Tag Archives: rock

Conan O’Brien Jams With Jack White At Small Show In Nashville

Comedian covers Radiohead, White Stripes during intimate concert. By Gil Kaufman Conan O’Brien (file) Photo: Michael Buckner/ Getty Images He’s jammed with Spoon and Pearl Jam’s Eddie Vedder during his “Legally Prohibited From Being Funny on Television Tour.” On Thursday night, Conan O’Brien lived the ultimate rock ‘n roll fantasy when he traded licks with the White Stripes’ Jack White in front of 300 fans during an intimate show at White’s Third Man Records outlet in Nashville. “Those lucky couple hundred people who waited in line all day today and got into Third Man Records tonight got a treat: AN AMAZING ROCK AND ROLL SHOW,” read the post on O’Brien’s blog describing the evening, which was titled “Epic.” The post continued: “Conan blazed through a rocking setlist of stuff from our ‘Legally Prohibited’ show — as well as a few other jams that we’ve never done! The energy in the room was incredible: The band lit by a dim red light, the hot Nashville air thick with excitement; the room packed to capacity — it was a scene the likes of which I’ve never experienced. I could totally see this show being something that happened outside under a tent in the South in the ’50s. A very, very cool vibe.” According to reports, O’Brien, sporting his off-the-air beard and an all-black ensemble and wielding a light blue Fender electric guitar, told the crowd, “I’ve had a crazy six months… Six months ago, I was the host of ‘The Tonight Show,’ the greatest franchise in the history of television. Then I started a live tour, going from small theater to small theater. And tonight I’m pressing a vinyl recording. I’m going back in time! Next week I’ll be on vaudeville. Then I’ll be a steamship captain.” The whole show was recorded on reel-to-reel tape and will soon be released as a vinyl album. Among the songs O’Brien played: Willie Nelson’s “On the Road Again”; the Band’s “The Weight”; the White Stripes’ classic “Seven Nation Army”; Elvis Presley’s “Blue Moon”; the Stray Cats’ “Rock This Town”; and Radiohead’s “Creep.” The set ended with White trading licks with O’Brien on Eddie Cochran’s early rock classic “20 Flight Rock.” The whole thing was so old-school that at one point during the set, the band had to take a breather so a technician could change the reel-to-reel tapes. According to the Associated Press , O’Brien played it mostly straight, but he did add comedic touches to some songs. He deployed an exaggerated British accent on “Creep,” saying, “This is the only way I can sing Thom Yorke songs, as a 19th-century chimney sweep with a top hat and a smudge on my cheek.” No sooner had he joked about the old-timey vibe than White walked out on stage with a top hat, which O’Brien rocked during the run through the British band’s breakthrough hit. O’Brien also rewrote the lyrics to Nelson’s “On the Road Again,” singing, “My old show again/I just can’t wait to get my old show again… Off the road again, dear God please get me off the road again.” He closed out the concert by thanking TBS for giving him a new talk show, which debuts in the fall. More than 1,000 people had lined up around the block on a scorching-hot Nashville day in order to secure one of the 300 audience spots in the small performance space at White’s downtown complex, with some securing their places in line 24 hours before the show. White tossed bottles of water to those in line from the roof of Third Man during the day and O’Brien was clearly moved at the end of the night, telling the sweat-soaked crowd, “This means everything to me. This was so cool.” O’Brien will do it all over again this weekend, when he performs at the Bonnaroo festival. Related Photos Conan O’Brien’s ‘Legally Prohibited From Being Funny On Television’ Tour Invades L.A. Conan O’Brien Kicks Off His ‘Legally Prohibited’ Tour

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Conan O’Brien Jams With Jack White At Small Show In Nashville

Marvin Isley, of The Isley Brothers, Has died

Marvin Isley of Isley Bros. dies at 56 By the CNN Wire Staff June 7, 2010 10:02 p.m. EDT (CNN) — Marvin Isley, youngest member of the soulful Isley Brothers R&B group, has died from complications with diabetes, hospital officials said Monday. He was 56. Isley passed away Sunday morning at the Seasons Hospice within Weiss Memorial Hospital in Chicago, Illinois, according to representatives at both facilities. The original group formed in 1954 with the three eldest brothers Isley — O'Kelly Jr., Rudolph and Ronald — which recorded several singles, including “Shout,” “This Old Heart of Mine” and the Grammy-winning “It's Your Thing.” Marvin Isley joined in 1973, when the group expanded to six performers. The full group enjoyed massive radio airplay with lists of hits, including “That Lady,” “The Heat is On,” “Go For Your Guns” and “Fight the Power.” The Isley Brothers were inducted into the Rock and Roll Hall of Fame in 1992. Marvin retired from performing five years later, and eventually diabetes led him to have both legs amputated. http://www.diabetesarchive.net/ueimages/MarvinINfoCard1copy.jpg added by: EthicalVegan

Russell Brand Doesn’t Think Monogamy Is For Everyone

Actor/comedian Russell Brand (L) and singer Katy Perry arrive at the premiere of Universal Pictures' 'Get Him To The Greek' held at the Greek Theatre on May 25, 2010 in Los Angeles, California. (Getty Images) more pics

Get Him to the Greek Review

The golden age of comedy — this new golden age, which will only be apparent years from now, when it’s over — continues with the release of “ Get Him to the Greek ,” which is so comically fertile and yet so grounded in the reality of its characters that it’s really a kind of Marvel. There is a quick and simple litmus test to tell whether or not you’ll enjoy Get Him to the Greek. If you found Aldous Snow , Russell Brand ’s caricature of a rock star, to be one of the funnier elements of Forgetting Sarah Marshall, then you will no doubt have a riot with the increased raunchiness his character once again brings to the screen for director Nicholas Stoller . If, for whatever reason, you find Brand’s larger-than-life presence to be as insufferable as the real rock stars he’s lampooning, chances are good his spin-off film will do little to convince you there’s more to him than just an outrageous persona. Get Him to the Greek is exactly what the trailers advertise: Aldous Snow turned to 11…read more [ Cinematical ] Russell Brand and (Aldous Snow) in Get Him To The Greek Judd Apatow — the current king of movie comedy — took a risk last summer with the bloated and terribly self-involved “Funny People.” The Adam Sandler film took a nose dive at the box office — a fate it deserved. But this summer, the creator of such crowd-pleasers as “The 40-Year-Old Virgin” and “Knocked Up” rebounds mightily with “Get Him to the Greek,” one of the funniest, raunchiest and edgiest comedies in years. The outrageous “Greek” works better than “Funny People” at least in part because Apatow, who tends to make films that meander too much, hands over writing and directing duties to a protege — “Forgetting Sarah Marshall’s” Nicholas Stoller. Instead, Apatow produces “Greek,” just as he did with the terrific teen comedy “Superbad.”…read more [ MercuryNews ] Married-rich radical M.I.A. might be having press problems these days, but they’re nothing compared with the pretensions of fictional rocker Aldous Snow (squirmy, effortlessly charming Brand). Get Him to the Greek opens with a devastatingly funny parody—a video for Snow’s self-serious “African Child,” described by shocked music critics as the worst thing to happen to the continent since apartheid. Seven years of infamy lead the debauched frontman to agree to a comeback concert, the brainstorm of superfan label-rep Aaron (Hill). After sparring with his workaholic girlfriend (Mad Men’s Moss, an unlikely partner), Aaron is on his way to London to shepherd Snow to the L.A. concert, scheduled to occur in three days…read more [ TimeOut NewYork ] Russell Brand stars as Aldous Snow and Jonah Hill stars as Aaron Greenberg in Get Him to the Greek The movie is funny in the way of “The Hangover” about what trouble lads can get into when their senses are whirling. Unlike some depictions of binges, it doesn’t shortchange vomit. The adventures of Aldous and Aaron remind me of a friend I used to meet on Saturday mornings for what we called Drunch. “Sometimes,” she said, “it can be really exhausting having a good time.” Aaron, who has been threatened with flaying if he doesn’t deliver Aldous on time, panics when he can’t get him to Heathrow for the right flight, can’t get him to “Today” on time, can’t get him to the sound check at the Greek, and very nearly can’t get him to the Greek. Aldous for the most part floats benevolently above these small misunderstandings. When it comes to himself, he’s a very understanding man…read more [ Roger Ebert ] The beauty of the film is that, having put in place a solid comic structure, Stoller keeps coming up with surefire comic situations. And so when young, straight-arrow Aaron (Jonah Hill) finds himself in a limousine heading for the “Today” show with a rock star who absolutely must not arrive drunk or stoned, what does he do when the rock star whips out drugs and alcohol? Aaron hogs the drugs and drinks all the alcohol and arrives on the set with vomit all over his own jacket. And on and on, for 109 minutes, just one absurd, uncomfortable, hysterical situation after another…read more [ SFGate ] Colm Meane stars as Jonathan Snow and Russell Brand stars as Aldous Snow in Get Him to the Greek Get Him to the Greek is a transcontinental substance-filled race against time. When the closing credits rolled, I was absolutely exhausted. This was not due to a cinematic marvel of transference, it was because I’d been laughing, heavily, for one hundred and nine straight minutes.Wisely giving “Aldous Snow,” the best thing about his so-so Forgetting Sarah Marshall the spotlight, Nicholas Stoller’s Get Him to the Greek delivers what’s advertised – Russell Brand being a madman and Jonah Hill being an oaf – and sets them running on a plot-light ride through ridiculous, environment-driven set pieces. While at heart a simple road picture taken straight from the Hope and Crosby playbook, Greek bends over backward to stuff as much dazzle in each scene…read more [ UGO ] The picture is much better when it sticks to being a satire of the music industry. That’s when comedian Brand is at his most inspired. His band may be called Infant Sorrow (a bookish nod to William Blake), but the decadent Aldous Snow is a wicked parody of geezer rock. Looking like the bastard child of Keith Moon and Jimmy Page, he prances about the stage with the prissiness of Mick Jagger, flashing wild-man eyes that could outstare Iggy Pop. His Today Show number, The Clap, even sounds like a send-up of the Stones at their dirtiest. (Rock vet Lyle Workman provided the film’s witty music.) Brand also brings to the character his own double-edged comedic persona – part crude, part genteel, with an irresistible blend of devilry and disarming innocence…read more [ CBS News ] Russell Brand stars as Aldous Snow and Rose Byrne stars as Jackie Q in Get Him to the Greek Get Him to the Greek is filled with gags like that, jokes so lame and ludicrous they somehow circle ‘round back to being funny. It doesn’t hurt that the movie is dotted with an assortment of lively second- and third bananas, Combs among them. (He has the megalomaniacal record-industry exec thing down cold.) Rose Byrne, as Snow’s ditzy, kittenish ex, Jackie Q., also has a few deliciously zonked-out scenes, including a faux rock video that shows her romping around in a tiny, flouncy French milkmaid costume. Byrne, in addition to being a good sport, has marvelous comic timing: At one point she blinks out at us from behind a set of enormous feather eyelashes, fluttering her lids as if it were the most normal thing in the world to have Cleopatra’s fans affixed to your lashline…read more [ Movie Line ] Get Him to the Greek has all the hallmarks of an Apatow project. It’s raunchy, kinda sweet and filled with snarky pop culture references. Not surprisingly the third act has some structural issues, but while it’s a tad long it isn’t bloated or overly ambitious à la Funny People. It strikes an entertaining balance between the predictable and freewheeling, between being conventional and outrageous. Personally, I could do without all the vomit, but, then again, physical discomfort is essential to comedy. And at least now I know that furry walls can calm my anxiety…read more [ BoxOfficeMagazine ] Get Him to the Greek Video Review Share this on Blinklist Share this on del.icio.us Digg this! Post this on Diigo Share this on Reddit Stumble upon something good? Share it on StumbleUpon Share this on Technorati Share this on Mixx Tweet This! Subscribe to the comments for this post? Add this to Mister Wong Add this to Izeby Submit this to Twittley Save this to Xerpi Submit this to Netvibes Blend this! Engage with this article! Add to a lense on Squidoo

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Get Him to the Greek Review

Brett Ratner to Make Snow White Edgy

Since Hollywood is running out of 1980s television series to pillage and plunder for big screen glory, why not turn to the 17 80s next? Fresh off the success of Alice in Wonderland , studios are already planning reboots of Cinderella and The Great and Powerful Oz — and now comes word of Snow White getting the makeover treatment. But before you take a bite out of that forbidden apple and end it all, just remember: This isn’t your grandfather’s Snow White . Right, producer Brett Ratner?

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Brett Ratner to Make Snow White Edgy

Hoffman/Bateman Romance Thwarts Portmanteau Naming Device

Hollywood has a new cute couple ! Last night, at the Lakers/Celtics game in Los Angeles, the May/December union of Dustin Hoffman, 72, and Jason Bateman, 41, was revealed for all the world when a kiss-cam landed on the two actors and they decided to go for it with gusto. What cutesy nickname shall we give this new union? Hoff…man? Bate…man? Dammit. [ Towleroad ]

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Hoffman/Bateman Romance Thwarts Portmanteau Naming Device

REVIEW: Splice Blends High and Low In Terrific Horror Trip

The first look we get at Clive and Elsa, the rock-and-roll gene cutters at the center of Splice , is from the perspective of the biogenetic blob they have just coaxed from its gloppy, synthetic womb. Their faces are eager and expectant, shining beatifically but intently down on their latest creation: Welcome to the world! What can you do for me? Whether there’s a place in that world for these not-found-in-nature experiments is hardly a concern — “Fred,” a partner for the already thriving “Ginger,” was born in a lab and meant to stay there, a species created solely to host unique (human) life-saving proteins. That the new parents radiate total confidence in the wisdom of such activity — even as they are watched in turn by their little monster — is the first indication of what’s in store.

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REVIEW: Splice Blends High and Low In Terrific Horror Trip

Miley Cyrus Admits ‘Full Circle’ Is About Nick Jonas

‘Surprise, surprise, it’s about a Jonas brother,’ Cyrus reveals of the ’08 track during concert in Portugal. By Jocelyn Vena Miley Cyrus Photo: Fotonoticias/ WireImage Miley Cyrus may be happily dating her “The Last Song” co-star Liam Hemsworth, but she had another boy on her mind when it came to recording “Full Circle,” from her Breakout album. While performing at the Rock in Rio concert in Lisbon, Portugal, on Saturday, Cyrus surprised fans when she revealed the inspiration for the track was none other than JoBro Nick, her onetime flame. “It’s about two people. They’re always gonna come back together no matter what anyone says, the bad people that try to keep you apart. It’s a personal story,” Cyrus can be heard telling the crowd in a video posted on JustJared.com . “Surprise, surprise, it’s about a Jonas brother,” she smiled. After singing a few lines, the singer added, “You didn’t hear that.” The song isn’t new, but the revelation was. Miley and Nick dated for nearly two years before breaking up in 2007. On the chorus, Cyrus sings, “I try to run/ But I keep on coming back/ Full circle/ And I can’t jump the track/ Can’t let you go.” The “Can’t Be Tamed” singer has never been too shy about discussing her relationships, but the star initially tried to keep the one with Nick under wraps. In a 2008 interview with Seventeen magazine in 2008, Cyrus opened up, confirming their relationship — and their breakup. In her book “Miles to Go,” published last year, she called Jonas her “Prince Charming.” But the Lisbon concert wouldn’t be the first time the exes have used music to address their on-again, off-again relationship. In 2008, Cyrus released the breakup track “7 Things.” The video’s director, Brett Ratner, confirmed fans’ suspicions about the song’s intended target, when he noted that a piece of jewelry Miley wore in the clip was a gift from Nick. “The necklace she’s wearing in the video is the necklace he gave her,” Ratner told MTV News at the time. “She’s wearing his diabetes or medical necklace.” The couple reconciled for a short time in 2009, recording the ballad “Before the Storm,” off the JoBros’ fourth album . But they parted ways again after Cyrus met Hemsworth on set. Jonas is currently unattached; he last dated from Disney star Selena Gomez . Were you surprised to hear that Nick was the inspiration for Miley’s “Full Circle”? Tell us in the comments! Related Videos MTV News Extended Play: Miley Cyrus Related Photos The Evolution Of: Miley Cyrus Related Artists Miley Cyrus Nick Jonas & The Administration

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Miley Cyrus Admits ‘Full Circle’ Is About Nick Jonas

Lil Wayne And Shanell’s ‘Runnin’ ‘ Video Premieres — Watch It Now!

Shanell tells MTV News about shooting the video before Weezy went to jail. By Steven Roberts Lil Wayne feat. Shanell – “Runnin” Photo: Cash Money Records NEW YORK — For Lil Tunechi Weekend, MTV Jams and MTV2 are premiering four brand-new Lil Wayne videos , which the Cash Money star shot in quick succession earlier this year during Super Bowl weekend. The videos include “Da Da Da” and “Get a Life,” both featuring the rock band

Lil Wayne’s ‘Da Da Da’ Video Premieres — Watch It Now!

Weezy puts on an impromptu rooftop performance in the just-released clip. By Jayson Rodriguez Lil Wayne in ‘Da Da Da’ music video Photo: Cash Money Records Lil Wayne has been on his rock-star steez for sometime now, but in his clip for “Da Da Da,” the New Orleans rapper really embraces the lifestyle, as he and