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‘American Idol’ Winner Lee DeWyze’s Friends: ‘This Is Only The Beginning’

Many tears were shed on Wednesday night when the results were read. By Gil Kaufman Photo: Getty Images It was only fitting that Brian Friedopfer and a big group of Lee DeWyze’s friends gathered at the Glenview, Illinois, karaoke bar Potato Creek Johnny’s on Wednesday night to watch the finale of “American Idol.” After all, it was the place Lee and his pals went on an almost-weekly basis to try out their favorite rock tunes. But as his friend stood on the edge of victory after years of slogging his gear around the Chicago area playing gigs in pursuit of his rock and roll fantasy, Friedopfer said the two-hour finale felt like an eternity. “Man, it felt like eight hours,” he said on Thursday morning (May 27). “Once it got to where they were standing onstage and Ryan was about to read the result, me and his close friends were holding onto each other, and we were on our toes, our hearts going a million miles a minute.” As Ryan Seacrest took his usual heart-stopping pause before reading the name aloud, Friedopfer said he was confident Lee’s name was written on the host’s card. But once the words actually came out, it finally felt real — and it was time to celebrate. “We were jumping up and down, tears running down our faces and everyone in the bar gave us a hug,” he said. Hours later, around 4 a.m., Lee finally called Brian and told him, “Brian, I just won ‘American Idol.’ ” “I was like, ‘I know you just won, I watched you!’ ” Friedopfer recalled. “And then, he just said, ‘I love you guys so much and am so grateful for everything you’ve done.’ He said he had to wake up in two hours to do some more interviews, but he just wanted to tell us he loved us and was grateful. That’s how he is, he’s an amazing guy.” Another karaoke pal, Kristin Schlueter, 27, was there as well, and she said that when DeWyze’s name was read, it felt like everyone blacked out for a few seconds, as the news sank in. “It was just a lot of emotion,” said Schlueter, who met Lee at Johnny’s two years ago. “We just started sobbing, and it was so loud in there we couldn’t even hear him performing the final song because we were so hysterical.” Both friends said they were a bit nervous when at the top of Wednesday night’s show, Seacrest said that going into the final night of the competition, the finalists were separated by a mere two percent. But Schlueter brushed it off, saying, “Ah, Lee never loses anything. He would fight to the death if he has to.” For now, she’s just waiting for a phone call from her former karaoke partner. “I’m just waiting for him to say, ‘Guess what I did?’ and I can say, ‘I know, I watched you buddy!’ It’s so weird to see him on TV and think, ‘He used to sit in the passenger seat of my car.’ I just can’t wait to give him a big hug and tell him how proud I am.” Another confidant who had no doubt Lee would emerge victorious was Amy Silverman, Lee’s former high school teacher and close friend, who was in the audience on Tuesday and Wednesday night to cheer him on. “I wasn’t nervous at all,” she said on Thursday. “I never had a doubt. I was talking to Lee the night before, and he felt the same way he felt probably every Tuesday this whole time, but times 1,000: ‘There’s nothing you can do. You can’t worry about anything other than getting some sleep and being there again on Wednesday.’ ” She said he was excited about his chance to perform with Joe Cocker and Chicago, and before the results were read, he looked over at Silverman and another of his close friends and gave them a wave. When Seacrest finally dropped the news, Silverman said she had her eyes closed and she just lost it, weeping tears of joy. “We caught up with him afterwards, and he hugged me and held me and just said, ‘Oh, my God.’ He was speechless, just couldn’t talk. We met up with him and his family at the afterparty later, and he just kept shaking his head and saying, ‘Oh, my God … this is so cool!’ I don’t think it’ll set in for a bit.” Once the shock had worn off, Friedopfer said he recalled sitting in a bar a little less than a year ago and telling DeWyze he was going to win the competition. “I’ve been confident the whole time,” he said. “Now we’re here and he’s won. I knew it had to be him. It’s the only thing that made sense. This is only the beginning.” Were you expecting Lee to win “Idol”? Let us know in the comments! Related Videos ‘American Idol’ Finale Highlights ‘American Idol’ In 60 Seconds Related Photos ‘American Idol’ Winners

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‘American Idol’ Winner Lee DeWyze’s Friends: ‘This Is Only The Beginning’

Slipknot’s Paul Gray Remembered Fondly In His Iowa Hometown

‘He was always a man of the people, and he never forgot his roots,’ Des Moines radio director tells MTV News. By James Montgomery Paul Gray Three days after Slipknot bassist Paul Gray was found dead in an Iowa hotel room, those who knew him are still struggling to make sense of everything that’s happened. It’s not an easy thing to do. Though he wasn’t born in Iowa, Gray was still very much a local boy made good, having moved to Des Moines as a child. And as Slipknot’s fame grew, he made it a point to remain loyal to the scene — and the city — that gave him his start in music. “It’s just been a feeling of complete and utter disbelief, and I think lot of people are still shell-shocked,” Andy Hall, music director at Des Moines’ Lazer 103.3, told MTV News on Wednesday (May 26). “Paul was not just a guy on a poster on somebody’s wall; he was a son, a brother, a bandmate and a friend. And he was a great human being. … Des Moines has a very tight-knit music community, and anyone in it will tell you that Paul was one of the most kind and warm-hearted people they’ve ever known. He was always a man of the people, and he never forgot his roots.” Hall moved to Des Moines 10 years ago, and Gray was one of the first people he became friendly with. He said that even though Slipknot were well on their way to becoming a massively successful metal act, the bassist still remained humble, approachable and downright friendly — to everyone. “He was always quick with a smile and a hug and a ‘How you doing, brother?’ But it didn’t matter if you were his friend of many years or someone he’d just met; he would be very gracious to everyone,” Hall said. “He was kind of an imposing guy, but if you came up to him, took the time to converse with him, you’d have realized what a nice, kind guy he was.” Long before Slipknot hit it big, Gray was an integral part of the Des Moines scene. As a founding member of the group — and the only bassist it every employed — he provided the backbeat at their earliest gigs, at local bars like the Safari Club. And though those shows paled in comparison to the big-budget rippers they’d go on to play, they were just as energetic and impactful. Even in their earliest incarnation, Slipknot possessed a will that was unmatched. “They were always part of the fabric of the local scene. … Initially, they were playing clubs and band battles. And from the very start, they believed so intensely in themselves, even when the show was simple and the masks were homemade,” said Des Moines Register columnist Kyle Munson, who spent a decade as the paper’s music critic. “Here was a band willing to put on a show. They believed in themselves from the beginning, and that was the difference. They would have a power-saw onstage, shooting sparks across the stage. The early songs would have little disco jazz riffs thrown in there with the growls. They were a hybrid from the start. … No one could foresee how far they’d go, but that belief always made them stand out.” And from those formative gigs, the rock monster the world would come to know as Slipknot was born. To folks like Munson, their success brought an immense amount of civic pride — a pride that’s definitely taken a hit in the days since Gray’s death. Seems everyone who ever met him, spoke to him or even sat in the back of a rock club, eyes agog, and watched him rip, will miss him. “He always seemed to be a gentle soul and a peacemaker within the band. That’s what I’ve been hearing from people,” Munson said. “He wasn’t gregarious like [frontman] Corey [Taylor] or outwardly philosophical like [percussionist] Shawn [Crahan]. He was more introverted. But anyone will tell you about the happiness in his voice, his smile. There was a quiet joviality to him.” Share your memories of Paul Gray and Slipknot in the comments below. Related Videos Slipknot’s Paul Gray: 1972-2010 Related Photos Slipknot’s Paul Gray: A Life In Photos Related Artists Paul Gray Slipknot

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Slipknot’s Paul Gray Remembered Fondly In His Iowa Hometown

Crystal Bowersox’s ‘Up To The Mountain’: Behind The ‘American Idol’ Cover

Simon Cowell calls Patty Griffin cover ‘the best performance and the song of the night.’ By Eric Ditzian Crystal Bowersox Performs On “American Idol” May 25 Photo: FOX On Tuesday (May 25) night, “American Idol” fans got their first true taste of what kind of recording artist Crystal Bowersox might be, as she performed the single she’ll release if she ends up winning the competition. The song is called “Up to the Mountain (MLK Song),” originally written by Patty Griffin, and MamaSox absolutely killed it. Sitting on a stool with her guitar, the song started slowly and, from the first note, perfectly fit the singer’s style. Her raw vocal power was on full display, a soul- and gospel- and folk-tinged vibe that establishes her as a sort of combination of Janis Joplin and Tracy Chapman for the 21st century. Her connection to the lyrics — inspired by Martin Luther King, Jr.’s iconic 1968 “I’ve Been to the Mountaintop” speech — was unmistakable as she sang, “Sometimes I feel like I’ve been nothing but tired/ And I’ll be working till the day I expire.” This wasn’t the first time the song was performed on the “Idol” stage. Back in 2007, Kelly Clarkson and Jeff Beck busted out the tune during the “Idol Gives Back” charity effort. Susan Boyle also recorded the song for her debut album, I Dreamed a Dream. And after Bowersox’s take on the track, the judges had a hard time avoiding a sort of coronation moment. “You are in a league of your own,” said Ellen DeGeneres. Randy Jackson echoed that sentiment. “This is what this show is about,” he said. “An amazing song by an amazing singer. I’m telling you what, I’m so proud of you, man. This is one of the greatest performances and one of your best moments at the perfect time on this show.” And then it was time for Simon Cowell’s final critique of his “Idol” career, as he’s leaving the show after this season to jumpstart a new talent show on Fox called “The X Factor.” He did not hold back. “I thought that was by far the best performance and the song of the night,” he said. “And since this is going to be the final critique I’m ever going to give, I would just like to say that was outstanding.” What did you think of Crystal’s “Up to the Mountain”? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos Crystal Bowersox’s ‘American Idol’ Experience ‘American Idol’ Season Nine Performances

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Crystal Bowersox’s ‘Up To The Mountain’: Behind The ‘American Idol’ Cover

Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

While both got positive comments, Crystal appeared to outshine Lee. By Gil Kaufman Lee Dewyze, Ryan Seacrest And Crystal Bowersox on “American Idol” on Tuesday Photo: Michael Becker/ Fox After more than 40 shows, hundreds of contenders, almost as many broken hearts and one of the tamest set of finalists in the show’s history, “American Idol” season nine came down to a pair of 24-year-olds, vying to be the first Midwesterners to hold the crown. Two days after the buzzed-about “Lost” finale, the second meanest man on TV this side of John “Smokey” Locke — departing original judge and the heart of the panel, Simon Cowell — went out not with his usual snarling put-downs, but with mostly kind remarks as Crystal Bowersox re-asserted her season-long status as the woman to beat with a pair of powerful performances that might have beaten back the late-season surge from rocker Lee DeWyze . After Bowersox won last week’s coin toss , Mt. Prospect, Illinois, paint clerk DeWyze went first, reprising his cover of Simon & Garfunkel’s “The Boxer,” putting a bit more emotion into the ballad, raising his voice through the midpoint of the verses as he went into his signature rock-radio rasp. Randy Jackson said it was “nice” but not quite energetic enough, while Ellen DeGeneres confused everyone by stating, “I couldn’t be prouder if I birthed you myself,” complimenting Lee for performing the song even better the second time. Reminding DeWyze that he was on the big stage at the Nokia Theatre, Cowell said he expected more passion, calling it a “kiss on the cheek when I want a kiss on the lips— not from you, you know what I’m saying.” Bowersox was firmly in her wheelhouse with a reprise of Janis Joplin’s “Me and Bobby McGee,” strumming out the rock chestnut on her acoustic guitar and inspiring a group clap-along. The song again showed off her soul-mama bona fides as the wordless chorus gave her a chance to work through her powerful, bluesy range. Ellen said Crystal drew the whole crowd in, and Kara DioGuardi said, “I loved it when you first did it, and I loved it tonight. You told us so much about you as an artist, and you have fire in your belly tonight!” For Cowell, after a few tepid weeks, the performance brought back the Crystal the judges fell in love with, and Randy praised her for picking up the pace midway through and said it was exactly the kind of record Bowersox should make. Lee’s second song was chosen by executive producer Simon Fuller, who went with R.E.M.’s iconic ballad “Everybody Hurts.” Lee turned it into an acoustic campfire ballad, swamping up the arrangement and snarling a bit of a rock edge into the alt-rock classic while highlighting the expressiveness of his voice as a gospel choir backed him up and brought a majestic feel to the tune. “What makes you great as a performer is that you’re emotionally accessible,” Kara said. “I can feel every word you’re saying, and you’re telling a story.” Cowell called it a “brilliant” choice of song, even if he went a bit off melody and Lee was clearly nervous. “You’ve got another song to come, and I think you’ve got to really understand what this night can do in terms of changing your life,” he warned. “And when you come out for your last performance I want a 10-out-of-10.” Fuller went with Alannah Myles’ “Black Velvet” for Bowersox, a song that has a long “Idol” history and seemed custom-made for Crystal’s gutbucket growl. She seemed a bit uncomfortable walking down the steps in her, yes, black-velvet dress and heels, but Crystal matched the squealing guitar licks with throaty growls and a loud, cat-scratch note at the end. DioGuardi said Bowersox proved she wanted it and really gave it her all, while Cowell groused about how sick he is of hearing the tune in countless horrible auditions. “But I’ve got to tell you, you took that song and you absolutely nailed it,” he enthused. “MamaSox is in it to win it!” Randy yelled, while DeGeneres simply gave her a standing ovation. And then it was down to the coronation song, typically a trip to Cheesy Town , but DeWyze dodged a bullet by snagging U2’s uplifting “Beautiful Day” instead of a mewly original. The synth-pop orchestral arrangement was a bit lightweight, and Lee seemed to get lost in it at times as he drifted off-key at points. Wearing a black leather jacket over a black hoodie, he eventually found his footing, gripped the microphone and leaned into the soaring chorus, showing a bit of his rock-star potential, opening his mouth and howling out the refrain with all his might. Cowell said he made the most of it and gave it more effort than the other two songs and then took a moment to say what amounts to his farewell to “Idol.” “This is my final time I’m ever going to judge this show,” Cowell said. “I just want to say about you, is that this is what this competition was designed for, which is somebody who needs a break … having a normal job working in a paint shop. You’ve worked hard, you’ve remained a really, really nice person throughout, and I genuinely wish the best for you. You’re a great guy.” “Watching you grow to where you are right now, standing on this stage making it this far,” DeGeneres said, “I was watching your eyes, you were fully present for that song, taking in every bit of these people’s energy, and I love that you were able to get to that place to do that.” First, the good news: DioGuardi said he has grown the most on the show this season and has the most commercial voice of the season and deserves to be in the finals. But she felt he got swallowed up by the arrangement. “This whole thing has been amazing, from the very beginning to right now,” DeWyze said. “I want to be doing this for a long time. … I will be doing this for the rest of my life, one way or another.” Crystal’s coronation song was Patty Griffin’s Martin Luther King tribute “Up to the Mountain (MLK Song),” which Bowersox sang while strumming her beat-up acoustic, dipping and swaying through her broad range and owning the song as if she wrote it. Hitting a sustained, powerful note and putting her busker’s passion into the emotional lyrics like her next meal depended on it, MamaSox ended the show with a powerful display of why she’s been this season’s front-runner since she first stepped on the stage with the top 12. “An amazing song by an amazing singer,” Jackson roared, saying it was one of the best performances in the show’s history. “I cannot compare you to one person. … You are in a league of your own. You have a beautiful voice,” Ellen added, unable to resist yet another food metaphor. “If you make an album, I’m gonna buy it. If you go on tour, I go on tour and watch you. If you make a salad, I’ll eat it.” After a season in which she sometimes had a hard time connecting with Crystal and felt she had her guard up, Kara said the singer from hardscrabble Elliston, Ohio , finally let her guard down and seemed fully emotionally invested in the song. Before Simon made his final comments on the show, Crystal addressed him and expressed her gratitude. “You’ve been amazing this season,” she said. “Thank you for all the critique and criticism and help. … Good luck on your future endeavors.” “Since it’s becoming a bit of a lovefest tonight,” the typically hard-hearted judge replied, “I thought that was by far the best performance and the song of the night. And since this is going to be the final critique I’m ever going to give, I would just like to say that was outstanding.” After Tuesday’s (May 25) vote, the season’s winner will be announced during Wednesday night’s two-hour finale, which will feature a performance from Christina Aguilera. Who do you think won the battle Tuesday? Who are you going to vote for? Leave your comments below! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Season Nine Performances Lee DeWyze: From Illinois Boy To ‘American Idol’ Star Crystal Bowersox’s ‘American Idol’ Experience

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Crystal Bowersox And Lee DeWyze Face Off In ‘American Idol’ Finale

Rihanna’s ‘Rockstar 101’: A Pop-Culture Cheat Sheet

From Slash to Nine Inch Nails, there are references galore in Rihanna’s clip. By James Montgomery and Kyle Anderson Rihanna in her “Rockstar 101” video Photo: Def Jam Rihanna’s just-released “Rockstar 101” video is arty and sexy and all of that, but it’s perhaps most notable for the questions it poses. Like, how does one affix giant horns to their head? Is there a proper technique for smashing a guitar? Or, most importantly, since when did Slash become a total babe? Yes, there’s much to ponder in the video — so much that it requires repeated viewings to digest. And since we’ve spent the majority of the day doing just that, we’ve also noticed a lot of things in the clip that seem familiar. So, as we’ve done in the past for the likes of Lady Gaga and Christina Aguilera , we decided to give “Rockstar” the Pop Culture Cheat Sheet treatment. Here’s a list of all the things that flashed by our eyes, alphabetized for your perusing pleasure. Oh, and though we’re thorough, we’re sure there’s something we missed along the way — feel free to let us know about it in the comments below. Here’s what you might have missed in Rihanna’s “Rockstar 101” video: Barker, Travis : Tattooed beat-keeper for Blink-182 (and your favorite rapper, too). This one’s actually pretty obvious, as Barker makes roughly a bajillion cameos in the “Rock Star” clip, playing drums with Rihanna’s band. He actually taught RiRi how to play drums , too, and told MTV News about it back in March. Bj

Bret Michaels, Kevin Jonas, Katharine McPhee Open Up On ‘When I Was 17’

‘Here’s the good thing about sucking when you first start to lose your virginity: You can only get better,’ Michaels shares. By MTV News staff Kevin Jonas in “When I Was 17” Another episode of MTV’s “When I Was 17” is behind us, and, well, we learned some things we just can’t unlearn. We now know the gnarly details of how Bret Michaels lost his virginity , the embarrassing ritual to which Kevin Jonas submitted his hair and the finer points of Katharine McPhee’s efforts to stage a secretive sleepover with her high school boyfriend. Don’t say we never did nothing for you, OK? Surely your weekend is better for having Michaels walk you through his inaugural sex romp! “I was the ultimate rocker-slash-jock. I was the rock jock,” he explained. “I lost my virginity around 17. It involved a motorcycle, a blanket — I’m going to admit it — it was an 8-track pop-tape player at the Mechanicsburg Fish Hatchery.” We’ll go ahead and give the Poison frontman the benefit of the doubt that a fish hatchery was a dope place to take a girl back in ’80s-era rural Pennsylvania. Michaels may have known the perfect spot to bring the lucky lady, but he had no clue what to do once he got there. “She was a little older than I was and much more experienced,” he said. “She showed me things I never knew. I could safely say I was not skilled yet. I made a two-pump chump look good. So it wasn’t my finest moment. But here’s the good thing about sucking when you first start to lose your virginity: You can only get better.” Better is exactly what’s happened to Jonas’ hair since he was 17. To control what his friends called simply a terrible ‘fro, the musician took extreme measures. “I flat-ironed my hair every single day, and it was a nightmare,” he laughed. “It was pointy and spiky and flat. It was a typical Jersey thing, I guess, but a little bit more than the typical tape-up.” The things a high school kid will do to stay cool. Just ask “American Idol” runner-up Katharine McPhee, who admitted that she used to be “known as the serial dater.” “My boyfriend at the time, Kevin, we planned this sleepover at this other friend’s house whose parents were out of town,” she explained. “I told my dad, ‘I’m going to sleep at Michelle’s house.’ There were a bunch of girls there and guys there. It was really fun. We all went to sleep, and it was, like, 3 in the morning. The house phone kept ringing, and I was like, ‘Kevin!’ I woke him up, I was like, ‘Something’s wrong. The phone keeps ringing.’ He finally picks up the phone, and it’s my dad. I just heard this deep, serious voice on the other line. I’m like, ‘Holy sh–.’ I thought in that moment I was going to die.” McPhee added: “I was grounded for two weeks.” Don’t miss “When I Was 17,” airing Saturday at 11 a.m. on MTV. Related Videos When I Was 17 | Ep. 4 | Kevin Jonas, Katharine McPhee, Bret Michaels When I Was 17 | Ep. 4 | Deleted Scenes Related Photos When I Was 17 | Ep. 4 | Celebrity Photo Flashback

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Bret Michaels, Kevin Jonas, Katharine McPhee Open Up On ‘When I Was 17’

Paramore, 3OH!3, Slash And Others Try To Explain ‘Lost’

Rock stars attempt to summarize the inscrutable show before the finale. By Kyle Anderson Paramore’s Hayley Williams Photo: MTV News In mere hours, “Lost” fans will be gathered around their television sets to dissect all of the clues and evaluate the final scenes of the twisty, puzzle-filled show, whose finale airs Sunday at 9 p.m. But there may be a few of you out there who haven’t been as invested in the series’ six seasons and infinite possibilities and haven’t had time to catch up with the 118 episodes that preceded Sunday’s finale. Luckily, we reached out to some of the biggest “Lost” fans (and non-fans) in the rock world to help out. We asked everybody a simple question: “Can you explain what ‘Lost’ is about?” As fans of the program are aware, that’s a pretty loaded inquiry. Still, most everybody was game. “It’s about people on an island,” Paramore frontwoman Hayley Williams offered. “They’re on the island, and they get off the island, but they’re still on it. And they go back on, and someday they’ll be happy, whether they’re on it or not.” But the question confused some. For example, 3OH3’s Nathaniel Motte got “Lost” confused with another iconic television series. “It’s pretty funny,” he said. “They all date each other and go to this coffee shop called the Central Perk.” (Read Blink-182 frontman Mark Hoppus’ own words about his conversion to “Lost” fandom.) For others, the very idea of explaining “Lost” reduced people to little more than gutteral noises and exclamations. Such was the case with Stone Sour and Slipknot member Corey Taylor. “There’s a guy, and there’s this thing, and what happens is this BLUH!” he said. Still, perhaps the most direct explanation of the show came from an unlikely source. When asked what “Lost” was about, former Guns N’ Roses and Velvet Revolver guitarist Slash admitted that he had never watched any of it. But when asked to hazard a guess, he replied, “Something’s not where it should be.” That, quite frankly, might be the best response we’ve heard. Can you summarize “Lost” in a single sentence? Try it out in the comments. We’re celebrating the long-awaited conclusion of “Lost” all this week at MTV News! We’ll be bringing you exclusive interviews, insightful commentary and, in true “Lost” fashion, maybe even a surprise or two. Head over to the MTV Movies Blog, where our “Lost” Awards continue all this week, and make sure to tune in on Sunday night for our series finale live blog! Related Videos Counting Down To The ‘Lost’ Finale! Related Photos Spin-Offs For The Characters Of ‘Lost’ Related Artists Paramore 3Oh!3 Slash

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Paramore, 3OH!3, Slash And Others Try To Explain ‘Lost’

Bret Michaels Re-hospitalized

Just days after being released from intensive care with a brain hemorrhage…Poison frontman Bret Michaels is back in the hospital. According to reports, the 47-year-old began experiencing numbness on the left side of his body.

About That Time Bret Michaels Suffered a Brain Hemorrhage While Watching Busty Cops 3

Yesterday, Bret Michaels appeared on The Oprah Winfrey Show via satellite to discuss the brain hemorrhage that sent him into critical condition last month. Wearing a freshly pressed navy blue bandanna, the rock star and Celebrity Apprentice contestant solemnly described his injury for the first time: “It sounded like a small handgun went off in the back of my head.” As informative as the segment was, Michaels left out one detail that definitely would have interested Oprah: which porno movie he happened to be watching when he suffered the life-threatening hemorrhage.

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About That Time Bret Michaels Suffered a Brain Hemorrhage While Watching Busty Cops 3

Miley Cyrus Records "Tamed" Remix with Lil Jon

Miley Cyrus is clearly looking for a little street cred. The teen queen hooked up with rapper Lil Jon on Wednesday night at the Rock Mafia recording studio in Santa Monica to work…

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Miley Cyrus Records "Tamed" Remix with Lil Jon