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Project Runway Season 7 Episode 9 – Takin’ It To The Streets (Online Streaming Video Link)

Watch Project Runway Season 7 Episode 9 – Takin’ It To The Streets . The 9th episode of this 7th season that aired 03/19/10, Friday at 10:00 P.M. on Lifetime. Project Runway’s new episode is entitled “Takin’ It To The Streets” has our remaining designer pit it off against each other in tonight’s design challenge of taking it to the streets where they should make new designs that better suits the street life as challenges that leads to the road towards fashion week gets tougher. Watch the latest episode of our favorite designer search show brought to us by Lifetime. Watch the full latest episode of Project Runway replay online for free. We have provided the links for you where you can watch it online streaming or download it for your collection, it is located above the image and below this sentence in blue font. Watch Project Runway S7E9: Takin’ It To The Streets Project Runway Season 7 Episode 9 – Takin’ It To The Streets (Online Streaming Video Link) is a post from: Daily World Buzz Continue reading

World Water Day: Make Your Voice Heard!

World Water Day will be held on March 22. To mark the date, the Pulitzer Center is teaming up with the writers’ site Helium and some of the world’s most influential water advocates and NGOs to present a World Water Day writing contest. We want to hear your voices on the world’s greatest public health crisis: Inaccessibility to safe water. Some 1.1 billion people lack reliable access to safe water that is free from disease and industrial waste. And 2.6 billion do not have access to adequate sanitation facilities. Approximately 4,500 people die everyday from waterborne diseases – more than from HIV-AIDS, malaria, and tuberculosis combined. These are among the issues addressed in Downstream, the Pulitzer Center’s interactive web portal dedicated to global water issues. To learn more about these water-related issues, you can also view Water Wars here on Current. Produced by the Common Language Project in collaboration with the Pulitzer Center, Water Wars are multimedia reports that focus on water scarcity and climate change in Ethiopia, Kenya and Uganda. Now, the Pulitzer Center is seeking to spur public debate by asking: Inadequate access to safe water and sanitation claims 4,500 lives a day. What should we do about it? This is an opportunity to have your ideas – and solutions! – showcased to thousands of readers. To submit your essay visit the Pulitzer Center website. All entries will be shown on the Helium and Pulitzer Center sites. The winner, selected from the 10 entries judged best by the Helium community, will receive a Pulitzer Center Citizen Journalist Award. The deadline for the World Water Day Writing Contest is Wednesday March 31. The Pulitzer Center Citizen Journalist Award for this contest will be announced on Friday April 9. added by: PulitzerCenter

The Discovery channel and A&E in frantic race to land Sarah Palin’s reality show. WTF?

Two cable networks are bidding on the reality show Sarah Palin is pitching about Alaska. According to Variety, it’s come down to A&E and the Discovery Networks, companies that recently butted heads over the launch of two shows on Discovery’s TLC that appeared to knock off A&E’s highly rated “Intervention” and “Hoarders.” You know

Books Are Dead (Books Are Not Dead)

Viral marketing at its best. Except for the cliche upbeat guitar riff for the second half. That almost made me want to burn like ten books. Watch

Dogs Dressed As Lady Gaga

Photographer Jesse Friedin has started The Doggie Gaga Project . It is amazing. View

The Spy Who Wronged Me: The New York Times’ Messy Entanglement With an Ex-CIA Operative [Spooks]

The New York Times reported this morning that an off-the-books intelligence operation may be assassinating people in Pakistan with the help of a sketchy former spook—the same guy that the Times hired to save reporter David Rohde ‘s life. Dexter Filkins and Mark Mazzetti’s Page One story on a secret contractor-run intelligence program in Afghanistan and Pakistan offers a weird view into the intersection of the media business and the world of spycraft, not to mention the hazards of a newspaper like the Times hiring a private army led by an arguably crazy ex-spy. The story recounts the development of a “network of private contractors in Afghanistan and Pakistan to help track and kill suspected militants” that operated under the cover of “a benign government information-gathering program,” and Mazzetti and Filkins refer darkly to the involvement a legendary former CIA operative named Duane “Dewey” Clarridge as evidence that something was fishy about the whole thing. They describe Clarridge as “a former top C.I.A. official who has been linked to a generation of C.I.A. adventures, including the Iran-Contra scandal,” which is a nicer way of saying Clarridge was involved in the illegal mining of Nicaraguan harbors and indicted in 1991 for lying to Congress about arms shipments to Iran (he was pardoned by President George H.W. Bush in 1992 ). Clarridge is a legendary old spook in intelligence circles, and the Times says the Defense Department official who ran the program “would occasionally brag to his superiors about having Mr. Clarridge’s services at his disposal.” As the story discloses, the Times once also had Clarridge’s services at its disposal. He was hired, through his employer American International Security Corporation, in 2008 to secure the release of kidnapped Times reporter David Rohde from his Taliban captors in Pakistan. When Rohde was first kidnapped, the Times and its insurer AIG sought out a security firm called Clayton Consultants to handle the case. Clayton’s strategy, and expertise from prior cases it had worked on, was to negotiate a ransom. But after negotiations stalled, Rohde’s family became anxious and insisted that the Times pursue a dual-track approach: Clayton would continue the ransom route, but the Times also hired AISC and Clarridge to prepare a paramilitary snatch-and-grab operation. A team assembled by Clarridge was at one point suited up and ready to assault a location where they believed Rohde was being held, according to New York magazine , but the operation was called off at the last minute. Rohde and his translator Tahir Ludin eventually escaped on their own in June of last year. But Clarridge soon began causing headaches for the Times . He freely talked to reporters off the record—ABC News’ Brian Ross is said to be in regular contact with him—and began spreading rumors that the story of Rohde’s escape was a sham. Ross and New York both reported that contractors hired by the Times had paid bribes to Rohde’s guards , contradicting the Times ‘ claims that it had paid no ransom and suggesting that Rohde’s escape was a planned operation. According to one contractor who worked on Rohde’s case, Clarridge was inflating his role in facilitating Rohde’s escape in an effort to justify AISC’s enormous fees. The contractor says Clarridge routinely supplied inaccurate intelligence about Rohde’s whereabouts—on the day Rohde escaped from a safehouse in Miram Shah, Waziristan, the source said, Clarridge was claiming that he was being held in an entirely different location. The rumor campaign against the Times culminated in a series of Twitter posts by independent warblogger Michael Yon, who caused a stir in November by writing that “ex-CIA officers helped pay off release for Rohde” to the tune of “millions” of dollars. Yon’s claims attracted a flurry of attention, and Rohde responded that he would “never have written a five-part series [detailing his captivity and escape] based on a lie.” In December, in response to inquiries from Gawker, Rohde wrote that “money was paid to individuals who claimed to know our whereabouts, but I do not believe that the guards who lived with us were bribed. As I have repeatedly said, our guards did not help us during our escape. In addition, no one has been able to name the guards who lived with us.” According to one Times insider, the paper suspected Clarridge was behind the rumors and confronted him, but took him at his word when he denied it. “There’s no ill will toward Clarridge,” the insider says. “Getting accurate information out of the tribal areas is extraordinarily difficult.” But another source familiar with Clarridge’s involvement in the Rohde episode says the Times was furious, and threatened in December to withhold payment from AISC, claiming that the leaks and rumors constituted a violation of the contract. AISC, the source says, was considering legal action against the paper. The tension seems to have defused, however. Reached at his home in California, Clarridge told Gawker that the Times and AISC “came to some sort of a negotiated settlement,” before declining to answer further questions for the record. A Times spokesman says “We have no billing dispute with AISC, and AISC has no billing dispute with us.” And the Times insider insists that the dispute was “about money and hours,” not any involvement Clarridge may have had with the bribery rumors. Clarridge, who is in his late 70s, is a strange man, and has a reputation among reporters who have spoken to him of making outrageous and contradictory statements. In September 2009, he sent a political screed via e-mail to a wide contact list under the subject heading “Senator McCarthy Was Right.” In it, he complained of the influence of “far left vermin (FLV) as they are known in the bug business” and hailed the imminent right-wing insurrection: “We won the Cold War; now we will win The War of the Authoritarians, which will be a civil war in the USA and such catastrophes are always exquisitely nasty.” The prospect of the Department of Defense hiring an indicted perjurer who advocates “civil war in the USA” to run an off-the-books intelligence operation is strange enough without adding in his prior ugly entanglement with the New York Times . The fact that it was the Times itself who blew the lid off his involvement makes the whole thing unbelievably incestuous. (The Times insider, for what it’s worth, says the story was not motivated by a vendetta against Clarridge: “He came up very late in the reporting, and once he did, we had to put him in there with a disclosure of his previous involvement with the Times.”) The program started with an idea from, of all people, former CNN executive and Sharon Stone-dater Eason Jordan . He proposed a DOD-funded web site, similar to his post-CNN project Iraq Slogger, that would cover Afghanistan and Pakistan. The DOD loved the idea and funded it to the tune of $22 million, but the money was diverted, the Times says, to the secret intelligence network by Michael Furlong, a DOD official and former Air Force officer with “extensive experience in psychological operations.” Jordan’s web site, Afpax, did get off the ground, but he says he only received two slight payments from the DOD funding the work. The rest of the money allocated for the project went somewhere else—presumably to the secret network. It wasn’t Jordan’s first run-in with psy-ops. While he was in charge of newsgathering for CNN, he invited active duty psy-ops operatives with the Army to intern in CNN’s Atlanta headquarters . “Psyops personnel, soldiers, and officers, have been working in CNN’s headquarters in Atlanta through our program ‘Training With Industry,'” an Army spokesperson admitted in 2000. The program was immediately discontinued once people figured out that it’s not such a good idea to invite professional liars to help deliver cable news and study how to better lie to news organizations. So he probably should have known better.

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The Spy Who Wronged Me: The New York Times’ Messy Entanglement With an Ex-CIA Operative [Spooks]

50 Cent Says His Black Magic Album Has ‘A Totally Different Vibe’

‘I won’t allow myself to be placed in a box,’ he says about ‘uptempo’ next project. By Shaheem Reid 50 Cent Photo: Stephen Lovekin/Getty Images 50 Cent is back in music mode. He’s been touring overseas with the G-Unit for about a month, and over the weekend, 50 revealed to a Norwegian news outlet that he had been back in the lab making songs for a new LP called Black Magic. Fif said he was inspired by listening to music in Bergen, Norway. “I went to a nightclub afterparty,” 50 told reporter Jonas Pettersen . “It’s a little different music going on before I got there. They play your music when you come. But the music they played before they started playing a lot of what I created was more uptempo, more dance. I wanted to make a song like that. So I went into the studio. Because I’m traveling with my live band, I took my band with me and sequenced it and recorded the actual record while I was out there. I did two other songs I had production for. I had been writing those songs for a while. So I finished them and recorded them while I was out.” Fif said his new album will not sound like his previous work. “New Black Magic project, I’m excited about it,” he said. “It has a totally different vibe. I won’t allow myself to be placed in a box when I can only do one style or one kind of music. They should expect the unexpected on this project. It’s good. If they can understand how I enjoy different genres of music and different styles; for the people who have various tastes in music, they’ll really like it.” While there isn’t a release date for Fif’s new work, G-Unit members Lloyd Banks and Tony Yayo say they’ll drop independently as early as June. “I’m aiming towards summer,” Banks recently told Mixtape Daily. “Mid-summer, late summer. I won’t drop an album until I feel the buzz — you know, as an artist, when you feel it. I’m working independent. Everything they’ve heard the past year has come out my basement, including ‘Beamer, Benz or Bentley.’ When you first come on as a new artist and you hot and you got a buzz, you could sell doo-doo on a stick. The label makes you feel like they did it, when they just called their boy and dropped the record off. “Now it boost my confidence when I know I can make a record in my crib, send it out and receive finances from it,” he added. “Whenever it’s through iTunes or whatever other outlet you have, I’m happy with it. I’m not gonna rush it, though. If it came out after this year, it wouldn’t matter to me, as long as it’s the product people expect.” “We gonna drop it independently,” Yayo told Mixtape Daily. “We not on Interscope anymore. I feel the stuff I went through on a major was nonsense. You make more money on an independent label.” Are you excited to hear new music from the G-Unit? Let us know below! Related Artists 50 Cent

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50 Cent Says His Black Magic Album Has ‘A Totally Different Vibe’

Wayne Brady Gives Back

http://www.younghollywood.com Celebs come in full force to lend their support to Melanie Segal’s I Heart Haiti Project during Oscar weekend. We get thoughts from Wayne Brady, Verne Troyer and Entourage’s Jordan Belfi about awards seasons and we hear their take on the proper acceptance speech. Hosted by Michelle Marie. Distributed by Tubemogul. Ranked 3.32 / 5 | 2880 views | 0 comments Click here to watch the video (04:18) Submitted By: YoungHollywood Tags: Wayne Brady

Project Runway: Winning by a Hair [Recaps]

Project Runway is all about vision and delusion. The vision that the sponsors get to dream up a challenge. The delusion it will be interesting. The vision to have the bitchiest judges in the biz. The delusion they are enough. That’s right, the best part of last night’s episode was the judging. Yes, there were plenty of other excellent parts, but if you watch anything this week, it must be our final clip of Nina Garcia Marie Claire ‘s fashion director, withering one of the contestants with her criticism. But before we get there, first those cackling fashion barristers must have something to rule on, hence the challenge. As happens every year, the Garnier Paris Hair Salon gets to engulf the whole entire show and make up some sort of challenge. This year they wanted the designers to make something based on one of the four elements: earth, air, fire, and water. They did not get to use “heart,” the lost fifth element, because Heidi Klum is deathly afraid that Captain Planet will show up and steal her thunder. The challenge was introduced by Garnier head stylist Philip Carreon, who is the human equivalent of something you would stuff in the overhead compartment. He is going to make a signature hair style for each one of the designs, because they don’t already do this every week and it’s so boring we barely see more than 30 seconds of it. Really, it’s not a bad challenge, but the corporate pandering is always one of the: Things We Hated : Speak Up Little Snoozy : Maya is a good designer. She is also a low talker and kind of boring. Other than her intimate chats with her bang clone Mila, we really don’t know that much about her, but we’re curious. She’s like the pretty girl who sat in the corner of your home room who you always ignored and then the last week of senior year you realize that she’s really sexy and mysterious and take her out for a few dates, but she’s going to Sarah Lawrence early, so you have a torrid two week affair before she is off to the land of the lost forever. (And speaking of Maya, she was the only remaining designer not to show at Fashion Week. Many of us assumed that meant she’d be kicked out weeks ago. I asked a rep at Bravo why she didn’t have a collection but was still on the program. The rep said, “Just watch the show!” We hope that means there is going to be something crazy like she gets disqualified for copying other designers or something.) The Laughter of Children : Jonathan, who chose “air” when selecting their forced elemental muses says his real inspiration, “isn’t air, it’s laughter.” Oh Jesus. That is some modern dance Martha Graham bullshit right there. It’s bad enough that you are being forced to have an intangible direction to design in, but to make it even more abstract is totally stupid. Also, if laughter is your inspiration, then you aren’t following the rules of the challenge and we know how the judges feel about that. Too bad his dress was stunning or we’d really rip into him. Dead Man Calling : Showing a designer talking to his family on the phone means he is going home. Period! Every time it has happened this season it ruins the suspense of the rest of the episode because we know who loses. These calls rarely tells us anything about these people other than that they miss their families (and who wouldn’t!) and now you went and ruined the ending for nothing. You Can’t Say “Tits” on Cable : Really? It’s 10pm on a channel dedicated to ladies and their vitamins and you bleep out “tits?” In 2010? Is it really that offensive? Tits, tits, tits, tits, tits. Old Hollywood Glamor : Remember how we just said we wished Maya would speak up some more? Scratch that, because she went and said her look had “old Hollywood glamor.” This is the worst phrase to ever be used to death on Project Runway . Not only was there nothing Grace Kelly about her ensemble, but the phrase is just short hand for creating something that is a retro knock off of something that people did better in the past. Innovation does not come from channeling history, it comes from co-opting and subverting it and jargon won’t convince people otherwise. Shut Up, Models : Next to “old Hollywood glamour,” this is my least favorite thing on the show. It’s not called Project Wearability . It’s not called Project Have an Opinion . It’s not called Project Let’s Ask Skinny Beautiful People with Absolutely No Design Ability, Experience, or Training What They Think . If I were a producer, it would be called Project Ballgag . If we want to hear fleshy coat hangers saying ridiculous things, America’s Next Top Model is just a channel flip away. Things We Loved : Jay : He dresses like an Easter party on May Day. He says things like “We’re a Victoria’s Secret push up bra, we lift each other up.” He makes wonderful clothes. God, we love Jay. If being kooky and talented wasn’t enough, he finished his dress early and went over to help Ben, who was so far behind he was in danger of not completing his project. In the “I’m not here to make friends” world of reality television, this is the equivalent of giving a stranger a kidney. Way to step in and keep it classy, Jay. You are officially our new favorite. Don’t Play It Safe : Jonathan bitches about being in the middle every week so he never knows what the judges want from him. Does he play it safe? No! He makes a dress inspired by laughter. As stupid as we think that sounds, it was a great dress and a strategic move. Everyone has to establish themselves at some point, or they have no chance of winning. The folly of last season is that everyone just tried to make something good enough to get through, so we got a lot of boring and unexceptional creations. This week everyone got really ambitious which meant lots of angsting and scurrying around the Mood Fabrics Workroom, but also some really great work. Quality Not Quantity : Finally we have a handful of really talented designers. We know them all, we have some idea of their aesthetic, and we like several of them. This is the point in every season that we really love. Though Lifetime says it to create meaningless tension, really anyone could go home any week. The dead weight is gone and the talented risk takers are left, which means wonderful victories and defeats each week. This week, almost all of the dresses were competitive. It’s great when there’s not only tension about who goes home but over who wins as well. Getting a Peek : Finally Bunim/Murray productions have learned how to make this show! Last season, we never got to see anything the designers were working on before the runway. This season we get to see just enough so we have a hint if they’re in trouble or not, but we’re not shown so much that it ruins the surprise of the final show. A perfect, hard-to-find balance, and they’ve finally got it right. How Do You Solve a Problem Like Mila? : Finally, the judges turned on Mila. Even Nina Garcia Fashion Director of Marie Claire Magazine, who previously decided that Mila should win this competition. Mila stepped out of her mod, geometric, black and white style this week to make something new and thoroughly blase. We applaud taking chances, but showing something different—and bad—just showed the judges that she is incapable of doing anything but staying in her safe little three-month period of ’60s London that she has been designing for all season. Nina Garcia Fashion Director of Marie Claire Magazine Is No Longer Getting Laid : Last week, NGFDMCM was getting some and she was all sunshine and unicorns. This week, she apparently broke up with her boyfriend, and instead of giving us the unicorn, she is giving everyone the horn. She was practically cunty to all the designers. She ripped Amy apart, ridiculed Ben, and turned on her beloved Mila, who she has been verbally fellating since day one. Was it guest judge Roland Mouret , the saucy Frenchman who broke up with NGFDMCM? She wouldn’t even acknowledge him, which isn’t rare for her, but that coupled with an ire that was scorching even for her might give us a clue. Either way, we hope she never gets laid again, because we love this NGFDMCM much more than the horrible nice one from last week. Isn’t It Bazaar? : There are three things in this world that Heidi Klum loves: maternity dresses, boobs, and the adjective “bizarre.” Of all these things, the last is by far our favorite. To hear Heidi say “bizaaaare” (often accompanied by some crazy face) is like hearing the wind whistle across the top of the Grand Canyon. It is Lolita blowing on a bottle of pop. It is a roaring black hole of delight that sucks us in and spits us out covered in rags and stardust. In the end, Jonathan laughed his way all the way to the winner’s circle for his dress that looked like an ace bandage and a peach melba got stuck in a blender. Seth Aaron’s Matrix Goes Wild black leather look was also nice (we hate to admit Seth Aaron can make anything decent) and Jay’s swooshingly circular mingle of black, white, and gray that looked like the insides of a Dyson vacuum while in operation was ignored by the judges but not by us. Gay comic book artist to the stars Ben was sent packing for making an ill-fitting suit that looked like a jock strap had cancer and enveloped the model’s entire body. It was pretty bad. Amy also made some ridiculous contraption that was a straight jacket for Lady Godiva and all her hair. At least she failed interestingly. For more on her withering judging and some funny bits from resident jester Suzanne Sugarbaker, let’s have Captain Planet save our day with some videos. Underminers Context : Suzanne Sugarbaker (who mere mortals call Anthony) is making a dress inspired by the scorched carcass of his preacher’s house and is using darker colors than usual. Mila finds a way to look like she’s supporting him but really gets her digs in. Vision : If Suzanne wants to win, she needs to make something other than gem-hued samples from the Dynasty collection at Wal-Mart. Delusion : None of these people want you to beat them, Suzanne, and they will resort to dirty tactics. The world is too cruel for your smile. What Would Nina Say? : “All I see is black, which is the color of Roland Mouret’s soul.” Dramometer : 6 Under the Gunn Context : Tim Gunn is always right, except when he’s not. He tells Ben that it is right to make a suit even though he has never made one before. He gets sent packing. Vision : The judges will miss all the wonderful nuance of his creation. Delusion : This panel doesn’t miss a thing, especially when it comes to something as ugly as this. What Would Nina Say? : “The only thing I hate more than the crotch of those pants is Roland Mouret.” Dramometer : 4 Trash Talk Context : Jonathan and Suzanne are more worried about what everyone else is doing than their own designs. Vision : Amy is an insane crazy person making a dress for a club kid who is on an LSD drip. Delusion : Seth Aaron’s look is too hard. No, it’s only too hard for them to understand. What Would Nina Say? : “I love Seth Aaron’s leather blazer as much as I love Roland Mouret until he cheated on me with my assistant. Now I want to kill him.” Dramometer : 7 Runway Arrogance Context : Jonathan’s dress marches toward victory Vision : Ugh, laughter. Also, that he is god’s gift to design. Delusion : Jonathan, this is a great look, but it is not as amazing as you are making it out to be. What Would Nina Say? : “This does not give me pure joy. Sleeping with Roland Mouret gives me pure joy, and I don’t think your dress is quite as…prodigious.” Dramometer : 2 Back Talk Context : The judges are amazingly cruel to Amy’s concoction. It is awesome. Vision : We don’t know whose vision it was to hire these people, but it was a stroke of genius. The colorful insults fly and then NGFDMCM’s dismissive disgust takes over. Breathtaking. Delusion : Sorry, Amy, you had to know this was coming. What Would Nina Say? : You must, must, must see for yourself. Dramometer : 10!

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Project Runway: Winning by a Hair [Recaps]

Corey Haim Was ‘All Over The Place’ On Last Film, Producer Says

‘He was wild and he was all over the place,’ Miller Uwanawich says. By Larry Carroll Corey Haim Photo: Jason Kempin/ FilmMagic Since the news broke of Corey Haim’s death , many fans and curious onlookers have been interested in the status of the nearly dozen films he had in some stage of development around Hollywood. But in some ways, the most interesting of them may be a movie he was dismissed from — and the reasons why. “We cast Corey for the movie ‘DaZe,’ ” producer Miller Uwanawich remembered of the time he was planning to work with Haim in early 2008. “He was all great and wonderful … [then] he started having all of these wild requests — pills, to keep it bluntly,” the producer said. In case you’re wondering, yes — “DaZe” is indeed the same film that fellow recently deceased former child star Andrew Koenig would mark as his last film , and the same one that starred “Twilight” actor Jackson Rathbone. Recent interviews have had Haim’s agent Mark Heaslip insisting that the ’80s star had overcome his well-documented drug problems. But when Uwanawich was working with Haim shortly after he had filmed the second and final season of “The Two Coreys,” the producer said that he was struggling — and that struggle cost him his job. “He was always wanting us to come up with different meds,” Uwanawich explained. “This was pretty hardcore … Xanax , and there was some other stuff.” According to the producer, Haim would call him late at night and request that he procure the pills for him. “And I said, ‘Well Corey, you shouldn’t being doing that.’ But his mother was always like, ‘No, he needs it because of his back,’ and I said, ‘But in two days, he took 40 of them.’ “He was all over the place. He was wild and he was all over the place,” Uwanawich said of Haim’s mental state in those days. “I was trying to help him.” To make matters worse, Uwanawich said he had just vouched for the actor’s sobriety to the makers of a “Lost Boys” sequel. “I’m actually the one that helped him get that role; I talked to the people. He had the role, but they wanted to remove him from it,” he recalled. “He was fairly good at that time. Something in between happened, and he became what he became. “I started getting late-night phone calls from him and his mom looking for meds. And I was like, ‘No, this is not something I will do,’ ” he explained. “I will not get involved in this.” Soon afterward, Uwanawich notified Haim of his desire for a “mutual separation” for the project, a discussion that angered the star. “Let’s put it this way: I’m not surprised [to hear he died]. I’m not happy. I’m sad. For the little bickering we had, Corey was a nice guy,” the producer said, explaining that Haim’s casting set off a domino effect that led to Rathbone’s casting — and the finished film will be in theaters at the end of 2010. “I tried my best not to enable, but I should have tried to do more to help … I really felt this guy was not going to be around for much longer.” Related Videos Remembering Corey Haim MTV Rough Cut: Corey Haim Related Photos Corey Haim: A Life In Photos

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Corey Haim Was ‘All Over The Place’ On Last Film, Producer Says