Tag Archives: robin hood

On DVD: With 15 Extra Minutes, Seeing Robin Hood is Even More Disbelieving

Only about 10 million Americans resisted the critics’ irritated wailings and bought tickets for Ridley Scott’s mastodon movie Robin Hood this spring, and so the rest of us, now that the DVD is here, can find out what all the non-fuss was about. Even with 15 extra minutes thrown in for “the director’s cut,” it’s truly not an awful movie — it’s just so hugely redundant of other movies, and so brutally humorless, that when you watch it your brain begins to react like it’s trapped in a sensory deprivation tank.

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On DVD: With 15 Extra Minutes, Seeing Robin Hood is Even More Disbelieving

Watch Leverage Season 3 Episode 13 – The Morning After Job

Watch Leverage S3E13: The Morning After Job The new installment of our favorite team of Robin Hood, Leverage’s which is entitled “The Morning After Job” is the hit sci-fi TV show’s 13th episode of the 3rd season was aired 09/06/2010 Sunday at 9:00 PM on TNT. The Leverage team’s new target is a greedy and hot headed money handler who they now plan to trick in order to get some necessary information from him so that they can get the stuff on Damien Moreau. Watch Leverage 3×13(03013) Free Online Streaming Full HDTV Episodes of the Latest Season and Video Clip Download Link:

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Watch Leverage Season 3 Episode 13 – The Morning After Job

The Verge: Luke Evans

Luke Evans is your new leading man — you just don’t know it yet. The Welsh 30-year-old made his name on the British stage by starring in productions of Miss Saigon and Taboo , and since he transitioned into film last year, he’s booked role after role after role. In Robin Hood and Clash of the Titans , Evans had smaller supporting parts, but he turned heads as the romantic lead opposite Gemma Arterton in the Cannes comedy Tamara Drewe , and after he finishes Tarsem Singh’s Immortals , he’ll be playing Aramis in Paul W.S. Anderson’s The Three Musketeers (with a cast that includes Orlando Bloom and Christoph Waltz) and the title character in the biopic Vivaldi , opposite Jessica Biel. Not a bad haul for someone who hadn’t even appeared in a film until this year! Movieline caught up with the busy Evans to get the scoop on all of his upcoming projects and the one movie musical he’s desperate to be a part of.

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The Verge: Luke Evans

Weekend Receipts: Shrek Beats The City

There must be something in the water over at Dreamworks Animation. As happened with the studio’s How to Train Your Dragon in the spring, Shrek Forever After appears like it has legs and knows how to use them. Who — besides David Poland — woulda thunk it?! The big green orge managed to beat the Four Ogres of the Apocalypse — better known as the gals from Sex and the City 2 — over the weekend, meaning Jeffrey Katzenberg is probably having a green-colored cosmopolitan right about now. Mix one up yourself and get ready for some weekend receipts.

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Weekend Receipts: Shrek Beats The City

Friday Box Office: Sex Sells

If Sex and the Ctiy 2 is like the Star Wars prequels for women, does that make Sarah Jessica Parker Jar Jar Binks? The much derided sequel — and apparent terrorist training video — followed up its $14.2 million Thursday opening with $13.5 million on Friday, meaning it will easily top the box office over Memorial Day weekend. Cosmos for all! Except Jake Gyllenhaal and Jerry Bruckheimer: Prince of Persia grossed just $9.5 million on Friday, which would be good if this were Date Night . Overall, Friday ticket sales were down 20 percent from Memorial Day last year, proving once again that if the movies suck, no one will actually want to see them. Unless they’re called Sex and the City 2 . Or Shrek Forever After . The top-five after the jump.

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Friday Box Office: Sex Sells

This Week On Cable: Why Congo Deserves a Second Chance (Seriously)

Sometimes, the critics can be wrong, and let’s face it: They weren’t wrong about Robin Hood , as the millions of shrugging, bored ticket-buyers this past weekend can attest. They were wrong about Congo , and the millions of people who never saw it were wrong, too. That’s right — Congo , lost in the mists of big-movie past but found again this week on cable.

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This Week On Cable: Why Congo Deserves a Second Chance (Seriously)

Weekend Receipts: Iron Man Hoodwinks Robin

This weekend at the box office offered a wealth of options: overstuffed sequel or overlong prequel? Amanda Seyfried in Verona’s court or Queen Latifah on the basketball court? It’s enough to make you curl up with a bottle of expensive vodka and your cockatoo as company — and wouldn’t you know, that’s what most moviegoers preferred to do. Here are the weekend receipts.

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Weekend Receipts: Iron Man Hoodwinks Robin

Russell Crowe Ends BBC Interview After Being Accused of Sounding Irish in ‘Robin Hood’

HOLLYWOOD, Calif. — It’s safe to say that Russell Crowe takes his acting and accents very seriously. The 46-year-old actor recently stormed out of a BBC Radio 4 interview in which the host, Mark Lawson, accused Crowe of sounding Irish in his new film, Robin Hood . “You’ve got dead ears, mate. You’ve seriously got dead ears if you think that’s an Irish accent,” the Australian star fired back in response. read more

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Russell Crowe Ends BBC Interview After Being Accused of Sounding Irish in ‘Robin Hood’

‘Robin Hood’: The Reviews Are In!

Russell Crowe and Ridley Scott’s gritty re-telling gets points for historical accuracy, but not much else. By Eric Ditzian Russell Crowe in “Robin Hood” Photo: Universal Pictures Robin Hood and his band of merry, arrow-slinging thieves who steal from posh landowners and enrich the mud-caked, poverty-stricken masses are nowhere to be found in Russell Crowe and director Ridley Scott’s version of the centuries-old folktale. In their place is an entirely new take on Robin, a gritty origin of story of sorts, grounded in medieval social and economic history and seeking to explain, through storytelling and vicious bloodletting, just how the iconic title hero came to be known as a champion of the English people. Was it a wise choice to give Robin Hood a “Gladiator”-style makeover? How does this dark version hold up, both as a contemporary action movie and when compared to past, often merrier takes on Robin? With the film hitting theaters on Friday (May 14), the reviews are in. Let’s see what the critics are saying about Crowe and Scott’s fifth big screen collaboration. There’s no doubting the effort that filmmakers made to create a realistic, historically accurate world in which Robin would exist. Whether that world lends itself to a first-rate movie experience is, however, up for debate. “Scott’s approach to the legend becomes persuasive,” Mick LaSalle argued in the San Francisco Chronicle. “Instead of the usual romantic adventure, Scott and screenwriter Brian Helgeland offer a gritty drama, using the Robin Hood story to depict the birth pangs of liberty. They ground the film in the details of medieval life. We see how wars were fought — the various strategies and weaponry — and how news traveled. We see the attempts at pomp and splendor, the church bells and trumpets greeting the arrival of the king. Mainly we see harshness and ugliness.” Less impressed with how Scott brought this history to life is our own Kurt Loder . “Much research has gone into getting all this medieval backstory right (or somewhat right),” he wrote. “But the heavy scholarship turns the movie into what seems like a very long history lesson in a loud, dark and unusually muddy lecture hall. The endless battles, skirmishes and castle-stormings, accompanied by the usual arrow storms, head-axings and downpourings of boiling oil, are nothing we haven’t seen before. (Although in one seaside battle, with enemy ships crashing up onto the beach and much slaughter in the water, we half-expect Tom Hanks to come wandering through in search of Private Spielberg.) Even more dated are the inevitable roistering peasants, with their campfire rabbit roasts and sloshy revels. (‘More wine!’)” In place of Hanks, of course, we have Crowe as Robin. The obvious comparison here is to Crowe’s sword-swinging general in “Gladiator.” Most critics find the contrast of his Maximus to his Robin an unflattering one. “[T]he way Crowe plays Robin, which is heavily, without ever once modulating his impassive, minimalist squint, he’s far too even-keeled to inspire us,” Entertainment Weekly ‘s Owen Gleiberman wrote. “He’s like the hero of ‘Gladiator,’ only without a vengeful mission — or a slave to fight.” And about the fights in “Robin Hood.” Quite a few critics found them disappointing — or worse. “[T]he battles are so bland, the action so transparently choreographed and the characters so interchangeable, it’s never clear who to root for or what to care about,” Andy Lowe said on TotalFilm.com . “The choice mostly comes down to either ‘Bad guy hit by an arrow. Good!’ or ‘Good guy hit by an arrow. Bad!’ ” We’ll give the final word to The Oregonian ‘s Shawn Levy. “The story lines pile up, like the characters, needlessly: the struggle to impose a charter of rights on the king; the treacheries of the French; the secret past of Robin’s father; the melding of Robin’s troupe (with an utterly superfluous tribe of poaching orphan boys); the love story … None of it comes together, and none of it makes you root for a second go-round in which, presumably, our hero would get on with the robbing-of-the-rich-and-giving-to-the-poor for which he’s celebrated.” Check out everything we’ve got on “Robin Hood.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘Robin Hood’ Related Photos “Robin Hood”

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‘Robin Hood’: The Reviews Are In!

Russell Crowe Curses, Flees Radio Show

A grumpier-than-usual Russell Crowe today fled a BBC talk-show appearance when the host dared to suggest his Robin Hood accent featured “hints of Irish.” Wrong, wrong, wrong, said Crowe. “You’ve got dead ears mate. You’ve seriously got dead ears if you think that’s an Irish accent,” he continued. “Bollocks … I’m a little dumbfounded you could possibly find any Irish in that character. That’s kind of ridiculous. It’s your show. Whatever.” Pressed further if he was going for Northern England, the Aussie spat, “No, I was going for an Italian, yeah. Missed it?” Toss in a few F-bombs and an early exit… you know, the usual. [ Guardian ]

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Russell Crowe Curses, Flees Radio Show