Tag Archives: radio

Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Agreed, certain people should not be allowed access to firearms. Here's an example of one of those people. On his radio show yesterday, Ed Schultz was talking with his producer, James “Holmy” Holm, about Obama meeting with 20 of the nation's top CEOs that day. Also mentioned in the discussion was corporations holding back on $1.9 trillion in capital reserves. Such is the context for this alarming remark by Holm ( audio here ) — read more

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Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Agreed, certain people should not be allowed access to firearms. Here's an example of one of those people. On his radio show yesterday, Ed Schultz was talking with his producer, James “Holmy” Holm, about Obama meeting with 20 of the nation's top CEOs that day. Also mentioned in the discussion was corporations holding back on $1.9 trillion in capital reserves. Such is the context for this alarming remark by Holm ( audio here ) — read more

Originally posted here:
Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Agreed, certain people should not be allowed access to firearms. Here's an example of one of those people. On his radio show yesterday, Ed Schultz was talking with his producer, James “Holmy” Holm, about Obama meeting with 20 of the nation's top CEOs that day. Also mentioned in the discussion was corporations holding back on $1.9 trillion in capital reserves. Such is the context for this alarming remark by Holm ( audio here ) — read more

Read more here:
Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Agreed, certain people should not be allowed access to firearms. Here's an example of one of those people. On his radio show yesterday, Ed Schultz was talking with his producer, James “Holmy” Holm, about Obama meeting with 20 of the nation's top CEOs that day. Also mentioned in the discussion was corporations holding back on $1.9 trillion in capital reserves. Such is the context for this alarming remark by Holm ( audio here ) — read more

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Ed Schultz Producer’s Advice to Obama on Handling CEOs: ‘Put a Gun to Their Head’

Ed Schultz Indifferent to Westboro Baptist Protests – Until Elizabeth Edwards’s Funeral Targeted

Now they've really gone and done it as far as Ed Schultz is concerned. Speaking with Schultz on his radio show Thursday, Schultz's producer James Holm described plans by members of the Westboro Baptist Church of Topeka, Kan., notorious for their protests outside funerals of American soldiers killed in Afghanistan and Iraq, to stage a similar protest during the funeral of Elizabeth Edwards. The discussion between Schultz and Holm was preceded by Schultz gushing about Rev. Al Sharpton meeting with FCC officials in a thinly veiled attempt to censor Limbaugh for racial insensitivity. First, Schultz played a clip of Sharpton's remarks, not citing where they were stated, while Schultz brays his approval

Barbara Walters Edits Mark Levin’s Book From Palin’s Reading List Answer

On Thursday, NewsBusters made it clear that no matter how Sarah Palin answered Katie Couric's pathetic reading list question back in 2008, the liberal media were going to ridicule her. On Friday, this point was made even clearer when Mark Levin told his radio audience that Palin's answer to Barbara Walters' same question on ABC's “10 Most Fascinating People of 2010” was edited to remove his best-selling book “Liberty and Tyranny” (audio follows courtesy Right Scoop ): read more

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Barbara Walters Edits Mark Levin’s Book From Palin’s Reading List Answer

Ke$ha Reflects On ‘Really Intense’ Breakout Year

Billboard cover girl is the magazine’s Hot 100 Artist of the Year. By James Dinh Ke$ha on the cover of the December issue of Billboard Photo: Billboard She was overlooked by the Grammys, but Ke$ha dominated radio and the charts in 2010 with her Auto-Tuned electro-pop and a distinctive “garbage chic” style that had everybody talking. In the latest issue of Billboard, the party-girl pop star opens up about her whirlwind rise to the top, saying she has no regrets about her breakthrough year. “Are you kidding me? I pretty much feel like I’ve been reborn into this completely different existence,” the singer told the magazine when asked how life had changed for her. “My entire life has become making music and playing shows, and I love it. I’ve accepted the fact that my fans are now my family, and I won’t be having boyfriends. I’ll just be having a really amazing relationship with the radio.” The pop star said that although she “wasn’t clueless” about what fame might bring, it far exceeded her expectations. “It’s just not at all what I expected it to be like,” she said. “It’s really intense, more intense than I ever thought it would be.” Recalling paparazzi chasing her as she made her arrival at the 2010 MTV Video Music Awards, Ke$ha said, “I was having an anxiety attack, like, ‘I just wrote some pop songs, man!’ ” Ke$ha, who graces the mag’s cover wearing a crown as she pops a bottle of champagne, also talked about her big debut single, saying, “Sometimes I need to remind myself that ‘Tik Tok’ only went to #1 in January, because it kind of feels like it was 17 years ago.” The mag went on to ask if “Tik Tok” was the best way to introduced herself to the public. “I don’t know. We didn’t really know which song to come out with first,” Ke$ha said. “It was kind of a debate, because I didn’t initially come out as a rapper; I’ve always been a singer. So having my first single classified as kind of a rap song felt bizarre to me. But now it’s become something of a trademark, and it’s becoming more legitimate. I’ve talked to some of my favorite rap artists over the past year — artists who are idols — and they’ve given me mad props.” What was your favorite Ke$ha moment of 2010? Tell us in the comments! Related Artists Ke$ha

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Ke$ha Reflects On ‘Really Intense’ Breakout Year

Rachel Maddow: ‘I’m Not Here to Cheerlead for Anybody’. She’s a Drum Major Instead.

News organization or theater of the absurd? You decide. During an interview with her MSNBC colleague Ed Schultz on his radio show Nov. 30, broadcast from MSNBC studios in New York, Rachel Maddow said this about liberals in media — read more

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Rachel Maddow: ‘I’m Not Here to Cheerlead for Anybody’. She’s a Drum Major Instead.

Demi Lovato And Backup Dancer Close To A Deal, Lawyer Says

‘I’m fairly confident we will be able to resolve these issues,’ Alex Welch’s lawyer tells E! News. By Jocelyn Vena Demi Lovato and Alex Welch Photo: Getty Images After Alex Welch spoke out about her alleged altercation with Demi Lovato — noting that she had yet to receive an apology from the actress, who is seeking treatment for personal issues — comes news that both camps are close to a settlement to keep Welch from suing the Disney star. The dancer’s lawyer, Don Karpel, told E! News , “I have engaged in discussions with Demi Lovato’s attorney. I’m fairly confident we will be able to resolve these issues.” A rep for the actress confirmed the report as well, noting that “they did speak” about the matter. The rep added: “Demi’s attorneys have had an initial discussion with Mr. Karpel. They are exploring the possibility of an amicable resolution of this matter. We do not plan on making further public comments during this process.” Karpel claims that Welch suffered emotional and physical repercussions after Lovato allegedly punched her as well as “lasting physical damage,” which caused the dancer to consult with a plastic surgeon. E! reports that both camps began discussions Tuesday (December 7) after Welch, who was a dancer on the singer/actress’ tour with the Jonas Brothers, gave an interview implying that she would seek legal damages against the singer. Lovato’s camp reached out to Karpel after he shared that he would file a motion “in the next seven to 10 days” for alleged assault and battery. While it appears that the two are working to settle the situation, in an interview Monday, Welch explained she just wanted the “Sonny With a Chance” star to say she was sorry for the incident. “To this day, I haven’t gotten an apology. I’ve heard nothing,” Welch explained. “That’s sad if you think that person is your friend.” Related Artists Demi Lovato

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Demi Lovato And Backup Dancer Close To A Deal, Lawyer Says

The Damned Things Aim To Bring ’20-Foot Zombie George Washington’ On Tour

Hard-rocking supergroup features members of Fall Out Boy, Anthrax and Every Time I Die. By James Montgomery Scott Ian and Joe Trohman of The Damned Things Photo: MTV News Nearly three years ago, Joe Trohman and Scott Ian met up, drank a fair amount and started talking about — of all things — their mutual love for Thin Lizzy. That initial conversation was the de facto beginning of the Damned Things, their heavy-riffing, hard-strutting new band. Of course, back then, both men were still busy with their day jobs — Trohman as the guitarist of Fall Out Boy and Ian as the epicenter of thrash legends Anthrax — so rather than pursuing the idea of forming a group together, they simply recorded a demo and kept the project under wraps, referring to it only with a super-secret (and sorta-awesome) code name: Methuselah. As you probably know by now, in the time since those initial sessions, things have changed , which means that, as 2010 comes to a close, Trohman and Ian now have a full band (joined by FOB drummer Andy Hurley, Anthrax guitarist Rob Caggiano and Every Time I Die yowler Keith Buckley) and a brand-new album, Ironiclast, due next week. About the only thing that’s changed is the name of the project. Seems no matter how rad of a handle it might have been, Methuselah just wasn’t going to cut it. “It was a really a good name; we couldn’t use it for legality’s sake,” Trohman laughed. “There’d probably be some guy in a Florida trailer park that was like, ‘I was in Methuselah in the ’60s, and check out this band with these current dudes that I think are rich. That’s my money!’ ” “There were a few bands called Methuselah,” Ian added. “But nobody actually had it trademarked, so we could’ve used it, but the second we would’ve done anything, our lawyer was like, ‘Expect to be sued,’ so we didn’t want to start this with a lawsuit.” So instead, they settled on the Damned Things — “Keith thought of it, because he’s a words guy,” Trohman joked — and got to work, reshaping their older material into a lean, mean batch of songs that somehow manages to incorporate the best elements of each member’s other> bands (the speedy riffs of Slayer, the hooks of FOB and the growl of ETID) while still remaining, at its core, a very retro-leaning record, with the blue-collar heart of Thin Lizzy and the majestic fretwork of Led Zeppelin being two obvious touchstones. And, somewhat surprisingly — given, you know, the whole Fall Out Boy connection — they’ve managed to win over even the most die-hard of hard-rock fans. For the most part. “It’s gratifying. I love the band and love the record, and everybody else in the band loves the band and loves the record, and that’s, first and foremost, the most important thing to me,” Trohman said. “And we all have made music in the past partly for ourselves and partly for other people, so it’s nice to see people digging it whether they want to or not. … I’m actually happy to see that there’s people that really, really like it, or don’t like it, because of the fact that we’re able to invoke some sort of strong feeling. It’s a good thing, I think.” And despite the varying nature of their respective groups, Trohman and Ian say the Damned Things remain, for the foreseeable future at least, their main focus. That’s sort of the whole point of the thing, really. “We’ve got tours lined up to the summer at this point — actually, options and opportunities to do stuff worldwide all the way through October. And that’s obviously what we’re hoping for. We were hoping we’d make a record that would stand on its own and not be about, like, ‘Well, let’s just book this band because it’s these guys from this band and these guys from this band,’ ” Ian said. “It’s really been about the record. The record’s been the driving force. If anything, with the success of [first single] ‘[We’ve Got a] Situation [Here]’ on the radio, it’s been more about that than even who’s in the band anymore, and that’s kind of what we’ve been hoping for, and that’s why we get to go on tour, and that’s why we’ll keep playing shows. … Really, when it comes down to it, nobody really cares who’s in the band if you make a crappy record.” And to that end, they’re already lining up plans for their upcoming shows (including a two-month run on the J