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REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Casting news continues to trickle out for the film based on the wild life and times of CBGB, none of which is quite as eye-opening as word that the story of one of New York City’s most legendary, lamented live-music venues will be filmed largely in… Savannah, Georgia. So it goes! We get some stuntbozo driving a sportscar into a Sbarro for Jerry Bruckheimer, and Savannah gets Malin Åkerman as Debbie Harry , Rupert Grint as Cheetah Chrome, Joel David Moore as Joey Ramone, and Alan Rickman in the aforementioned role of club proprietor Hilly Kristal, all reviving the dawn of punk and new wave in the edgy metropolis where the Girl Scouts were founded Hollywood honchos go to self-immolate . Rock on, bitches : All of the movie’s interior shots will be done at Meddin Studios, which will be transformed to look like the iconic New York club, said director Randall Miller. “We’re going to build the interior of the club on the stages here,” Miller said. “Then the plan is we’ll do some shooting on the streets of downtown Savannah — and finally a few days in New York. “We’re using both Georgia and New York for New York,” he joked. “Savannah has a kind of downtown area that could really work for so many cities,” Miller said. “That translates pretty well in what we’re doing.” Fine, do what you’ve gotta do. By which I mean cast James Franco as Richard Hell already . [ The Strut , Savannah Morning News via EV Grieve ]

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CBGB Biopic Adds Stars, Will Shoot in Georgia, Naturally

Ex-Warner Bros Chief Alan Horn Wins Disney Gig

In the wake of Rich Ross’s departure from Disney , former Warner Bros. chairman Alan Horn has landed the job of replacing him — and turning the studio around from its John Carter epic fail. Horn, who guided WB to hit franchises like Harry Potter and The Dark Knight (and, fun fact, was also in the Air Force!), will now head all of Disney, Pixar, and Marvel Studios films, along with Touchstone-distributed DreamWorks titles. So, best of luck. No pressure or anything! Full press release: BURBANK, Calif. – May 31, 2012 – Bob Iger, Chairman and CEO of The Walt Disney Company, announced today that Alan Horn has been named Chairman of The Walt Disney Studios effective June 11. Horn will oversee worldwide operations for The Walt Disney Studios including production, distribution and marketing for live-action and animated films from Disney, Pixar and Marvel, as well as marketing and distribution for DreamWorks Studios films released under the Touchstone Pictures banner. Disney’s music and theatrical divisions will also report to Horn. Horn has been a prominent figure in the film and television industry overseeing creative executive teams responsible for some of the world’s most successful entertainment properties including the Harry Potter film franchise and the hit television series Seinfeld among others. “Alan not only has an incredible wealth of knowledge and experience in the business, he has a true appreciation of movie making as both an art and a business,” said Iger. “He’s earned the respect of the industry for driving tremendous, sustained creative and financial success, and is also known and admired for his impeccable taste and integrity. He brings all of this to his new role leading our studio group, and I truly look forward to working with him.” “I’m incredibly excited about joining The Walt Disney Company, one of the most iconic and beloved entertainment companies in the world,” said Horn. “I love the motion picture business and look forward to making a contribution as part of Bob Iger’s team working closely with the dedicated and talented group at the studio.” Horn was most recently President and COO of Warner Bros. Entertainment where he had oversight of the Studios’ theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Premiere (direct-to-platform production), Warner Bros. Theatrical Ventures (live stage) and Warner Home Video. During his 12 year tenure, Warner Bros. Studios was the global box office leader seven times. Among the numerous critically acclaimed films and box office hits released during his tenure are all eight films in the Harry Potter series, The Dark Knight, Charlie and the Chocolate Factory, Happy Feet, Sherlock Holmes, The Departed, Batman Begins, Million Dollar Baby, the second and third Matrix films and the Ocean’s Eleven trilogy. Horn is also an executive producer of The Hobbit: An Unexpected Journey. Before joining Warner Bros., Horn co-founded Castle Rock Entertainment where he served as Chairman and Chief Executive Officer. He oversaw the creation of many critically acclaimed and beloved films including Best Picture Oscar nominees A Few Good Men, The Shawshank Redemption and The Green Mile as well as When Harry Met Sally, City Slickers, In the Line of Fire and the most successful show in television history, Seinfeld. Horn has also served as President and Chief Operating Officer of Twentieth Century Fox Film Corporation and was Chairman and CEO of Embassy Communications. He is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the American Film Institute and the Museum of Broadcasting. He serves on the Board of Directors of the American Film Institute; as a Vice Chairman of the Natural Resources Defense Council (NRDC); is a co-founder of the Environmental Media Association (EMA); on the Board of Trustees for the Autry National Center in Los Angeles; and on the board of Harvard-Westlake School. Horn received his MBA from Harvard Business School and served as a captain in the U.S. Air Force. [ Deadline ]

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Ex-Warner Bros Chief Alan Horn Wins Disney Gig

Now Your Anti-Virus Software is Getting its Own Movie

“‘People learn through storytelling, and our partnership with [ CSI creator] Anthony Zuiker in the production of Cybergeddon allows us to reach new audiences in a fresh way,’ said Sally Jenkins, Vice President, Worldwide Consumer Marketing at Symantec. ‘Through entertainment and dramatization, Cybergeddon will illuminate the serious issue of how our constantly connected lives can be vulnerable to cybercrime, breaches of online privacy and theft.'” [ Yahoo! ] [Photo: Shutterstock ]

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Now Your Anti-Virus Software is Getting its Own Movie

VIDEO: Megabudget John Carter Debacle Recapped Via No-Budget Animation

Some years from now, after the dust around the megabudget John Carter debacle settles, and the heads that do wind up rolling in its aftermath come to rest, some expert arbiter of Hollywood travails will survey the carnage and write the definitive tale of what went wrong with Disney and director Andrew Stanton’s sci-fi gamble. And you know what? I’d bet $10 right here and now that the real story won’t deviate much from the one depicted in this no-budget animated retelling. If there’s any justice in the world, Disney’s special-edition DVD/Blu-ray of John Carter will showcase this video among its special features — not so unlike The Battle Over Citizen Kane accompanies its own classic subject. This is history! [ NMA ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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VIDEO: Megabudget John Carter Debacle Recapped Via No-Budget Animation