a side in this mini feud:
Sanchez’s take on Whitney Houston’s ‘I Will Always Love You’ brings down the house as the guys tackle Stevie Wonder. By James Montgomery Jessica Sanchez on “American Idol” Photo: FOX “American Idol” swung for the fences on Wednesday night — and we’re not just talking about Steven Tyler’s decision to wear his Roy Lichtenstein pants. The girls tackled Whitney Houston songs (borderline blasphemy?) and the guys did Stevie Wonder, and, after two hours of performances that ran the gamut from “startlingly great” to “shockingly unhinged” — with the majority falling somewhere in the middling middle — well, perhaps it’s best if producers reined it in a tad. Still, there were some highlights (Jessica Sanchez!), and with eliminations coming Thursday night (March 8) — though, in classic late-era “Idol,” they’ve added some unnecessary wrinkles to the proceedings — here’s our grades for the Top 13. Who passed with flying colors? Who flunked out in flaming fashion? Read on to find out! Jessica Sanchez: Showed some major stones taking on the Whitney song to end all Whitney songs, “I Will Always Love You.” Was maybe a touch too melismatic, didn’t quite get there at the end, but still … dang, girl. Tears and standing ovations both richly deserved. Grade: A Hollie Cavanagh: Pint-sized powerhouse delivered the goods on “All the Man That I Need,” including hitting that big, big note at the end. Showcased range, control and power — all that’s missing is some personality. J.Lo sees her going all the way to the finals, and if Cavanagh keeps singing like this — and loses the nerves — she might be right. Grade: B+ Joshua Ledet: Ventured outside his comfort zone with a strutting, cutting take on Stevie’s “I Wish,” and took us all to church in the process. It was a bit screechy in parts, but he made up for it with amazing hand gestures and newfound confidence. Quoth Randy: “You wore it out!” We’d have to agree with that assessment. Grade: B+ Skylar Laine: The fact that she’d never sung Whitney is not nearly as shocking as her newfound dark-horse status. She took on “Where Do Broken Hearts Go,” and though it started out a bit nasally (and sleepy), she picked up speed and ended up more or less killing it. “Biggest moment of the night,” J.Lo said — of course, that was before Jessica Sanchez. Grade: B Heejun Han: He proved to be equally adept at both humorous tweets and gross misspellings of celebrity names (seriously dude, it’s “I-O-V-I-N-E”). His stripped-down take of “All in Love is Fair” was shaping up to be a slow-mo disaster, but he turned it around, and ended up putting his own silky smoove touch on the tune. We could do with less of his shtick, but the dude keeps delivering … and flirting with J.Lo. Grade: B Colton Dixon: Of course, was more than willing to take Jimmy and MJB’s advice to perform one of his own songs, and, of course, it was super wussy. He ended up doing “Lately,” which somehow managed to be both a tad flat and pitchy. Of course, only Randy seemed to notice. Girls seem to like his smoldering looks, which means he’ll stick around. Grade: B- Erika Van Pelt: Mary J called her tone “steak and potatoes,” though her take on “I Believe In You and Me” was more Lean Cuisine. Spotty at the beginning, she pressed on, and ended up with a fairly legit — if slightly bland — performance. It gave J.Lo goosies, which makes you wonder if they had the air conditioner cranked up too high. She earned a nickname from Seacrest (“EVP”), so she seems safe. Grade: B- Jeremy Rosado: Jer Bear put a sultry, supple spin on Stevie’s “Ribbon in the Sky,” and, in the process, made the most of his second chance. Sadly, Randy though it was lacking in “swag.” Can we retire that phrase yet? Middling reviews from the judges didn’t do him any favors. Grade: B- Phillip Phillips: His night-closing “Pimp Spot” turned out to be not so pimp, since he had to follow Jessica Sanchez. From the minute they announced the guys were doing Stevie, I knew he was doing “Superstition,” and lo and behold, he did just that. It was swampy, sorta scatty, and also sorta anti-climactic (and scary). Steven said he had a lot of “forget about it” in his voice … don’t worry, we already have. Grade: C Deandre Brackensick: Skanked his way through “Master Blaster” and showed off his ill falsetto. It was sort of forgettable, yet also kind of fresh at the same time. We’re glad Steven made the Naima comparison, since we didn’t think we were allowed to go there. Irie! Grade: C Jermaine Jones: The Gentle Giant’s baritone was on full display with “Knocks Me Off My Feet.” It started sort of bland, picked up steam toward the end, yet never truly seemed to connect. Quoth Steven: “That song fits you like an Armani suit” — that’d be a gigantic suit. Jones described his performance thusly: “I think I did a pretty good job.” OK, dude. Grade: C- Elise Testone: Ooof. Early attempts at “The Greatest Love of All” earned her the stank face from MJB, so (seemingly against her will) she ended up doing “I’m Your Baby Tonight.” The end result was a near catatonic, downright uncomfortable performance. Randy said she was “Boxing with the song,” and, well, she got knocked out. She seemed to come unglued during Seacrest’s post-performance interview, and for someone who claimed “there’s no excuse” for her spotty stint, she sure made a lot of excuses. Grade: D- Shannon Magrane: Seacrest introduced her as “The pride of Tampa,” though, after this debacle, he probably wants to reconsider that assessment. She did “I Have Nothing,” which was a pretty apt metaphor for her entire performance. Sure, she’s got a big voice, but she was swallowed up by the size and emotional wallop of the song itself — you know, because she’s 16 or whatever. She tried to power her way through, but ended up just sort of shouting. If Erika Van Pelt is “EVP,” she’s “NVG” — not very good. Grade: F Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season 11 Top 13 Contestants
Ashley Olsen retired from eating a long time ago. But in the latest issue of Elle UK, the former Full House star says she’s also giving up the business that made her famous. And a billionaire. “We worked non-stop until we were 18,” Ashley says of herself and her twin. “Then we decided to take a break and go to school – and that was when we decided to question whether we would carry on in entertainment. It was time to step behind the process. I wanted to work on other things.” And now? The 25-year old is content to remain away from the camera, she says, concluding: “It doesn’t mean I’m not interested in Hollywood, I like the way it operates and the people who are involved and the sense of possibility. But if I ever do get back in, it’s not going to be as an actress. It just felt right to move away.”
Reed Grimm kicked off the first live American Idol show with serious energy. Or serious drumming, we should say. Indeed, the confident contestant didn’t just show off his Jagger-like moves in this Adam Levine cover; he also demonstrated his versatility – drawing comparisons to Casey Abrams in the process – by moving around on stage and taking on a drum set at one point. It was different and entertaining, that’s for sure. Was it on par vocally with Phillips Phillips ? No. But we expect Grimm to advance to the finals. Will you be voting for him? Reed Grimm – “Moves Like Jagger”
“Patience attains everything it strives for.” -Anon Its natural to feel anxious about something you really really want, but its still important to practice patience. Doubt produces delay but faith combined with patience can turn your dream into a reality. Trust the process and know that YOUR time will come!
“Patience attains everything it strives for.” -Anon Its natural to feel anxious about something you really really want, but its still important to practice patience. Doubt produces delay but faith combined with patience can turn your dream into a reality. Trust the process and know that YOUR time will come!
New to the distribution arena, Alamo Drafthouse co-founder Tim League became enamored of a small Belgian crime drama called Bullhead at the 2011 Cannes Film Festival. Less than a year later, he and his Drafthouse Films operation have an Oscar contender on their hands. Not too shabby for a company younger than the Obama administration. Bullhead , from first-time feature director Michaël R. Roskam, centers on a contemptuous, troubled cattle farmer who is dragged into Belgium’s bovine hormone mafia underworld. Lead actor Matthias Schoenaerts (pictured above) packed on 60 pounds of muscle for the complex, acclaimed role. The film made such an impression at Cannes that League lobbied “fiercely” to include it in the lineup for his venue’s annual Fantastic Fest, despite its wide perception among viewers and industry alike as a sci-fi/horror/Asian genre showcase. “We had to really convince them to show it at the festival,” League told Movieline in a recent interview. “And it was after the festival and the great response that it had from our audience that we decided we wanted to make an offer on it for the label.” “The label,” of course, is Drafthouse Films, a venture that grew out of the festival, which itself had been an evolution from programming the Alamo Drafthouse Cinema — the Austin-based theater chain that League co-founded with his wife, Karrie, in 1997. The impresario saw distribution as a natural next step, commencing in 2010 with director Chris Morris’s suicide-bomber satire Four Lions . “We realized that a lot of these films really didn’t have an opportunity to find a great home for U.S. distribution,” League said. “So we thought we were building an audience with the festival and we might as well build a label to walk alongside it with the same sensibilities.” (Incidentally, Four Lions had closed Austin’s flagship film fest, South by Southwest, six months earlier.) For its second release, the distributor gave Bullhead a U.S. home and entered the Foreign-Language Oscar race in one fell swoop. “We really loved Bullhead , and there was just a strange set of circumstances that fell into place where we expressed our interest, and before we had the contract done it was Belgium’s official entry to the Academy Awards, which kick-started the process,” League said. “But even still, we knew we were a long shot. It’s been wild to see it fall into place.” The Drafthouse team was at Sundance last month when the good news came through. “We were watching the announcement live on television,” League said. “And we got the nomination, and we celebrated and had a glass of champagne, then everybody just hunkered down at their computers for about five hours and set a lot of wheels in motion. We had to put the trailer together, the poster together, the ad campaign. We had to hire a bunch of folks to help us out with the process.” Those hires were made from preparations the team had already done for the film’s distribution, but the nomination sped up the process. Drafthouse Films plans to release six films a year theatrically and on VOD, but it isn’t following a set model each time. It has three films planned for this year so far: Bullhead , the subversive comedy Clown and SXSW favorite The FP . Meanwhile, League admits Bullhead is an underdog at the Oscars — particularly against A Separation , the Golden Globe-winning Iranian film that’s also up for best screenplay. Nevertheless, he says, it’s a category that has seen upsets and surprises. The Drafthouse team will be in Los Angeles to support the film on Feb. 26, throwing a Bullhead party on Oscar night. “Win or lose, we’re super happy to be a part of it,” League said. Bullhead will be released in New York, Los Angeles and Austin on Feb. 17, with further expansion to come ahead of the Oscars.
